Kennedy and sons, Roselea Dairy operated in Kew (<1930-1945>). In 1945 Thomas Kennedy, Michael Kennedy and Patrick John Kennedy traded as Kennedy and sons, Roselea Dairy at 80 Pakington St, Kew. (Victorian Government, 07 December 1945). Tom Kennedy, Jnr, and his wife, Lucy, lived at 109 Pakington St Kew. Tom Kennedy Jnr. died 02 November 1963. Lucy Kennedy died 28 November 1987. "CONTEMPT OF COURT. MILK-CARTER GUILTY. Breach of an Injunction. A Supreme Court writ has been issued by Thomas Kennedy, sen., Thomas Kennedy, jun., Patrick John Kennedy, and Michael Kennedy, trading as Kennedy and Sons, Rose Lea Dairy, against Gordon Allberry Shepherdly, of Barnard street, North Kew, milk-carter, claiming an injunction and damages. Plaintiffs carry on business at Pakington street. Kew, and Melville street, Hawthorn, and they claim In their writ an injunction restraining the defendant from soliciting or endeavouring to obtain the custom of people who were customers of plaintiffs when Shepherdly was employed by them under an agreement dated March 13 1928. Plaintiffs also claim damages. Mr Read (instructed by Messrs. Moule, Hamilton, and Derham) appeared for plaintiffs before Mr. Justice Macfarlan in the Practice Court yesterday, to ask for an order for the committal of Shepherdly to prison, or alternatively, for an order that plaintiffs be at liberty to Issue a writ of attachment against him for contempt of court in soliciting or endeavouring to obtain the custom of plaintiffs' customers. The affidavits set out that Shepherdly was employed by plaintiffs from March I3, 1928. until June 6. 1930. An Interlocutory injunction had been granted pending trial of the action for a permanent injunction. Shepherdly, who appeared in person yesterday, said that he had a sick wife and two children. He had not served any of the customers referred to since the granting of the injunction. He had passed them over to another man for whom he was working. Mr Justice Macfarlan - In doing that you have committed a breach of the injunction, and I have no alternative but to order that you be sent to gaol. I will make an order that you be committed to prison until further order of the Court. I will direct, however, that the order be not executed until Tuesday next. If you can then satisfy the Court that you have ceased to serve, or take any part in serving, the customers of Kennedy and Sons, the order will not be executed. (The Argus, 11 July 1930) Rare, if damaged milk bottle from an historic Kew dairyMilk bottle produced for and retailed by Kennedy & Sons Kew. The dairy operated under various names, and at one stage was described as the Rose Lea Dairy. The dairy was situated on the corner of Eglinton and Pakington Streets, Kew. "Kennedy & Sons / Kew / Nursery Milk / This bottle is the property of T.Kennedy & Sons, Kew/ and cannot be legally used by others."kennedy's dairy, kennedy and sons, dairies - kew (vic), milk bottles - kew - melbourne - victoria, thomas kennedy, michael kennedy

This bed jacket was crocheted for Carmela Materia (1931-2018) by her mother, Giuseppa Auditore, around the time they emigrated from Italy to Melbourne. Both women were longtime Brighton locals, residing in the area from the 1950s until their deaths. Carmela Auditore was the first woman from her home village of Scaletta, Italy to emigrate to Australia. Setting sail alone in 1950 at the age of 19, she joined her brother John and uncle Frank in McCallum St, Brighton. Frank had arrived some years earlier and had spent the duration of the First World War in an internment camp. John worked at the Brighton Case Company, a box manufacturer on Nepean Highway, and paid for her passage. Carmela found a job sewing children's clothing at Drummonds, a small factory in Church St. Working eight hours a day, five days per week, netted her a weekly wage of three pounds. To earn a little extra, she washed dishes at a St Kilda Road restaurant for ten shillings a shift. Her parents, Salvatore and Giuseppa Auditore, joined her in Brighton in 1952. They rented a house behind an antique shop in Bay Street. Salvatore had been a fisherman in Scaletta, but quickly adapted to the job he found helping around the Garage at Brighton Motors in Male Street. On 14 February 1953, Carmela married her sweetheart, Salvatore Materia, at St James Catholic Church in Gardenvale. Salvatore had been living with his aunt in Well Street and worked on the wharves. Both Carmela and Salvatore were hard workers. They owned a fruit shop in Church Street where Woolworths now stands, and years later Carmela recalled the familiar 6am tap on her window each morning when her husband returned from the market. On dark winter mornings, she felt as if her hands would freeze as she helped Salvatore unload cold cabbages and cauliflowers from his truck. They later owned a shop in Ludstone Street in Hampton. After Salvatore died suddenly at the age of 48, Carmela returned to sewing, working at the Willow Fashions knitting mill in Gardenvale. She later went into partnership with her sister and brother-in-law, this time in the delicatessen business. Her parents, Giuseppa and Salvatore, spent the rest of their days with Brighton. Carmela recalled her father cheerfully walking the streets, greeting people by name. He knew everybody. He loved being in Australia and enjoyed life to the last, insisting on having bread and wine on the table at every meal.Cream crocheted wool bed jacket. Loose around bust with wide sleeves and open sides. Fastens at collar with thin braided ties, and at waist with two pearlescent plastic buttons.bed jacket, migration, 1950s, carmela auditore, carmela materia, giuseppa auditore

