Piano accordions were one form of music used to entertain families and friends prior to electricity being available.Possibly used by Eric Heider (Tenny) Wittingslow who married Iris Baker of Tawonga as his death notice was stored in the same box as the accordion.Wooden handles at each end, one has a leather strap over it. When pulled out wooden ends are attached to the handles and to a thick 'cardboard'. Then 3 red wire frames with green 'cardboard' covering, then wood, then 3 more red & green, then wood, then 3 more red/green and then another thick 'cardboard' attached to the opposite handle. These are the bellows pulling air in and out. The handle with the strap has a keyboard beside it while the other handle has silver knobs that move in when pressed. One side of its original box reads - "The Dudley' Trade Mark ' Nightingale' Accordeon / No. 8018?One handle has 'Dudley'. The other 'Dudley=Accordion'. The middle section has on the end of each of the 4 parts - in metal:- Trade mark with bird in the middle of a triangle. Followed by -Nightingale/Registered/Best Quality/Made in Germany piano accordion, dudley nightingale, musical instrument, dudley acccordeon

This collection of papers relating to the Warrnambool Theatre Group chorale contains AGM minutes, performance programs, publicity and Warrnambool Standard information and membership lists. Some of the programs relate to performances which were done by the Warrnambool Theatre company of which this group was an off shoot. There are some Christmas programs and shows involved with the Warrnambool Symphony Orchestra. This folder relates to the years 1991-1995 and is one of 3 folders which relates to the Warrnambool Theatre Group Chorale. Chorale shows a number of connections between local groups some musical others are community groups. The programs show the variety of songs which were popular at the timeGrey folder with items relating to the Warrnambool theatre chorale from 1991-1995. The entries include concert programs, advertising material and financial statements.warrnambool theatre group chorale, warrnambool, warrnambool theatre company,

This collection of papers relating to the Warrnambool Theatre Group chorale contains AGM minutes,office bearers, publicity and Warrnambool Standard information as well as membership lists. Some of the programs relate to performances which were done by the Warrnambool Theatre company of which this group was an off shoot. The dates range from the 1989 to 2012.This collection of papers connected to the Warrnambool Theatre Group Chorale shows a number of connections between local groups some musical others are community groups. Grey folder with items relating to the Warrnambool theatre chorale from 1989 to 2012. The entries include concert programs, advertising material and financial statements.

These Victorian Almanacs were published from 1859 to 1916. They contained information of interest to all Victorians, especially historians, businessmen, farmers and gardeners and must have sold many copies in Warrnambool, particularly before the local Warrnambool Standard Almanacs began publication in 1875. These booklets are of interest as examples of 19th century almanacs published in Victoria. They are also somewhat similar to the Almanacs published annually by the Warrnambool Standard newspaper from 1875 to 1930. The 1869 Almanac is of particular interest as it has on the front cover the printed name of James Hider, stationer and bookseller of Warrnambool. James Hider had been a carpenter, a land agent and a rate collector before opening a shop in Timor Street, selling books and stationery and operating a Circulating Library. In 1865 Hider set up as a photographer and was still operating this business in 1878. He was active in community organizations, including the Mechanics Institute, the Fire Brigade, the National School, the Musical Group and the Benevolent Society. He was also a Councillor and a Mayor in the 1860s. It is interesting to note that his name does not appear to have been been added to the 1869 Almanac cover but is part of the original printing. These are two soft cover booklets of 60 pages each. The back covers of both are missing and the 1868 booklet has some back pages missing. The 1868 Almanac has a black and white cover with ornamental scrolls and the 1869 booklet has a red, green black and cream cover with an ornamental border and images of flora and fauna. The 1869 Almanac cover has a Coat of Arms with Advance Australia printed at the bottom of it. The 1869 Almanac also has a map of Victoria as an insert. Both almanacs contain an historical calendar, Victorian Parliamentary information, data on Victorian cities, postal regulations, farmers’ and gardeners’ guides etc. Both contain advertisements relevant to Melbourne. Both have been bound with string. victorian almanacs, annual journals, james hider, bookseller and stationer,, warrnambool.

