This typewriter case allowed the Olivetti typewriter to be securely and free from contaminants to be totally mobile. The Olivetti typewriter company was founded in Italy in 1908 and became a leader in portable dependable typewriters.This particular typewriter contained is a Olivetti Lettera 22, oblique front stroke and portable manufactured after 1950. During the 1950s and 1960s was a time when British and European manufactured goods were still purchased by many Australian consumers. After the 1970s however, there was a shift, mainly in the cities, to Japanese made goods. The invasion of Japanese manufactured goods was relatively slower, especially in rural areas. The demand for long lasting and dependable merchandise was in the rural area still the most important criteria. The ease of setting up this typewriter and its compact mobility was its major benefit to trades people and travelling professionals, e.g. rural doctors, other medical professionals, accountants, lawyers and educators. This item(carrying case) facilitated the growing numbers of professional nomads requiring a relatively light office stationery package e.g. travelling novelist, writer, businessman and academics. This typewriter needed no electrical or battery power to operate it therefore the inside compartment did not require additional storage pockets . Outback Australia, where at this point in time, good available electrical power reticulation and battery power, was a scarce and therefore could not be totally measured as a highly efficient office environment. The protective carrying bag provided the only mobile way to operate in some business and home locations.Although this typewriter cover and its typewriter was purchased from a business in Penrith, Sydney, N.S.W., it is significant that it travelled easily to the Kiewa Valley, demonstrating the mobility of certain sections of the community. This typewriter cover protected the expensive typewriter it contained which was designed by an Italian industrial designer, Marcello Nizzoli, in line with the art deco style of the 1930s and the colour and flexibility of the vibrant 1950s. The underlying theme of manufacturing in the 1950s was to produce equipment that was more efficient than what was inherited from the earlier period of 20th century. Improvements were made to this Olivetti typewriter by Giuseppe Beccio by reducing the number of parts made from 3,000 to 2,000. Protection of such a typewriter was of an utmost necessity. The need for mobile expensive typewriters waned as less expensive typewriters became available. This was the major principle of the Japanese manufacturing juggernauts of the post World War II. Efficiency and low cost material was becoming prime factors in the success of rural industries from the 1960s. Competition from overseas producers was starting to affect rural industries and the removal of the large range of tariff protection, especially rural products, required not only a shift of farm management but a more efficient cost savings modus operandi.This is a semi hard cover (cloth over cardboard on inside, plastic over cardboard on outside), camel coloured outside and tartan cloth covered pattern inside the typewriter case. the case can be opened up by "unzipping" the top from the bottom halves of the case. For carrying purposes the case has two plastic covering metal handles with brass fittings. There are two stitched on brown reinforcement straps encompassing both sides of the case. The two reinforcing straps are brown in colour and a securing strap with a press button at one end to allow an extra securing tongue to keep the cover secure. The top inside of the case has a three quarters long paper compartment (flap style). See KVHS 0455 for Olivetti Lettera typewriter.commercial, protective carry bags/cases for mobile office equipment, mechanical typewriter

Microscope were essential medical tools in diagnosing blood and tissue samples of patients. Microscopes were used at Ararat Mental Hospital from the time of its opening. The microscope is significant as an example of medical equipment used at the mental institution in the 1800's.This microscope sits in an flat tripod, much like the American style foot. It has an inclination joint. The mirror is on a double jointed arm, allowing oblique illumination and above stage illumination of opaque objects. The substage ring fitting can be removed to allow for extremely oblique lighting. Removing the ring is easy as it is fixed by a simple bayonet arrangement. Many microscopes had a bullseye condenser which attached to the stage, but this is lacking in this example, perhaps because the mirror can articulate above the stage. Coarse focus is by straight rack and pinion, fine by micrometer screw acting on the stem. There is an extendable drawtube which extends to allow optimal use of the objectives and a single objective and ocular are present. The microscope is missing pieces such as glass slides and two side braces.R & J Beck London Serial Number: 7925microscope, pathology, medical equipment, biospsy

