The photograph shows L - R. Ted Child, Ivy Child and Ethel Child. Ivy is standing between her parents and is holding her cat Dorlam. The photograph was probably taken at Ted and Ethel's property in Childs Road c1950s. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Ivy married Henry William Burgess (1906 – 1968) in 1944.Black and white photograph showing a man and two women standing in a garden. The woman in the middle holding a large cat.On reverse: Grandpa. IVY. DAUTER + Grandma CHILDted child, ivy child, ivy may child, ethel child, ethel madden, cat

Photocopies of old photos from John McPhee of Conron Grange, Whittlesea. Conron Grange was established by Robert and Mary Ann Armstrong in 1855 as part of the Wills Estate, they were tenant farmers to Wills, Mary Ann named the first house Conron Grange meaning "Pretty place with full barns". Robert was killed falling from a horse in 1863 leaving Mary-Ann with children aged 7, 5, 3, 2, and a baby aged 8 weeks. Mary Ann married James Johnston in 1867. Conron Grange remained in the Johnston family until 1938 when John McPhee's parents bought it, it then remained in the McPhee name until John sold it in 2003. Photocopy of sepia photograph, A4 page, (2 of 20)Note on the rear, Harvesting Wheat Gibsons River Street Whittleseajohn mcphee, conron grange, whittlesea, mary ann armstrong, james johnston, wills estate, river street, gibson, harvesting wheat, farming

Photocopies of old photos from John McPhee of Conron Grange, Whittlesea. Conron Grange was established by Robert and Mary Ann Armstrong in 1855 as part of the Wills Estate, they were tenant farmers to Wills, Mary Ann named the first house Conron Grange meaning "Pretty place with full barns". Robert was killed falling from a horse in 1863 leaving Mary-Ann with children aged 7, 5, 3, 2, and a baby aged 8 weeks. Mary Ann married James Johnston in 1867. Conron Grange remained in the Johnston family until 1938 when John McPhee's parents bought it, it then remained in the McPhee name until John sold it in 2003. Photocopy of sepia photograph, A4 page, (5 of 20)Typed note attached to the rear, Ford tractor and plough Gibson's River Street Whittleseajohn mcphee, conron grange, whittlesea, mary ann armstrong, james johnston, wills estate, farming, ploughing, river street whittlesea, ford tractor, plough, gibson

Photocopies of old photos from John McPhee of Conron Grange, Whittlesea. Conron Grange was established by Robert and Mary Ann Armstrong in 1855 as part of the Wills Estate, they were tenant farmers to Wills, Mary Ann named the first house Conron Grange meaning "Pretty place with full barns". Robert was killed falling from a horse in 1863 leaving Mary-Ann with children aged 7, 5, 3, 2, and a baby aged 8 weeks. Mary Ann married James Johnston in 1867. Conron Grange remained in the Johnston family until 1938 when John McPhee's parents bought it, it then remained in the McPhee name until John sold it in 2003. Photocopy of black and white photograph, glossy paper, A4 page, (6 of 20)Typed note attached to the rear, Cutting oats at Clark's, Glenburnie Road, Eden Parkjohn mcphee, conron grange, whittlesea, mary ann armstrong, james johnston, wills estate, farming, cutting oats, horse, glenburnie road, eden park, clark, clarke, clarke family

Photocopies of old photos from John McPhee of Conron Grange, Whittlesea. Conron Grange was established by Robert and Mary Ann Armstrong in 1855 as part of the Wills Estate, they were tenant farmers to Wills, Mary Ann named the first house Conron Grange meaning "Pretty place with full barns". Robert was killed falling from a horse in 1863 leaving Mary-Ann with children aged 7, 5, 3, 2, and a baby aged 8 weeks. Mary Ann married James Johnston in 1867. Conron Grange remained in the Johnston family until 1938 when John McPhee's parents bought it, it then remained in the McPhee name until John sold it in 2003. Whittlesea Pioneer families, Coulthard and AndrewPhotocopy of black and white photograph, gloss paper, A4 page, (11 of 20)Front of photo inscribed: Whittlesea Show Day / James Colthard (sic) Charles Andrew. Typed note attached to the rear: James Coulthard and Charles Andrew / Leading the Tramways Band from the rail station to the Showgrounds.john mcphee, conron grange, whittlesea, mary ann armstrong, james johnston, wills estate, farming, whittlesea show, horse, whittlesea pioneers, coulthard family, james coulthard, andrew family, charles andrew, tramways band, brass band, trumpet