Dame Nellie Melba, born Helen Porter Mitchell (1861-1931), was the first Australian to gain international fame as an opera singer and one of the best-known singers in late Victorian times. She took the name ‘Melba’ from her home town, Melbourne. She sang in Warrnambool on at least two occasions, staying at local homes, including ‘Summer Hill’, belonging to the Murray family and ‘Lyndoch’ as the guest of Florence Lake. In 1927 she sang at the Warrnambool Town Hall with three other assisting artists and this programme records that event. The Warnambool and District Historical Society has an evening bag that was given by Nellie Melba to Miss O’Donnell, a maid at ‘Lyndoch’ at that time. This programme is of considerable significance as it is a memento of the occasion in 1927 when the famous Australian opera singer sang at the Warrnambool Town Hall during her farewell tour. This is a cream-coloured sheet of paper folded into two to make four pages. The front cover has a decorative border and blue printing and a Warrnambool & District Historical Society stamp and the back cover has an advertisement. The middle pages contain blue printing. The folds are torn in parts.Dame Nellie Melba's Farewell Tourdame nellie melba, history of warrnambool, lyndoch, melba farewell tour

The Orbost Workers' Band and the Orbost Town Band amalgamated in 1913 to form the Orbost Municipal Band under the conductorship of Mr Charles Spink. The Orbost Municipal Band played a major role in the Orbost community activities. Charles Spink made sure each soldier returning home from the 1914 to 1918 war was welcomed home in front of the Shire Hall to the music of the Orbost Municipal Band. The band played in the main street on most Friday nights and in 1929 the band played at the official opening of the Buchan Caves, by Sir Albert Lind. The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members. A plastic pocket containing cheque butts, credit books and account books. All contain hand-written details and relate to the Orbost Municipal Band.On front covers - "ORBOST MUNICIPAL BAND" in black pen. orbost-municipal-band

The Orbost Workers' Band and the Orbost Town Band amalgamated in 1913 to form the Orbost Municipal Band under the conductorship of Mr Charles Spink. The Orbost Municipal Band played a major role in the Orbost community activities. Charles Spink made sure each soldier returning home from the 1914 to 1918 war was welcomed home in front of the Shire Hall to the music of the Orbost Municipal Band. The band played in the main street on most Friday nights and in 1929 the band played at the official opening of the Buchan Caves, by Sir Albert Lind. The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members.Two hard back minute books with black covers and red spines. There is a white paper label with details of dates and the title "ORBOST MUNICIPAL BAND MINUTE BOOK".orbost-municipal-band

These newsletters belonged to the Orbost Municipal Band. The Orbost Workers' Band and the Orbost Town Band amalgamated in 1913 to form the Orbost Municipal Band under the conductorship of Mr Charles Spink. The Orbost Municipal Band played a major role in the Orbost community activities. Charles Spink made sure each soldier returning home from the 1914 to 1918 war was welcomed home in front of the Shire Hall to the music of the Orbost Municipal Band. The band played in the main street on most Friday nights and in 1929 the band played at the official opening of the Buchan Caves, by Sir Albert Lind.The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members.Eight newsletters titled "Ozoompah for amateur banding in Australia"orbost-municipal-band newsletters-ozoompah

Orbost Town Band amalgamated in 1913 to form the Orbost Municipal Band under the conductorship of Mr Charles Spink. The Orbost Municipal Band played a major role in the Orbost community activities. Charles Spink made sure each soldier returning home from the 1914 to 1918 war was welcomed home in front of the Shire Hall to the music of the Orbost Municipal Band. The band played in the main street on most Friday nights. The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members.Three A4 folders containing inward correspondence related to the Orbost Municipal Band. 802.1 has a maroon cover and is dated from 1963 -1977. 802.2 has a grey cover and is dated from 1978 - 1979. 802.3 has a grey cover and is dated 1974 - 1975 .orbost-municipal-band

Orbost Town Band amalgamated in 1913 to form the Orbost Municipal Band under the conductorship of Mr Charles Spink. The Orbost Municipal Orbost Band played a major role in the Orbost community activities. Charles Spink made sure each soldier returning home from the 1914 to 1918 war was welcomed home in front of the Shire Hall to the music of the Orbost Municipal Band. The band played in the main street on most Friday nights. The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members.Five correspondence books with carbon pages. They contain outward correspondence related to the Orbost Municipal Band. 803.1 is dated March 1962 - May 1965. 803.2 is dated September 1972 - May 1974. 803.3 is dated February 1973 - July 1975. 803.4 is dated august 1975 - March 1977. 803.5 is dated March 1977 - 79. The books are "TUDOR DUPLICATE BOOK"s with blue covers and white print.labels on front covers with datesorbost-municipal-band

