Jock Clutterbuck is a sculptor and printmaker of national significance, known for his sophisticated abstract forms with underlying esoteric mysticism. Clutterbuck overlapped with Baldessin when he studied sculpture and printmaking at the Royal Melbourne Institute of Technology, RMIT (1965-66). He taught at RMIT from (1969-73) before lecturing in sculpture at the Victorian College of the Arts (1974-2000). He is represented in many national and international public art collections and is a recipient of many National prizes and awards. George Baldessin (1939-1978) was a printmaker and sculptor who built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.‘Frosty Night Cartouche’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Following a visit to the Press in 2015, Clutterbuck was reminded of a suite of paintings he had produced some thirty years earlier inspired by plein-air drawings of the night sky. This print attempts to capture something of the enchantment, mystery and drama of a frosty rural property where Clutterbuck spent many years. It is a frost dreaming; a subtle personal homage to Baldessin, embodying the reverence of a fellow artist towards an old friend. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Frosty Night Cartouche' (title); right 'Jock Clutterbuck' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)ekphrasis2018, symbols

This circular was issued to both Legacy Club of Melbourne and The 'Carry On' Club of Melbourne, and signed by presidents: JHB Armstrong for Legacy and WL Sinclair for Carry On. It was after a series of annual conferences between the two clubs and shows an agreement between the clubs on the spheres of work carried out by each club to prevent duplication of effort. As a general rule, Legacy would concentrate on the care of widows and children of DECEASED servicemen; the 'Carry On' Club would focus on the LIVING ex-servicemen and their dependents. A note was made that the Intermediate Legacy Club was a group formed of sons of deceased soldiers who had progressed through the Junior Legacy Club and now 'interest themselves in the physical well-being of totally and permanently incapacitated ex-servicemen.' When an ex-serviceman dies leaving dependents the case will be transferred from the Carry On Club to Legacy, with the occasional exception. Employment: 'Legacy will pass to 'Carry On' the employment opportunities or vacancies that can be filled by ex-servicemen or their dependents in instances were Legacy is unable to fill such vacancies from it's own register' and vice versa. Welfare: close liaison is important and copies of reports will be transferred when transferring cases. These resolutions and discussions about them are shown in the minutes of the "Combined Meeting of Members of Legacy and 'Carry On' Clubs held at Legacy Club Rooms on 27 May 1937, which is the second document included here. Present for Legacy were Legatees Armstrong, Russell, Birrell, Kemsley, Clements. And present for the 'Carry On' Club were Messrs Hall, Pears, Masterson, Neil and Ramsay. The notation H10 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. A record that Legacy was in contact with similar clubs with the intent of sharing the work load and not duplicating effort. Notice to the members of Melbourne Legacy and 'Carry On' clubs 15 October 1937 outlining the agreed spheres of work of each club.Handwritten H10 in red pen. history, carry on club, intermediate legacy club

A vintage 1929 hardcover children's book with the title Chatterbox printed in white lettering at the top of the front cover which has a green coloured background with an illustration in a large circle showing a boy wearing a white jumper in front of trees. The publisher details are printed at the bottom. Red tape binds the covers on the spine. The faded yellow coloured back cover has an advertisement for 'Allenbury's' The Progressive System of Infant Feeding, which was a similar composition to mother's milk. The manufacturer details are added at the bottom. Inside the front cover are black and white printed advertisements for 'Ovaltine' Tonic Food Beverage and "Blackbird" Fountpens. The coloured frontispiece illustration inside depicts an Indigenous American First Nations Indian riding a horse with his family and rest of the tribe in the background. The title of the picture is 'The Wilderness Road'. The title page has the title plus Funded by J. Erskine Clarke, M.A and publisher details with a black lined illustration of children, a woman with children at her knee reading and flowers. There are further coloured plates in the collection. The book contains plenty of puzzles, poetry, and stories for children. Pp. 316. At the back are advertisements for 'Pears the pure soap', Wright's coal tar soap, Chatterbox publications and Macintosh's Toffee de Luxe and Carnival Assortment. fictionA vintage 1929 Chatterbox collection of puzzles, poetry and stories for children with black lined illustrations and coloured plates throughout. children's books, books, children's stories, adventure stories