A newsletter printed at Somer’s Camp in 1977. It reflects some of the activities the campers experienced. There was news of sporting events and winners of contests. Also a crossword and some cartoons. The authors are not identified but could be some of the junior Legatees. Legacy has provided camps for junior Legatees for many years. It started in the early years when Legacy organised outings to the property of Legacy founder, Legatee Stan Savige, who had a place in Balnarring close to the beach. In later years children went to camps around Victoria. Occasionally it was to Lord Somers Camp in Somers. Some of the name mentioned in the text: Chaplain Charles Sligo, Fire officer David McPherson, Games director Peter Johnstone, PR Officer Les Phillips, Bursar Robin Kelly. Also section leaders: Keith Williamson, Peter Chapman, Fraser Zielinski, Andrew Russell, John Jones, Campbell Mathieson, John Higgins, Mark Lane. The editorial explains the aims of the camp. "Lord Somer's Camp sets out not so much to teach a method of life as to instil one by example. This may sound rather ominous, as though you are being brain washed - and perhaps in a way you are. The high-powered pressure which is put on you by Slush and by Group Leaders tries to do in less than a week what would take years by any other means. . . In fact what the pressure does achieve may be quite different for different people. . . Cooperation was discussed yesterday. Many of you have possibly already been forced to see that a group of people can achieve nothing unless they work together. Even after one day on the sports field you would realise tag in an event such as the tug-of-war you will never succeed unless every one works together in perfect harmony. . . The second ideal mentioned above was unselfishness. Nearly every problem in the civilised world today, whether it be war, social unrest, inflation, industrial strife it can be traced back to a selfish attitude on someone's part. An unselfish attitude is a very difficult thing to develop but once obtain can not only do good for the individual but for the whole community. Big Camp tries to establish this attitude on in the new participants at camp by the example of others.It is only when one realises that all the organisation of and running of this camp, and indeed of the whole PowerHouse Organisation, is on a voluntary, unpaid level that it impossible to gain some inkling of the extent of this unselfish example, to understand the amount of effort people will make to continue something they believe in." A record of the camp activities at Somers in 1978.Newsletter published at Somers Camp to highlight activities and attendees.Dated 18 January 1977 on second page.camp, junior legatee outing, lord somers camp

20th Eltham Community Festival and last under the auspices of the Shire of Eltham. The Grand Parade focussing on the theme "Echoes of Eltham - Celebrating the visions of Eltrham from the past and into the future" was headed by Jock Read on his horse Lofty who had been filmed in an Anzac Day Parade on an earlier horse which had featured in the television show Matlock. The parade travelled north along Main Street to just past the Post Office then back south to Panther Place. Parade participants included 1st Eltham Brownies, 1st Eltham Venturers, 2nd Eltham Sea Scouts, 2nd Eltham Venturers, 3rd Eltham Brownies, Australian Democrats, Briar Hill Primary School, Circus Chaos, Country Fire Authority, Diamond Valley People for Disarmament, Diamond Valley Railway, Eltham Community Health Centre, Eltham District Horse and Pony Club, Eltham East Primary School, Eltham Fire Brigade, Eltham Junior Football Club (Panthers), Eltham Little Theatre, Eltham North Primary School, Eltham Playhouse Co-op, Eltham Pre-school, Eltham Roller Skating Club, Eltham South Pre-School Centre, Eltham Steam and Stationary Engine Society, Greenhills Neighbourhood House, Heidelberg Municipal Band, Hurstbridge Learning Co-op, Jocklebeary Farm, Kangaroo Ground Primary School, Learning Co-op Primary School, Lower Plenty Primary School, Main Road, Montmorency Gardening Club, Montmorency South Primary School, North Warrandyte Fire Brigade, Plenty Valley 88.6 FM, Research Pre-school, Research Primary School, Ron Sampson, Salvation Army Band (Briar Hill), Sherbourne Primary School, Shire of Eltham, State Emergency Service (Eltham) and Woodridge Pre-school. The parade commentary was provided by Plenty Valley FM 88.6 with guest commentator, Shire President Cr. John Graves. Following the parade is video footage from a helicopter of Alistair Knox Park, displays along Main Road and activities in Alistair Knox Park and the Rugby oval along with stationary engines, helicopter joyrides, Eltham People's Choir, music entertainment. Scenes also from the Diamond Valley Railway at Eltham Lower Park and finishing with the fireworks display. At the end of the video is a promotional video for Dynavision Video Production, a local video production company that produced the video and Diamond Photos (Kodak Express). One of the highlights of the festival was a tree planting ceremony in Alistair Knox Park to celebrate 123 years of the Shire of Eltham led by Shire President Cr. John Graves and representatives of the Wurrundjeri, traditional land owners of the area.VHS Video cassette (poor quality) Converted to MP4 file format 45:01, 535MB DVD copy of VHS cassette (better quality)1st eltham brownies, 1st eltham venturers, 2nd eltham sea scouts, 2nd eltham venturers, 3rd eltham brownies, 1994, aerial photographs, alistair knox park, arthur street, australian democrats, briar hill primary school, circus chaos, country fire authority, diamond valley people for disarmament, diamond valley railway, eltham community health centre, eltham district horse and pony club, eltham east primary school, eltham festival, eltham fire brigade, eltham junior football club (panthers), eltham little theatre, eltham lower park, eltham north primary school, eltham people's choir, eltham playhouse co-op, eltham pre-school, eltham roller skating club, eltham south pre-school centre, eltham steam and stationary engine society, grand parade, greenhills neighbourhood house, heidelberg municipal band, hurstbridge learning co-op, jock read, jocklebeary farm, john graves, kangaroo ground primary school, learning co-op primary school, lofty (horse), lower plenty primary school, main road, matlock police (tv show), montmorency gardening club, montmorency south primary school, nicholaus lauder estate, north warrandyte fire brigade, plenty valley 88.6 fm, research pre-school, research primary school, ron sampson, salvation army band (briar hill), sherbourne primary school, shire of eltham, state emergency service (eltham), video recording, woodridge pre-school