Black and white photograph of a room at Fortuna Villa. This room is highly decorated with framed photographs, small figurines, tall ornate lamp with bulbous glass, glass fuel container, left is a small carved table with small figurine, tray and container, next is another table covered with a decorated cloth, in the corner is a taller cabinet style cupboard with glass panels in the door, and a number of small items with a framed photo at the rear, next is a short standard light with artistically decorated shade, to the right is very decorative shelving unit, with small figurines on the shelves, large decorated cylinder with lid, smaller jar with painted decoration and deep lid, foreground has a table made up of 4 triangular pieces and a glass vase and flowersindustries

Black and white photograph on grey mount board. Cohn Bros. Vic. Brewery Picnic. Men dressed in suits and various styles of hats, females in dress of the period (1903). Large hats with decorations. Boys in long socks and boots, garments with sailor type collard. Girls in frilly dresses and some with aprons. Inscriptions: Printed on mount at front 'Cohn Bros. Victoria Brewery Col. Ltd. Employees Picnic, held at Cherry Tree on Saturday 7th March, 1903', 'Magnus Cohn, Julius Cohn (central)', hand written on back. 'From WL Newell 30/07/1974 (written in black lead pencil), 'Royal Historical society of Victoria, Bendigo Branch' in circular stamp (on reverse). History: Previous Acc. No. GP25WH Robinson Photo, Bendigoperson, group, cohn's brewery, see also 2001.201.01, 2001.202.01, 2001.203.01, 2001.207.01, 2001, 208.01

Clothing. Infant's cream silk dress. High round neckline edged with one cm lace, and casing. Yoke front and back extending to kimono style long sleeves. Front yoke has four vertical strips of lace and centre embroidered panel with pale pink flowers and pale green leaves. Two strips of inserted lace extend along the top of each sleeve from neckline to wrist. Sleeves edged with three cm lace at hem. Centre back opening (22 cm) fastened at neckline with.6 cm pink silk ribbon and two one cm buttons and button holes in centre and lower edge of yoke. Skirt has five cm lace border at hem.costume, children's, infant's cream silk dress

Postcard with black and white photograph of Queen Alexandra. She is posed from the bust up, is dressed in a formal gown embellished with lace and jewels. She is wearing a tiara on her head, diamond earrings and an elaborate choker and necklace of diamonds and pearls. There is a 1 cm border along the bottom edge only, with the printed words Konigin Alexandra v. England. On the lower left hand corner of the photograph are the letters PRH styled into a logo and on the lower righthand corner are the numbers 429. Part of the postage stamp on the rear has folded over onto the photograph. On the reverse the card is addressed to Miss Ir Dean Esmond McKenzie Street Golden Square. A one penny stamp has been affixed and is postmarked Malvern.postcard

Clothing. Child's ivory coloured silk yoked dress. Round neckline edged with lace. Front yoke is made up of two horizontal strips of lace with a vertical strip on either side at the shoulders. The back yoke of fabric has vertical strips on each side at shoulders. Kimono style short sleeves have a strip of lace along the top. The hem of the sleeve is trimmed with ribbon insert lace and edged with one cm scalloped lace. The skirt is gathered into the lower edge of the yoke, and the seam is trimmed with ribbon insert lace.The sleeve is made up of 7 cm of silk fabric with 20cm of Lace fabric with scalloped edge at hem. Centre back opening (19cm) with three metal press-studs on the yoke.costume, children's, child's ivory coloured silk yoked dress

