Mr William Burke settled at Dooboobetic near Donald in the 1860s his sons eventually working their own farms on subdivisions of the original property. Archibald (Archie) whose team is pictured had a portion named "Inverleigh". His daughter married Mr Michael Taffe of "Hymettus" Ballarat where the photographic archive survives. small snapshot image badly creased of team with inscription and print on reverse.Written on reverse "G'pa Burke's team. with printed words KODAK PRINT and ink stamp 431

The images show maintenance issues at St Kilda Park Primary School in 2001. The school was built in 1879. Former Governor General Sir Zelman Cowen, Archibald Prize-winning artist William Dargie, and test cricketers Bill Ponsford, Keith Miller and Ian Johnson, are among its well known former students.Colour photographsst kilda, st kilda park primary school, fitzroy street

Archibald Clarkson Jones enlisted on 17.7.1915 aged 20 years 6 months, No 2672 6th Reinforcements 23rd Battalian AIF, embarked for Eygpt on 27.10.1915. He was attached to several Signal Companys namely 5th Div Sigs, promoted Cpl 6.6.16, embarked for France 17.6.16, promoted Sgt 9.10.17, discharged from the AIF on 29.7.1919.Medal set,Court mounted, set of (3) re A.C Jones. 1. 1914-15 Star. 2. War Medal 1914-19. 3. Victory Medal.1. "2672. PTE. A.C.JONES 23 BN A.I.F." 2 & 3. "2672 SGT A.C JONES 23 BN A.I.F"2672, a.c.jones, 23rd btn, aif, medal set

Typical light-hearted gathering of seafarers on a public holiday outing, organised by the mission on Monday 11 November 1907 for King's Birthday celebration (Edward VII), at "Ottawa", Toorak, the 82 acres estate of Mrs Jane A. Campbell between 1901 and 1911 when it became the property of John Archibald Campbell. (Heritage Overlay Review HO158)Small monochrome outdoor photograph, badly faded, depicting 20+ seafarers posed in a group with the central character wearing a dresstoorak, king's birthday, 1907, picnic, edward vii, mrs campbell, costume, ottawa, goldsmith album, lhlg, picnics, social events, entertainments

Brian DUNLOP (1938-11.12.2009) Born Sydney Brian Dunlop was a still life and figurative painter who won the Sulman Prize in 1980. He was a finalist in the 2004 Archibald Prize. Dunlop painted portraits of public figures, including Queen Elizabeth II in 1984 for the 150th anniversary of the founding of Victoria, and held many exhibitions in Sydney and Melbourne. Framed limited edition of a lithograph of a nude. Donated through the Australian Gifts Programme by Katherine Littlewood.brian dunlop, available, nude, life drawing, printmaking, artist, artwork, cultural gifts

The portrait was painted by Robert Hannaford in 2000, Archibald prize finalist. Painted by South Australian artist Robert Hannaford AM. He started off as a cartoonist for the Adelaide Advertiser, studied in the School of Mines in Ballarat and has lived and worked in India, Europe and Africa. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Painting of Mrs Ruth Tideman Headmistress Mrs Ruth Tideman Headmistress 1983-2000

1st Surrey Hills Boy Scout Troop was formed in 1909 by Theodore Hendy, two years after Lord Robert Baden-Powell had started the Movement. Hendy (left back) sent Baden-Powell greetings advising he was sending a photo of his troop. This could be the photograph. Taken in the grounds of his home "Kookaburra" (demolished) in Albany Crescent, Surrey Hills (later given the number 44). The Royal Hotel on the corner of Canterbury Road and Broughton Road can be seen on the right. The photograph was taken by M. Hill, uncle of Mr W. Dempsey. 'Kookaburra' was the home of Theodore Hendy's uncle Archibald Noete Hendy, an estate agent. Earlier it was known as 'Glastonbury'. In c1938 the house was demolished and the land divided into 4 lots. Archibald Hendy and his wife Bertha Bowen (nee Rohs) later resided at 'Barehin' in Pembroke Street. Black & white photo of 1st Surrey Hills Boy Scout Troop in the grounds of 'Kookaburra' (now demolished) in Albany Crescent Surrey Hills. In the background are 2 buildings. surrey hills scout troop, 1900-1909, 1910-1919, royal hotel, albany crescent, surrey hills, uniforms, hats, flags, clothing and dress, canterbury road, broughton road, house names, hotels, scout groups, youth clubs, (mr) w dempsey, (mr) m hill, (mr) theodore hendy, 'kookaburra'