September Meeting (Newsletter No. 152, Sep. 2003) This meeting is one in an occasional series where we get together a panel of speakers to talk about a particular aspect of Eltham's history, its character or its people. As has been the case for past speaker panels, we have organised a buff et dinner to precede the meeting and details of this are given below. Eltham has a well-known tradition of building with mud brick, second hand materials and other innovative or uncommon materials. Although this trend dates mainly from the 1930 's there are examples from the pioneer days of Eltham. Part of the Brocksopp house at Eltham South is an 1850' s mud brick construction by George Souter. But the alternative building tradition in Eltham really began at Montsalvat in the 1930's. Justus Jorgensen's building complex of earth construction, stone and items from wreckers' yards inspired a number of builders and owner builders, particularly in adopting mud brick or adobe as their building medium. The tradition continues today with our area remaining home to a relatively high proportion of builders using these alternative materials. The panel we have selected to talk on this subject are either builders in the Eltham tradition or have had close contact with builders of the past. The panel will be introduced by Russell Yeoman who will talk briefly about George Stebbing, an early Eltham builder responsible for many of our remaining historic buildings, but known for traditional buildings of his time rather than the later buildings which give Eltham its particular character. The panel members are as follows:- • John Pizzey, architect. John will speak on the work of Alistair Knox designer and builder in mud brick and the person who has most contributed to the environmental building traditions of Eltham. • Peter Jarvis who will talk about his own work as a builder in mud brick and his views on traditional and modern construction methods. • Leigh Wykes, a present day builder of stone houses, will talk about his own work in the district and its relevance to Eltham traditions. • Diana Bassett-Smith will talk about her experience with owner-builders constructing their earth houses in Eltham in the 1950's. Pise and mud brick presented a cheap building material provided that you could do it yourself or persuade your friends to help. Prior to the meeting there will be a buffet dinner of casseroles and other courses prepared by some of our members. We will be starting at 6.00pm with dinner scheduled for 6.30. Harry Gilham will be providing drinks, including wines from his personally made collection. Cost of the dinner will be $10 which can be paid on the night. However, for catering purposes we need to know numbersCompact audio cassette Sony EF 90 Type I / IEC I Cassette labelled "Eltham Builders Historical" Converted to MP3 file; 100MB, 1:18:57 alistair knox, audio cassette, audio recording, building construction, diana bassett-smith, eltham, john pizzey, leigh wykes, peter jarvis, society meeting

Transfer of land to Shire Blackburn and Mitcham for use as Morton Park, 3 June 1927; Nunawading Reserve, 10 October 1927; Walker Reserve 3 June 1927; Vermont Reserve, 3 June 1927. Names of original land owners and title numbers. Handwritten summaryTransfer of land to Shire Blackburn and Mitcham for use as Morton Park, 3 June 1927; parks and reserves, morton park, nunawading reserve, walker park, vermont park, shire of blackburn and mitcham, shire of nunawading, woods, john, purches, frederick walter, edwin james, coppin, george seth, orr, joseph, kelly, patrick, bridget, morgan, robert rowland, davies, loveday, john edward taylor, keogh, james, mary anne, john james, thomas, camm, matthew henry, sir, leonard, william howard, thorn, henry

Black and white photograph with student names"Attached to photograph" Back Row- L to R: Gary Chappell, Stephen Foster, ?, Russell Paine, Craig Rawson, Gary Ladiges, Gary Davies, Mark Dash. 2nd Row- L to R: ?, Judy Littlepage, Grace King, Barbara McDonald, Anne Joyce, Meg Flowers, Anne Downey, Vicki Munro, Laura Simpson, Christine Schruum, Jennifer Johnson, John Grayling. 3rd Row- L to R: Robin Hagar, Grant (?), Lynette Milne, Anne Dowling, Julie Cook, ?, Rosilyn Scully, Janet Quinn, Cheryl McLaughlin, ?, ?, Michael Thwaites. Front Row- L to R: Greg Jacobs, Michael Craddock, Gary McCubbin, Terry Bacon, ?, ?, ?, Kevin Brown, Craig Austin, Ian Llewelyn. Teacher: Miss Robinson

The 1920 Club agreed to have a working bee at Wanliss House to remove fittings for sale from the house before it was demolished. This program was found down behind the mantle of one of the fireplaces. Discoloured and torn fragment of the Ballarat College1870 Speech Day program Front: Ballarat College crest / SPEECHDAY / Christmas 1870 / Hall fo the MECHANICS' INSTITUTE / ON / FRIDAY EVENING, DECEMBER 16th / AT HALF-PAST SEVEN O'CLOCK / The Rev William henderson in the Chair / Admit the bearer / R O McCoy PRINCIPAL / EVAN BROTHERS PRINTING.... Verso: PROGR.... / read R.... / Song - By the whole school / Recitation / 'John Maynard' S Garman ...J MacNeil /Solo Piano / 'La Zingara' B Richards...H Crawcour / Recitation Humurous / 'The farmer and the counsellor' H Smith...Eastwood / Duet piano / 'Soldier's Chorus B Richards... and G W Adam / Re..T.. "Shiel's celebrated reply to...J Nicol / Song / 'Constantinople' A lloyd...J D Croker / Recitation / 'Our Gallant Volunteers ...Mackay...Mont Rowe / Distribution of Prizes henderson, mccoy, j-macneil, h-crawcour, eastwood, g-w-adam, j-nicol, j-d-croker, mont-rowe