Souvenir Teaspoon featuring Ballarat tram No. 33 in a Square inset at the top of the tea spoon, contained within a plastic case. The teaspoon made by Perfection Plate, of the Galaxy style or type. The case has dark blue plastic base, with clear top, with a paper insert, with word "Perfection" and other details, including the name of the manufacturer "Hansen & Berry Ltd" with Auckland and Sydney photo numbers. On the rear of the case is the wording "Perfection". The teaspoon is silver plated, with the tram in a picture 18mm square. The teaspoon is marked "Galaxy" on the rear. Tea spoon is 112mm long x 25mm wide. Case is 125mm high, 32mm wide, by 16mm deep. Made late 1980's?. See Reg Item 3555 for another example of this teaspoon.trams, tramways, teaspoons, sales items, btps

Date is approximate; early Empire Day celebrations were held in May each year between 1906 and 1911 to commemorate Queen Victoria's birthday. Headmaster, George Bennett was later headmaster at Balwyn State School, which his son Gordon (later General Gordon Bennett) attended. Miss Amy Wise was a teacher at Surrey Hills State School for her entire career. (There is information in filing cabinet re Amy Wise). Note (undated) from John Reaburn states that an issue of SHNN claimed Major General Bennett was a pupil at SHPS. He stated: "I very much doubt this, as he was 19 years of age when his father was headmaster in 1906. Before that the whole family attended Balwyn State School. The statement should be substantiated or corrected".Black and white photo copied from a postcard of staff and students assembled outside Surrey Hills Primary School for Empire Day celebrations. Some children carry Union Jack flags. The cadet corps of the school stands in line on the path against the picket fence of the school carrying drums and 'rifles'. The male students are assembled in line at the edge of the road and the female students are assembled in the middle of the road. There are a number of adults in the background, presumably teachers and parents; two are identified. Centre is headmaster, Mr George Bennett and at the right is teacher, Miss Amy Wise. The photo is taken in Beatrice Avenue looking towards Canterbury Road. An Edwardian or Victorian style house can be seen on the corner of Beatrice Avenue and Canterbury Road.Within the original image: State School, Surrey Hillssurrey hills primary school, empire day celebrations, education, primary education, schools, cadets, beatrice avenue, post card, mr george bennett, miss amy wise, mr john reaburn

Mrs. R. Gordon is the President of the Victorian branch of the National Council of Women and is unveiling the Memorial plaque to Caroline Chisholm. The plaque stands on a rock in front of the Royal District Nursing Service (RDNS) Essendon Centre, and was unveiled on the same day the Centre opened on the 30th of August 1967. Mrs. E.G. Wilson is President of the Royal District Nursing Service. Miss Mary Evans is the Director of Nursing of the Royal District Nursing Service and is wearing her dark grey Director's uniform.Caroline Chisholm visited the goldfields of Victoria in 1854 and was horrified by the conditions en-route. The Memorial plaque to Caroline Chisholm, in front of the RDNS Essendon Centre, is in recognition for her work in establishing, with Government assistance, shelter sheds about a days walk apart, to enable the prospectors and their families shelter whilst heading for the goldfields. Caroline Chisholm, a Philanthropist, began her work in Madras in 1834 founding a Female School of Industry for the daughters of European soldiers. They were taught to read, write, cook, keep house and were given instructions in nursing. After coming to Sydney in 1838, she set up accommodation for poor young unemployed migrant women and families. This work was extended when she arranged employment in the countryside for assisted immigrant women and families, many times travelling with groups of young women to check their employment conditions. In seven years she placed 11,000 people in homes and employment. On her return to England she fought for, and won, free passage to Australia for wives and children of former convicts, and for children left behind in England by circumstances, when the family migrated. She established the Family Colonisation Loan Society in 1849, which set up a saving scheme for emigrants, and later loaned them half of their passage to Australia. The Society's Agents found them employment on arrival, and the loan was paid back within two years by a humane payment scheme. At first they used emigrant ships for passage, but then the Society provided ships with much improved conditions, and this led to the upgrading of the passenger Act.. The Chisholm's lived in Kyneton for several years, returning to Sydney for health reasons, before going back to England where Caroline died, aged 68 years, on the 25th of March 1877.Black and white photograph showing Mrs. R. Gordon, wearing a black coat and black and white beret style hat, with her left hand on a rock and her right hand on the British Flag, whilst unveiling the Memorial plaque to Caroline Chisholm. Mrs. R. Gordon stands between Mrs. E.G. Wilson, who is to her left, and is wearing glasses and a black coat, hat and shoes. Miss Mary Evans, who is wearing her RDNS uniform of a dark grey skirt and jacket and brimmed hat, and with a handbag looped over her left arm, is to the right.. Part of a building is seen in the background; short glass windows can be seen above the brickwork to the left and a large glass window to the right.Photographers stamp and 'Quote No. GJ 60'rdns, royal district nursing service, essendon centre, caroline chisholm, memorial plaque, mrs r. gordon, miss mary evans, mrs e.g. (hazel janet) wilson