This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt. Brighton Historical Society records indicate this bonnet was worn at the death of Archibald's widow, Isabella Black, in 1912. Other records held place Isabella Black's death in 1915. Navy silk velvet mourning bonnet with black silk train, circa 1915. The bonnet’s shape is created by a horseshoe shaped rib that sits across the crown of the head and shapes in to cover and conceal the back of the head. Across the crown, the bonnet features a navy silk velvet bow. The veil is constructed from a very fine black corded silk and hangs to approximately just below the wearer’s bottom. mourning bonnet, barone, seaview, brighton, isabella black

From the wedding trousseau of Doris Cora Halkyard, nee Wrigley, who married Arthur John Stanley Halkyard in 1912. The couple lived at Barone, 9 Moule Avenue, from around 1951 until 1970. This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Doris, the final member of the Black family to inhabit the house, was Archibald's granddaughter. Barone's neighbours included “St Ninians” owned by the Ward Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family.A pale blue wedding garter featuring a pale pink bow and cream lace edging.wedding garter, doris cora wrigley, doris cora halkyard, stanley halkyard, trousseau, barone, seaview, brighton

Conditions of sale by private contract issued by George Pethard dated 15th April, 1924, between George Pethard acting on behalf of The Manchester Unity Independent Order of Oddfellows Bendigo District Widows and Orphans Fund as Mortgagees and Henry Archibald Wilkinson (buyer), land situate at no. 121 Mundy Street Bendigo at present occupied by Mr. Spencer as tenant. Crown allotment 10 of section 8c Parish of Sandhurst city and county of Bendigo described in certificate of title volume 2732 folio 546267 having a frontage of 125 links by a depth of 200 links. Together with six-roomed brick house and all sundry. Price 500 pounds.organization, business, h.a. & s.r wilkinson real estate

See also 2606, 2607, 2608.3. .1) Medals awarded to ARTHUR EBDON. .2) Photograph of a painting of ARTHUR EBDON who enlisted in the AIF in July 1915. He was a Lance Corporal Signaller in 57th Battalion, 5th Division before transferring to 15th Field Company of Engineers, 5th Division. Portrait was painted by Mary Wheeler and entered in the Archibald Prize..1) Photograph attached to maroon card displaying 3 medals. French Legion of Honour, British War Medal, Victory Medal. .2) Photograph of a painting of a seated man who is the recipient of the medals.photography-photographs, military history - army, passchendaele barracks trust

Rick Amor was a good friend of three times Archibald Prize winner Clifton Pugh, living and working at Pugh's artist colony Dunmoochin, (Cottles Bridge) during the 1980-1990s. Amor made frequent outdoor painting trips with Pugh. His studies of Williamstown and areas around the port fuelled a period of sustained painting in his studio at Dunmoochin. Amor is an artist of national significance who had lived locally in Dunmoochin (Cottles Bridge) during the time of this work's making. This painting was exhibited/entered into the 1993 Shire of Eltham Art Awards. The work is representative of Amor's style and interest in seascapes as subject matter. Oil on linen, seascape painting. A solitary and motionless male figure in an overcoat stands at the edge of a dock/jetty with his hands in his pockets looking out to sea with his back towards the viewer. A motorised boat is moored close by and a white house with a blue roof can be seen in the distance. The figure is engulfed by the landscape and a resounding sense of desolation. A storm is brewing; the mood forecast by dark, heavy and thick ominous clouds, alternately darkening with the approach of night, a polluted haze and rough seas. In red paint, lower right, signed 'RICK AMOR '93'amor, seascape, painting, personal, boat, dramatic, atmospheric, ekphrasis 2015, dunmoochin

The portrait was commissioned by the Old Lauristonian Association and painted by W.B. McInnes in 1932. It was exhibited in the Australian Art Exhibition, November 1932, and entered for the Archibald Prize in 1933. The inscription reads "Miss Margaret Irving Founder and headmistress 1901-1933". Size 1000mm x 800mm. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Portrait of Miss Margaret Irving Founder & Headmistress 1901-1933 Miss Margaret Irving Founder & Headmistress 1901-1933

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much - loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. A General Natural History Author: John Hill Publisher: Thomas Osborne Date: 1748 The label on spine cover with typed text R.H. F570 HIL Pastedown front endpaper has a sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service Flyleaf has a stamp from Warrnambool Public Museum Handwriting on the lower right corner of paper after flyleaf that reads "From Mr T Christian" then "Received 27.1.91" (1891) Then the signature "J Archibald"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, a general natural history, john hill