Photocopies of old photos from John McPhee of Conron Grange, Whittlesea. Conron Grange was established by Robert and Mary Ann Armstrong in 1855 as part of the Wills Estate, they were tenant farmers to Wills, Mary Ann named the first house Conron Grange meaning "Pretty place with full barns". Robert was killed falling from a horse in 1863 leaving Mary-Ann with children aged 7, 5, 3, 2, and a baby aged 8 weeks. Mary Ann married James Johnston in 1867. Conron Grange remained in the Johnston family until 1938 when John McPhee's parents bought it, it then remained in the McPhee name until John sold it in 2003. Whittlesea Pioneer families, Coulthard and AndrewPhotocopy of sepia photograph, A4 page, (12 of 20)Typed note attached to the rear: Harvesting Wheat, Gibson's, River Street, Whittleseajohn mcphee, conron grange, whittlesea, mary ann armstrong, james johnston, wills estate, farming, horse, whittlesea pioneers, gibson family, river street whittlesea, harvesting wheat

Photocopies of old photos from John McPhee of Conron Grange, Whittlesea. Conron Grange was established by Robert and Mary Ann Armstrong in 1855 as part of the Wills Estate, they were tenant farmers to Wills, Mary Ann named the first house Conron Grange meaning "Pretty place with full barns". Robert was killed falling from a horse in 1863 leaving Mary-Ann with children aged 7, 5, 3, 2, and a baby aged 8 weeks. Mary Ann married James Johnston in 1867. Conron Grange remained in the Johnston family until 1938 when John McPhee's parents bought it, it then remained in the McPhee name until John sold it in 2003. Whittlesea Pioneer families, McPheePhotocopy of black and white photograph, A4 page, (13 of 20)Typed note attached to the rear: John McPhee and his dog Jess Conron Grange 1997john mcphee, conron grange, whittlesea, mary ann armstrong, james johnston, wills estate, farming, whittlesea pioneers, cow, dairy cow

Photocopies of old photos from John McPhee of Conron Grange, Whittlesea. Conron Grange was established by Robert and Mary Ann Armstrong in 1855 as part of the Wills Estate, they were tenant farmers to Wills, Mary Ann named the first house Conron Grange meaning "Pretty place with full barns". Robert was killed falling from a horse in 1863 leaving Mary-Ann with children aged 7, 5, 3, 2, and a baby aged 8 weeks. Mary Ann married James Johnston in 1867. Conron Grange remained in the Johnston family until 1938 when John McPhee's parents bought it, it then remained in the McPhee name until John sold it in 2003. Whittlesea Pioneer families, McPheePhotocopy of sepia photograph, A4 page, (14 of 20)Typed note attached to the rear: Load of Maize Gibsons River Streetjohn mcphee, conron grange, whittlesea, mary ann armstrong, james johnston, wills estate, farming, whittlesea pioneers, gibson family, gibson, river street whittlesea, maize, horse, horse and wagon