Trunk belonged to Godfrey Hirst and was used in his travels between Australian and England. Godfrey Hirst's first trip to Australia was in 1885 and his last trip was in 1916. In this time Hirst was known to travel between Australia and England regularly on the lookout for the latest updates from England that he could bring to his factory in Geelong. The trunk was donated by Susan Wiffen (née Betts), the great granddaughter of Godfrey Hirst. Godfrey Hirst set up a successful woollen textile factory in Geelong in 1888. The factory stayed in operation until 1966. The company still bearing his name has since been purchased by various investment companies but continues to be the largest carpet manufacturer in Australia. Predominately black trunk with two wooden bands around the sides of the trunk and five across the top (lid). The lid is slightly curved and contains white printed lettering GODFREY HIRST. The trunk also contains small wheel underneath locked for pushing the trunk sideways only. The trunk contains two leather handles on either side. Internally, the trunk contains three levels of storage with baskets stackable on top of one another. The baskets are finished in a white and brown striped fabric which has red taped edging for additional strength. The top layer of baskets also has brown leather latches in order to keep the basket lids shut. The layered levels of storage are synonymous of Saratoga style trunk.Printed. Letters: Godfrey Hirstgodfrey hirst

Set of 7 Agfa colour blue white plastic mount slides, photo by Keith Caldwell of trams using Victoria Parade between Nicholson St and La Trobe St, during a diversion. .1 - W5 725, route 42, showing City via Latrobe St. .2 - W7 1033, route 90, has adverts for Cinzano, .3 - SW6 884, route 10, South Melbourne and St Kilda Beach. .4 - W7 1008, route 90 .5 - W6 973, route 88 .6 - W6 994, route 96, with the ICI building in the background. Note the Give Way sign style. .7 - W7 1003 route 9A. Has a private bus in the background. 19/3/1966In ink "Vic Pde 19 iii 66"trams, tramways, victoria parade, route 42, route 10, route 9a, route 88, route 90, south melbourne, w5 class, sw6 class, w6 class, w7 class, tram 726, tram 1033, tram 884, tram 1008, tram 973, tram 994, tram 1003

Set of two T shirts, short and long sleeves with the "Beware of the Rhino" logos. Not known who did the actual printing of the items. .1 - Black cotton T-shirt, size S, made by Gildan Soft style in Honduras, with the image of a Rhino on a skateboard and the word "Beware" above it. On the rear are the words "Beware the Rhino (Google it) and the Yarra Trams logo. Words and logo printed with heavy yellow ink. Fitted with a manufacturers labels on the back of the collar. .2 - black cotton T-shirt or shirt with long sleeves, made by J. B's Wear in Bangladesh, with the image of a Rhino on a skateboard and the word "Beware" above it. On the rear are the words "facebook.com/bewaretherhino". Words and logo printed with yellow ink. Fitted with a manufacturers labels on the back of the collar.trams, tramways, yarra trams, rhinos, safety, clothing, t-shirts