Norma Bull is an Australian painter who is most famous for her paintings and sketches made during World War II in Britain as an official war artist. Bull was a finalist in the Archibald prize twice, in 1952 and 1953. Her work is featured in collections around the world including the Royal Collection, the Imperial War Museum, the National Gallery of Australia, and the Bright Art Gallery.traditionalRural City of Wangaratta Collection. Donated by Associate Professor Leslie E Bolitho AM.A windy seascape painted in oil using blues, browns, greens, yellows, and whites.Obverse: Norma Bull/ (bottom left)wangaratta art gallery, norma bull, seascape, painting

Magazine, published by the Metropolitan Transit Authority of Victoria "Headway News" - A4 printed on white gloss paper, with the MTA logo or symbol. Issued under the name of L. A. Strouse as Chairman of the body which commenced on 1/7/1983. Major tram and bus items listed. .1 - Vol 1 No. 1 - July 1983 - four pages - gives details of corporate identity, including notes on the design of the logo, notes from the Chairman, details of the Management Team, the Board, move to the new head office - World Trade Centre, Preston Workshops Project. Management Team - Albrecht Scholer (Metro rail), Dudley Snell (trams), John Wagstaff (GM Marketing and Sales), Michael Maude (GM Personnel) and Paul Riboni (GM - Finance and Corporate). .2 - Vol 1 No. 2 - August 1983 - four pages - details the MTA Board with a photo, gives details of the intended directions that the MTA is planning to take, western suburbs and Doncaster bus changes, new bus workshop at Northcote. Photo notes Bill (W) Aird as Interim Secretary of the MTA. MURLA. .3 - Vol 1 No. 3 - September 1983 - four pages - Flinders St station redevelopment, METROL, AVM - vehicle monitoring, Employees Board Member election and sports roundup. .4 - Vol 1 No. 4 - October 1983 - six pages (one sheet folded) - Refurbishment of W5 trams - fitting of sliding doors, Bundoora Extension, Tram Priority, management changes - Level 3 - John Grigg and Geoff Carkeek, early retirement seminars, transport loan, upgrade to rail overhead, Bob Drummond Retires, flat fares, Gail Moody project engineer for Bundoora Extension and MTA at Royal Show. .5 - Vol 1 No. 5 - November 1983 - eight pages - two sheets - intro of new fare system on 13/11/1983 - "the Met", (Travel Cards and neighbourhood tickets), tram priority, training in new ticketing system, profile of Paul Riboni, restructure of the Metro Rail division, New A class trams, notes restarting of alphabet, cost containment, early retirements, election of employee Reps (Norm Maddock and Tony Tuohey), sporting news, Preston Workshops redevelopment and tram 520 goes to Elton John. .6 - Vol 1 No. 6 - December 1983 - single sheet, two pages with a Christmas message and consultation committees will work during 1984. .7 - Special Edition 1984 - one page - message from the Chairman and Managing director, - re on time running, METROL and planning for 1984. .8 - Vol 2 No. 1-2, January - February 1984 - four pages - METROL now in operation, new managers - John Coulson ex MMTB Assistant Secretary and financial manager, tram and bus appointments, "trams that bend in the middle" - launch of B class trams, sport - Cricket carnival. .9 - Vol 2 No. 3 - March 1984 - four pages- "charting the football crows, proposed head office at 60 Market St (did the World Trade Centre in first issue ever happen?), Colin West Group Manager Personnel - ex MMTB Personnel, Robin Ould employee relations - ex MMTB Industrial Officer. Has a profile on John Wagstaff, interstate cricket and new apprentices. Includes an item on the down fall of Sydney tram network - "The fall of the Giant" .10 - Vol 2 No. 4 - April 1984 - four pages - John Grigg appointed as Chief GM Metro Rail, OH&S Bill, train defects, Tony Jackson bus mechanic wins award, Beppie - Welfare Counsellor for MTA Tram and Bus based at Hawthorn depot. .11 - Special Edition - 1984 - single page- "Met Birthday address by Chairman". The continues to:trams, tramways, mta, preston workshops, board members, management, northcote bus workshops, avm, flinders st, w5 class, bundoora, tram priority, retirements, fares, royal show, funding, sale of trams, a class, travel cards, neighbourhood tickets, b class, cricket, sydney, welfare

