An early black and white photograph of the main street in Marysville in Victoria.An early black and white photograph of the main street in Marysville in Victoria. This street is now known as Murchison Street.approx '48 Main Street & shops.murchison street, marysville, victoria

Raglan Street is located within the heritage precinct of central Ballarat. This house was built around the turn of the century, with sewerage being added in 1908. The hallway is lined with pressed metal, the remainder of the metal being used at Talbot Hall. The building was occupied by Dr Pern.Postcard size colour photo of a weatherboard house in Raglan St Ballarat.raglan street, ballarat, house, garden, architecture

This photograph was taken on the day that Gus Gervasoni left for army service during World War Two.Black and white photograph of members of the Gervasoni family at George and Anne Gervasoni's house in Albert Street, Daylesford. Standing left to right: George Gervasoni, Anne Gervasoni (Pedretti) Front left to right: Gus Gervasoni (in uniform), Kevin George Lock, John Hogan Gervasoni, Una Gervasoni, Jack Gervasoni. Gus, Vera and Jack were sibling, the children of George and Anne, John was the son of Gus, who is in army uniform. Kevin Lock stands in front of his grandfather, George.george gervasoni, anne gervasoni, anne pedretti, gus gervasoni, john hogan gervasoni, daylesford, albert street, daylesford

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)Built in 1968-1970 to a design by Graeme C Gunn, 76 Molesworth Street is one of a series of innovative townhouse developments undertaken by Merchant Builders in the late 1960s, this particular example was the recipient of the Bronze Medal at the Victorian Architecture Awards in 1970. The drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 2/72 Molesworth Street, Kew by Margaret Picken.2/72 MOLESWORTH ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORN (REAR VIEW)artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2/72 molesworth street - kew (vic)

Stawell Band Marching in Main Street with crowd lining the Street

Main Street Look toward the Grampians with flags over the Street.

Photos of two tanks driving along Swanston Street taken from the windows of Legacy House. The occasion is not known. The tanks appear to be Leopard 1. One has elaborate equipment on the front. The date is approximately the late 1990s as the Queen Victoria Hospital has been demolished and the QV building has not been started. On the site opposite Legacy House is an open air market called The Sailyards, and what appears to be an ice rink or mini golf, called The Icehouse. Also on the site was the YMCA run skate park called Sail Yards, it was closed in 2001.A record that military equipment was of interest to the Legatees.Colour photos x 4 of two tanks driving North up Swanston Streettanks, streetscape

The photograph shows a picture of Evans Street Sunbury taken from the T intersection at Macedon Street and looking south. When the photograph was taken it was one of Sunbury's main residential areas. Since the 1980s the houses in the image have been demolished and replaced with commercial development. Over the years Evans Street has undergone much change from being a residential strip to being the main commercial hub in Sunbury.A sepia photograph with a white border across the bottom and in post card format of a streetscape with a row of trees growing along the footpath and a number of weatherboard Victorian style double fronted cottages. Both the roadway and footpath are not surfaced and the gutter is lined with stone pavers.EVANS STREETevans street

Upper Main Street looking West from Mechanics Institute built in 1875. Mechanics Institute, Joseph Dawe Stawell Meat Market, D.B. O'Callaghan, Boot & Shoe Warehouse, Stawell Potato Depot, Ben S. Dawson Chemist, R.H. Wadsworth Jewler Watchmaker, English Scottish & Australian Bank, Bone Saddler, Hunter Bull & Mouth Hotel. On North side of street is J. Allingham Draper, Chadwick & Co Draper, D. Telford Farm Produce, Bank of Victoria. Photo taken 1878The "Top End" of Main Street. looking west. The Mechanics Insitute on the Left dates the photo about 1880. Some of the larger buildings have been restored.Victorian Views. C. Herbert, Photo. Stawell 1878stawell business streetscape

