Showing 160 items
matching social events and activities
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Heidelberg Golf Club
Album - Photograph Album, Heidelberg Golf Club, Women's events and social activities, 1990s
... Women's events and social activities, 1990s... events and social activities...Photograph Album Album Women's events and social activities ...Album containing about 250 color photographs of women's events and social activitiesAlbum #1 in the photograph collection at HGCMaroon hard cover album. Contains approx. 250 colour photographswomen's golf, ladies' golf, associates -
Mission to Seafarers Victoria
Photograph - Photograph, Black and White, Bill Doyle (Reverend C.J. Eldridge-Doyle), c. 1952
... Mission to Seafarers regularly held social events as both... to Seafarers regularly held social events as both a means ...Mission to Seafarers regularly held social events as both a means of fundraising for the continuation of the organisation's work and providing social activities for visiting seafarers. On many Saturday nights there would be dances, concerts or other social events. This photograph depicts one such event.The Mission to Seafarers as an organisation is dedicated to not only providing spiritual and practical support to seafarers, but has long found it important to provide social opportunities as well. In the past there have been many dances, concerts and other social events that have been designed to cater for visiting seafarersSmall black and white photograph of a group of people in the main hall (Flying Angel Club) of the Mission to Seafarers Melbourne. Some are dancing and some are standing together. The photograph is taken from an angle that has the bar (canteen) in the background.Pen on reverse of photograph: "5" enclosed in a circle.canteen, clock, ladies, floorboards, women, dance, couples, seafarers, suits, bar, flying-angel-club, mission-to-seafarers-melbourne, arched-doorways, lhlg, flying angel club, central club, plaque, jukebox, mission to seafarers, seamen's mission, seamen, sailors, dancing, events, social, asian, flinders street, melbourne -
Warrnambool and District Historical Society Inc.
Programme - Microfiche, Exhibition of Women's Work, 1907, Circa 2000
... . There was a wide variety of activities, lectures and social events... of activities, lectures and social events. There were approximately ...This exhibition was held in October 1907 and ran for 5 weeks. There were over 15000 contributors in the fields of needlework, cookery, Horticulture, fine and applied arts. There was a wide variety of activities, lectures and social events. There were approximately 250,000 people who attended.An important source of work and information relating to a major event in the State of Victoria and in the work of women.Eight sheets of microfilm enclosed in plastic sheet with title page, white with black text.State Library of Victoria Exhibition os Australian Women’s work 1907 6 microfiche. warrnambool, exhibition australian women’s work, 1907 women’s work exhibition -
Disability Sport & Recreation Victoria
Minutes, Minutes of Executive Meeting - Paraplegic Association of Victoria 05/12/1962, December 5th 1962
... to the Paraplegic Association of Victoria - Fundraising and social events... - Fundraising and social events - Visit of Ludvig Guttmann - Notes from ...Contains information on the following activities related to the Paraplegic Association of Victoria - Fundraising and social events - Visit of Ludvig Guttmann - Notes from Perth Commonwealth Games for the Disabled - Notes from sub-committees dealing with employment, pensions, and other advocacy projects and promotion of the organisation. - a brief financial report - details of the organisation's recent correspondence -Four sheets containing four pages (single-sided), held together with a very loose rusty staple in the top left-hand corner. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Newsletter, City of Moorabbin Historical Society Oct 2008, October 2008
... events. Social activity lead to Progress Associations and one... Shire Hall c 1867 was too small for social events. Social ...The City of Moorabbin Historical Society was formed c 1960 by a group of Moorabbin residents who were concerned that the history of the area should be preserved. A good response to a call for items related to the historical area of Moorabbin Shire brought donations of a wide variety of artefacts which are now preserved by the current members of CMHS at Box Cottage Museum . Helen Stanley, Secretary of CMHS, began producing a Newsletter for members in April 2007 to provide current information and well researched items of historical interest.Statement of Significance Helen Stanley has produced a bi-monthly Newsletter, 2007 - 2013, for the members of the City of Moorabbin Historical Society that contains well researched interesting historical items, notification of upcoming events, current advice from Royal Australian Historical Society , Museums Australia Victoria and activities of Local Historical Societies. The Newsletter is an important record of the activities of the CMHS. Tom Sheehy, past President of CMHS, was an Historian and Author of ‘Battlers Tamed the Sandbelt’.A4 paper printed both sides x1. Issue 8 of the bi-monthly, City of Moorabbin Historical Society Newsletter produced by Society member and Secretary, Mrs Helen Stanley in October 2008. Notices re AGM on October 26th and a visit by Mrs Pam Seymour-Gough who gave the method / recipe for soap making pioneer style. Another excerpt from CMHS Newsletter October 1963 by Tom Sheehy, President, ‘The Early Twentieth Century’, .describes social life in 1903 centred around St Peter’s Church Hall c1862, East Brighton ( East Bentleigh), and The East Brighton Hall c 1894, East Brighton ( East Bentleigh) and Mechanics Institute Cheltenham c 1887. The Moorabbin Shire Hall c 1867 was too small for social events. Social activity lead to Progress Associations and one group pressed for the removal of ‘Brighton’ from Shire of Moorabbin locations. 1906 ‘South Brighton’ street signs were replaced with ‘Moorabbin’. CITY of MOORABBIN HISTORICAL SOCIETY / OCTOBER 2008 NEWSLETTERcity of moorabbin historical society, stanley helen, melbourne, moorabbin, brighton, mordialloc, cheltenham, beaumaris, ormond, bentleigh, market gardeners, pioneers, early settlers, moorabbin shire, sheehy tom, box cottage museum, st peter's church east bentleigh, moorabbin shire hall, east brighton hall, mechanics institure cheltenham, clayton mr., white lillian, white percival, gregg barrie, fleming dr joyce, seymour-gough pam -