Original owner, Major John Charles Edward Douglas 400th Bn Yorkshire Regt who died aged 39 on Saturday 18th December 1915, Major Douglas was the son of Admiral Sir Archibald Douglas GCB, GCVO, LL.D, JP and Lady Douglas Barrister, Gray’s Inn. Remembered with with HONOR, Bailleul Communal cemetery Extentsion (Nord) Nard France 11.B.64.Rectangular wooden board, rotating metal bezel ring, markings, compass, clinometer, leather straps, graph paper, wooden ruler, with attached brass folding hinge.“Hawley sketch for Outpost Line”, “JCE Douglas Capt, 10th Yorkshire Regt May 17th 1915”equipment, maps

The Long Gully History Group - Alois Alzheimer: Gone but not Forgotten, Associate Professor Tony Snell, Bendigo Health Care Group, La Trobe University Bendigo, Ronald Reagan, Australian Alzheimer's Association, Alois Alzheimer, Colin Masters, Henry Brobaty, Centre for Rural Rehabilitation and Aged Care, Alzheimer's Association, The Australian Society for Geriatric Medicine, The Loddon Mallee Dementia Management Strategy, Gavin Jennings, Medical Journal of Australia, Peter Panegyres, Monash University, Sir John Quick, Bendigo ANA, Michele Matthews, The Hon Justice Michael Kirby, Mr Don Blackmore, Dr Janet McCalman, Dr John White, Dr Al Luloff, Mrs Delys Sargeant, The Rt Hon Sir Ninian Stephen, Mr Peter McCarthy, Professor Jeff Brownriggbendigo, history, long gully history group

1953 BBH Nurses on hospital lawn watching nurses tennis tournament. Photo taken for publishing in the August Souvenir Supplement. Right - Miss G. Williams Director of Nursing Left Mr Churry hospital secretary. Seated C Wilson B Davis J Beautyman L Duggan N Painter A Archibald M Methven M Smith I Smith m Mcgregor M HarleyOne Photo and one paper copy - Black and White - Eleven Nurses seated on the grass - Nursing sister standing at right hand side and Male standing between 3 and fourth nurse. Cyclone fence ant back and treesNames and photos description on back of photonurses uniform, nursing information

Wireless Patrol members with two cars, registration numbers KO-302 and KO-703, circa 1948Wireless Patrol 1948. Front: Phil Knight, Angus McVicar, ECC James, Jackson, Jack Murphy, Dave Whitton, Bill Phillips. Centre: Ernie Spinks, Leo Dent, Tom Williams, Sid Olsen, ?, Dave McEvoy, Miss Snell, Mal McGuiness?, Jim Barritt, Ernie May. Rear: Machesi, Don Witham, Durch Holland, Lyle Minns, George Earl, ?, Ron smith, Stan Hanlon, Bill Banks, Frank Murphy, Fred Wooster

Laurence SCOTT PENDLEBURY (1914 - 1986) Born Melbourne Laurence Scott Pendlebury studied at the National Gallery of Victoria School between 1932 and 1938 and then at Swinburne Technical College. He served during World War Two with the AIF between 1941 and 1945. Teaching at Swinburne Technical College between 1946 and 1963 Laurence Scott Pendlebury was head of the art school from 1963 until his retirement in 1974. He was president of the Victorian Artists’ Society from 1961 to 1963. Awards include: Dunlop Prize in 1950, 1951, 1953 and 1954; Gibson Prize, Victorian Artists’ Society in 1956; Wynne Prize in 1956, 1957, 1960 (shared with John Perceval) and 1968; Caltex Prize in 1957; Victorian Artists’ Society Artist of the Year (shared) in 1975. Portrait of Nornie Gude, the artist's wife, holding a violin. Nornie Gude was a student of the Ballarat Technical Art School, a division of the Ballarat School of Mines. Nornie Gude was the daughter of Walter Gude, a leding musician, and highly regarded teacher. She grew up in Ballarat and was educated at Loreto College. From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 because she was so advanced in painting. Nornie Gude studied at Ballarat for five years before progressing to Melbourne’s National Gallery of Victoria School. As a violinist Nornie Gude played for more than a decade with the Zelman Orchestra. This work was a finalist in the 1978 Archibald Prize.artists, artwork, laurence scott pendlebury, pendlebury, nornie gude, gude, available, alumni