Taken in Beechworth 1867, this photograph depicts the Bank of Victoria on the corner of Camp and Ford Street. This building was erected in 1867 to replace the former bank that was destroyed by a fire on the same site. This classical style structure was designed by architects Smith and Johnson who designed many of the public buildings in Melbourne and Victoria. Arthur Ebden Johnson, 1821–1895 and Alfred Louis Smith, 1830–1907 were appointed as the Bank of Victoria's architects who, in-conjunction with the Branch in Beechworth, also completed branches in Wangaratta and Bendigo. This photograph was taken and produced by the American and Australasian Photographic Company which was founded by Beaufoy Merlin joined by his assistant, Charles Bayliss and Augustus Clinton, and operated between 1866-1873. The company traveled throughout Victoria and New South Wales before establishing a portrait studio in Sydney. There is no apparent connection to America. Sepia rectangular photograph. Image is printed on matte photographic paper and has a white border.Reverse: 1997.2727 (in pencil) Bank of Victoria / Beechworth / 1877 (in pen) Harvey Collection American & Australasian / Photographic Company / Victoria Branch / C. Bayless, Manager No 56beechworth, bank of victoria, american and australasian photographic company, 1877, c.bayless, harvey collection, arthur ebden johnson, alfred louis smith, smith and johnson

This china jug has been made in England by Grindley Hotel Ware. The Grindley company that manufactured earthenware and ironstone items was founded in 1880 by William Grindley and was initially based in Tunstall, Stoke-on-Trent, England. The jug has had a red stamp added so that it could be used at the Criterion Hotel in Warrnambool and identified as the hotel property. The jug was used during the licenseeship of Theresa Lynch. The Criterion Hotel was situated on the western side of Kepler Street near Lava Street, Warrnambool. It opened in 1872 with the first licensee, John Tate. In the 1920s there were extensive renovations to the hotel in the Art Deco style. Theresa Lynch was the licensee from 1919 to 1926. In 1922 she bought the hotel and sold it to Harry McGennan in 1926. In 2006 the Criterion Hotel was closed and it was partially destroyed by fire in 2010 and later completely demolished. This jug is of interest as a 1920s souvenir of the Criterion Hotel, Warrnambool that closed in 2006. This hotel was a prominent one in Warrnambool, known in the 1990s for its promotion of live rock music. This is a white china jug with a circular base slightly tapering to an open top with a spout and handle. On the side of the jug there is a red stamp in the shape of a belt with red lettering. The base has a crown image and the maker’s name.‘Lynch’s Criterion Hotel Warrnambool’ Grindley Hotel Ware, Made in England, Patent’. criterion hotel, warrnambool, theresa lynch

This is a program of the Centenary Procession that took place in Warrnambool in 1947 to celebrate the 100th anniversary of the city’s founding in 1847. It was originally intended to celebrate the 100th anniversary in 1940 but these celebrations were postponed because of World War Two. In 1947 centenary celebrations were held but on a less lavish style. 1947 was a more appropriate year as 1847 was the year of the first land sales for Warrnambool and the arrival of the first European settlers in the town. The 1947 celebrations included a Grand Procession which was estimated to have been watched by 20,000 people. A similar number saw the bonfire and fireworks display in Albert Park the same evening. The celebrations lasted a week and included a choral thanksgiving festival in the Botanic Gardens, a massed band display and a ‘Warrnambool Can Make It’ exhibition of local manufactures. The well-known historian and Town Clerk at the time, Henri Worland took a prominent role in the organizing of the celebrations. This little booklet is of considerable importance because it contains a short description of the floats and the names of those connected with the various floats of the Warrnambool Centenary Procession of 1947. It not only gives us a better idea of what and who were in the procession but it now enables us to better label the many photographs we have of this procession and to identify the people in the photographs. The program is a valuable source of information for historians. It also is a good example of the type of celebratory procession that was popular 70 years ago. This is a paper program of the Warrnambool 1947 Centenary procession. It has four pages and a buff-coloured cover. The front cover has a sepia-toned photograph of the first car purchased in Warrnambool (1906) and on the back cover there is an advertisement for Lane’s Bus Services. The inside front cover has an advertisement for Guyett and Sons Furniture Store and there are other advertisements throughout the pages. The printed text on buff-coloured paper gives details of the 29 floats in the ‘Mechanized’ Section and of the 27 floats in the ‘Back to the Horse Pageant’ Section. The pages were stapled but the staples have been removed. There has been some silverfish damage. Front Cover: ‘Grand Centenary Procession, Thursday, March 27, 1947, Souvenir Catalogue, Price Sixpence, Joint Organisers, C.A.Rogers, P.T.Parker, F.E.Utting’. warrnambool centenary, 1947 henri worland