Melbourne Legacy
Photograph - Photo, Legatee gathering at Stanhope, c1977
... gathering of Legatees and their wives for a social event. It appears... gathering of Legatees and their wives for a social event. It appears ...Photos from a Comradeship album showing an outdoor gathering of Legatees and their wives for a social event. It appears to be at Stanhope from other events that were held there. Photos show men in chefs hats and people sitting under picnic umbrellas. In 1975 the Bulletin mentions a BBQ for legatees at Stanhope, it may have been an annual event. The Comradeship committee, including Fred Holdsworth gathered photos of events and compiled them in a Comradeship photo album for Legatees to look through. They were removed from the self adhesive pages of a photo album of Comradeship activities (from 1930 to 1977).The Comradeship photo album was put together by the Comradeship committee and records events that Legatees did and places they lived or visited. Some appear to be trips to visit other Legatees living overseas and social occasions held in different places. It shows the bond that Legatees have with each other.Colour photo x 10 of a gathering of Legatees and their wives from a Comradeship committee photo album.comradeship, legatee event, umbrellas -
Mission to Seafarers Victoria
Letter - Correspondence, Letter to Lillie from Ted, 27 April 1928
... involved with the social activities and events organised... involved with the social activities and events organised ...This is one letter in a series of eighteen letters written by various seafarers to Lillie Duncan. Lillie was a member of the Ladies' Harbour Lights Guild and, as a Guild member, was strongly involved with the social activities and events organised to entertain visiting seafarers. The Ladies' Harbour Lights Guild was an integral arm of the fundraising that enabled the building of the Mission to Seafarers. These letters provide insight into a woman who was a member of the Guild as well as offering a glimpse into the social activities and courting rituals of the time.Handwritten letter consisting of four parts including an envelope and three pages of writing on front and back.Postmark on envelope: [indecipherable]/28.5 28.5/PORT SAID Company identifier on reverse of envelope: ANCHOR-BROCKLEBANK LINE/OF CALCUTTA STEAMERSletters, handwriting, 1928, mission-to-seafarers, stamps, lillie-duncan, ladies-harbour-lights-guild, lhlg, lillie duncan, ted, ss mandasor, port said, egypt, suez canal -
Wodonga & District Historical Society Inc
Memorabilia - CWA Wodonga Golden Jubilee Wine Glass, 1984
... for their street stalls, catering at Agricultural Shows and social events..., catering at Agricultural Shows and social events including ...The Country Women’s Association of Victoria was formed 12 March 1928 and today has over 5,600 members. Its original aim was to improve conditions by community service, more especially as they affect the welfare of women and children. The Wodonga CWA branch was formed in 1934 and has been an active group in the community until the present day. The CWA provided gathering opportunities for rural women and quickly became renowned for their street stalls, catering at Agricultural Shows and social events including debutante balls, handicraft classes and cooking demonstrations. Today they have become even more than that, participating in and organising a wide range of activities and initiatives in the community, always with the focus of service to others. The CWA is of significance on a local, state and national level as a critical service group. They conduct a range of social, educational and services throughout Australia with an initial focus on the support of rural women and children. This role has evolved over time to incorporate a wide range of initiatives, government advisory bodies and organisations.A wine glass decorated with a gold rim and gold logo of the CWA Victoria produced to celebrate the golden jubilee of the Wodonga BranchAbove the CWA logo "GOLDEN JUBILEE" Beneath the logo "WODONGA/1934 - 1984"country women's association, wodonga cwa, service groups, community organisations -
Bendigo Military Museum
Photograph - Christmas Children’s Party - Army Survey Regiment, Fortuna, Bendigo, 1992
... Club initiated many social events. Examples of activities... initiated many social events. Examples of activities initiated ...This set of 16 photos of the Christmas Children’s Party were taken in the and the grounds of Fortuna, Army Survey Regiment in 1992. The Christmas party was an annual event enjoyed by the soldiers’ families, featuring amusements such as the ‘pig train’ and pony rides, a historic fire engine provided by the Golden Square Fire Brigade with Santa on board and refreshments such as cordial, lollies, ice creams and fairy floss. Single members readily volunteered to assist in the running of the party. An occasional highlight was displays of military hardware such as tanks and APC from the Puckapunyal’s Armoured Centre. Catering staff/contractors taking a break outside the kitchen are also featured in this collection. The Army Survey Regiment Wives Club was instrumental in establishing the Tennis Hut, featuring in photos .1P to .5P. The Wives Club initiated many social events. Examples of activities initiated by the club and their importance to the social fabric of the unit are described in more detail on page 151 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4.This set of 16 photos were taken in the grounds and kitchen area of Fortuna, Army Survey Regiment, Bendigo, at Christmas time in 1992. The photographs are on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1992, unidentified civilians and person. .2) - Photo, black & white, 1992, SGT Brian Fauth, SPR Carmel (Butler) Fauth and their child. .3) - Photo, black & white, 1992, L to R: SPR Joyce Gray, unidentified, SPR Andrew Arman. .4) to .5) - Photo, black & white, 1992, unidentified. .6) - Photo, black & white, 1992, Craig Kellett. .7) - Photo, black & white, 1992, L to R: Cam Bramich, unidentified (x2). .8) to.10) - Photo, black & white, 1992, unidentified. .11) to .15) - Photo, black & white, 1992, unidentified catering staff and contractors. .16) - Photo, black & white, 1992, Children’s rides on parade ground.No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, Black & White, Cheltenham Mechanics Institute,Library, Temperance hall, c1960