Orbost Town Band amalgamated in 1913 to form the Orbost Municipal Band under the conductorship of Mr Charles Spink. The Orbost Municipal Band played a major role in the Orbost community activities. Charles Spink made sure each soldier returning home from the 1914 to 1918 war was welcomed home in front of the Shire Hall to the music of the Orbost Municipal Band. The band played in the main street on most Friday nights. an The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members. A black vinyl case with a carry handle. It contains documents relating to the Orbost Municipal Band - financial reports in ledgers and exercise books; cheque books and deposit books from the Commonwealth Bank; receipt books; invoices; receipts; submissions; quotes; and five cheque book stubs.labelled Orbost Municipal Bandorbost-municipal-band accounts book-keeping

The braided rope and the shoulder tabs would have been used on the Orbost Municipal Band uniform dated between 1932-1985.Instruments and some history on the local band is displayed in the Orbost MuseumThe various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members. Yellow braided rope with tassels on the end and also 6 0rbost shoulder tabs which are in an arc shape, with a black background with yellow machine stitching stating Orbost, both used for the municipal band.machine stitched in yellow/ Orbost on a black background on the shoulder tabs/"ORBOST"tasseled rope, shoulder, tabs, orbost municipal band, 1932 1985 australia victoria

The Jew's Harp was gripped between the teeth and strummed with the thumb. The tone changed according to the pressure applied by the teeth.A rusty metal "jew's harp" with a thin wire prong through the centre.jew's-harp musical-instrument

A small wooden violin in a black leather case. The case has metal clasps and is lined with green velvet. There is a key to lock the case and two bows. The violin is a copy of an Antonius Stradivarius.violin musical-instrument string

This photograph was published in "The News" on Friday, January 11 1974. Those in the photograph are : L -R Stan Reed, Ted Smith, Alf Barling and Major General Sir Rohan Delacombe (Governor of Victoria). They are having morning tea with the State Governor when he visited Orbost.The accompanying article was titled "TEA WITH THE GOVERNOR". Councillor S. J. Reed was the Orbost Shire President, E.A.Smith was a Shire Councillor and Mr A. Barling was the Orbost Municipal Band Leader. The first Orbost Brass Band was formed in 1889. Around 1908 the town band split and the Orbost Workers' Band was formed. Eventually the two bands merged in 1913 to reform as the Orbost Municipal Band under conductorship of Charles Spink. The band continued for many years but was later disbanded and again reformed. This was to happen a number of times, the last time being in 1961 and continuing through to the late 1970's. Further info and Ref: In Times Gone By - Deborah Hall This photograph is associated with the Orbost Municipal Band. The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members. Major General Sir Rohan Delacombe was the last British Governor of Victoria, Australia from 1963 to 1974.A black / white photograph of four men standing facing the camera. They are dressed in suits and wearing ties. One man is dressed in a band uniform. Three are holding cups and saucers.orbost-municipal-band barling-alf delacombe-rohan

This photograph was taken inside St James Hall, Orbost at the 75th anniversary of the Orbost Municipal Band.on November 8, 1975. It was published in the Snowy River Mail on November 12, 1975 under the heading "ANNIVERSARY FOR BAND". "Some 250 people filled St James Hall on the occasion of the 75th anniversary of the band, The evening began with a buffet dinner followed by a recital by the members of the band, The fitting numbers chosen were favourites throughout the different eras during the band's 75 years. A display of old brass instruments, photographs and a history of the band drew much comment. Bandmaster, Alf Barling, conducted the band during the celebratory recital." The first Orbost Brass Band was formed in 1889. Around 1908 the town band split and the Orbost Workers' Band was formed. Eventually the two bands merged in 1913 to reform as the Orbost Municipal Band under conductorship of Charles Spink. The band continued for many years but was later disbanded and again reformed. This was to happen a number of times, the last time being in 1961 and continuing through to the late 1970's. Further info and Ref: In Times Gone By - Deborah Hall This is a pictorial record of the Orbost Municipal Band. The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members.A black / white photograph of a bandmaster in uniform standing, conducting, in front of a group of musicians.sitting down playing their instruments. The photograph has been taken indoors. music-orbost recreation orbost-municipal-band barling-alf entertainment