Photocopies of old photos from John McPhee of Conron Grange, Whittlesea. Conron Grange was established by Robert and Mary Ann Armstrong in 1855 as part of the Wills Estate, they were tenant farmers to Wills, Mary Ann named the first house Conron Grange meaning "Pretty place with full barns". Robert was killed falling from a horse in 1863 leaving Mary-Ann with children aged 7, 5, 3, 2, and a baby aged 8 weeks. Mary Ann married James Johnston in 1867. Conron Grange remained in the Johnston family until 1938 when John McPhee's parents bought it, it then remained in the McPhee name until John sold it in 2003. Whittlesea Pioneer families, AndrewPhotocopy of black and white photograph, A4 page, (15 of 20)Typed note attached to the rear: Andrew's cows Glenvalejohn mcphee, conron grange, whittlesea, mary ann armstrong, james johnston, wills estate, farming, whittlesea pioneers, cow, andrew family, glenvale

Photocopies of old photos from John McPhee of Conron Grange, Whittlesea. Conron Grange was established by Robert and Mary Ann Armstrong in 1855 as part of the Wills Estate, they were tenant farmers to Wills, Mary Ann named the first house Conron Grange meaning "Pretty place with full barns". Robert was killed falling from a horse in 1863 leaving Mary-Ann with children aged 7, 5, 3, 2, and a baby aged 8 weeks. Mary Ann married James Johnston in 1867. Conron Grange remained in the Johnston family until 1938 when John McPhee's parents bought it, it then remained in the McPhee name until John sold it in 2003. Photocopy of black and white photograph, gloss paper, A4 page, (17 of 20)Typed note attached to the rear: Gordon McPhee's Fordson tractor and Sunshine baler.john mcphee, conron grange, whittlesea, mary ann armstrong, james johnston, wills estate, farming, whittlesea pioneers, gordon mcphee, tractor, fordson tractor, sunshine baler

The donor, whose parents owned an antique shop believed that the evening coat was owned by the family of Cr Morris Nathan and his wife Margaret Frances, nee MacKay. Maurice Nathan was born in Kew in 1914 and died in East Melbourne in 1982. He was a student of Trinity Grammar School, Kew. He was Lord Mayor, and his wife Lady Mayoress, of the City of Melbourne for two terms between 1961 and 1963. The age of the coat, created in a design typical of the 1920s would suggest that it is of an earlier vintage, almost certainly dating from the 1920s, but perhaps earlier. The opulence of the sequinned and beaded embroidery have led to the supposition that it may be an opera coat inherited from an earlier generation.Three quarter length, red and cream silk, padded evening coat highlighted on the cuffs and hem with iridescent sequins, beading and pearls of different shapes and sizes. These decorative features are arranged in a formal design, particularly at centre back. Above the beaded sections are sunbursts outlined in gold beads.Trimmed rabbit fur at collar and cuffs. The sleeves are shaped above the embroidered sections while the hem features a zig-zag profile. MEASUREMENTS - Neck to hem front 93cm; Neck to hem back 100cm; Circumference 126cm; Shoulder to cuff 72cm; Shoulder width 36cm.Traditionally, pre acquisition, stored in brown suitcase embossed in gilt with the name R. NATHANevening jackets, opera coats, fashion -- 1920s

The people are identified as Mr Walter Bonwick and his sons. The photo was taken in 1936. Walter Hugh Bonwick (1899-1964) was an engineer. He married Christina Erica Strom (1893-1984) in 1924. Her parents were Herman Strom and Mary Eadington Rule Pyatt. Christina served as a staff nurse in WW1. She enlisted on 8 May 1917 and embarked from Melbourne on board RMS Somali on 30 June 1917; she returned to Australia on 17 July 1919. Her diary is digitised on the Australian War Memorial website, along with a typed transcript. Sons: John Edwin Bonwick - engineer William (Bill) Bonwick - Associate Professor of Engineering, Monash University (1933-2011) A black and white photograph of a man with two boys standing in the front garden. There is a car in the background, to the right, and a house in the background on the left.walter bonwick (mr), walter hugh bonwick (mr), john bonwick (mr), john edwin bonwick (mr), william bonwick (mr), daton car, loch street, mont albert, surrey hills, 1936, clothing and dress