... and it was used for social events cheltenham mechanics institute ...The Mechanics Institute, built c 1890, was the focal point for the Cheltenham area's social activities, public meetings, adult education, etc. until its demolition 1960 when a new Cheltenham Hall was erectedThe early settlers erected this Mechanics Institute prior to 1900 as a public meeting place, library, temperance hall and it was used for social eventsBlack & White photograph in the Moorabbin News c 1960 showing the Mechanics Institute, c1900 Nepean Highway Cheltenhamcheltenham mechanics institute, cheltenham temperance hall, cheltenham church of christ, keys robert, lepage everet, moorabin news, leader newspapers, horse drawn carts, toll gates brighton, motor cars 1900, steam engines, early settlers, bentleigh, mckinnon, parish of moorabbin, city of moorabbin, county of bourke, moorabbin roads board, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, vineyards, orchards -
Greensborough Historical Society
Photograph Album, Diamond Valley Community Hospital. Life at the DVCH. Functions, events and other happenings. Volume I, 1987_
Social activities at DVCH include farewells, dinner dances, community outreach activities. Includes staff newsletters and hospital accreditation information. The Diamond Valley Community Hospital was established in 1942 in Grimshaw Street Greensborough. Due to financial circumstances, the hospital closed in 2000. This collection of photo albums is from the 1990s and was collected by staff. Photographs are not named. Albums may be accessed at the GHS Resource Centre. This volume is numbered 9,As the Diamond Valley Community Hospital is now closed, this collection of albums records some of the people involved. This particular album shows the community involvement with the hospital.Photo album with blue cover. 46 pages, 133 photographs of varying sizes. Title handwritten and pasted on front cover. Inscription inside front cover: "Photos and Album by Marg Langtree." diamond valley community hospital, greensborough, dvch -
Greensborough Historical Society
Photograph Album, Diamond Valley Community Hospital. Life at the DVCH. Functions, events and other happenings. Volume II, 1988o
Social activities at DVCH include farewells, dinner dances, community outreach activities. Includes staff newsletters and hospital accreditation information. The Diamond Valley Community Hospital was established in 1942 in Grimshaw Street Greensborough. Due to financial circumstances, the hospital closed in 2000. This collection of photo albums is from the 1990s and was collected by staff. Photographs are not named. Albums may be accessed at the GHS Resource Centre. This volume is numbered 10.As the Diamond Valley Community Hospital is now closed, this collection of albums records some of the people involved. This particular album shows the community involvement with the hospital.Photo album with blue cover. 50 pages, 139 photographs of varying sizes. Title handwritten and pasted on front cover. Inscription inside front cover: "Photos and Album by Marg Langtree." diamond valley community hospital, greensborough, dvch -
Greensborough Historical Society
Photograph Album, Diamond Valley Community Hospital. Life at the DVCH. Functions, events and other happenings. Volume III, 1989_12
Social activities at DVCH include farewells, staff birthdays and social club activities. The Diamond Valley Community Hospital was established in 1942 in Grimshaw Street Greensborough. Due to financial circumstances, the hospital closed in 2000. This collection of photo albums is from the 1990s and was collected by staff. Photographs are not named. Albums may be accessed at the GHS Resource Centre. This volume is numbered 11.As the Diamond Valley Community Hospital is now closed, this collection of albums records some of the people involved. This particular album shows the community involvement with the hospital.Photo album with blue cover. 30 pages, approx 140 photographs of varying sizes. Title handwritten and pasted on front cover. Inscription inside front cover: "Photos and Album by Marg Langtree." diamond valley community hospital, greensborough, dvch -
Ballarat Clarendon College
Photograph, 1908 (estimated)
This extraordinary record of the student cohort in 1908 reveals many aspects of school life in the early 1900's. The fashions, hair coiffure and accessories and added costuming are fascinating. The sport detail from the basketball hoop is significant. This photograph has social significance because of its detail regarding female school activities in the early 1900s. Black and white photograph mounted on grey card of Clarendon Ladies College student cohort in 1908. The students are arranged in five tiered rows. The photograph is taken against wall of a timber building. There is a basketball net fixed to the wall above the last row. Many of the girls are wearing fancy hats, some decorated with birds. Two young girls in the front row wear poster boards over their clothing advertising an event not to be missed; something to do with a menagerie. All the students are dressed in white, some in dresses, some n skirts and blouses and many have aprons over their skirts. The photograph is accompanied with a typed list of namesPrinted on front righthand bottom corner of mount: 'Richards & Co/Ballarat'1908, uniform, richardson, clarendon ladies college, costume, menagerie, hilda farmer, avenel halls, sylvia eyres, ella morrow, florence sides, gertie owen, laela williams, lorna dowler, emma buchanan, phyllis doepel, daisy llewellyn, adeline purser, sophie anderson, helen mathieson, d brophy, lily wright, margaret dowler, dulce deardon, gladys small, marjory howe, jessie kelsall, erica mckay, pearl eyres, iris llewellyn, edith bishop, marjorie walker, violet howard, hazel wlls, effie white, mimi murphy, carrie miners, edith murphy, irene palamountain, miss allan, marjorie salmon, dollie snow, naomi franklin, elsie powell, rachael kennedy, rose paull, sylvia barnett, esther, lilah emblling, trixie kliender, chrissie anderson, agnes wheen, kitty dawbarn, hazel clements, m serjeant, dolly gill, beryl bach, dorothy nicholas, frances gill, meg moore, jessie eyres, blanche murphy, merle booth, melba mcconnel, edna clark, betty lester, bessie hoad, madge dearden, kate cameron, olive mathews, grace nicholas, mollie souter, isabel mctaggart, madge llewellyn, mollie mary buley, alice ralph, ruth tyler, rebecca abraham, joyce eyres, nellie salmon -
Kiewa Valley Historical Society
Photograph - Mt Beauty Community Centre original colour plan and photos of upgrade in 2000, 1. Dated March 22nd, 1962 2. Photographs taken during renovations in 2000