The Orbost Workers' Band and the Orbost Town Band amalgamated in 1913 to form the Orbost Municipal Band under the conductorship of Mr Charles Spink. This photo, taken in 1907, is probably of the orbost Town Band. In the photo are : Percy Watt, Geoff Beattie, Bill Gluth, Charles Spink, Bert McCay, R. Cotterill, Fred Smooker, George Draffin and Jin Lynn. The various Orbost bands have played a major role in the Orbost community activities as well as providing entertainment and musical experiences for the many members. A black and white photograph of two rows of men,front row kneeling and back row standing. The men are dressed in suits with waistcoats and are wearing hats.Each is holding a brass instrument.

This ukelele was owned by Snowy McAlister one of the most famous surfers to come out of the Manly surf scene during the 20th century. Snowy won eleven surfboard 'display' contests in Sydney and Newcastle from 1923-1936 including the first 'Australian Championship at Manly Beach in 1924.This ukelele belonged to one of the most influential surfers during the 20th century. It was made by Jonah Kumalae of Hawaii during the early part of the 20th century. It represents the connection between surfing and music as personified by this musical instrument made popular in Hawaii during this period.Handcrafted Hawaiian, Kumalae ukelele, light brown in colour,missing one of the four original tuning knobs.Kumalae logo on the top of the neck of the ukelele.snowy mcalister, jonah kumalae, kumalae ukelele

The design of this pair (RN 758 & 759) is based on Thonet’s No. 18 chair, which was originally produced in 1876 by Thonet, and is still one of the best-selling designs for café and restaurant owners. It is elegant, sophisticated and durable. The label notes the design as “AUS MASSIV GEBOGENEM HOLZE vorm” which translates to “solid curved sandals shape”, a good description for the back of the chair. The chairs have marks, paper labels and symbols on them that show that the maker was Harnisch & Co., Neuschler (also called Banská Bystrica) Furniture Factory in Neuschol (Beszterczebanya), Hungary, privileged makers for the Imperial and Royal Austrian-Hungarian Empire 1867 – 1918. Bentwood chairs are made by a process of wetting wood in water, bending it into curved shapes, then allowing it to dry so that the shape becomes permanent. This process originated by Michael Thonet, who had been given the right to bend wood into desired curves by the Austrian Courts in 1842. In 1856 he was granted a 13 year patent to manufacture chairs and table legs of bent wood treated by steam or boiling water. In 1859 his company Gebruder Thonet produced his original design. Thonet’s early designs also featured hand carved or laminated wooden seats. His Model No. 14 produced in the 1850’s, was his most popular design. After Michael’s death in 1871 the family went on designing and producing chairs. The No. 18 chair was produced in 1876, one of a group of chars with back inserts consisting of curves and loops of bentwood. These bentwood chairs are believed to be associated with the either the original Warrnambool Town Hall or the Toc H Group in Warrnambool. The Warrnambool Town Hall played a significant role in the both the local government and the social events of local and district areas. It was a place for Council meetings, community events and entertainment, theatrical and musical.Chair, bentwood, 'French Bistro Chair' with a floral pattern carved in seat. Backrest has inverted U shape inside that extends to the seat. Supports on either side of backrest's base join to back of seat. Legs have a wooded bracing ring. Marks are embossed into rim under seat. Paper label, cream with black print, on rim; Right side of label has the symbol of Heraldic Shield. Text on label. Made by NEUSOHLER FABRIK FUR MOBEL, AUS MASSIV GEBOGENEM HOLZE, vorm. HARNISCH & Co, NEUSOHL (BESZTERCaZEBANYA) UNGARN ' Hand written under seat "T H" in black paint, "T H " in white chalk.Marks; pressed into rim under seat is "3", and "Crown [over] (N)", Paper label, cream with black print, on rim; Left side has Mark “N inside circle under crown”. Right side has symbol of Heraldic Shield. Text on label “Trade – K.u.K.- Mark / NEUSOHLER FABRIK FUR MOBEL/ AUS MASSIV GEBOGENEM HOLZE, vorm. HARNISCH&Co / NEUSOHL (BESZTERCaZEBANYA) UNGARN ' Hand written under seat "T H" in black paint, "T H " in white chalk. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bentwood chair, café chair, restaurant chair, thonet design chair, neusohler fabrik fur nobel, k.u.k. approved manufacturer, hungry, harnisch & co, k.u.k., public hall chair, toc h

