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Tatura Irrigation & Wartime Camps Museum
Clothing - Ladies Night Gown, 1940's
Ladies nightgown made at Camp 3, Tatura from re-made men's pyjamas, with the addition of floral material and bows as a feminine toughPale blue and white striped cotton nightgown, long sleeves, bodice of red and blue patterned material with ties attached either sidenight gown, hoefer family, camp 3, ww2 camp 3, costume, female night attire -
Anglesea and District Historical Society
Toy Iron
Heavy metal minature iron. Children's toy. Pointed at both ends with no markings other than embossed pattern across the top of the handle.iron, toy, vintage -
Victorian Apiarists Association
Publication, Beekeeping In Victoria (Dept of Agriculture Victoria), June, 1934
A5 Hardcover book, cover is grey patterned with a tan coloured part cover on the front with light brown writing & picture of bees on flowersRevised June, 1934 with handwritten by J S Eagland -
Uniting Church Archives - Synod of Victoria
Ceremonial object - Commemorative Trowel, c1890
Oval dark red leather oval box with blue satin lining containing an engraved silver trowel with a turned, patterned bone handle."Presented to W. R. Little Esq. on the occasion of his laying a memorial stone in the Wesleyan Church, Moonee Ponds 16th September 1890 A.E. Duguid. Architect."weleyan church, moonee ponds, little, w.r. -
Hume City Civic Collection
Cash Book, Cash Book Electric Lighting Shire of Bulla, 1909
The Cash Book was used by the Shire of Bulla Electric Light Department to record by hand writing costs associated with supplying electricity, employee wages and users of electricity between October 1909 and November 1926. The first two generators supplied the township of Sunbury and together with the erection of a Power House were officially opened in 1910. The State Electricity Commission took over the supply of electricity in Sunbury in 1926.Large green cloth covered hard cover with tan corners and spine. Tan and purple mottled pattern inside front and back cover."Arnall & Jackson/Engravers..."1900s, shire of bulla, sunbury, george evans collection -
Stawell Historical Society Inc
Accessory - Costume and Accessories, c1910
Cream Silk Maltese Lace Collar. Flower Pattern printed edge finish. Four Maltese crosses in alternate points. Mrs Blight.stawell clothing material -
Clunes Museum
Functional object - POCKET WATCH
WATCH MANUFACTURED BY ROTHERHANSROUND SILVER PLATED POCKET WATCH, ROMAN NUMERALS SECONDS INDICATOR INCORPERATED ON DIAL. ENGRAVED PATTERN ON OUTER CASE. ROTHERHANS MANUFACTURED.W. BARKELLlocal history, horology, pocket watch, barkell -
Clunes Museum
Domestic object - TIN CONTAINERS
1. Container for the Victor Sweeper Pattern Polish Mop 2. One Nuns Tobacco Tin 3. Cavendish & Harvey Butterscotch Tinpolish mop, the victor brand -
Wangaratta Art Gallery
Textile, Christine Upton, Gum Blossoms, 1989-1992
The inks used were fabric printing inks and two colours were applied at the one time on the same roller, the roller being inked with green on one side and red on the other. The roller was a sponge paint roller 100mm wide. The technique used was 'soft bed release'. This is where the fabric is placed over a soft bed (woolen blanket with cotton overlay) and the inked block is placed on top of the fabric, then body weight is applied to the back of the block by placing the hands on the block and transferring weight through the body and into the hands. The block is then lifted and the process starts allover again.Rural City of Wangaratta CollectionA repetitive pattern of gum blossoms that has been printed on a rectangular piece of pure silk twill in green and red ink by a lino block.wangaratta art galley, print, lino block, flora, gum, christine upton, textile, australian flora -
Nillumbik Shire Council
Collage: Elizabeth GOWER (b.1952 SA, AUS), Cycles 11, 2015
The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Purina 'fancy feast') from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters -
Nillumbik Shire Council
Collage: Elizabeth GOWER (b.1952 SA, AUS), Cycles 10, 2015
The 'Cycles' series is an extension of two large scale provisional installations '150 Rotations', Melbourne Now, National Gallery of Victoria, and '356 Rotations', AC Institute in New York, which also re-purposed and aestheticised multiple paper units into hundreds of circular motifs.The immediate tactile connection with the material excesses and detritus of contemporary consumer culture informs the theoretical framework and conceptual understanding of Gower's practice, and associates her work with ideas of recovery and re-purpose, sustainable practice and thrift strategies that critique excesses of mass production and the notion of impermanence. This series was made ‘in transit’ during the artist’s recent studio residencies at Point[B], New York and Laughing Waters, Eltham, and at three temporary studios in Rome, Berlin and Collingwood.Kaleidoscope pattern of multiple segments (logos-Lipton 'Green Tea') from commercial (food) catalogues on commercial packaging (cardboard - round lid). No inscriptions and markingscycles, gower, collage, pattern, logos, commercialism, consumerism, repurpose, recycle, riverbend, laughing waters -
Stawell Historical Society Inc
Costume, Black Dress c 1930's
Belonged to Sue Oliver1 Black Dress, Lace and Pear button trim 1930's. Evening Wear. Made by wearer - Home made "from pattern"?evening wear, 1930's, home made clothing -
Stawell Historical Society Inc
Photograph - Portrait, Wedding Anniversary
Huttley - Martin FamilyB/W: Mature aged coule. Man in 3 piece suit with fob chain. Woman in calf length dress with patterned Jacket.Mother and Father 25th wedding anniversary at "Burnside'huttley, martin -
Stawell Historical Society Inc
Memorabilia - Realia, 1990's
Off cut Rolls of Fabric. One Blue Roll. One Blue and Black Patterned Roll. One Beige Blue Pink Roll.stawell manufacturing industry -
Whitehorse Historical Society Inc.