Black and white photograph - Grade 1, 1936"Attached to photograph" Back Row - L to R: John Anderson, ?, Ron Dyball, ?, Bill Adolphson, Teddy Wright, ?, ?, Frank Goodall, Keith Dawson, Ron Shearer, ?, ?, Colin Fry. 2nd Row -- L to R: Ray Ringrose, Ken Bartlett, (?) Adicott, Alma Lloyd, ?, ?, Betty Cope,, Rosalie Story, Dorothy Lloyd, Margaret Wilson, Joan Taylor, ?, Elsie Langer, Audrey Fry. 3rd Row - L to R: Jenny Polson, Jean Aird, ?, Connie Hampson, ?, ?, Betty Knee, ?, Jean Pendlebury, Betty Addicoat, June Rowe, Wilma Godfrey, Shirley Murray. Front Row- L to R: Bobby Jones, Les Flintoff, ?, Graeme Skurry, Billy Wilkins, Don Anderson, Ken Woods, Don Mayes, ?, (?) Flynn, ?. Teacher:

Colour photograph - Grade 5A, 1978."Attached to photograph" Back Row-L to R: Carl Handrak, Simon Atkinson, Gavin Thorpe, Garth Kellet, Terry Aravanis, John Bruce, Jim Pumpa, Greg Beresniak, Werner Birknev, Peter Hirt. 2nd Row- L to R: Sandra Dennis, Luisa Signer, Raelene Boney, Belinda Kempton, Lisa Currie, Kim Lun, Josie Esposito, Susan Green, Robyn Ison, Nicole Gill. 3rd Row- L to R: Debbie Evans, Michelle Gordon, Kathy Johnson, Cheryl Atkins, Leesa Moore, Alison Brownrigg, Sandra Slowby, Joanne Hanson, Kylie Ballanger, Jennifer Wells. Front Row- L to R: Tim Stephenson, Milto Baltas, Philip Mieristh, Dijan Dinic. Teacher: Isabel Marshall

Black and white photograph - Grade 6B 1974."Attached to photograph" Back Row- L to R: Shane Clark, Sergio Signor, Rodney Simpson, Russell Zantuck, David Healy, Wayne Kempton, John Matheras, Willy Pouw. 2nd Row- L to R: Linda Parker, Christine Murray, Roseanne Glarimans, Michelle Hogarth, Heather Jones, Eileen Hurley, Jenny Kortland, Kim Edwards, Elizabeth Cuzens. 3rd Row- L to R: Colin Smith, Robert Brown, Keith Pritchard, Jeff Wilke, Martin Lynd, Martin Hamilton, Robert Elliot, Stephen Walton, Stuart Hutchison. Front Row- L to R: Cathy Baker, Heather Butterworth, Karen Chapman, Fairley Marsh, Sharon Venn, Susanne Gempton, Christine Kozel, Karen Rolf, Elizabeth Bailey. Seated On ground: Chris Broadley, ?. Teacher: Mrs Parkes

Black and white photograph - Grade 5A,1961"Attached to photograph" Back Row- L to R: Greg Jacobs, Robert Bradley,, Keith Foote, Malcolm Grant, Brian Palby, ?, David Brush, John Popham. 2nd Row- L to R: David Cleator, ?, Robert Rutherford, Peter Evans, Jeffrey Venn, Andrew (?), Ross Fraser, ?, Michael Lawrence, Heinz Bansaggi. 3rd Row- L to R: Heather Rosel, Pam Adamson, Janine Brooks, Margaret Proudley, Jan Patusec, David Buchan, Colin Doake, Peter Brown, Leonie Haygarth, Sandra White, Lynette Patullock. Front Row- L to R: Jennifer McDonald, Judith Flaherty, Helen Maher, Margaret Bronner, Margaret McCord, Kathy Parker, Sandra Kemp, Sue Smeaton, Cheryl Ann Mitchell, Annette Bosaid. Teacher:

Black and white photograph - Grade 2A,1960"Attached to photograph" Back Row- L to R: Michael Craddock, Craig Austin, Gary McCubbin, Gavin Phillips, Craig Rawson, Gary Ladiges, Gary Davies, James Fuller, Gary Morgan,, Gary Chappell, Mark Dash, Stephen Lachlin. 2nd Row- L to R: Robyn Westhorpe, ?, ?, Debra Lawrence, Ann Downey, Lorraine Petts, Vicki Munro, Meg Flowers, Irene Pagram, Laurie Simpson, Linda Chegwidden. 3rd Row- L to R: Robin Hagar, Judy Stevens, Julie Cook, Anne Logan, ?, ?, Kay Langdon, Christine Schrum, Cheryl McLaughlin, Janet Quinn, Debbie silvie, Terry Bacon. Front Row- L to R: Malcolm Pearson, Chris Eastwood, John Grayling, Kevin Brown, Gary Jacobs, Michael Thwaites, David Grant. Teacher:

Black and white photograph "Attached to photograph" List of names, supplied by Jenny Hall nee Parker. Back Row - L to R: Glenn Pope, David Green, Russell Rogers, Peter Hayes, Colin Greeves, Ian Barnes, Graeme Reynolds, Peter ?, Keith Lancaster. 2nd Row - L to R: Jenny Hall, Kerry Malcolm, Lucia Ziole, Kim Jordan, Lynda Cook, Joyce Weaver, Janice Louttit, Joy Hall, Pam Weeks. 3rd Row - L to R: Michael Brown, ?, John Moore, Bruce Pumpa, ?, Gary Saffron, Daford Roberts, David ?, Mark Hopping. Front Row - L to R: Roslyn Dorien, Josie Trotter, Lynette Lightfoot, Jenny Walters, Beulah Connell, Cheryl Smilie, Maria Maraffa, Bronwyn Kenny, Margo Johnstone. Teacher : Mr Treloar