The Community Centre was built in the early 1950’s as an all-purpose hall for the social and recreational use of the workers and families employed on the Victorian state government Kiewa Hydro-electric scheme. The hall was originally called Mt Beauty Recreation Centre and later changed to Mt Beauty Community Centre. It has been the heart of the community for over 65 years and had a heritage listing put on it around the year 2000. The Alpine Shire secured a heritage grant and the hall was restored to its former glory in 2000. In heritage circles it is claimed that the hall is the best example of a 1950’s construction town community hall, which is still functioning anywhere in AustraliaThe Community Centre was and is a very important part of life in the small remote community of Mount Beauty and a range of activities have taken place in the Community Centre over the past 65 years- Picture theatre; Dances and balls; A physical education and boxing club run by Alex McCollough for 30 years; School and social club concerts; Girls gymnastics; Drama group productions, revues and pantomimes; Callisthetics and ballet; Badminton; Wedding receptions and birthday parties; Music festival events; Staging area in times of natural disaster; The library for many years; Shire and community meetings; Secondary College gymnasium for many years and shelter for the Community Market in inclement weather 1 – 1972 specifications for colour scheme of original Mt Beauty Recreation centre, Typed on buff foolscap paper with small colour swatches and letter of explanation to Mr A.J. McCullough. 2 – Set of 10 colour photographs of the upgrade and extension to Mt Beauty Community Centre undertaken in 2000. Photos mounted 2 to a page on blue copy paper. 3. Second copy of No.1 above. Also - typed A4 sheet re history of "The Mount Beauty Community Centre"1 – Header on pages-Mate’s Colour Bar Personal Colour Scheme for Recreation Centre Mt Beauty Vic. 21/3/62. Accompanying letter to A.J McCullough signed by Colour Consultant Ena Chatuein 2. First page of photos, written in black felt marker – Mt Beauty Community Centre 30/11/00 mt beauty, community centre -
Kiewa Valley Historical Society
Photos - Mt Beauty Progress Association Activities x2
... Photos - Mt Beauty Progress Association Activities x2 ...The Mt Beauty Progress Association was an important community service group that raised an enormous amount of money to buy equipment etc. for local community activities ie. kinder, schools etc. It supported the community with projects and events. It was formed in 1957 and was discontinued in 1978. See: "Below Bogong - A History of Mount Beauty" compiled by Di Edmondson. Chapter 8. Pages 239-240. and "The Story of Kiewa" by Alex McCulloughMt Beauty Progress Association was formed by employees of the SECV working on the KHES. This activity is of historic and social significance and can be compared with activities of today especially as Mt Beauty was built as a construction town for the Keiwa Hydro Electric Scheme and is now a small town with the added influence of tourism.1. 15cm x 10 cm black and white reproduction of members of the Progress Association inspecting the kindergarten. Jean Mc Cullough painting. 2. 10cm x 10cm Reproduction of members of the Mt Beauty Progress Association outside Mt Beauty Kindergarten with KHES General manager HHC Williamsmt beauty progress association, community service group -
Orbost & District Historical Society
black and white photograph, second half 20th century
... . It is a pictorial record of a social event in Orbost. Orbost-railway-station ...This appears to be a photograph of a large group of people at the Orbost Railway Station awaiting a train - a steam train? The group seems to be made up of family groups. This item is associated with the history of the Orbost-Bairnsdale railway line and therefore reflects the role that the rail line played in the social and economic history of Orbost. The closure of the line was a significant event in Orbost's history. It is a pictorial record of a social event in Orbost.A black / white photograph of a large group of people standing at a railway station. Some are standing on the platform, others on the line. Most are looking toward the right.orbost-railway-station family-activity -
Warrnambool and District Historical Society Inc.
Annual Report, Save the Children Fund 1984-1985, C1985
These pages contain details of the local branch of the Save The Children's Fund. it records events such as film and card luncheons and street stalls which all contributed to fund raising efforts of the group. Names which are mentioned include Central Court Motel, Stan Stephens and the Capitol Theatre,Mrs D Ogier, Mr & Mrs Merryne Ritchie, Warrnambool golf course, Sir Brian Murray Mr & Mrs K Swinton,, Mrs Shirley Taylor and Mrs Tup Isles This report has social significance as it contains names of local people and records the types of activities in which the group participated Five pages of handwritten notes from exercise book. Written in blue biro.Pls type for mrs tait written in greylead at top of first page . Annual report 1984-1985.warrnambool, warrnambool save the children fund -
Warrnambool and District Historical Society Inc.
Album - Family photo album, Photograph album, Circa 1954
... and in training exercises as well as social events. One is labelled D... as well as social events. One is labelled D Craven & Rab, Munster ...This album shows a collection of photographs some of which are labelled as Munster Services Club. Some show the Bookshop at the TOC H building. There are photos of soldiers in parade drills and in training exercises as well as social events. One is labelled D Craven & Rab, Munster 1954. Another is labelled London bus 2 RTR Munster. The 2 RTR was a tank regiment in the British Army and was stationed at the Swinton Barracks in Munster from 1952-1959. There are also a number of loose photos showing local scenes such as London Bridge and Needle Rock at Childers Cove. Others depict floats in a parade showing Peace Woollen Mill. Others are small postcards of MaryBorough and Brisbane Queensland. There is also a photograph of the Nestanglo basketball team, Victorian champions circa 1940’s. This collection of photographs has limited local relevance as there is limited provenance. However it depicts quite well the activities of the RTR and their activities in Munster in the post WW era.Brown and fawn snake skin patterned card cover with fawn cord binding. Photographs written in gold on front cover. Pages are brown card. Photographs are black and white.Munster Services Club.warrnambool, swinton barracks munster, munster services club 1952-1959, 2rtr munster -
Warrnambool and District Historical Society Inc.