Textile - Antimacassar, not known
From the collection of Bette JonesCream linen antimacassar with mixed needlework - hardanger embroidery, drawn thread. Star pattern main design curved edging with four tassels.handcrafts, needlework -
Whitehorse Historical Society Inc.
Clothing - Knitted Vest, Maroon Knitted Vest, WWII
Vest knitted during WWII from darning wool which was the only wool not rationed in Britain during the war years.Maroon Fair-Isle vest with Nordic style patterns in white. Made with darning wool. Maroon metal zip on right hand shoulder.costume accessories, female -
Whitehorse Historical Society Inc.
Container - Box . 1. 2
Box made by sailors on Clipper ships to while away the hoursOblong box of balsa wood and sliding lid, with yellow and brown pattern around edges and sides of box. Diamond shapes engraved on lidpersonal effects, containers -
Whitehorse Historical Society Inc.
Shawl, 1930's
Indian shawl owned by Edith Brydon who made the wedding dress NA3494 for her niece, Mary (Molly) Sprunt for her wedding on 12 March 1938Cream cotton net, stamped with gold metallic thread into a Vandyke pattern.|See also NA3495 - Wedding veil & NA3494 - Wedding dresscostume, female -
Whitehorse Historical Society Inc.
Functional object - Needle Case
Needle case is part of a collection of sewing tools donated by Betty McPhee.Plastic folder case containing needles of various sizes. Folder has floral picture on front and a green and blue leaf pattern on back.Golden Fleece| Made in Redditch, Englandhandcrafts, equipment -
Whitehorse Historical Society Inc.
Textile - Doyley, c1934
Purchased by Valda Arrowsmith on behalf of the Society.Crochet sandwich tray doyley in white cotton. Centenary of Victoria 1834 - 1934 crochet in pattern, fillet type crochet with picot edge.handcrafts, crocheting or crochet work, manchester, table linen -
Whitehorse Historical Society Inc.
Biscuit Forcer
Metal biscuit forcer - metal cylinder with movable wooden rolling pin inside to force out biscuit dough. Star pattern on enddomestic items, food preparation -
Whitehorse Historical Society Inc.
Decorative object - Photo frame
From the Till collectionMetal photo frame with wooden back. Frame has pattern of flowers and leaves around bottom and side edges and the RAAF insignia on the top.ornaments, metal -
Whitehorse Historical Society Inc.
Cream silk lace stole, 1890s
Cream silk lace stole circa 1890. Machine made lace with pattern of flowers, leaves and scrolls. Scalloped edge all around.handcrafts, lacemaking -
Whitehorse Historical Society Inc.
Clothing - Women's Cape
Cape made and worn by Anne (nee White) Field, the mother-in-law of Jean Field at age 19. She came out from England on a sailing clipper (SS. Waspole) at age 7 years. Lived in Canberra as a tent city. Buried in St John Baptist Churchyard in Queensberry Street North Melbourne. (Hope I got it alright - Ted Arrowsmith)Heavy brown cape. Decorated with overlay of the same material bound with fine satin braiding. Wide border of sewn ripple stitch pattern.costume, female -
Whitehorse Historical Society Inc.
Clothing - Nightdress
White cotton Nightdress with short sleeves. White crochet lace in six rows forming pattern at neck. Lace inset in sleeves and on edging.costume, female nightwear -
Whitehorse Historical Society Inc.
Craft - Apron Pattern
Calico sheet with stencil for apron indicated by broken line. Stencil pattern for embroidery of door and two windows, shutters steps and two dogs.Semco Fashion apron Semco design K897handcrafts, needlework -
Whitehorse Historical Society Inc.
Clothing - Apron
White patterned damask apron with bib and pocket trimmed in hand made crochet . Buttoned at back with loop for extension. Bib has no straps.costume, female working -
Whitehorse Historical Society Inc.
Textile - Embroidery Piece and Frame
Unfinished piece of embroidery still in circular embroidery frame. Embroidery pattern of large shells in grey, blue and white silks and pink flowers.handcrafts, equipment, needlework -
Numurkah & District Historical Society
Functional object - Doll's pram
White painted dolls' pram. Cane basket on top of metal frame and wheels. Wooden handle. Blanket and pillows in basket - floral patterns toy, doll's pram, pram, doll -
Wangaratta High School
OC Trophy- Sport, 2000-2003
Black marble patterned trophy with a gold plastic statue of a soccer player. Awarded to the winner of the Year 7 & 8 Indoor Soccer competition.2000 WINNER 8B 2001 WINNER 8C 2002 WINNER 8B 2003 WINNER 7C