A yellow board with black texts in two paragraphs about 5RAR's Mascot5RAR was raised on the 1st March 1965 and it was decreed that its colours would be black and gold. Due to this decree, the tiger was adopted as the unit mascot partly because it's traits included aggressiveness, courage, stealth and team work, all of which were desireable qualities for an infantry battalion. Prior to the battalion completing it's first tour in May 1967, MAJ John Miller of the advance party had arranged with the Director of the Taronga Park Zoo for a Sumatran tiger cub to be known as Quintus, to meet the battalion when arrived at Garden Island on board the HMAS Sydney 12th May 1967. The cub was enlisted on the day (regimental numer TF005) then marched with the battalion through the streets of Sydney. the current battalion mascot is a Bengal Tiger named Quintus Rama enlisted 27th Sept 2012.5 rar, mascot, poster, information board

The Ruyton Reporter (formerly known as Ruyton Reports) captures the essential Ruyton Girls' School experience for the broader school community. It has been produced since 1986.The record has strong historic significance as it pertains to one of the oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. It also gives insight into the types of activities and events undertaken at Ruyton Girls' School during the period of its production. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on paper with staple binding. 16 pages.Front Page: 2 / 0 / the RUYTON / REPORTER / 0 / summer / 1 / THE GREAT / debate / Back (L-R): James Watson, Brendan Ferguson (Scotch College / School Captain), and John Ronan (Scotch Debating Prefect) / Front Row (L-R): Emma Purdue, Emma Peyton and Nicole / Siemensma (Ruyton Debating Captain) for more see Page 9 / STOP PRESS / Email: [email protected] / PRINT POST APPROVED / PP 341999 00026 / Global Girls 12 Selbourne Rd / Focus on Junior School: Kew VIC 3101 / R / Fairies, Hobbits & Goblins RECTE ET FIDE LITER Tel: 9819 2422 / Saints and Inquiring Minds / Fax: 9818 4790 / New International Links / 2002 Twilight Concert / Rock 'n Roll at Ruyton /ruyton girls' school, ruyton, school, students, newsletter, ruyton reports, ruyton news, kew, victoria, melbourne, girls school

Black and white photographs. 6 copies, 3 enlargements. Official Staff photograph. Group seated and standing in the Burnley Gardens.On reverse, "Photograph by Information Branch Victorian Department of Agriculture Ref. No. 1974 (99-1) to (99-3)." On reverse of enlargement, "Burnley Horticultural College - Staff 1974. Back l-r: Clarry Anderson, George Jackson, Eric Gay, Edward Marriott, John Kane, Fairly Siddle, David Walker, Sandra Burridge (Burrage), Rick Taylor, Rosemary Hall, Jim Edwards, Rob Hardy (Hardie), Dennis Erwin, Eddy Moore, Frank Casly (Casley). Front L-r: Geoff Olive, Ian McCure, George Grumont, Bill Nicholls, Laurie Metzling (Metzeling), Barry Dimelow, (V.P.), Eric Littlejohn (Principal), Jack Farrance, Ian Lee, Minnet(te) Russel (Russell-Young), Ken James, Paul Norquay."burnley horticultural college, staff, 1974, clarry anderson, george jackson, eric gay, edward marriott, john kane, fairly siddle, david walker, sandra burrage, rick taylor, rosemary hall, jim edwards, dennis erwin, eddy moore, geoff olive, ian mccure, george grumont, bill nicholls, barry dimelow, eric littlejohn, principal, jack farrance, ian lee, minnette russell-young, ken james, paul norquay, frank casley, laurie metzeling, rob hardy