Sir Edmund Herring had a military career before becoming the Chief Justice of Victoria in 1944. Sir Edmund served as an artillery officer with the British Army in World War One and was awarded the Military Cross. While he returned to the Law between the wars, becoming King's Counsel in 1936, he continued his military associations through Australian Militia Forces, rising to colonel by the start of the Second World War. At the outset of WWII Herring was appointed as Commander of the Royal Artillery for the Australian Sixth Division. Herring saw service in North Africa and Greece and was in charge of Australian Northern forces in 1942, afterwards working with General Blamey in Papua New Guinea. Sir Edmund was appointed Chief Justice, straight from his army command in 1944. As Chief Justice he quickly established the Law Reform Committee and after the war oversaw the extension of the Supreme Court buildings, with the creation of new Courts. He was considered an able administrator, but his refusal to appoint Joan Rosanove a Queen’s Counsel throughout the 1950s, did not sit well with many legal practitioners. After his retirement from the Bench, he continued in his many public activities, including trustee of the Shrine of Remembrance and the Australian War Memorial and a member of the Melbourne Grammar School Council, as well as Lieutenant Governor of the State of Victoria, a position he held from 1945 to 1972. Herring was also an outspoken social critic; between the wars he had been a member of the White Guard, who were a far right group acting against communism. During the Cold War period of the 1950s, Herring spoke out in favour of the British Empire and the American alliance. The portrait of Sir Edmund Herring is the second one that Sir William Dargie (1912-2003), completed of Sir Edmund; his first effort in 1944/45 won the Archibald prize. Dargie won the Archibald prize a record eight times. His fame as a portrait painter was not without controversy, as he was considered ‘safe’ and the favourite of conservative sitters, particularly as many of his Archibald winners were of ‘Captains of Industry’. While no Archibald prize was awarded for this portrait, it is an interesting counterpoint to Dargie’s 1944/45 portrait. The portrait of Sir Edmund Herring is significant because of whom it portrays and the artist William Dargie who painted it.Portait in oils of Sir Edmund Herring. This is a half portrait of Sir Edmund in his red judicial robes. Gold leaf frame, with plaque.Plaque reads "The Honourable Sir Edmund Francis Herring, KCMG, KBE, DSO, MC, ED. Chief Justice of the Supreme Court 1944-1964"edmund herring, william dargie

Churchill Island Heritage Farm has a large collection of photographs. This series shows different community groups that were associated with Churchill Island throughout the decades.Photograph of eleven people arranged in two rows in a garden with planters and pots in the backgroundCHURCHILL ISLAND COMMUNITY GARDEN GROUP/BACK ROW L-R)/BILL NOLAN, SUE NOLAN, BART ZATTERESE,/JOHN BLACKNEY, ELIZABETH TOPLIFF, AILEEN BIRRELL/FRONT: HARVEY LOWENSTEIN, DOUG CARSON, ZENA ARCHIBALD/+ MITCHELL. JUDY ELLEID(?)[handwritten in blue pen] M POTS [handwritten in blue pen] 125% [handwritten in black pen] A10b[handwritten in black pen] 180 140 10.5[handwritten in blue pen]churchill island, photograph, churchill island community garden group

This is a photograph of Archie Dickson and his wife, Emma ( nee Wainwright), who was married in 1900 to Archibald John Dickson (1855-1930) There is an article noting his death in the Age newspaper, Melbourne, Thursday 12 June 1930, page 6 which reports him to have been the first white child born in the Orbost area. James Thomas Dickson, his brother, was the manager and then licensee of the Commonwealth Hotel in Orbost from about 1903. The Dickson family was a prominent family in early Orbost.A black / white formal studio photograph of a man seated on a chair with a woman standing to the right behind him. He is wearing a frock coat, waistcoat and high stiff collar with a bow tie. Her day dress has a tight - fitting bodice with a deep waistline and long sleeves.dickson-archibald-john commonwealth-hotel-orbost

This framed copy of a sketch of John Ruskin comes from the original steel plate engraving dating from about 1845. John Ruskin (1819-1900) was a notable English writer, philosopher, art critic and polymath in the Victorian era. He was the first Professor of Fine Art at Oxford University and was a prolific writer interested in the connection between nature, art and society, anticipating the more modern interest in environmental and sustainability issues. This framed item is from the collection of the old Warrnambool Museum which was first established in 1871 by the Warrnambool Mechanics' Institute under the curatorship of a local policeman, Joseph Archibald. This first museum faded away but was revived in 1883 by Joseph Archibald in his retirement years. The Museum continued as part of the Mechanics' Institute until 1963 as an important and much-admired institution. Most of the collection was lost over the years but some items remain, housed at the Warrnambool Art Gallery, Flagstaff Hill Maritime Museum and the Warrnambool and District Historical Society, with the John Ruskin item being part of the latter group's collection.This item is of considerable interest, firstly because it comes from the collection of the old Warrnambool Museum and secondly because it shows the local interest in the 19th century of the notable English writer and philosopher, John Ruskin. This is a copy of a steel plate engraving, a black and white sketch of the head and upper body of John Ruskin. It is enclosed in a cut glass frame with a red cardboard backing attached by metal clips. A section of the backing is torn off and there is damage to the bottom part of the glass frame.J. Ruskinold warrnambool museum, warrnambool art gallery, flagstaff hill maritime museum, warrnambool & district historical society, joseph archibald, john ruskin portrait