Documents, Childer's Cove, 1920-1940's
Childers Cove is situated about 15 ks east of Warrnambool in the area known as Mepunga. It is named after the shipwreck of 'The Children.The documents relate to the running of the Childer's Cove Progress Association. There are a number of social activities including gymkhanas, racing meetings, making of roads and improving with planting trees There are many names which are still familiar with the area nearly 100 years later, including Wallace, McDowall, Burleigh, Murnane, Bonnett, Abraham Laidlaw Keogh Holloway and Palmer. Some of the meetings were held at the Mepunga South School with others held at Eckers Hotel Warrnambool and some at the race course. Fundraising events were held also from athletic meetings and district school children's races. This collection of papers is representative of many small communities around Australia where people came together and worked to improve their community facilities. It therefore has strong social and historic significance.This is a collection of papers most of which relate to the Childer's Cove Progress Association. Included are: .1 Minute Book/ Exercise book Childer's Cove Progress Association.May 1928-1932 .2 Minute Book/ Exercise book Childer's Cove Progress Association. 1924-1926 .3 Letter from Warrnambool Football Club 1930. .4 Account Archibald MacFarlane & Co March 1929 .5 Western District Racing Association Oct 1929. .6 Federal Taxation Dep Re Entertainment Tax 11/02/1930 .7 Chief Secretary Office re Racing Permits March 1923. .8-.9 Warrnambool Standard Invoices Jan 1930's .10 Archibald MacFarlane & Co Jan 1930. .11 Chief Office for Stamp Duties 12/02/1928 .12 Flyer - Childer's Cove Progress Association April 17 1926. .13 Flyer- Monster Gymkhana 12/02/ 1927. .14 Handwritten Invoice Charles Palmer Nov 1929. .15 Cheque Book Childer's Cove Progress Association 1929-31. .16 Deposit Book Childer's Cove Progress Association 1932-1942 .17 Bundle of invoices. .1 C J Caddy & Sons.2 Western Ice & Ice Products .3 Department of Lands & Survey Aug 1923 .4 J S Tait re Licence April 1924 .5 Warrnambool Standard31/12/1923 .6 Warrnambool Standard 31/03/1924 .7 Devenish & Co August 1924 .8 Warrnambool Standard 31/06/1924 H J Paynter & Co 03/05/1924 .10 Chief Secretary's Office Melbourne 01/05/1924 with receipt. .11 Permit for a race meeting April 19 1924 .12 Commonwealth of Australia Entertainment Tax 06/09/1924.13 Commonwealth of Australia Entertainment Notice 27/08/01924 .14 Commonwealth of Australia Entertainment Tax notice 12/08/1924 .18 William Ardlie handwritten letter 28/03/1928 .19 Envelope Addressed to W R Abrahams .20 Final notice Handwritten Charles Palmer Jan 1930. .21 Balance Sheet Childer's Cove Racing Club 18/03/1929 .22 H J Paynter & Co Account and receipt 25/02/1930. .23 Raglan Parade Timber Yards Alex Donaldson Feb 1930. .24 The School Paper Feb 1964 No 741 childer's cove, mepunga, childer's cove progress association -
Vision Australia
Text, Royal Victorian Institute for the Blind annual report 1960-1961, 1960-1961
Articles in annual report include: List of RVIB president, office bearers of the institute and officers of the institute, Programme and achievements - future programme is in your hands, Activities, Programme maintained - ninety six years of service, Recent years, Resident nursery and school, Other children's activities, Deaf blind children, Higher education, Employment, Finance, Rehabilitation, Recreation and social activities, Talking book library, Public appeal - Aug 1962, Appreciation, 3KZ Christmas day appeal, Concerts, Board of management, 35th annual report of council of auxiliary. Events that occurred in 1961 : School started a scented garden, library now has been consolidated and a new physical education block opened with an indoor heated pool, fully equipped gym, showers and dressing room.1 volumeroyal victorian institute for the blind, annual reports -
Vision Australia
Audio (item) - Sound recording, Royal Victorian Institute for the Blind, Around the Institute: October 30, 2001
Around the Institute was a weekly program designed to keep clients and staff informed of events, activities and thoughts relating to low vision and blindness. It consisted of interviews undertaken by Jo Matthews, with sound engineer Ed Gamble, designed to inform, educate and explore on a variety of topics. October 30: New adventures – Russell Short, Role of a social worker in dealing with vision loss – Alex Z. royal victorian institute for the blind, radio shows -
National Communication Museum
Photograph (item), The Telegraph, James Melrose with aeroplane My Hildegarde, 16 October 1934
This was the first press photograph transmitted by radio from England to Australia. On 16 October 1934, South Australian aviator, C J Melrose, was pictured beside his plane at the Mildenhall aerodrome, England, preparing for the start of the Centenary Air Race. Within hours of capture, the image was transmitted from London to Melbourne and then sent via picturegram to Sydney’s press, the greatest distance a photograph had been transmitted over radio. Wirephotos, as they are commonly called, are produced through electrical pulses which travel along telephone or telegraph wires, or radio waves. Like the transmission of Morse dots and dashes, the technology communicates the light and dark portions of an image, to be recorded on a negative or photographic paper at the receiver’s end. Previously, photographs of an event appeared several days after the fact; wirephoto technology enabled visual communication with relative speed. Our consumption and expectation of the immediacy of news and communication continued to grow, an expectation that forms the basis of time-based social media activities such as Snapchat or Facebook and Instagram stories.london to melbourne air race, wirephoto, picturegram, uiver, james melrose -
Kew Historical Society Inc
Photograph, Fancy Dress Social, Kew Presbyterian Church Hall, 1922, 11/1922
... churches - social activities - 1920s ...The Kew Presbyterian Church was located in Cotham Road, Kew on the corner of Highbury Grove. The Church Hall was located next door in Highbury Grove. On amalgamating with the Uniting Church the buildings became redundant and are now the Kew Chinese Baptist Church.Original photograph from the 1930s that records the kinds of social and spiritual actions of church goers in Kew. Group photograph of participants in a fancy dress social at the Kew Presbyterian Church Hall in 1922. It is believed that the group was the Young Men's Bible Class who held this event annually. The Society has photographs of the event in 1922 and 1925.Later hand: "Masked Fancy Dress Social, Kew Presbyterian Hall, November 1922"presbyterian church - kew (vic), kew presbyterian church - young men's bible class, churches - social activities - 1920s -
Kew Historical Society Inc
Photograph, Fancy Dress Social, Kew Presbyterian Church Hall, Kew, 1925
... churches - social activities - 1920s ...The Kew Presbyterian Church was located in Cotham Road, Kew on the corner of Highbury Grove. The Church Hall was located next door in Highbury Grove. On amalgamating with the Uniting Church the buildings became redundant and are now the Kew Chinese Baptist Church.Original photograph from the 1930s that records the kinds of social and spiritual actions of church goers in Kew.Group photograph of young men in attendance at a fancy dress social at the Kew Presbyterian Church Hall in 1925. The photo would indicate that the event was a young men only event. The Society has photographs of the event in 1922 and 1925.Later hand: "1925. Annual Fancy Dress Social. Kew Presbyterian Young Men's Bible Class"presbyterian church - kew (vic), kew presbyterian church - young men's bible class, churches - social activities - 1920s -
Peterborough History Group
Poster - Concert Poster 1915, 1915