From left; Constance and Betty Dandy and possibly their mother, Mrs Dandy, standing in Were Street. Photos shows Smyth's Milk Bar and Montmorency Railway Station in distance; Tozer and Whiteways Grocer on left. Mrs Dandy ran a haberdashery store in Were St.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 120 format B&W negative Black and white printOne print copy inscribed on reverse: Montmorency Station 8-10-50 Smyths ? Milk Bar Girls Constance and Bettey Dandy ? Tozer and Whiteways Grocer on left ?sepp, shire of eltham pioneers photograph collection, montmorency, were street, betty dandy, constance dandy, milk bar, montmorency railway station, railway station, shopping centre, smyth's milk bar, tozer and whiteways grocer, were street shops

Upper Main Street Stawell. Looking East c1910. On left two story Allingham building behind cart is Commercial Hotel. Oriental Bank. Punchard Furniture. Crown Cross Poppet head visible on Big Hill. The side of the Mechanics Institute visible near centre. H S Dawson Chemist. Clarke & Scott Drapery on right. Same as 6730-1 & 2785View along upper Main Street looking East towards Big Hill. Poppet Head in distance at centre.stawell streetscape, mining

John Simpson arrived in Bacchus Marsh around 1848. In 1850 he established a butchery business. He continued to operate this business in Main Street Bacchus Marsh until his death in 1890. His son John Simpson and one of his brothers, Edward took over the business and operated it until 1923. John Simpson the younger died in 1940 having lived all but a few months of his 92 years in Main Street Bacchus Marsh. Edward L. Simpson died in Corowa, NSW in 1937. The younger John Simpson's recollections of Bacchus Marsh in the 1850s to 1870s were published in the Bacchus Marsh Express on the 25 June 1932.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a butchery shop in Main Street Bacchus Marsh in 1883. The front of the building is shown. It is a solid brick or stone structure with a shingled roof and verandah. Hanging under the verandah are numerous carcasses and portions of meat. Two men are standing close together in front of the shop. One is wearing a butcher's apron. Another man to the left sits upon a horse. In the doorway behind the men stands a woman. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, butcher shops, butchers, john simpson butcher 1848-1940, john simpson butcher died 1890

Mechanics Institute Main Street Stawell. Used for many years as the library. Colour photo c1970s. Built in 1875 after the previous institute was damaged by fire in 1874. Architect Mr. George Inskip. Previous wooden institute destroyed by fire in 1866. McKellar Building in background. Hairdresser and Grampians real estate signs visible.Angle on photograph of Mechanics Institute Building. Cars parked in street in Foreground. Hairdresser and Grampians real estate signs visible.Mechanics Institute 1875stawell streetscape

In January 1929, two parties were organised in the honour of the Wellers as they left Melbourne. Reverend Weller had been appointed assistant superintendent to the headquarters of the Missions to Seamen in London. They boarded the Osterley on the 22 January. Unfortunately Mrs Weller died in 1934. Many ladies on the photograph are yet to be identified. Refer to the identification numbers: 7 - Alexina Weller (nee Caley) (marked by red cross). 8 - Alice Sibthorpe Tracy 20 - Ethel Godfrey 23 - Dora walker Group portrait of the Ladies Harbour Light Guild in the cloister at the Mission to Seamen Flinders Street. Written in blue ink at the back: Farewell party in courtyard Missions to Seamen for Mrs Wellerlhlg, alexina weller (nee caley), dora walker, ethel augusta godfrey, alice sibthorpe tracy