Newspaper article: Lively style appeals, Diamond Valley Leader, 2 March 2005, details of the Strada Family Restaurant at the Eltham Gateway Hotel Conference Centre. Newspaper article: Artist in a stylish dilemma, Diamond Valley Leader, 2 March 2005, Eltham artist Michael Peck was runner-up in people's choice category at the Armadale Metro 5 art awards with his painting Inclusion. Newspaper advertisement, Diamond Valley Leader, 17 August 2005, Strada Restaurant celebrating 1st birthday. Business card: Janne Moore, Business Development Manager, Eltham Gateway. Brochure, 2018, Eltham Gateway four-star hotel, details of hotel, dinner menu, drinks list, restaurant hours, 2018 Christmas lunch menu, breakfast menu, accommodation, wedding packages, corporate packages, private function packages.main road, eltham, property, businesses, janne moore, eltham gateway hotel, colin sammut, nicole riddoch, strada family restaurant, michael peck, strada restaurant

Photographer: T. Butler, Yan Yean In this image her hair style and dress is typical of the early 1870s Photo taken by T. Butler of Yan Yean. No information has yet been discovered of when T. Butler operated at Yan Yean though it is noted that Sarah's children with Charles Aldous (post 1880) were born in Yan Yean. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, t. butler photographer yan yean, 1870, sarah aldous (nee shillinglaw 1854-1925)

Sarah Shillinglaw married Charles Edward Aldous in June 1880. In this image she is depicted without any wedding ring on her left ring finger and her hair style and dress is typical of the early 1870s. Photographer William Bear operated from 221 Lygon Street, Carlton between 1873-1875. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, sarah aldous (nee shillinglaw 1854-1925), w. bear photographer 221 lygon st carlton, 1873-1875, 1874

Sarah Shillinglaw married Charles Edward Aldous in June 1880. In this image she is depicted without any wedding ring on her left ring finger. In this image her hair style and dress is typical of the early 1870s. Photographer W.J. Burman operated from 94 Gertrude Street, Fitzroy 1874-1875. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, sarah aldous (nee shillinglaw 1854-1925), 1874-1875, 1875, w. burman photographer 94 gertrude st fitzroy

The back of the photo is inscribed "To dear Lizzie with love and best wishes from Nellie, Xmas 1911" - Lizzie being Elizabeth Ann Shillinglaw, daughter of Phillip and Sarah Shillinglaw born 1879. The woman in the photo appears to be aged approximately 40 years and is dressed and with a hair style typical of the fashion of 1911. This would make her birth year around the early 1870s. The only Nellie present in the family tree as currently understood is Helen (Nellie) Lyon born 1897 who came to Eltham from Mildura with her mother and brothers in 1913. She married Arthur Edward Bird however she is a generation younger and the dates do not fit. The only other known Nell is Ellen May Bird, daughter of George and Janet Bird, born 1892 so she too is a generation too young. "To dear Lizzie with love and best wishes from Nellie, Xmas 1911" on reversemarg ball collection, 1911, elizabeth (lizzie) ann shillinglaw (1879-1972), female shillinglaw 1, nellie, unknown