Samuel came to Belfast with his parents Benjamin and Maryanne on the ship 'Oithona' arriving at Portland on January 30th 1855 when he was 11 years old. In 1865 he marries Selina Ann Daughter of William and Mary Oaff who arrived in Australia on the 'Clara' on the same day as Samuel. They had 6 children. As a stonemason by trade It is probable that he helped his father build the wall around the Consolidated school in 1875. They lived in a stone cottage next door to the Port Fairy Hospital. It was demolished when the new wing was built in 1976. He joined the Manchester Order of Oddfellows in 1863 and was elected Grand Master in 1880. He died when he was 37 in 1881.Early settlerPosed portrait black & white photographpioneer, settler, portrait, people, family, bowyer, samuel, stonemason, clara, oithona, selina ann, william oaff, mary oaff

A press release from Melbourne Legacy in 1975 which relates a story of how Legacy works. The information was intended to be used by press and magazines etc. The title 'With Legacy's Help. It seemed like a miracle - just like having an invisible Mother and Father' and is about a young girl 'Betty' whose parents died leaving her in charge of three younger siblings. It dramatically changed her career prospects and struggled to care for them on her own. Since her father was a returned serviceman Betty contacted Legacy, and from then on it seemed like an invisible mother and father. Legacy helped with the financial burden and arranged medical and dental treatment for the children, brought them clothes and provided holidays and birthday presents.A record of how Legacy promoted their work in the 1970s.Green foolscap page x2 with black type of a press release in 1975.Title 'It seemed like a miracle - just like having an invisible Mother and Father'press release, case studies, orphans

Photocopies of old photos from John McPhee of Conron Grange, Whittlesea. Conron Grange was established by Robert and Mary Ann Armstrong in 1855 as part of the Wills Estate, they were tenant farmers to Wills, Mary Ann named the first house Conron Grange meaning "Pretty place with full barns". Robert was killed falling from a horse in 1863 leaving Mary-Ann with children aged 7, 5, 3, 2, and a baby aged 8 weeks. Mary Ann married James Johnston in 1867. Conron Grange remained in the Johnston family until 1938 when John McPhee's parents bought it, it then remained in the McPhee name until John sold it in 2003. Whittlesea Pioneer families, James Coulthard, and Charles W. AndrewPhotocopy of two newspaper clippings, both clippings on the one page, glossy paper, A4 page, (9 of 20)At Whittlesea Show on Saturday, Mr. J. Coulthard, 93, who has been living in the district for 70 years; and Mr. C. W. Andrew, 73 (right). Handwritten on the page: 1933. Typed note on the rear, Charles Andrew and Joe Coulthard / James Coulthard and Charles Andrew / Joe is James's son top photo 15 years later. Top photo: Charles Andrew (left) and Joe Coulthard (right) Bottom photo: James Coulthard (left) and Charles Andrew (right)john mcphee, conron grange, whittlesea, mary ann armstrong, james johnston, wills estate, farming, charles andrew, andrew family, andrews family, charles w andrew, james coulthard, joe coulthard, whittlesea pioneers, whittlesea show, horse

This is the Nowa Nowa crossing off Old Orbost Road, to the first Nowa Nowa Hotel built by Moses Faithfull, in 1890, in background. Moses Faithful came to Australia from England with his parents on the Royal Consort in 1844. After living at Bulla, Pakenham and Wurruk he and his wife moved to Hospital Creek in about 1885 where he took up the first selection of land at Upper Hospital Creek. As well as farming he built the first hotel at Nowa Nowa in 1890. He had charge of the hotel until 1895 when he sold to Mary Stirling. Moses died on 8th July 1901, aged 66, at the residence of his son-in-law, David Price, at Newmerella, and buried in the Orbost cemetery.This hotel was built in 1890 and doubled as a coaching stop on the inland route. Settlement grew up around the hotel. It was sold 1895 to Mary Stirling who husband own the land the hotel stood on. The hotel burned down on 29 July 1955. This is a pictorial record of Nowa Nowa in the late 19th century.A black / white photograph of a creek crossing with large stones in the foreground. A bridge can be seen in the background across the creek.nowa-nowa faithful-moses stirling-hotel