This is a set of 35 photographs of a 4th Field Survey Squadron Officers, Warrant Officers and Sergeants Formal Dinner held at Keswick Barracks, Adelaide SA in 1986. On this occasion WO1 Alex ‘Darby’ Munro and WO1 Geoff Briggs were farewelled. WO1 Munro retired from the Australian Regular Army after 30 years of service. WO1 Geoff Briggs continued his service and retired in 1991. It is apparent there were visiting personnel from the Army Survey Regiment and other unidentified units. See item 6500.11P for colour photos taken at the dinner.This is a set of 35 photographs of a 4th Field Survey Squadron Officer, Warrant Officer and Sergeant’s Formal Dinner held at Keswick Barracks, Adelaide SA in 1986. The black & white photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, black & white, 1986. Closest to camera on left: Stevo Hinic, unidentified, Malcolm Hentschel, remainder unidentified. On right L to R: Bob Norwood, Phil Smalley, Bob Mills, unidentified, Bob Garritty, Ian Rose. .2) - Photo, black & white, 1986. On left L to R: unidentified (x2), Tony Gee, Brett ‘Dutchy’ Van Leeuwen, Gary Warnest, remainder unidentified. On right L to R: Barry Lutwyche OAM, Neil Jones, Bob Dikkenberg. .3) - Photo, black & white, 1986. Stewards relax at the bar after dinner. Simon Reynolds 2nd from right, remainder unidentified. .4) - Photo, black & white, 1986. At rear L to R: unidentified, Ian Rose. Left foreground L to R: Neil Jones, Bob Dikkenberg. Head table L to R: Jorge Gruszka - CO Army Svy Regt, Don Taylor - OC (standing), Darby Munro - Tech WO, Bill Griggs - SSM, Geoff Briggs, George Ricketts, unidentified RSM Keswick Barracks, On right L to R: unidentified, (x2), Steve Cooper. .5) - Photo, black & white, 1986. Closest to camera L to R: Bob Rogister, Wally Chilcott, unidentified, Barry Lutwyche OAM, Neil Jones. .6) - Photo, black & white, 1986. Facing camera L to R: Bill Tewson, Peter Imeson, Dave Stephenson, unidentified, Alan Brown. .7) - Photo, black & white, 1986. Facing camera L to R: unidentified (x2), John Harrison, Roger Rees, Mick Hogan. Back table L to R: Tony Gee, Bruce ‘Stretch’ Gordon, Ross Jenkins, Gary Warnest, unidentified, Ray Sargeant, Bill Tewson, Stu Symonds, unidentified. .8) - Photo, black & white, 1986. Head table L to R: Don Taylor - OC (standing), Darby Munro - Tech WO Bill Griggs – SSM, Geoff Briggs. .9) & .10) - Photo, black & white, 1986. Head table L to R: Bill Griggs – SSM, Geoff Briggs. .11) - Photo, black & white, 1986. Facing camera L to R: Malcolm Hentschel, unidentified, Bob Mason - Army Svy Regt’s RSM, unidentified (x2), John Harrison. .12) - Photo, black & white, 1986. Facing camera L to R: unidentified, Stevo Hinic, unidentified, Malcolm Hentschel. .13) - Photo, black & white, 1986. Geoff Briggs delivering his speech. .14) - Photo, black & white, 1986. Head table L to R: Jorge Gruszka - CO Army Svy Regt, Don Taylor - OC (standing), Darby Munro - Tech WO, Geoff Briggs delivering his speech, George Ricketts. .15) - Photo, black & white, 1986. Geoff Briggs delivering his speech. .16) - Photo, black & white, 1986. Facing camera L to R: Peter Imeson, Dave Stephenson, unidentified, Alan Brown, Bob Rogister, Wally Chilcott, unidentified, Barry Lutwyche OAM, Neil Jones, Bob Dikkenberg. .17) - Photo, black & white, 1986. A standing ovation at the conclusion of Geoff Briggs’ lengthy speech. Bill Griggs checks his watch. .18) - Photo, black & white, 1986. Guests standing for formal toasts. Closest to camera on left: unidentified, Stevo Hinic. At back Mr Vice – Mick Hogan. On right L to R: Allan Adsett, Terry Lord, Bob Norwood, Phil ‘Fred’ Smalley, Don Maskew, unidentified, Bob Garritty. .19) - Photo, black & white, 1986. Head table L to R: Jorge Gruszka - CO Army Svy Regt, Don Taylor - OC (standing), Darby Munro - Tech WO, WO Bill Griggs – SSM, Geoff Briggs, George Ricketts. .20) - Photo, black & white, 1986. Facing camera L to R: Brett ‘Dutchy’ Van Leeuwen, Bruce ‘Stretch’ Gordon, Ross Jenkins, Gary Warnest, unidentified (x2), Ray Sargeant, Stu Symonds, unidentified. .21) - Photo, black & white, 1986. Head table departs. On left: Stu Symonds. On right L to R: WO Bill Griggs – SSM, unidentified, Darby Munro - Tech WO, Geoff Briggs, unidentified RSM Keswick Barracks, George Ricketts. .22) - Photo, black & white, 1986. Mick Hogan - Mr Vice, takes charge. .23) - Photo, black & white, 1986. L to R: Mick Hogan - Mr Vice, Brett ‘Dutchy’ Van Leeuwen. .24) - Photo, black & white, 1986. L to R: Wally Chilcott, Mick Hogan - Mr Vice. .25) - Photo, black & white, 1986. L to R: Tony Gee, Bruce ‘Stretch’ Gordon, Ross Jenkins. .26) & .27)- Photo, black & white, 1986. L to R: unidentified RSM Keswick, Ian Rose, George Ricketts, Geoff Briggs, Bill Griggs – SSM, Darby Munro - Tech WO, Steve Cooper, Jorge Gruszka - CO Army Svy Regt, Don Taylor – OC. .28) - Photo, black & white, 1986. Facing camera L to R: Stevo Hinic, unidentified, Malcolm Hentschel. .29) - Photo, black & white, 1986. Facing camera L to R: Bill Tewson, Peter Imeson, Dave Stephenson. .30) - Photo, black & white, 1986. L to R: Darby Munro, Stu Symonds. .31) - Photo, black & white, 1986. Foreground L to R: unidentified (x2), John Harrison, Roger Rees. Background L to R: unidentified, Dave Stephenson, Stu Symonds, Peter Imeson, Bill Tewson. .32) - Photo, black & white, 1986. L to R: Wally Chilcott Mick Hogan - Mr Vice, unidentified, Brett ‘Dutchy’ Van Leeuwen, Darby Munro - Tech WO delivers a toast, unidentified, Bob Dikkenberg, unidentified, Neil Jones. .33) - Photo, black & white, 1986. L to R: John Harrison, Darby Munro - Tech WO, remainder unidentified. .34) - Photo, black & white, 1986. Guests relax at the bar after dinner. .35) - Photo, black & white, 1986. Guests relax at the bar after dinner. L to R: Steve Cooper, unidentified, Stevo Hinic, Allan Adsett, John Harrison, George Ricketts, unidentified, Darby Munro - Tech WO, unidentified (x3), Geoff Briggs, unidentified, Don Taylor – OC, Bill Griggs – SSM..1P to .35P – There are no personnel identified. ‘Farewells to:- WO1 BRIGGS & WO1 MUNRO 1986’ royal australian survey corps, rasvy, 4 fd svy sqn