... social activities ...Ad for a concert held to raise money for The Peterborough CrecheSignificant to the town as it mentions local people and is an example of social activities at the time, 1915.Hand made cardboard poster advertising a local concert eventReverse side of cardboard is a VB Bitter Ale postersocial activities, j irvine, w appleton, cumming family, euchre-hints for beginners, concerts, loch ard - performance, peterborough -
Peterborough History Group
Booklet - Race Card, Port Campbell and District Race Club Annual Meeting Monday 8th February 1926
Race programme for horse racing event at the Port Campbell race track, located near Two Mile Bay, where the rifle range is now located. Lists horses and owners. Includes advertising for local businesses at the time.Significant as it indicates sporting and social activities in 1926. Photocopy of original race programme at the Port Campbell Racetrack.port campbell horse racing, port campbell race track, railway view hotel timboon, port campbell hotel, cobden hotel, 1926 -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2008
1. Rock-art of the Western Desert and Pilbara: Pigment dates provide new perspectives on the role of art in the Australian arid zone Jo McDonald (Australian National University) and Peter Veth (Australian National University) Systematic analysis of engraved and painted art from the Western Desert and Pilbara has allowed us to develop a spatial model for discernable style provinces. Clear chains of stylistic connection can be demonstrated from the Pilbara coast to the desert interior with distinct and stylistically unique rock-art bodies. Graphic systems appear to link people over short, as well as vast, distances, and some of these style networks appear to have operated for very long periods of time. What are the social dynamics that could produce unique style provinces, as well as shared graphic vocabularies, over 1000 kilometres? Here we consider language boundaries within and between style provinces, and report on the first dates for pigment rock-art from the Australian arid zone and reflect on how these dates from the recent past help address questions of stylistic variability through space and time. 2. Painting and repainting in the west Kimberley Sue O?Connor, Anthony Barham (Australian National University) and Donny Woolagoodja (Mowanjum Community, Derby) We take a fresh look at the practice of repainting, or retouching, rockart, with particular reference to the Kimberley region of Western Australia. We discuss the practice of repainting in the context of the debate arising from the 1987 Ngarinyin Cultural Continuity Project, which involved the repainting of rock-shelters in the Gibb River region of the western Kimberley. The ?repainting debate? is reviewed here in the context of contemporary art production in west Kimberley Indigenous communities, such as Mowanjum. At Mowanjum the past two decades have witnessed an artistic explosion in the form of paintings on canvas and board that incorporate Wandjina and other images inspired by those traditionally depicted on panels in rock-shelters. Wandjina also represents the key motif around which community desires to return to Country are articulated, around which Country is curated and maintained, and through which the younger generations now engage with their traditional lands and reach out to wider international communities. We suggest that painting in the new media represents a continuation or transference of traditional practice. Stories about the travels, battles and engagements of Wandjina and other Dreaming events are now retold and experienced in the communities with reference to the paintings, an activity that is central to maintaining and reinvigorating connection between identity and place. The transposition of painting activity from sites within Country to the new ?out-of-Country? settlements represents a social counterbalance to the social dislocation that arose from separation from traditional places and forced geographic moves out-of-Country to government and mission settlements in the twentieth century. 3. Port Keats painting: Revolution and continuity Graeme K Ward (AIATSIS) and Mark Crocombe (Thamarrurr Regional Council) The role of the poet and collector of ?mythologies?, Roland Robinson, in prompting the production of commercial bark-painting at Port Keats (Wadeye), appears to have been accepted uncritically - though not usually acknowledged - by collectors and curators. Here we attempt to trace the history of painting in the Daly?Fitzmaurice region to contextualise Robinson?s contribution, and to evaluate it from both the perspective of available literature and of accounts of contemporary painters and Traditional Owners in the Port Keats area. It is possible that the intervention that Robinson might have considered revolutionary was more likely a continuation of previously well established cultural practice, the commercial development of which was both an Indigenous ?adjustment? to changing socio-cultural circumstances, and a quiet statement of maintenance of identity by strong individuals adapting and attempting to continue their cultural traditions. 4. Negotiating form in Kuninjku bark-paintings Luke Taylor (AIATSIS) Here I examine social processes involved in the manipulation of painted forms of bark-paintings among Kuninjku artists living near Maningrida in Arnhem Land. Young artists are taught to paint through apprenticeships that involve exchange of skills in producing form within extended family groups. Through apprenticeship processes we can also see how personal innovations are shared among family and become more regionally located. Lately there have been moves by senior artists to establish separate out-stations and to train their wives and daughters to paint. At a stylistic level the art now creates a greater sense of family autonomy and yet the subjects link the artists back in to much broader social networks. 5. Making art and making culture in far western New South Wales Lorraine Gibson This contribution is based on my ethnographic fieldwork. It concerns the intertwining aspects of the two concepts of art and culture and shows how Aboriginal people in Wilcannia in far western New South Wales draw on these concepts to assert and create a distinctive cultural identity for themselves. Focusing largely on the work of one particular artist, I demonstrate the ways in which culture (as this is considered) is affectively experienced and articulated as something that one ?comes into contact with? through the practice of art-making. I discuss the social and cultural role that art-making, and art talk play in considering, mediating and resolving issues to do with cultural subjectivity, authority and identity. I propose that in thinking about the content of the art and in making the art, past and present matters of interest, of difficulty and of pleasure are remembered, considered, resolved and mediated. Culture (as this is considered by Wilcannia Aboriginal people) is also made anew; it comes about through the practice of artmaking and in displaying and talking about the art work. Culture as an objectified, tangible entity is moreover writ large and made visible through art in ways that are valued by artists and other community members. The intersections between Aboriginal peoples, anthropologists, museum collections and published literature, and the network of relations between, are also shown to have interesting synergies that play themselves out in the production of art and culture. 6. Black on White: Or varying shades of grey? Indigenous Australian photo-media artists and the ?making of? Aboriginality Marianne Riphagen (Radboud University, The Netherlands) In 2005 the Centre for Contemporary Photography in Melbourne presented the Indigenous photo-media exhibition Black on White. Promising to explore Indigenous perspectives on non-Aboriginality, its catalogue set forth two questions: how do Aboriginal artists see the people and culture that surrounds them? Do they see non-Aboriginal Australians as other? However, art works produced for this exhibition rejected curatorial constructions of Black and White, instead presenting viewers with more complex and ambivalent notions of Aboriginality and non-Aboriginality. This paper revisits the Black on White exhibition as an intercultural event and argues that Indigenous art practitioners, because of their participation in a process to signify what it means to be Aboriginal, have developed new forms of Aboriginality. 