These shoes were worn by Mary Glass Cramond when she married James Dickson Jnr. in 1888 in the Presbyterian church in South Yarra Melbourne. Mary Cramond was the daughter of John Glass Cramond and his wife Frances. Her Scottish born father formed a partnership with James Dickson, also a Scotsman and founded the Cramond and Dickson store on the corner of Timor and Liebig streets Warrnambool which opened on 21st August 1865. The store closed in 1974. . James Dickson's parents were James and Susan. James Dickson was an original director of the Warrnambool Woollen Mill, an original guarantor and director of the Warrnambool Cheese and Butter Factory. He also served on the committee of the Warrnambool Base Hospital for nearly fifty years and was a town councillor. The Store of Cramond and Dickson was one of the most important businesses ever to have been in Warrnambool. The marriage of the daughter and son of each of the founders was an important social and romantic event.A pair of cream satin covered lady's shoes with medium height heels. The toes are gently pointed and decorated with a bow and intricate glass,clear beading.The soles are leather. Both shoes are damaged as the satin is torn and shredded.6D small twelve pointed starshoes, cramond and dickson, warrnambool, cramond

This booklet is a 1932 catalogue of the Floral Farm in Warrnambool. It was established by Charles Allen Jukes who had first opened a plant nursery at Cudgee on the banks of the Cudgee Creek. Early in the 20th century the nursery, the Floral Farm, was re-located to East Warrnambool with the boundary of the property extending along Raglan Parade, Flaxman and Bostock Streets. . A very high paling fence, topped with vertical slats was erected around the property. The Floral Farm continued for some time (with Charles Allen Jukes dying in 1934) and the nursery land was sub-divided for housing. Charles Allen Jukes’ parents, Alfred and Margaret came to Warrnambool in 1856, with Alfred setting up a law business and at one time being the honorary Town Clerk of Warrnambool. This booklet is of historical interest as it is a catalogue of the plants and seedlings available in the early 1930s from the Jukes Floral Farm in East Warrnambool. The parents of the Floral Farm business, Alfred and Margaret Jukes, were pioneer settlers in Warrnambool.This is a booklet of 40 pages. The cover has blue printing and was once white or buff-coloured but is now much stained. The pages contain information on plants and seedlings and have many black and white photographs. The booklet is dog-eared and crumpled.jukes family, warrnambool, floral farm nursery, warrnambool

This piece of an old bath dates back to the late 1800s to early 1900s. The bath would have been used by the Partington or Bosch families at the property at Point Lookout. This piece is from a bath that was used by our grandfather (born in 1872) when the family lived at Point Lookout before the Partington family bought Willis Vale in 1878. The bath remnant was retrieved after fire destroyed the house. Bed head (remnant): From the Willis Vale homestead. The Partingtons purchased Willis Vale in 1878. William James Partington (1872-1941) and his wife Annie May (1874-1965). They were the parents of Eva, Grace, Alan, Jess and Jack. All except Eva were born at Willis Vale. 9from Faye Fort)Remnants of two of the Partington family homes, both destroyed by fire.Cast-iron, rusted. Section of base of bath and one upright post from bed head.partington, bosch, willis vale, lookout point, baths, bed heads, furniture, greensborough