The white-throated Needletail is a migratory bird, breeding in Central Asia and southern Siberia, and wintering south in the Indian Subcontinent, Southeast Asia and Australia. This large swift is often mistaken in flight for a small predatory bird, but its long curved wings and white markings help to identify it. Needle-tailed Swifts get their name from the spined end of their tail, which is not forked as it is in the more common Swifts of the genus Apus. They build their nests in rock crevices in cliffs or hollow trees. These birds do not like to sit on the ground, spending spend most of their time in the air. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This white-throated Needletail is predominantly grey-brown in colour. The throat and under tail of he bird are dusky-white. This specimen has a white spot on the lower rim of each of its wings. The eyes are made from glass and the specimen has been styalised standing on a wooden mount.Label: 3a/ Spine-tailed Swift / See catalogue page 7.stormbird, taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, quail, migratory bird, white-throated needletail, needle-tailed swift, spine-tailed swift, hirundapus caudacutus

Eastern Meadowlarks live throughout the grasslands and farms in eastern North America. On the ground, their brown-and-black dappled upperparts camouflage the birds among dirt clods and dry grasses. When in flight or perching, they reveal bright-yellow breasts and bellies, and a striking black chevron across the chest. The Eastern Meadowlark has a diet which consists of mainly insects and seeds. These birds forage by walking on the ground and taking insects and seeds from the ground and from low plants. In winter, these birds may choose to forage in flocks. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Eastern Meadowlark has a yellow breast and throat with black plumage in the shape of a 'V' on it's throat. This particular specimen has a long pointed bill which is in the shape of a spear. The crown of the bird is a dark brown and it also has lighter brown/yellow stripes on the brow. The back, wings, and tail are light brown with dark brown mottling. This specimen stands upon a wooden platform and has an identification tag tied around its leg. The legs are long and the specimen has been styalised in an upright position.Label: [illegible] Ant-Eating Thrush / Catalogue, Page 66. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, eastern meadowlark, meadowlark

The Satin Bowerbird is commonly located around the eastern and south-eastern coast of Australia. They reside in wetter forests and woodlands, and nearby open areas. They feed mostly on fruits throughout the year but in summer will supplement their food supply with insects and in winter with leaves. The Satin Bowerbird is most commonly known for it's practice of building and decorating it's bower. They will often collect objects of bright blue to decorate the bower including straws, clothes peg, parrot feathers, pens, marble, string, glass and bottle tops. This decoration is done by a male Bowerbird in the effort to attract females. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This taxidermy Satin Bowerbird specimen has dark black/blue glossy plumage and a pale coloured bill of small size. The bird is of a medium size compared to other species of birds and has pale legs with short talons. The eyes are made of strikingly blue coloured glass which represents the violet-blue iris of this bird while living. The bird has a short tale and has been stylized in a leaning/crouched position with it's back arched upwards and head out long. This specimen stands on a small platform and there is some deterioration to the tail feathers which protrude beyond the platform which may have otherwise provided some protection. Donor - Mr. E.T. / BH. RO. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, bower, bowerbird, satin bowerbird

The Ring Ouzel can commonly be found in small flocks or pairs. They have a distinctive white strip across their chest which helps to identify this species. They generally reside in large open grassy spaces such as farmlands, and can be found in mountainous areas with large boulders and slopes. They are located across Western Europe, the Mediterranean and Northern Africa. In some countries such as Ireland, England and Wales, the Ring Ouzel is endangered due to human disturbances, however elsewhere the species thrives. Although this is a taxidermy mount, it is highly similar to the real female Ring Ouzel. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Ring Ouzel is a predominantly brown in color. It has a white strip across its chest. The torso is a lighter shade of brown. The tale of the Ring Ouzel is long and a darker shade of brown when compared to the red colouring of the body. This specimen stands upon a wooden perch and has an identification tag tied around its leg. The bill is thin and has a pointed appearance. It has been styalised by the taxidermist in an open position which conveys the idea that this bird is mid call.Swing tag: 109a / Ring Thrush / Catalogue Page 27 / Metal tag: 4139 /taxidermy, taxidermy mount, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ring ouzel, ouzel, european birds, african birds, mediterranean birds

The Warty-faced honeyeater Formerly more widely distributed in south-eastern mainland Australia from Rockhampton, Queensland to Adelaide, South Australia, the Regent Honeyeater is now confined to Victoria and New South Wales, and is strongly associated with the western slopes of the Great Dividing Range. The Regent Honeyeater is found in eucalypt forests and woodlands, particularly in blossoming trees and mistletoe. It is also seen in orchards and urban gardens. This species is critically endangered. They are native to Southeastern Australia. Specimen is mounted accurately. Colour around the eyes is red whereas they are yellow normally. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The striking Regent Honeyeater (Warty-faced honeyeater) has a black head, neck and upper breast, a lemon yellow back and breast scaled black, with the underparts grading into a white rump, black wings with conspicuous yellow patches, and a black tail edged yellow. In males, the dark eye is surrounded by yellowish warty bare skin. Females are smaller, with a bare yellowish patch under the eye only, and have less black on the throat. Young birds resemble females, but are browner and have a paler bill. The colouring of this particular specimen helps identify it as male.Swing-tag: 56a. / Warty-Faced Honeyeater / See Catalogue, page 18taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian bird, honey-eater, warty-faced honey-eater, regent honeyeater, critically endangered, yellow

The Eurasian Jay is a small passerine bird occurring in Europe, northern Africa, and Asia. There are very distinct variations between the species of the Jay which assists in their identification. These birds inhabit mixed woodland, parks, orchards, and large gardens. They are generally solitary but can gather in large communal roosts during periods of cold weather. Eurasian Jays are known for their mimicry. They can often sound like a different species and during the day may mimic the birds they are attacking in order to confuse their opposition. This particular specimen has been mounted in an accurate but stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Eurasian Jay, as depicted in this specimen, has distinctive blue, white and dark brown stipes at the top of the wing. The body and head are light brown with a reddish undertone and there are streaks of dark brown at top the head. The tail, bottom of the wings and underneath the eyes are dark brown. This particular specimen stands upon a wooden mount and has an identification tag tied around its leg. It has pale coloured glass eyes which are accurate for this species.Swing Tag: [illegible] / to Sydney - N =99taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, jay, eurasian jay, europe, european birds, blue stripes