Violin bow; long, rounded wooden stick, with tapered end. A shaped section, the Frog, is joined on below the wide end. The Frog is decorated with mother of pearl. A screw is inserted into the base, used for tightening the strings.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, violin bow, musical instrument

This sheet music is "The Parade of the Tin Soldiers', the original German title, composed by Leon Jessel as a solo piece for the piano in 1905. The work is also known as "The Parade of the Wooden Soldiers". In 1907 the orchestra version was published, Opus 123. (Op. 123, as written on the cover). The sheet music was published by Sole Publishers for the British Empire, Enoch & Sons Ld (1890-1927) of 58 Great Marlborough Street, London, W. Versions for all other countries were published by Neinrichshofen's, Verlag, Magdeburg. Orchestral and Military arrangements of the music were published by Hawkes & Son, Denman St, Piccadilly Circus, London, Leon Jessel (Jan. 22, 1821 to Jan. 4, 1942) was a German composer who was born a Jew and converted to Christianity in 1894. His works included a wide variety of music including 'The Parade of Tin Soldiers' (Die Parade der Zinnsoldaten). Jessel was also a music conductor and bandmaster. The instrumental piece 'Die Marokkanische Patrouille' (The Moroccan Patrol) was published in 1911, Opus 227. He was also known for his operettas 'Schwarzwaldmädel'(Black Forest Girl), presented in 1917, and 'Die Postmeisterin' (The Postmistress), presented in 1921. In December 1941 he was arrested and then tortured by the German Gestapo; he died in January 1942. In the early 1920s, The Parade of the Tin Soldiers became very popular; it was presented as part of a show and was re-titled The Parade of the Wooden Soldiers. It was also made into a film and its recording was a hit single record. The music continues to be played and presented and is a Christmas-time favourite.This music is significant for its connection with the German composer Leon Jessel, a victim of the Germans for being born a Jew, even though he converted to Christianity in his youth. It is also significant as a popular work of music composed in the early 1900s and later used for a variety show and a film. The music an example of entertainment in the early 20th century that has endured to current times and often played at Christmas celebrations.Book of sheet music for four tunes. The thin softcovered book has eight pages, with the front cover featuring colourful graphics of soldiers marching and others on horseback. The four tunes are: - The Parade of the Tin Soldiers, (piano solo), Composer: Leon Jessel. Ballade de la Lune, Enjolement, Lentement, document, tendrament, Publisher: for the British Empire, Hawkes & Son, Denman St, Piccadilly Circus, London, Sole Publishers for the British Empire, Printer: Enoch & Sons Ld. 58 Great Marlborough Street, London, W. Printer: Lowe & Brydone Printers Ltd. London N.W. 10 Publisher, for all other countries: Heinrichshofen's, Verlag, Magdeburg. Printed: in England by Heinrichshofen's Verlag Copyright: 1911 by Heinrichshofen's VerlagOther print on the cover includes: ALSO KNOWN AS "THE PARADE OF THE WOODEN SOLDIERS" "Op. 123" "Characteristic Piede" "SOLE PROPRIETORS FOR THE BRITISH EMPIRE" "NEW SUCCESS BY THE SAME COMPOSER 'MOROCCAN PAT(ROL) (CH)ARASTIC PIECE" "PIANO SOLO" "SIMPLIFIED" "DUET" "VIOLIN & PIANO" "Orchestral & Military Arrangements" On the bottom of pages: "E & S 4370" "Copyright 1911 by Heinrichshofen's Verlag" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, leon jessel, composer, operetta composer, the parade of the tin soldiers, the parade of the wooden soldiers, musical march, music conductor, music director, bandmaster, 19th-century classical composers, 19th-century german composers, 20th-century classical composers, 20th-century german composers, sheet music, music book, piano music, jewish composer, world war ii victim, composer: leon jessel., ballade de la lune, enjolement, lentement, hawkes & son, for all other countries: heinrichshofen's, verlag, magdeburg., book of sheet music, enoch & sons ltd london, lowe & brydone london, heinrichschofens verlag, marching music, 1911, early 20th century