Archibald McKirdy purchased the Toyne's hoist business in 1925 and moved its production from Carnegie to Mont Albert where the family had lived since the 1880s. The factory was in Mont Albert Road near the railway line and the family lived at 2 Stanhope Street. 'Hung Out to Dry' is based on detailed and innovative research and analysis; part family history, part social history, part industrial history, part garden history. It is the story of the rotary clothes hoist.'Hung Out to Dry' is based on detailed and innovative research research and analysis; part family history, part social history, part industrial history, part garden history. It is the story of the rotary clothes hoist.(mr) gilbert toyne, inventors, (mr) archibald mckirdy, clothes lines, (mr) peter cuffley, cas middlemis

This well-produced but water-damaged book of Longfellows Poetry, was part of the former Warrnambool Mechanics Institute Library and Museum collection. The custody of this collection was assumed by Flagstaff Hill Maritime Village in the 1970s. Supporting provenance indicates the book was retrieved from the sea at Loch Ard Gorge soon after the shipwreck of the same name in June 1878. This book was given to the Warrnambool Museum curator Joseph Archibald by its finder, the Warrnambool Standard editor Henry Davis in October 1883. A letter from Mr Davis describing the poignant circumstances of his discovery is also in the Flagstaff Hill collection. A transcript of this letter is displayed next to the book in the Great Circle Gallery at the Maritime Village (reg. no. 2292). The story behind this book prompted Mr Archibald to write to the sole surviving female passenger from the LOCH ARD, Eva Carmichael, asking if the book was hers. Miss Carmichael replied by handwritten letter in January 1884, advising that the volume of poems did not belong to her: “We had a ‘Longfellow’, but our book had a green cover”. This letter is also in the Flagstaff Hill collection (reg. no. 2290.4).The book is rare as it has survived a shipwreck in relatively good condition. It is an example of personal possessions carried by a shipboard passenger in the 1870s. It holds significance for its connection to the renowned poet, Henry Wardsworth Longfellow. The book is important for its probable association with the wreck of the vessel Loch Ard in 1878. The LOCH ARD shipwreck is of State significance and is listed on the Victorian Heritage Register S417. A volume of poetry by Henry Wadsworth Longfellow. It is bound in blue-purple cloth on thick board, with black lettering and curling-vine design, framed by gold border. In the centre of the front cover is a raised smooth-white ellipse with crimped edges, now worn bare but with traces of an original brightly coloured floral design. This white centre of supple leather is also framed by a decorative gold border. The upper case lettering on the front cover reads ‘Longfellow’s Poetical Works’. The edges of the blue material are faded and worn. The pages are corrugated by water damage but their original gold-edged condition is still evident. The front and back covers are scored with singed holes approximately 1.5cm diameter, situated about the centre edge of each side and in roughly corresponding positions. These holes may be from an original book-latch or fastening. However they have since been damaged by a hot piercing object, which has blackened the holes and extended the damage into the enclosed pages. The spine of the book features a stylised oak tree in gold, rising from bared roots to serrated leaves and acorns. The letters “LON[DON]” at the top of the spine and “W.P.NI[MM]O” at the bottom. The book cover has separated from the majority of stitched pages, along with a number of title pages, which are now loosed from the binding. The books condition is fragile from a handling perspective, but stable in terms of further deterioration. ‘Inscribed “Loch Ard June 1 1878” in pencil within ― believed to be a salvage from the shipwreck’ (Mechanics Institute Library auditor, June 1996).warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, longfellow’s poems, loch ard, eva carmichael, warrnambool mechanics institute library, warrnambool museum, joseph archibald, henry davis, william p. nimmo, poetry, heny longfellow, henry wadsworth longfellow, poetical works, 1870s, 1877, longfellow’s poetical works