7. Culture production Rembarrnga way: Innovation and tradition in Lena Yarinkura?s and Bob Burruwal?s metal sculptures Christiane Keller (University of Westerna Australia) Contemporary Indigenous artists are challenged to produce art for sale and at the same time to protect their cultural heritage. Here I investigate how Rembarrnga sculptors extend already established sculptural practices and the role innovation plays within these developments, and I analyse how Rembarrnga artists imprint their cultural and social values on sculptures made in an essentially Western medium, that of metal-casting. The metal sculptures made by Lena Yarinkura and her husband Bob Burruwal, two prolific Rembarrnga artists from north-central Arnhem Land, can be seen as an extension of their earlier sculptural work. In the development of metal sculptures, the artists shifted their artistic practice in two ways: they transformed sculptural forms from an earlier ceremonial context and from earlier functional fibre objects. Using Fred Myers?s concept of culture production, I investigate Rembarrnga ways of culture-making. 8. 'How did we do anything without it?': Indigenous art and craft micro-enterprise use and perception of new media technology.maps, colour photographs, b&w photographswest kimberley, rock art, kuninjku, photo media, lena yarinkura, bob burruwal, new media technology -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2009
Darkness and a little light: ?Race? and sport in Australia Colin Tatz (AIATSIS & Australian National University) and Daryl Adair (University of Technology Sydney) Despite ?the wonderful and chaotic universe of clashing colors, temperaments and emotions, of brave deeds against odds seemingly insuperable?, sport is mixed with ?mean and shameful acts of pure skullduggery?, villainy, cowardice, depravity, rapaciousness and malice. Thus wrote celebrated American novelist Paul Gallico on the eve of the Second World War (Gallico 1938 [1988]:9-10). An acute enough observation about society in general, his farewell to sports writing also captures the ?clashing colors? in Australian sport. In this ?land of the fair go?, we look at the malice of racism in the arenas where, as custom might have it, one would least want or expect to find it. The history of the connection between sport, race and society - the long past, the recent past and the social present - is commonly dark and ugly but some light and decency are just becoming visible. Coming to terms: ?Race?, ethnicity, identity and Aboriginality in sport Colin Tatz (AIATSIS & Australian National University) Notions of genetic superiority have led to some of the world?s greatest human calamities. Just as social scientists thought that racial anthropology and biology had ended with the cataclysm of the Second World War, so some influential researchers and sports commentators have rekindled the pre-war debate about the muscular merits of ?races? in a new discipline that Nyborg (1994) calls the ?science of physicology?. The more recent realm of racial ?athletic genes?, especially within socially constructed black athletic communities, may intend no malice but this search for the keys to their success may well revive the old, discredited discourses. This critical commentary shows what can happen when some population geneticists and sports writers ignore history and when medical, biological and sporting doctrines deriving from ?race? are dislocated from any historical, geographic, cultural and social contexts. Understanding discourses about race, racism, ethnicity, otherness, identity and Aboriginality are essential if sense, or nonsense, is to be made of genetic/racial ?explanations? of sporting excellence. Between the two major wars boxing was, disproportionately, a Jewish sport; Kenyans and Ethiopians now ?own? middle- and long-distance running and Jamaicans the shorter events; South Koreans dominate women?s professional golf. This essay explores the various explanations put forward for such ?statistical domination?: genes, biochemistry, biomechanics, history, culture, social dynamics, the search for identity, alienation, need, chance, circumstances, and personal bent or aptitude. Traditional games of a timeless land: Play cultures in Aboriginal and Torres Strait Islander communities Ken Edwards (University of Southern Queensland) Sports history in Australia has focused almost entirely on modern, Eurocentric sports and has therefore largely ignored the multitude of unique pre- European games that are, or once were, played. The area of traditional games, especially those of Aboriginal and Torres Strait Islander peoples, is an important aspect of the cultural, social and historical experiences of Indigenous communities. These activities include customs of play that are normally not associated with European notions of competitive sport. Overall, this paper surveys research undertaken into traditional games among Indigenous Australians, as well as proposals for much needed further study in this area. Culture, ?race? and discrimination in the 1868 Aboriginal cricket tour of England David Sampson As a consequence of John Mulvaney?s important historical research, the Aboriginal cricket and performance tour of Britain in 1868 has in recent decades become established as perhaps the most famous of all public events in contact history involving Aborigines, white settlers and the British metropolis. Although recognition of its importance is welcome and significant, public commemorations of the tour have enveloped the tour in mythologies of cricket and nation. Such mythologies have obscured fundamental aspects of the tour that were inescapable racial and colonial realities of the Victorian era. This reappraisal of the tour explores the centrality of racial ideology, racial science and racial power imbalances that enabled, created and shaped the tour. By exploring beyond cricketing mythology, it restores the central importance of the spectacular performances of Aboriginal skills without which the tour would have been impossible. Such a reappraisal seeks to fully recognise the often trivialised non-cricketing expertise of all of the Aboriginal performers in 1868 for their achievement of pioneering their unique culture, skills and technologies to a mass international audience. Football, ?race? and resistance: The Darwin Football League, 1926?29 Matthew Stephen (Northern Territory Archive Service) Darwin was a diverse but deeply divided society in the early twentieth century. The Commonwealth Government introduced the Aboriginals Ordinance 1911 in the Northern Territory, instituting state surveillance, control and a racially segregated hierarchy of whites foremost, then Asians, ?Coloureds? (Aborigines and others of mixed descent) and, lastly, the so-called ?full-blood? Aborigines. Sport was important in scaffolding this stratification. Whites believed that sport was their private domain and strictly controlled non-white participation. Australian Rules football, established in Darwin from 1916, was the first sport in which ?Coloured? sportsmen challenged this domination. Football became a battleground for recognition, rights and identity for all groups. The ?Coloured? community embraced its team, Vesteys, which dominated the Northern Territory Football League (NTFL) in the 1920s. In 1926, amidst growing racial tension, the white-administered NTFL changed its constitution to exclude non-white players. In reaction, ?Coloured? and