This early 1880s Mason & Hamlin reed organ was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. It was donated to the Williamstown St Nicholas Seamen's Church by the Joy Club for Fighters around the time of the opening of the church. The front panel displays the front and back of six medallions, showing the year and location of exhibitions that Mason & Hamlin participated in, adding perceived notability and prestige to the value of this organ. These medallions date from 1867 - 1881: Paris 1867, Vienna 1873, Philadelphia 1876, Paris 1878, Sweden 1878 and Milan 1881. MASON & HAMLIN Mason & Hamlin organ manufacturer was founded by Henry Mason and Emmons Hamlin in Boston, Massachusetts in the 1850s, making about 450 organs per year. By 1905 the annual turnover was around 10,000 instruments. The Cable Co. purchased the company in 1911, which in turn was taken over by the American Piano Co. in 1924. By 1927 the production reed organs had ceased. Mason & Hamlin, like many other manufacturers, publicised its instruments at county fairs and exhibitions. They were quick to advertise any awards they won, or even recognition for displaying at these events, by adding matching medallion decals to their products. JOY CLUB FOR FIGHTERS The Joy Club for Fighters was formed in Williamstown in 1940 to raise funds to support Australians fighting in Australia and overseas in World War II. Activities such as dances were organised in venues such as Mechanics' Institutes, and enthusiastically supported. Donations were given to several hospitals and other care facilities, and local fighters, for distribution to the servicemen. Items such as food hampers and cigarettes were amongst the tributes given. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. The organ is historically significant for its creation, being circa 1880 and still in use in the 1960s. This organ is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The item is historically significant for its connection to the Joy Club for Fighters, a support charity for Australian servicemen and women of World War II. The connection of this item to the Mission to Seamen and to the Joy Club for Fighters highlights the strong community awareness of the life of people in the armed forces, their dangers and hardships, and their need for physical, financial, spiritual and moral support.Organ; reed organ, mahogany wood with decorative carving and colourful inlaid floral design. Has two pedals that are decoratively covered in floral patterned tapestry. Inscriptions are on the panel above the keyboard. Organ has five octaves and eleven stoppers. Made by Mason & Hamlin, America, circa 1881. This organ is part of our St Nicholas Seamen's Church collection."Mason & Hamlin" and below the music rest "No 113032" and other indiscernible print Medallions, left - right "PARIS, 1878." "SWEDEN, 1878." "PHILA., 1876." "MILAN, 1881." "VIENNA, 1873." "PARIS, 1867."flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, joy club for fighters, musical instrument, reed organ, mason & hamlin, worship service, worship music

The company that made this piano was founded in 1728 by Burkat Shudi, a Swiss harpsichord maker. John Broadwood, a joiner and cabinetmaker, worked for Shudi and eventually married his daughter and became a partner in the firm. Broadwood continued in this business after Shudi died in 1773. John's son James also worked for the firm and in 1795 they became John Broadwood & Son, then when a third son joined as partner in 1808 they become John Broadwood & Sons Ltd. and the name has continued on even now. Pianos manufactured by John Broadwood are of world renown.This piano is significant as a historical musical instrument. It is an example of the type of instruments used for entertainment and worship from the mid-19th to early-20th century. Piano, cottage upright, wooden casing in dark wood with a rich grain. Piano features a pair of brass candlestick holders, music holder and fitted lock on keyboard cover. Decorative design etched in panel between candlestick holders, Maker's name is in fancy lettering behind the keyboard. Made by John Broadwood and Sons, London. Painted in fancy text "John Broadwood & Sons/ / London"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, piano, upright, candlestick holder, john broadwood & sons london, musical instrument, upright cottage piano, antique piano, victorian entertainment

Restored by Tony Newstead. Played by Dr Phil Law during the 1930s, "for dances and other functions, while teaching at Clunes, Talbot, Creswick, Learmonth, Newtown, Smeaton, and while teaching at Elwood (at Eltham, Gisborne and Sunbury." including on many of his expeditions to the Antarctic. Phil Law was a dedicated jazz reed player and band leader in his early years as a country school teacher. His brothers also played. Gift of Dr Phil Law - 1999. Dr Law died in Melbourne on 28 February 2010 at the age of 97.Owned and played by Dr Phillip Garth (Phil) Law AC, CBE, for dances and other functions, while teaching during the 1930s, and on many of his 28 expeditions to the Antarctic. Metal Silver B flat soprano saxophone made by V. Kohlert and Sons, Graslitz, Czechoslovakia. Circa 1920s. Mother of pearl keys, slight denting. Additional mouth piece. On bell of saxophone "Kohlert Sons / Graslitz / Czechoslovakia" framed by flower and leaf motifdr phil law, dr phillip law, soprano saxophone, kohlert and sons, kohlert sons, antarctic explorer, b flat soprano saxophone, silver instrument, reed instrument