The building in this photograph of Boggy Creek is probably the first Nowa Nowa Hotel built by Moses Faithfull, in 1890. Moses Faithful came to Australia from England with his parents on the Royal Consort in 1844. After living at Bulla, Pakenham and Wurruk he and his wife moved to Hospital Creek in about 1885 where he took up the first selection of land at Upper Hospital Creek. As well as farming he built the first hotel at Nowa Nowa in 1890. He had charge of the hotel until 1895 when he sold to Mary Stirling. Moses died on 8th July 1901, aged 66, at the residence of his son-in-law, David Price, at Newmerella, and buried in the Orbost cemetery.This hotel was built in 1890 and doubled as a coaching stop on the inland route. Settlement grew up around the hotel. It was sold 1895 to Mary Stirling who husband own the land the hotel stood on. The hotel burned down on 29 July 1955. This is a pictorial record of Nowa Nowa in the late 19th century.A black / white photograph / postcard of a creek with a building on the rightside. a windmillis to the left. The banks of the creek are well-vegetated.on front - bottom left -"BOGGY CREEK NOWA NOWA"boggy-creek-nowa-nowa

The "Dead Man's Penny" of Private George Matthews (24/1744) is a district link to the First World War. George enlisted with the Otago Regiment, New Zealand Expeditionary Force as a rifleman. Born in 1891, he was a former pupil of Myrtleford State School 955 and was one of four first cousins killed in action and recorded in a memorial window and honour board at the Uniting (formerly Methodist) Church, the Soldier's Memorial Square and on the State School Honour Board. George's parents, John and Mary Matthews,received the plaque in a pack, together with a letter and commemorative scroll from King George V. George Matthews is buried at the Caterpillar Valley (N.Z.) Memorial, France, having died on October 1, 1916, aged 25. The memorial plaque links local family tragedy to world conflict. It represents the impact of such events must have had on small town communities. George Matthews' enlistment in New Zealand is an indicator of the migratory nature of men involved in gold mining after the decline of the industry in Victoria and New South Wales in the late 19th centuryA World War 1 memorial plaque issued to next-of-kin of all British and Empire service personnel who died as a result of the war. They were round and cast in bronze, hence their similarity to the much smaller penny coin. The plaque includes an image of Britannia, holding a trident and standing with a lion. Britannia holds an oak leaf above the deceased's name, which is recorded without rank. Two dolphins swim around Britannia, symbolizing sea power, and at the base a second lion is tearing apart the German eagle. Around the picture a legend reads: "He died for freedom and Honour"Name engraved: GEORGE MATTHEWSmemorial plaque dead man's penny george matthews

Studio portrait of 5347 Private Cyril Buckler, 14th Battalion, presented in his memory as a past student, by his parents to North Wangaratta State School. Cyril was a postman from Wangaratta Victoria, prior to enlistment on 16 February 1916. He embarked from Melbourne aboard HMAT Euripides on 4 April 1916 for Egypt. His unit relocated to the Western Front, France, in June 1916. Private Buckler was killed in action near Pozieres, France, on 7 August 1916. He has no known grave and is commemorated on the Villers-Bretonneux Memorial. This image of Cyril Buckler in uniform with the rank of Sergeant was probably taken while he was serving in the Senior Cadets or Citizen Forces prior to enlistment in the AIF Framed photograph presented to North Wangaratta State School in memory of a past student killed in action at Pozieres, France on 7 Aug 1916 during the First World War. North Wangaratta State School 2391 opened in May 1881 and closed on October 26 1969. Today a plaque commemorates the old site in Eldorado Road North Wangaratta.Wooden frame with gold insert, wooden mount. Coloured paper Union Jack on top left of mounting, Red Ensign on top right of mounting. Inscriptions in white paint. Glass front. Back has wire hangings. Has paper backing has stitching on three sides, some paper backing is ripped.For King and Country. Presented to North Wangaratta State School No 2391 by Mr & Mrs W. Buckler in memory of their son Sgt Cyril Buckler who was killed in action at Pozieres France 7 Aug 1916 world war 1, france, pozieres, north wangaratta state school, cyril buckler

Alan, born at Cobram on 25 February 1920, was a member of the Dunstan family of Yarrawonga and member of the Royal Australian Navy Band. All of his siblings were musical. The portrait hung in the home of Alan's parents Joseph and Harriet Dunstan who lived at 40 Hume St Yarrawonga. (now the site of Karana Nursing home). After their death the portrait was in the possession of Alan's youngest sibling Dawn White (nee Dunstan). Dawn passed away in 2016. Alan enlisted at Yarrawonga on 4th August 1941 and served on HMAS Australia the flagship of the Australian Navy.no 24862. At the time of his death 25 February 1945 he was serving on the HMAS Rushcutter. He is buried at Rookwood War Cemetery, Sydney. Service Ornately decorated oval shaped frame containing hand coloured photo of Alan Dunstan. Frame made of painted pressed woodWesley Durburtiry??