Chinese footballers formed their own competition - the Darwin Football League (DFL). The saga of that colour bar is an important chapter in Australia?s football history, yet it has faded from Darwin?s social memory and is almost unknown among historians. That picture - Nicky Winmar and the history of an image Matthew Klugman (Victoria University) and Gary Osmond (The University of Queensland) In April 1993 Australian Rules footballer Nicky Winmar responded to on-field racist abuse by lifting his jersey and pointing to his chest. The photographic image of that event is now famous as a response to racial abuse and has come to be seen as starting a movement against racism in football. The racial connotations in the image might seem a foregone conclusion: the power, appeal and dominant meaning of the photograph might appear to be self-evident. But neither the fame of the image nor its racial connotation was automatic. Through interviews with the photographers and analysis of the use of the image in the media, we explore how that picture came to be of such symbolic importance, and how it has remained something to be re-shown and emulated. Rather than analyse the image as a photograph or work of art, we uncover some of its early history and explore the debates that continue to swirl around its purpose and meaning. We also draw attention to the way the careful study of photographs might enhance the study of sport, race and racism. ?She?s not one of us?: Cathy Freeman and the place of Aboriginal people in Australian national culture Toni Bruce (University of Waikato) and Emma Wensing (Independent scholar) The Sydney 2000 Olympic Games generated a national media celebration of Aboriginal 400 metre runner Cathy Freeman. The construction of Freeman as the symbol of national reconciliation was evident in print and on television, the Internet and radio. In contrast to this celebration of Freeman, the letters to the editor sections of 11 major newspapers became sites for competing claims over what constitutes Australian identity and the place of Aboriginal people in national culture. We analyse this under-explored medium of opinion and discuss how the deep feelings evident in these letters, and the often vitriolic responses to them, illustrate some of the enduring racial tensions in Australian society. Sport, physical activity and urban Indigenous young people Alison Nelson (The University of Queensland) This paper challenges some of the commonly held assumptions and ?knowledges? about Indigenous young people and their engagement in physical activity. These include their ?natural? ability, and the use of sport as a panacea for health, education and behavioural issues. Data is presented from qualitative research undertaken with a group of 14 urban Indigenous young people with a view to ?speaking back? to these commentaries. This research draws on Critical Race Theory in order to make visible the taken-for-granted assumptions about Indigenous Australians made by the dominant white, Western culture. Multiple, shifting and complex identities were expressed in the young people?s articulation of the place and meaning of sport and physical activity in their lives. They both engaged in, and resisted, dominant Western discourses regarding representations of Indigenous people in sport. The paper gives voice to these young people in an attempt to disrupt and subvert hegemonic discourses. An unwanted corroboree: The politics of the New South Wales Aboriginal Rugby League Knockout Heidi Norman (University of Technology Sydney) The annual New South Wales Aboriginal Rugby League Knockout is so much more than a sporting event. Involving a high level of organisation, it is both a social and cultural coming together of diverse communities for a social and cultural experience considered ?bigger than Christmas?. As if the planning and logistics were not difficult enough, the rotating-venue Knockout has been beset, especially since the late 1980s and 1990s, by layers of opposition and open hostility based on ?race?: from country town newspapers, local town and shire councils, local business houses and, inevitably, the local police. A few towns have welcomed the event, seeing economic advantage and community good will for all. Commonly, the Aboriginal ?influx? of visitors and players - people perceived as ?strangers?, ?outsiders?, ?non-taxpayers? - provoked public fear about crime waves, violence and physical safety, requiring heavy policing. Without exception, these racist expectations were shown to be totally unfounded. Research report: Recent advances in digital audio recorder technology provide considerable advantages in terms of cost and portability for language workers.b&w photographs, colour photographs, tablessport and race, racism, cathy freeman, nicky winmar, rugby league, afl, athletics, cricket, digital audio recorders -
Kew Historical Society Inc
Clothing - Black Lace Evening Dress, c.1907
Lily and William Wishart lived during this period in 'Noranook', Fernhurst grove, Kew. There are numerous contemporary accounts of the social and civic activities of Lily Wishart as mayoress of Kew. In a description of a 'Mayoral At Home' in the Kew Recreation Hall, a report in The Australasian (10 Aug 1907, p.46) described the event thus: MAYORAL AT HOME In the Kew Recreation-hall on Thursday evening the Mayor and Mrs. W. Wishart gave an at home to between two and three hundred guests. ... Prior to the musical programme, the mayor and mayoress held a reception, standing on a dais at one side of the room. Mrs. Wishart was gowned in black glace silk, trimmed with handsome lace applique, and she wore a cream Maltese lace scarf over her shoulders, and held a bouquet of cardinal carnations.' This may be the dress in the collection. Another interesting and relevant report is an account in The Argus (19 March 1907, p.6): 'WOMEN'S WORK EXHIBITION The mayoress of Kew (Mrs. W. Wishart) invited the ladies of the district to meet in the mayor's room, town-hall, Kew, at half past 3 o'clock tomorrow afternoon, to consider steps to be taken locally in support of the proposed Exhibition of Women's Work.'The dress is locally significant as the work of a skilled home-dressmaker in Kew, who was also a leading civic figure in the municipality. One tends to think of amateur dressmakers as women who could not afford to purchase clothes from a retailer. Clearly, 'women's work' and the skills that educated and wealthy women acquired in the period allowed them to fashion their own garments.Full length evening dress in four parts. Undergarments include two items: a basic black silk petticoat and an upper black silk slip, the latter with two bands of ruffles. The lace dress is in two parts: a bodice and a skirt. The black, high-necked bodice is constructed of silk organza to which guipure lace has been extensively applied. The bodice has long puffed sleeves, gathered on the forearm to form a wide band of lace and ribbon at the wrist. The skirt is constructed of the same black fabric with descending bands of gathered black silk ribbon, used as ornamentation. The skirt also features a long train. Apart from the donor information about its provenance, the style of the dress can confidently be dated to the period 1900-1910. The dress was made and worn to civic functions by Mrs Lily Wishart, Mayoress of Kew in 1906-7. Earlier items belonging to William and Lily Wishart entered the collection as early as 2002. The dress was donated by a descendant of a friend of Lily Wishart in 2020. The photograph of the dress and its components attached to the record needed to be digitally enhanced so that details of the dress could be viewed online, as the fabric of the dress is an intense black. A physical assessment of the dress is included in the condition report.fashion & design collection - kew historical society, australian fashion - 1900s, evening dresses, lily clara wishart, fashion design, fashion -- 1900s