Given to Ade Monsbourgh by the Grafton Saxophone Company UK, during the Bell Second Tour C1951-1952. Ade Monsbourgh is considered one of Australia's most original and influential jazz musicians and composers. Rare Grafton acrylic plastic alto saxophone donated by the Grafton Saxophone Company UK, to Ade Monsbourgh during the Bell Second Tour C1951-1952 Rare cream-coloured Grafton acrylic plastic alto saxophone belonging Ade Monsbourgh together with mouthpiece Embossed Made in England Patent # 604 407 604 418 John E. Dallas & Son Ltd Sole distributors. # 10147ade monsbourgh, grafton saxophone, acrylic plastic saxophone

Trumpet which belonged to Roger Emerson Bell leading jazz trumpeter and composer who was a major influence on the development of a uniquely Australian Jazz form. He played with his brother Graeme Bell and also led his own groups.Trumpet played by Australian Jazz musician Roger Bell through the mid to late 20th centurySilvered brass trumpet and mouthpiece with slight dent on rearEngraved "Made by Henry Selmer - Paris Depose Grand Prix Geneve 1927 Liege 1930 Signed by maker Henry Selmer Place Dancourt, Paris Made in France" "Silver on Brass Serial # 6697 (engraved on second valve)" roger bell, silver trumpet, henry selmer

Of special interest because of the illumination and artworkIlluminated and illustrated Bass Drum belonging to Frank MobiliaWhite swans swimming on a pondfrank mobilia, bass drum

Played by Lou Silbereisen for recordings with Graeme Bell and His Australian Jazz Band in the late 1940s and 1950s. Played by Brian Carter from 1958 to the mid 1960s.Boosey & Hawkes is a British music publisher. Until 2003, it was also a major manufacturer of brass, string and wind musical instruments. Recording Brass Bass manufactured by Boosey & Hawkes circa 1930s. Played by Lou Silbereisen for recordings with Graeme Bell and His Australian Jazz Band in the late 1940s and 1950s. Played by Brian Carter from 1958 to the mid 1960s.lou silbereisen, recording brass bass, boosey hawkes, graeme bell and his australian jazz band, brian carter

Len Barnard's 'Soap Saver' WashboardLen Barnard is a major contributor to Australian JazzMetal and timber 'Soap Saver' WashboardNational Washboard Co. Chicago Saginaw Memphis Soap Saver Trademark reg. U.S. Pat.Off. Made in U.S.A. No 198 Patent 1152766-1283148soap saver washboard, washboard, len barnard, soap saver washboard, washboard, len barnard

Used on Ade Monsbourgh's Recorder in Ragtime album of 1956 described by Bruce Johnson as "a unique exercise in jazz on recorder."The significance of this recorder lies in it being both an early example of recorder making in Australia and its connection with internationally recognised Australian jazz musician Ade Monsbourgh. The Pan company was the first to produce recorders in Australia. It was established by jazz musicians Ade Monsbourgh and Don Roberts in the Melbourne suburb of Hawthorn, Victoria in 1951. The company manufactured affordable wooden recorders for school students. Instruments such as this were made using local timbers and featured an innovative section of the mouthpiece (the block unit or windway) which was removable and made of plastic, possibly to allow easier cleaning to occur for the sake of hygiene. It is unknown in what numbers these instruments were made. Ade Monsbourgh (1917-2006) was one of Australia's pioneering jazz musicians especially in the period following World War 2 when he played in Graeme Bell's band. As a talented and influential saxophonist he toured several countries, as well as playing with other leading Australian musicians including Bob and Len Barnard. He was awarded an Order of Australia for his services to music in 1992. Don 'Pixie' Roberts (b.1917) was also an early figure in the Australian jazz scene from the 1930s and, in particular, the Australian Jazz Convention of 1946. He also played with Graeme Bell's band. Alto Recorder belonging to Ade Monsbourghade monsbourgh, alto recorder