The photograph is from the album of Ivy Child and shows the homestead of her parents Ted and Ethel Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing the roof of a home with tall tress either side. A wire fence runs along the front with hills in the background.homestead, ivy child, ted child, ethel child, kalorama

Photocopies of old photos from John McPhee of Conron Grange, Whittlesea. Conron Grange was established by Robert and Mary Ann Armstrong in 1855 as part of the Wills Estate, they were tenant farmers to Wills, Mary Ann named the first house Conron Grange meaning "Pretty place with full barns". Robert was killed falling from a horse in 1863 leaving Mary-Ann with children aged 7, 5, 3, 2, and a baby aged 8 weeks. Mary Ann married James Johnston in 1867. Conron Grange remained in the Johnston family until 1938 when John McPhee's parents bought it, it then remained in the McPhee name until John sold it in 2003. Grand Parade at Whittlesea Agricultural Show, not dated.Photocopy of black and white photograph, probably a newspaper clipping, A4 page, (16 of 20)Typed note attached to the rear: Grand Parade Pine Plantation at backjohn mcphee, conron grange, whittlesea, mary ann armstrong, james johnston, wills estate, farming, whittlesea pioneers, cow, whittlesea show, pine plantation

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen Silver Photograph, mounted on Board. printed in ink on support l.c.: JUNCTION OF THE RIVER WATT AND CONTENTMENT CREEK. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 1. / JUNCTION OF THE RIVER WATT AND CONTENTMENT CREEK. / This scene is situated about two miles to the westward of Fernshawe, a small but extremely romantic township. / The river, at this juncture, is crossed by a fallen tree, as may be seen in the illustration. The track which is seen on / the opposite side of the river leads to the summit of Mt. Munda (3,500 feet high), 4 miles distant, from which place / visitors can see the Australian Alps, in all their mighty grandeur, stretching for hundreds of miles on either side, / and, as far as the eye can reach, impressing a beholder with the appropriateness of their title, being that of the Great Dividing Range. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire, views of victoria - general series, landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen Silver Photograph, mounted on Board.printed in ink on support l.c.: CENTRAL AVENUE, FITZROY GARDENS / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 2. / CENTRAL AVENUE, FITZROY GARDENS. / The Fitzroy Gardens have, for several years past, become one of the most popular places for public resort- / attributable, no doubt, to the great variety of picturesque scenes they contain. Shrubs and flower plants, of almost / every description, can be seen growing in rich profusion within the enclosures, studded here and there with choice / pieces of statuary. The subject of the present illustration is but one of the many to be found within their precincts. / The distance of these gardens from the Melbourne Post Office is about one mile. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen Silver Photograph, mounted on Board.printed in ink on support l.c.: JUNCTION OF THE RIVERS YARRA AND WATT, NEAR HEALESVILLE. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 3. / JUNCTION OF THE RIVERS YARRA AND WATT, NEAR HEALESVILLE / The junction is situated about 3 miles from Healesville, and 35 miles from the mouth of the Yarra. The souces / of the Watt are to be found at the head of the Black Spur, and, being fed by a number of creeks and springs, its / waters gain considerable force for several miles before joining those of the Yarra. The "Old Bridge," at the junction, / is the name given to this crossing-place, which has been partly swept away by late floods. The depth of the Yarra here / is from 15 to 20 feet; that of the Watt, about 10 feet. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), yarra river, watt river, bridge, wooden bridge, healesville