Clarendon PLC held its first inter-house swimming sports on 23 February 1966. "Each house held its trials before school during the previous week. the programme included diving, free-style, back-stroke, brest-stroke and relay events for seven age groups. The final points in 1966 were Sloss 98, Kennedy 52, Walker 46, Cairns 27. Outstanding individual efforst were recorded for Gaye McLennan, Sally Sloss and Bronwyn Cottman. Following the sports themselves came the 'House Swim' where everyone had the chance to gain a point for her house by swimming one length in a specified time. The House Swim Cup was won by Cairns House. These sports were really held as a trial but because of their success they will be continued as a regular school function". (The Touchstone December 1966 p.30)Tall plain silver cup with lid and doubles handles on melamine base; engraving on face of cupEngraved on face: CLARENDON P.L.C. / INTER-HOUSE SWIMMING CUP / 1966 SLOSS / 1967 SLOSS / 1968 WALKER / 1969 CAIRNS / 1970 CAIRNS / 1971 WALKER / 1972 WALKER / 1973 WALKER / 1974 WALKER / 1975 WALKER / 1976 KENNEDY / 1977 WALKER / 1978 KENNEDY / 1979 WALKER / 1980 KENNEDYinter-house-competitions, swimming

During the early 1900s little girls' dresses were fashioned on the style worn by older women. Girls dresses were knee length with trimmings of lace and ribbon. Collars were often removable for ease of washing. Leather lace-up boots and woollen stocking or socks were usually worn with these dresses. A pinafore or apron would be worn over the dresses to help keep them clean. Girls' hair was kept long, with curls and tied with ribbons.Boys' clothing was fashioned on sailor suits, blouses/shirts with a collar and trousers or knickerbockers. Woollen jackets, shirts and ties were suitable attire for older boys. Children's fashion of this time was dictated by long lasting durability, local manufacture, earthy colours and ease of mobility. Because of the long distance to haberdashery stores, the majority of children's garments would have been hand made by a local seamstress, mother or relation.Black and white photo of a family with 5 children in the foreground with trees in the background.children's clothing

A Ditty Bag (or box) was originally called “ditto bag” because it contained at least two of everything, two needles, two spools of thread, two buttons, etc. With the passing of years, the “ditto” was dropped in favour of "ditty" and remains so today. Before World War I, the Navy issued ditty boxes made of wood and styled after footlockers. These carried the personal gear and some clothes of the sailor. Today, the ditty bag is still issued to recruits and contains a sewing kit, toiletry articles and personal items such as writing paper and pens. Another source says a Ditty Box or Ditty Bag is possibly from the Saxon word “dite”, meaning tidy or from the English word “dittis”, a type of canvas material. A small box or bag in which a sailor kept his valuables such as letters, small souvenirs and sewing supplies.An item that is socially significant as it gives insight into a sailors life aboard ship and is another part of marine history. Items such as these although they were regarded at the time as everyday objects help us now to map various aspects of marine archaeology thorough the ages.Sailors Ditty Bag, canvas bag for holding all the sail making and roping tools, with tie and brass clasp. Holed.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The fruit juice or lemon squeezer is a small kitchen utensil designed to extract juice from lemons or other citrus fruit such as oranges, grapefruit, or lime. It is designed to separate and crush the pulp of the fruit in a way that is easy to operate. Lemon squeezers can be made from any solid, acid-resistant material, such as plastic, glass, metal (usually aluminum) or ceramic. The oldest known lemon squeezers were found in Kütahya, Turkey and date to the first quarter of the 18th century. These ceramic presses are in the traditional style of Turkish pottery of the 18th century and have a superficial resemblance to today's press equipment with cones, though they are designed differently. These examples were individually made, and specially designed for making the then popular citrus drink sorbet. Lemons are not native to northern Turkey, though during the 17th and 18th centuries they were imported in bulk to Constantinople.The fruit juice press is an example of early 20th century kitchen utensils and is not associated with an historical event, person or place, provenance is unable to be determined at this time and the item is believed to have been made around 1900. This item is currently being used in Flagstaffs Hill village display and regarded as significant as it demonstrates domestic kitchen utensils used around the turn of the 19th century and today is a collectable item. Vintage lemon/citrus fruits squeezer cast iron juicer with two sections hinged together strainer on one section has holes for letting liquid escape.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, food press, food preparation, fruit juice press, kitchen utensil