See document 1507Information for the brochure (http://www.artdes.monash.edu.au/globe/issue8/tbtitle.html) Construction in Process VI The Bridge, Melbourne Event: March 21-31 1998 Exhibition April 1-30 1998 During Construction in Process (CIP) III at Lodz, Poland in 1991, Emmett Williams and other participating artists initiated the idea of a biannual "performance" of their project in different cities and sites around the world. In the first instance, CIP was a response to the strictures of museum contained commodification of art practices and the dissolution of communism. And with this agenda in mind, their events affirm the active participation of international artists with local infrastructure and site specific materials. The organisation of the 1998 CIP in Melbourne, titled "The Bridge", took Richard Thomas, Katherine Armstrong, Gail Davidson and the legion of others over two years of dedication. And they brought off one of the most open-ended, logistically challenging conceptual events this metropolis has witnessed. The following photo essay provides a personal survey of the "The Bridge", as I saw it transpire around me. German artist Dagmar Udhe created several art installation in Swanson Dock and the Mission. This plaque was placed either in the dome or outside the dome. It may have been forgotten or left intentionally by the artist.PerformanceUltramarine ovoid shaped perspex plaque attached to the wall in the entrance of the Mission (Flinders Street).art installation, dagmar udhe, cultural events, artwork-paintings

The life buoy from the Largs Bay located above the bar helps dating the photograph to post 1957: Largs Bay was launched in 1921, as a mixed passenger/cargo ship. During WW2 she took part in a large number of convoys.nIt was scrapped in 1957 so had a service life of 36 years. Her sister ships were Jervis Bay, Moreton Bay, Esperance Bay and Hobsons Bay. She carried many passengers to Australia to start new lives after WW2. In the bar we can notice advertising helping dating: Peters ice cream Choc Wedge (launched in 1949) at 6d, Cottee's flavoured drinks (Passiona, Lime Coola, Orange, Lemon) In the 1950s, the ladies from the LHLG were still active and dancing with seamen was part of their activities.BW photograph depicting couples dancing in the Flying Angel Club of the Flinders Street Mission.lhlg, dance, seamen, flinders street, cottees, lime coola, passiona, orange, lemon, choc wedge, life buoy, largs bay, ice cream, peters

Shows site of old Sacred Heart School, corner of Frances and Casey Streets, Tatura. Shows back of St Mary's and Convent.Colour photograph showing site of old Sacred Heart School, Casey Streets, Tatura. Shows back of St Mary's and Convent. Photograph stuck onto piece of white cardboard. hogan street tatura, casey street tatura, sacred heart convent tatura, sacred heart college tatura

A slide image of three ladies in a waiting room, believed to be in the old Legacy House in Market Street, probably from the 1950s. The portrait of Stan Savige was painted by E. Buckmaster for the Archibald prize in 1946. Legacy rented the Market St premises for many years. It was part of the Western Market complex that was demolished and redeveloped in the early 1960s. Legacy held meetings, activities and the girls classes on the second floor of the building, accessed by this staircase, but it was barely fit for purpose. In the 1940s a generous donation by an anonymous donor meant Legacy could purchase a building at 342 Swanston St, but due to several factors were never able to inhabit it. Finally it was sold in 1954 and Junior Legacy Melbourne purchased 289-299 Swanston Street Melbourne (previously called Red Cross House) in 1956 from the Commonwealth Government and moved in after refurbishing it.A record of the Market Street building that Legacy occupied for many years until 1956-7.Colour slide of three ladies in the waiting room at Legacy House in Market Street in a yellow cardboard mount with piece of glass.Handwritten 'Waiting room Legacy House. Painting of founder in background' in blue pen on the slide mount.properties, market st, portrait

Typed below photograph, "Looking north along Ringwood Street from corner of Bond Street. Mullum Creek is in dip. Note how bare Loughnan hill was. Taken mid 1930s".

The gold mine in Halley Street is understood to have operated successfully until 1880. Being close to the southern end of Blackburn Lake and to the course of Gardiner's Creek, the mine suffered from continuous water seepage and was eventually abandoned. The mine was filled in soon after 1904Black and white photograph of the front of a miner's cottage in Halley Street Blackburn. Raspberry canes on sticks. Joseph Cramp on left in the black waistcoathalley street, blackburn, gold mining, cramp, joseph

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Metal plate made for T.W.Clark of 205 Bourke Street Melbourne. It is the Trade Mark stamp. Small brass coloured metal plate. Symbol and printing in reverse for stampingName of company - T.W. Clark 205 Bourke Street Melbourne written in circle with crown on top and kangaroo and emu in centre of circle. Scroll with Trade Mark at bottom of circle. Examples on various papers show stamp clearly.zilles, printers, ballarat, melbourne, t w clark, metal plate