The newly constructed Diamond Creek Trail from Diamond Creek to Wattle Glen completed in February 2021 winds past these apple trees that possibly lined the entrance to the Greenhills property From Jean Verso, Nillumbik Historical Society, 15 April 2021 William Wandless Herbert bought the surrounding 100 acres in 1852. He was a native of Northumberland and the Scottish Borders who arrived in Melbourne in 1847. The house on the top of the mound would have been built not long after he bought the land; the farm was named "Greenhills". He married Elizabeth Wilson, daughter of John Wilson who had been in Diamond Creek since about 1846. Their first child was born in 1854 so there would be some form of dwelling from about that time. They had eight children who all survived to a good age. His will describes the house as part stone and part wood and of four rooms. Nillumbik Historical Society (NHS) believe it was one of the earliest if not the earliest house, in this part of the district. The remains of the stone house foundations are on top of the mound (photos on the VHD page) and the barn walls are on the north and to the east side of the mound. NHS is not sure how much or which part of the surrounding area was covered by the barns but they were large enough to hold dances after the race meetings that were held in the late 1880's on the adjacent creek flats. It would make sense with the lay of the land that they covered some of the ground to the north and east and used for farm storage, packing sheds for their apple and pear orchards and also for supporting the Nillumbik Gold Mine the family worked to the north up the gully. The path that comes down the gully and runs into the trail goes past the mine site which was on the west side of the gully a couple of hundred metres up from the flats. Heritage Victoria link for the site - https://vhd.heritagecouncil.vic.gov.au/places/12203fay bridge collection, 2018-10-11, diamond creek, diamond creek trail, elizabeth wilson, greenhills, wattle glen, william wandless herbert, apple trees

A number of Plumbing tools dating from 1880s-1970s and used in teaching at Collingwood Technical School then also at Preston Technical School and at Northern Metropolitan College of TAFE's Heidelberg campus. Includes: Kerosene blow torch X 2 (1930s-); Stillson Grips; Pipe Cutter; Mash hammer; Adjustable spanner X 3 different sizes; Caulking tool; 5 way tee, 2X3 way tee, 4 way tee (1930s-); Old Handmade lead traps (student work) X 2; Metal tool tray holding; Offset adjustable spud spanner; Pear shaped lead working mallet; Bossing tool for lead work (1880s-1920s); Soldering iron (1920s-); Set square; Large screwdriver; Also Plumbing texts: • Problems for elementary physics, new rev. edn., by Thomas Tasker and Alexander Boden, Science Press, Sydney, 1966. • Gasfitting. Printed and published by McCarron Bird Pty. Ltd. [Melbourne] • Trade science for plumbing apprentices, Education Dept. Victoria, 1954 • Sanitary Plumbing and water supply, Dept. of Labour • Gasfitting, produced by members of the Colonial Gas Association Limited, Gas and Fuel Corporation of Victoria, and the Technical Division of the Education Department of Victoria. Rev metric edn. 1976 • Mechanical world year book 1953, Manchester Emmott & Co., 1953 collingwood technical school, preston technical school, northern metropolitan college of tafe, plumbing tools, plumbing texts, nmit

A vintage 1894 hardcover children's book with the title Chatterbox printed in white lettering at the top of the front cover which has a green coloured background with an illustration in a large circle showing a boy sitting on a step near a door holding a white dog on his knee. The boy is wearing a green overcoat, brown tartan cap, red cravat and a brown jacket. He has a white blanket across his left shoulder. The publisher details are printed at the bottom, with Price Three Shillings printed in black letters at the very top. Green tape covers the spine, holding the covers together. The covers are damaged and faded. The faded yellow coloured back cover has four advertisements: "Cadbury's", Symington's Pea flour and soup. Symington's Egyptian Food and 'Pears' soap.The manufacturer details are included for all. The frontispiece coloured illustration inside depicts a group of schoolboys near a red letterbox throwing snowballs at each other outside their school. A dog is watching. The title of the picture is 'A hard fought battle'. The title page has the title plus Founded by J. Erskine Clarke, M.A and publisher details with a black lined illustration of children, a woman with children at her knee reading and flowers. There are further coloured plates in the collection. The book contains plenty of puzzles, poetry, and stories for children. Pp. 412. At the back is an added supplement of Wells, Gardner, Darton & Co's Popular Books for prizes and presents. Pp.32.fictionA vintage 1894 Chatterbox collection of puzzles, poetry and stories for children with black lined illustrations and coloured plates throughout. children's books, books, children's stories, adventure stories