Perceval Selwyn Richards (ARVIA) was a Ballarat architect who from 1900 to 1940 was responsible for innovative Edwardian and Art Deco style buildings in the district. In 1904 his office was at the Mercantile Building on the corner of Armstrong and Dana Streets, Ballarat. Perceval Selwyn Richards was born 21 July 1865 at Christchurch, New Zealand. He married Alice Emma Nicholson. Percy Richardson sailed to Melbourne, Australia in 1887 to find employment in an architect’s office. On arrival in Ballarat started as an assistant in the architectural firm of William Brazenor, where he worked for six years before continuing with the business after Brazenor's death. He taught Architecture at the Ballarat School of Mines from 1918 to 1921. As well as his work from the Ballarat and District Anglican Diocese and the Ballarat and the Western Districts. Ballarat & Clarendon College is also one of his designs. Framed original architectural by Percival Richards of 222 Drummond Street North, Ballarat, on the corner of Mill Street.perceval richards, percy richards, architecture, ballarat, drummond street noirth, cappell, dobson, w.a. cappell, mary cappell, mary dobson, tom cappell, robert r.g. dobson, alexander edward, cant, n. wellington, william orrack

Notice of the unveiling of the Edward O'Donnell Memorial Fountain on 18 August 1935 at Edward O'Donnell Gardens. Invitation to the unveiling of Edward O'Donnell fountain in the O'Donnell Gardens, St Kilda, at 3pm on 18 August 1935. Edward O'Donnell was a St Kilda Councillor and businessman who was elected to the St Kilda Council in 1888 and served continuously for 44 years. During that time he was mayor on six separate occasions, including the war years. Following his death in 1933, a fountain was commissioned to perpetuate his memory in the centre of the gardens that had, by then, already started to be known by his name. The fountain was designed and built at a cost of £750 by Modern Art Co. Pty. Ltd. Of the art deco style, it is 4.5 metres high and 5 metres in diameter. The fountain’s plaque says his ‘record of municipal and community service will always be an example of true manhood and ideal citizenship’White paper, discoloured with age, printed in blue on one side.edward o'donnell, edward o'donnell fountain, edward o'donnell gardens, o'donnell gardens

The Museum was first considered in 1963 when it was felt that Victorian narrow gauge railway history was quickly being destroyed by progress. Originally it was planned to only cater for two locomotives and some rolling stock associated with the Moe and Walhalla Railway. Construction of the site commenced on Labour Day Weekend in March 1964, the area was then fenced. The first exhibit arrived soon after and companies with locomotives and other railway features offered items to the Museum. When interesting exhibits from the "Steam Era " were known to be coming available,discussions were held with the owners in an attempt to obtain the item for preservation. In 1965 an Umbrella style shed was built and by May, the first locomotive ex Erica State Saw Mill (CLIMAX) had arrived. The Museum was opened to the public in November 1970 but was officially opened by His Excellency the Governor of Victoria, Sir Rohan Delacombe on Saturday 7th April 1973.Historic - Puffing Billy Museum Entry SignPuffing Billy Museum Entry Sign Rectangular hand painted sign in use from 1970.Puffing Billy Museum This is one of the Volunteer activities of The Puffing Billy Preservation Society Preserving part of our National Heritage Proud to Help Preserve Australia's Heritage puffing billy, menzies creek, sir rohan delacombe, narrow gauge, steam