Set of four Colour slides, Kodak, white cardboard, .4 brown cardboard of trams using the Flinders St overpass of King St, 14-12-1959 .1 - SW6 854 at the top of the new bridge. .2 - SW6 854 at the bottom of the new bridge, has destination of Hawthorn route 27, and adverts for Biro pens, Lindeman's sherry, Knights Jewellery and KSP ? .3 - SW6 854 trailing photo with William St, nearing the intersection with William St. with the Yarra Family Hotel and a shop selling Oysters and Crayfish. .4 - Photo showing a W2 and W5? climbing the bridge. Note the overhead has been set up for a junction. In the background are adverts for Penfolds Wines, Bushels, the Flinders St viaduct, Nestles Milk, Girlings, Barrow Bros, Store.Hand writing on rear in ink; .1 - 14-12-59 - KFL2 - Flinders St flyover, Melbourne Vic. .2 - 14-12-59 - KFL2a - Trams coming over the Flinders St flyover, Melbourne Vic. .3 - 14-12-59 - KFL3 - temporary track during building of the Flinders St flyover, Melbourne. .4 - 14-12-59 - KFL3a - Flinders St flyover, Melbourne Vic.trams, tramways, trackwork, flinders st, king st, track construction, bridges, sw6 class, hawthorn, route 27, tram 854

‘Devon’, 3 Vincent Street Built in 1906 by Aaron Wyatt of 46 Essex Road for Mr and Mrs Charles Ansell Smith and their family. The Smith family lived at ‘Devon’ until c1916 when they leased it for two years to William Everard who became a Member of Parliament of the Upper House of Victoria A black and white photograph of an Edwardian Style weatherboard house with an L-shaped verandah and roofed with corrugated iron. Timber fretwork adorns the verandah with decorative scrolls on the posts.edwardian style, federation style, weatherboard, 'devon', house names, vincent street, surrey hills, (mr) aaron wyatt, (mr) charles ansell smith, essex road, (mr) roy smith, (mr) stan smith, (mr) frank smith, (miss) dorothy smith, (mr) william everard, builders, member of parliament, parliamentary representatives, harold smith, kenneth smith

Glenelg Shire Council Records Refer Portland Regional Development Board file D-3-7.Percy Street looking north from corner Percy and Julia Streets.Back: Blue stamp, centre - Portland Development Committee

Colour photographs of at the intersection of Dawson Street South and Skipton Street, Ballarat.dawson street south, ballarat, architecture, garage, service station, skipton street, central automotive

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.The item forms part of the Laurie Bennett collection of thirty-six postcards and photographs of Kew and early Melbourne, donated to the Kew Historical Society in 1980. The postcards in the Bennett collection, like other images in the Society's holdings date from the 1890s to the present and comprehensively indicate points-of-view or scenes considered historically, aesthetically or socially significant in the period in which they were produced.Postcard depicting Collins Street looking west from Spring Street. Reg-No-KH.392 (obsolete number). Donated by L. Bennettcollins street -- melbourne (vic.), postcards

Colour photographs of at the intersection of Dawson Street South and Skipton Street, Ballarat.dawson street south, ballarat, architecture, garage, service station, skipton street, central automotive

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The Ernest House (former) at 75 Walpole Street was designed by Harry Ernest in 1955/56. It is one of ten Victorian dwellings in Neil Clerehan’s important 1961 book Best Australian Houses, which illustrated cutting-edge residential design of the day. The house is also significant as Harry Ernest’s first residential commission, introducing elements that characterised his subsequent output.This drawing of the house is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 75 Walpole Street, Kew by Margaret Picken.75 WALPOLE ST., KEW / MARGARET PICKEN '90 / WOODARDS ~artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 75 walpole street -- kew (vic.)