Irish-born John Murray and his wife Mary (daughter of Thomas Sweeney) married in 1849 and settled in Eltham North. John and Mary were amongst the earliest inhabitants of Eltham. John was a farmer and their block of about 80 acres, called ‘Laurel Hill’, was on the eastern side of the Diamond Creek, extending east to beyond Zig Zag Road. It was later extended southward by the purchase of a further 60 acres. He is recorded as a supporter on the petition for a school in Eltham and he served on the National School Board of the Eltham school. John died in 1867 and is buried in Eltham Cemetery with Mary and with two of their grandchildren. Their eldest son Johnnie inherited the property. Then in about 1902 his younger brother James purchased about 50 acres on the western side of the Diamond Creek immediately opposite Laurel Hill, extending west to slightly past Wattletree Road. Eltham North Reserve now lies just beyond the southern boundary. James built a family home on top of the hill on the northern boundary, together with a dairy and milking shed and a food cellar. It is thought that the barn with stables was already there. When Johnnie died in 1912, the two properties (though severed by both the creek and the railway line) effectively merged. The land was worked as an orchard with apples, pears, quinces, and possibly apricots and peaches. Later it became a dairy farm. By 1986, almost all the land had been sold off for residential subdivision and the house had been condemned as unfit for habitation. John's grandson Jim retained a small portion of the land and built a new house. He kept the old one as a storage shed, but it was demolished after he died in 1993. The very old barn is still standing. Located in the Roman Catholic section In Memory of John Murray Who died Dec. 1867 aged 50 years Also his wife Mary Murray Who died 7th Sep. 1909 aged 76 years And of their grandchildren Thomas and Mary Ellen DrainBorn Digitaleltham cemetery, gravestones, john murray, mary ellen drain, mary murray, thomas drain

The newly constructed Diamond Creek Trail from Diamond Creek to Wattle Glen completed in February 2021 winds around these ruins just pass the high transmission power lines near Herberts Lane and Collard Drive From Jean Verso, Nillumbik Historical Society, 15 April 2021 William Wandless Herbert bought the surrounding 100 acres in 1852. He was a native of Northumberland and the Scottish Borders who arrived in Melbourne in 1847. The house on the top of the mound would have been built not long after he bought the land; the farm was named "Greenhills". He married Elizabeth Wilson, daughter of John Wilson who had been in Diamond Creek since about 1846. Their first child was born in 1854 so there would be some form of dwelling from about that time. They had eight children who all survived to a good age. His will describes the house as part stone and part wood and of four rooms. Nillumbik Historical Society (NHS) believe it was one of the earliest if not the earliest house, in this part of the district. The remains of the stone house foundations are on top of the mound (photos on the VHD page) and the barn walls are on the north and to the east side of the mound. NHS is not sure how much or which part of the surrounding area was covered by the barns but they were large enough to hold dances after the race meetings that were held in the late 1880's on the adjacent creek flats. It would make sense with the lay of the land that they covered some of the ground to the north and east and used for farm storage, packing sheds for their apple and pear orchards and also for supporting the Nillumbik Gold Mine the family worked to the north up the gully. The path that comes down the gully and runs into the trail goes past the mine site which was on the west side of the gully a couple of hundred metres up from the flats. Heritage Victoria link for the site - https://vhd.heritagecouncil.vic.gov.au/places/12203fay bridge collection, 2016-10-13, diamond creek, diamond creek trail, ruins, wattle glen, william wandless herbert, greenhills, elizabeth wilson

Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio

Poster of the 2012 Essendon players and coachesColour poster of the 2012 Essendon players and coaches. Players are in sleeveless Essendon jumpers, black shorts and white boots; coaches are in grey short-sleeve shirts and black shorts. Players and coaches are standing and sitting in four rows; large "2012" in background, "Essendon Bombers" in large red text across top, Essendon logo in centre at bottom with premiership years on either side; names in small print at bottom of poster; Essendon, Melbourne Airport, Kia and True Value Solar logos in bottom corners. Reverse has printed names, numbers and signatures. > Back row: Sam Lonergan, Jake Melksham, Dyson Heppel, Anthony Long, Ariel Steinberg, David Myers, Tayte Pears, Nathan Lovett-Murray, Stewart Crameri, Michael Hibberd, Brent Prismall, Jason Winderlich. Third row: Mark Thompson, Simon Goodwin, Michael Ross, Ben Howlett, Kyle Hardingham, Jake Carlisle, Scott Gumbleton, Cale Hooker, David Hille, Thomas Bellchambers, Dustin Fletcher, Patrick Ryder, Luke Davis, Alex Browne, Kyle Reimers, Matthew Egan, Sean Wellman, Dean Robinson. Second row: Alwyn Davey, Leroy Jetta, Ricky Dyson, Angus Monfries, David Zaharakis, Brent Stanton, James Hird, Jobe Watson, Mark McVeigh, Heath Hocking, Michael Hurley, Courtney Dempsey, Henry Slattery. Front row: Elliott Kavanagh, Mark Baguley, Cory Dell'Olio, Brendan Lee, Hal Hunter, Jackson Merrett, Lauchlan Dalgleish, Nicholas O'Brien, Travis Colyer. essendon football club; sam lonergan; jake melksham; dyson heppell; anthony long; ariel steinberg; david myers; tayte pears; nathan lovett-murray; stewart crameri; michael hibberd; brent prismall; jason winderlich; mark thompson; simon goodwin; michael ross; ben howlett; kyle hardingham; jake carlisle; scott gumbleton; cale hooker; david hille; tom bellchambers; dustin fletcher; paddy ryder; luke davis; alex browne; kyle reimers; matthew egan; wellman, sean; robinson, dean; davey, alwyn "froggie"; leroy jetta; ricky dyson; angus monfries; david zaharakis; brent stanton; james hird; jobe watson; mark mcveigh; heath hocking; michael hurley; courtney dempsey; henry slattery; elliott kavanagh; mark baguley; cory dell'olio; brendan lee; hal hunter; jackson merrett; lauchlan dalgleish; nicholas o'brien; travis colyer

Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt

Painter, printmaker and installation artist John Wolseley was born in Somerset, England. He lived and worked throughout Europe before relocating to Australia in 1976. His work explores how people dwell and move within landscape. Wolseley see's himself as a hybrid mix of artist and scientist; one who tries to relate the minutiae of the natural world - leaf, feather and beetle wing - to the abstract dimensions of the earth's dynamic systems. Using techniques of watercolour, collage, frottage, nature printing and other methods of direct physical or kinetic contact Wolseley finds ways of collaborating with the actual plants, birds, trees, rocks and earth of a particular place. George Baldessin was one of the first artists John Wolseley met when he arrived in Australia in 1976. Both immigrated to Australia and connected through this shared experience. They were both at 'Realities Gallery' with Marianne Baillieu in the 1970s and 80s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'Life world of the Longicorn beetle' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Communion and collaboration with nature are central to Wolseley's practice. He assembles different drawing methods to represent a kind of inventory or document about the state of the earth. His interest is to paint the processes and energy field of the living systems of this land. 'Life world of the Longicorn beetle' is his continued exploration of Australia's natural eco-systems. The beetle attacks the eucalypt and in the process of tunnelling into the wood of the tree leaves scribbly patterns. The work celebrates the cycle of life, and the wisdom and delicacy of these creatures. This three dimensional work consisting of three layers of paper is a varied edition, offering just the slightest difference between each print, reflective of variation in nature. The found log used as a woodcut acknowledges the interconnectedness of nature and living beings; the log is not apart from the art and the beetle has become an active artistic collaborator. An intimate and layered print of a tree log with line trails from the Longicorn beetle. Patches of pink, yellow and orange watercolour placed randomly. Woodcut from found log and etching on chine-colle with water colour on Gampi (top layer), Mulberry (middle layer) and Arches (bottom layer) paper. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Life world of the Longicorn beetle' (title); right 'John Wolseley' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)woodcut, etching, chine-colle, landscape, environment, longicorn beetle, print, baldessin, ekphrasis2018, eco, mixed media