The Grey Shrike-thrush is considered to be one of the best songsters in Australia, with hundreds, if not thousands, of different songs. The song has been described as glorious, pleasing and melodious, with sweet, mellow, rich and liquid notes. Whilst pleasant to humans, the song are less harmonious for nest birds, often hunted by the grey shrike-thrush. It has a varied diet consisting of insects, spiders, small mammals, frogs and lizards, and birds' eggs and young. Grey Shrike-thrushes most of Australia (with the exception of arid areas) and southern New Guinea. This specimen has been mounted in an accurate fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Grey Shrike-thrush specimen is a mostly grey coloured bird, with the plumage around the shoulders a little browner. The underside and neck is paler, off-white with a white ring around the eye. The eyes are made of glass which is a brown colour and replace the original which do not survive the taxidermy process. This specimen stands upon a wooden platform and has an identification tag tied around its leg.27a / Harmonious Shrike-Thrush / See Catalogue Page 12 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, australian birds, thrush, grey shrike-thrush, harmonious thrush, colluricincla harmonica

The Snowy owl is a large and powerful bird. It is one of the largest species of owl, and in North America, it is on average the heaviest owl species. The adult male is virtually pure white, but females and young birds have some dark spots; the young are heavily barred, and dark spotting may even predominate. Thick plumage, heavily feathered taloned feet, and coloration render the Snowy owl well-adapted for life north of the Arctic Circle. This Snowy Owl example is slightly discoloured and in real life the Snowy Owl displays much more brilliant white feathers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Snowy Owl adult male is virtually pure white with brown spot markings and a pale brownish wash. It has thick plumage and heavily feathered taloned feet. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing tag: [torn] snowy owl / See catalogue, page 54 / Metal tag: 4054 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, snowy owl, arctic circle

The Little Black Cormorant is mainly found in freshwater wetlands in Australia and Tasmania. It nests colonially and can sometimes be seen among Heron or Ibis colonies. This specimen has dark webbed feet which enable the bird to catch its prey underwater by diving and using the feet for propulsion. Interestingly, this species have nictitating membranes which cover the eyes underwater protecting them. The feathers of this species are not waterproof despite being commonly located in wetlands and therefore, can often be seen perched with wings outstretched in an effort to dry them after hunting for food in the water. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Little Black Cormorant is a slim and small specimen of entirely black colouring with some lighter specks on the back. The bill is grey and is slender and hooked at the tip. The bird has been stylized with glass eyes and is placed on a wooden mount designed to look like a perch. The neck is long and the bird is looking over its right wing. It has dark webbed feet and is standing on the platform with a paper identification tag tied the right leg. 12a. /Little Pied Cormorant / See Catalogue Page 42 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, tasmania, australia, birds of australia, cormorant, little black cormorant, wetlands

The platypus is a semi-aquatic, egg-laying mammal endemic to eastern Australia. It is the sole living representative of its family and genus. They can grow up to 63cm in length and weigh up to 3kg, and their life span is typically 6-15 years. The unique mix of physical features of the platypus make it an important subject in the study of evolutionary biology, and a recognisable and iconic symbol of Australia. Furthermore, the platypus is culturally significant to several Aboriginal peoples of Australia. The animal has also appeared as a mascot at national events and features on the reverse of the Australian twenty-cent coin, and is the animal emblem of the state of New South Wales. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A long, stocky platypus with a streamlined body and a flat bill. The platypus has four short limbs with webbed feet, and the front-right foot is positioned upright. The hair is short and dense; the upperbody fur has an auburn tint, and the underbody fur is a silver/cream colour. The platypus has two beady black glass eyes.On tag: BMM / 5899 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, platypus, monotreme, mammal, ornithorhynchus anatinus

The Pelican is commonly found throughout Australia, Papua New Guinea and Western Indonesia. The large throat pouch plays an important part in the diet of this species. The bill enables the Pelican to locate fish in murky water because of its sensitivity and it also has a hook at the end of the upper mandible which is used for gripping slippery foods. Pelicans work together large flocks to catch food by driving fish into one location by using their large bills and by beating their wings. A wild Pelican may live between ten to 25 years or more. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Pelican is a large specimen of white, black, orange and pink colouring. This specimen has the characteristic elongated bill with a large throat pouch. The bill and throat pouch are a combination of orange and light pink colouring. The neck is pale white which continue onto the specimen's back. The wings are tipped with black and the stomach has light brown colouring. The feet are large and webbed and are stood on a wooden platform. The eyes are made of glass and surrounded by pink coloured folds.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, pelican

Nankeen Night Herons reside in Australia wherever there is permanent water. They can often be found in wetlands, shallow river margins, floodplains and parks and gardens. These birds spend the day time roosting in groups among dense foliage and emerge during the night. An adult Nankeen Night Heron is identified by the black cap on its head and a pale breast. This particular specimen has these signs which enable it to be identified as adult. The large eyes of the Nankeen Night Heron are a bright yellow colour which are adapted to night vision. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Nankeen Night Heron has a stocky body and is standing tall on a wooden pedestal and looking forward. This adult specimen has yellow and black glass eyes and a yellow and pale grey bill. Plumage on the head is black which turns a pale cinnamon on the nape of the neck. The wings are placed along the back of the body and are a light brown. The torso is a pale buff colour. This specimen has nuptial plums which look like they come out of the back of the birds head. These plums are long white feathers which appear during the breeding season.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, nankeen night heron, heron, nocturnal