This SEC cook book was produced circa 1950s when the Kiewa Hydro Electricity Scheme and its Commission was in full swing. The Commission had constructed two settlements, Mount Beauty and Bogong Village to house construction workers and their families in a "closed" community. These "closed" communities were for SEC staff and construction workers only. Entry into these villages was restricted to "SEC pass" carrying construction staff and their families. All facilities such as retail, sporting and other community services was provided by the SEC. This created an isolated community in which limited individual choice or administrative family leeway was available. It was a typical company town (live and work for the company). The Company was in the Kiewa Valley constructing power stations for the Kiewa Hydro Electricity Scheme of Victoria. In one way the individual did not need to be concerned with living costs, educational needs for children, and recreational amenities and therefore "normal" community survival /living methods did not apply. This living, although restrictive, was quite simple. When the scheme was completed, in 1961, marking the end of company town, caused some of the employees, who had enjoyed the "controlled" township environment, a fair degree of angst in having the new 'laissez-faire" controls thrust upon them. This was magnified when both Mount Beauty and Bogong Village became meshed into the Bright Shire, vis-a-vis, local government. This cook book is a prime example of " the company is looking after you" and leave the worrying to us. This environment of a "company town", which creates the atmosphere of minimal personal responsibilities, is still present in a few remote mining towns in Australia at the beginning of the 21st Century.This book is a classical example of the psychological control in which the company had its construction workers families living in. The motto of many companies who had employees in isolated regions was "keep them happy". A happy and contented worker is a more productive worker. This was a period in time (1950s to 1970s) when social psychology was gaining recognition in the Australian workforce as well as internationally. At the end of the construction of all the power stations both the Mount Beauty settlement and the Bogong Village became more integrated into the main stream of rural Australia environment. Development of tourism in the region opened up not only interaction with a greater cross section of the ever expanding type of Australian but also the overseas based non rural culture tourist or immigrant. It allowed the intermingling of ideas in a non company controlled environment. The Mount Beauty and Bogong Village has, and even up to the 3000 Millennium, the same housing construction, as was built by the SEC. There has only been a very gradual change to modern domestic architectural home styles. This SEC cookbook has a folded cover with two staples at the spine, securing eight double sided pages. The white pages contain black print and sketches(3), and one black and white photograph (of the author). The front cover is mainly orange in colour with a gradual fading into yellow(at the top). The cover is approximately 210 g/m2 in thickness and each page is approximately 90 g/m2 thick. Front cover: top of page "SEC Cook Book of Family Favourites", in the middle a sketch, black on orange background, of a smiling mother walking from the kitchen to the dining table with a steaming rolled roast and vegetables in one hand and a gravy pot in the other. The furniture and decor relates to the 1950s. Below this sketch is printed"SEC TESTED RECIPES NO. 16" Inside cover: on top of the page is a black and white sketch of a pineapple, apple pear fish with scales, bunch of grapes with leaves a pork roll (head of pig one end and a roll ending on the other, on top of this food arrangement rests a fruit pie. Below this sketch are printed in black print the books contents.The first side of the first page is a black and white photograph Mary Dunne, the SEC Home Service supervisor who provided a signed foreword. The inside back cover has a promotional segment detailing a black and white photograph of a smiling (and happy) couple in the foreground with an electric stove in the distance. The written motto below this photograph is" to Live better -and save money they'll join the Power People. "the new tariff is(1960s) - First 75kWh --6 cents per kWh Next 435 kWh---2.3 cents per kWh Balance --1.7 cents per kWh The rate per killowatt-hour for the final block drops from 2.1 cents to 1.7 cents --a reduction of 19%.cooking recipes circa 1950s, domestic food, sec victoria cook books, recipes circa 1950s

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. Colour photograph of Knowth and New Grange, Ireland, World Heritage Centreknowth, newgrange, megalith, ireland, world heritage, neolithic

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. Knowth and New Grange, Ireland, World Heritage Centreknowth, newgrange, megalith, ireland, world heritage, neolithic

The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic