Showing 175 items
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Bendigo Historical Society Inc.
Newspaper - HARRY BIGGS COLLECTION: INDUSTRIAL SCHOOL, Feb 1884
... HARRY BIGGS COLLECTION: INDUSTRIAL SCHOOL... Industrial School... Department change the Industrial School to a State School.... NEWSPAPER Harry Biggs Collection Industrial School Feb 1884 ...Newspaper. Harry Biggs Collection. Newspaper cutting attached to foolscap paper. Is a report from a monthly committee meeting. A proposal was put forward to have the Education Department change the Industrial School to a State School.Feb 1884newspaper, harry biggs collection, industrial school -
Bendigo Historical Society Inc.
Photograph - VIEWS OF BENDIGO: BENDIGO BENEVOLENT ASYLUM AND INDUSTRIAL SCHOOL, 1875
... VIEWS OF BENDIGO: BENDIGO BENEVOLENT ASYLUM AND INDUSTRIAL... Asylum and Industrial School, with people standing out the front... the Bendigo Benevolent Asylum and Industrial School, with people ...Sepia photo on cream board. Shows the Bendigo Benevolent Asylum and Industrial School, with people standing out the front and on the balcony. Inscription: Above, 'Views of Bendigo No.33'. Below, 'The Bendigo Benevolent Asylum and Industrial School', 'N.J.Caire Photo, Sandhurst'. Bottom, 'Casey & Wenborn Print Forbes & Holmes, Agents', 'This noble Institution was Founded in 1857; it contains 26 rooms, and accommodation is provides for 100 Adults and 150 Children. Outdoor aid is afforded to 220 families weekly. The average expenditure is £9,000 per annum. The cost of it's erection is established at £20,000. The Hon. J. F. Sullivan, M.L.A, was the first President. The Office Bearer for the year 1875, are --- Patron---His Excellency Sir George Ferguson Bowen, G.C.M.G. President --- William Steane. Vice-president --- Matthew O'Brien, J.P. Trustee---The Hon. Angus Mackay, M.L.A. James Boyd, M.D., J.P. James Burnside. Hon. Treasurer --- Andrew Williamson. Hon. Secretary --- James Burnside. Medical Officer --- Harry Leigh Atkinson, M.D. Committee of Management --- M. O'Brien, J.P., P.Hayes, William Steane, James Quin, Geo. Tait, G. F. Walter, J. Osborne, A. Williamson, m. Meagher, Edward Hurst, H. Birch, The Mayor of Eaglehawk. Committee of Management --- M O'Brien, ex officio --- His Excellency Sir George Ferguson Bowen: G.C.M.C. The Mayor and Junior Councillor of the City of Sandhurst. James Boyd, M.D., J.P., The Hon Angus Mackay, M.L.A. James Burnside. Auditors--- John Hasker, Hugh Sutherland. Superintendant --- William Dorman. Matron --- Mrs. W. Dorman.'. (Two copies) Nicholas CaireN. J. Caireplace, bendigo, bendigo benevolent asylum, see, 'views of bendigo' by n. j. caire -
Federation University Historical Collection
Map, Ballarat Goldfield, c1898
... industrial school reserve... Industrial School is used for dating purposed. The Ballarat..., Township of Warrenheip, Ballarat East, Industrial School Reserve.... Although this map has no date on it the Ballarat Industrial School ...This map shows geological features, suggests the last basalt flow, and includes alotments and names of Mining Companies. Although this map has no date on it the Ballarat Industrial School is used for dating purposed. The Ballarat Industrial School ran from 1869-1879, but the term Ballarat Industrial School Reserve was still in use in 1898 and possibly beyond.Geological Map of Ballarat with 3 holes in the left hand side. The map indicates the position of Lake Wendouree, Township of Warrenheip, Ballarat East, Industrial School Reserve, Winters Swamp, Police Paddock, Wyndholm Premptive Right (Salton and Waldie), Black Hill, Vale Park Reserve, Pennyweight Hill, Little Bendigo, Black Swamp Lead, monte Christo Reef, Chinaman's Gully, Miners Rest, Pincotts Dam, Northumberland Gully. It also show the following goldmining companies: City of Ballarat, Kohinor, Hand and Band, Great North West, Northern Junction, Kneeshaw, Rossers Freehold, Silurial.ballarat, warrenheip, lake wendouree, ballarat east, winters swamp, winter swamp, wyndholm premptive right, cemetery, vale park reserve, little bendigo, kneeshaw co., industrial school reserve, kirks dam, pincotts dam, black hill, wombat hill, dead horse gully, miners rest, mt rowan, salton and waldie, rose hill co, great north west no 1, rose's freehold co, hand and band co, police reserve, police paddock, mount rowan, ballarat industrial school reserve, market reserve, winter's swamp, kneeshar co, monte cristo line of reef, chinaman's gully or black snake, milkmaid's gully, ballarat gold field, bakery hil lead, old gravel pits lead, golden point lead, eureka lead, miner's rest, yarrowee creek, leigh creek, black swamp lead, yorkshire reef, nil desperandum reef, cockatoo lead, hit or miss gully, herbert werner frederick de nully, pennyweight hill, esmond's lead, ash's lead, nightingale lead, john bull gully, gladstone reef, whitehorse reef, petticoat creek, pincott's dam, frenchman's gully, tim's crushing plant, jenkin's gully, california gully, drake's creek, sulton and waldie, ballarat undustrial school, ballarat & mariborough railway -
Federation University Historical Collection
Booklet - Report, John Ferres, Government Printer, Royal Commission on Industrial and Reformatory Schools and the Sanatory Station, 1872 and 1874
... st kilda road industrial school...The Industrial Schools and Quarantine Station Royal....1) First report of the Royal Commission on Industrial... The Industrial Schools and Quarantine Station Royal Commission took place ...The Industrial Schools and Quarantine Station Royal Commission took place in 1872, with the final report published in 1874..1) First report of the Royal Commission on Industrial and Reformatory Schools and the Sanatory Station. 65 pages. .2) Second and final report of the Royal Commission on Industrial and Reformatory Schools and the Sanatory Station. 16 pages. This report included defects in the system and recomendations.On front cover "From Tom Evans MLA"quarantine, industrial schools, reformatory schools, royal commission, gavin duffy, st kilda road industrial school, industrial schools commission, red hill philanthropic school, flat islands port phillip bay, pauper children, johanna margaret hill, american industrial schools, cuthbert fox, james walker, pilot schooner rip, captain h.h. o'neil, william mccrae, t.m. girdlestone, william austin zeal, j.a. panton, industrial schools and quarantine station royal commission, quarantine station point nepean, sanatory station, queenscliff, point nepean, philanthropic school red hill, rip, george ferguson bowen, orphan asylums -
Bendigo Art Gallery
Photograph - Work on paper, Nicholas CAIRE, The Bendigo Benevolent Asylum and Industrial School, 1875
... The Bendigo Benevolent Asylum and Industrial School.... The Bendigo Benevolent Asylum and Industrial School Photograph Work ...Inscribed on original mountcard, l.l., gold letterpress, "N.J. CAIRE". Not dated.albumen, mental health, medicine hospital, bendigo, asylum -
Bendigo Historical Society Inc.
Document - HARRY BIGGS COLLECTION: BENDIGO BENEVOLENT ASYLUM
... Industrial School... on foolscap paper on the Bendigo Benevolent Society & Industrial... Benevolent Asylum Industrial School Document. Harry Biggs Collection ...Document. Harry Biggs Collection. Handwritten notes on foolscap paper on the Bendigo Benevolent Society & Industrial School.organization, government, services, harry biggs collection, bendigo benevolent asylum, industrial school -
Federation University Historical Collection
Plan, Ballaarat Common, 1898
... Industrial School Reserve...Plan showing Ballaarat Common, Police Reserve, Industrial... Ballaarat Common Police Reserve Industrial School Reserve ...Plan showing Ballaarat Common, Police Reserve, Industrial School Reserve, Cattleyards Railway, Powder Magazine, Scarsdale and Ballarat Railway, Ararat and Ballarat Railway and Mr Comries House. Robert Davidson was the surveyor. WGS 84ballaarat common, police reserve, industrial school reserve, cattleyards railway, powder magazine, scarsdale and ballarat railway, ararat and ballarat railway, comrie, ballarat common, robert davidson, ballarat industrial school -
Bendigo Historical Society Inc.
Document - HARRY BIGGS COLLECTION: AID TO MRS HARRIS, 1870's
... Sandhurst Industrial School... children who were put into the care of the Sandhurst Industrial... Industrial School Mrs Harris Document. Harry Biggs Collection ...Document. Harry Biggs Collection. A handwritten report regarding Mrs Harris and her struggle for survival with her two children who were put into the care of the Sandhurst Industrial School from Aug 1873 until 21/3/74.organization, government, welfare, harry biggs collection, sandhurst industrial school, mrs harris -
Bendigo Historical Society Inc.
Document - DOCUMENT. SANDHURST INDUSTRIAL SCHOOLS
... Document. Sandhurst Industrial Schools. Newspaper... Document. Sandhurst Industrial Schools. Newspaper articles ...Document. Sandhurst Industrial Schools. Newspaper articles; Argus, Age, Telegraph, Adventurer, Independent. In relation to the closure of the Sandhurst Industrial School at the Bendigo Benevolent Asylum. -
Bendigo Historical Society Inc.
Document - HARRY BIGGS COLLECTION: BENDIGO HOSPITAL SYSTEM
... of the Industrial School. In 1941 it was rented to the Base Hospital... of the Industrial School. In 1941 it was rented to the Base Hospital ...Document. Harry Biggs Collection. 2 handwritten foolscap pages on what was erected in 1870 as a Hospital for the children of the Industrial School. In 1941 it was rented to the Base Hospital as a nurses home.organization, government, health, harry biggs collection, bendigo hospital system -
Federation University Historical Collection
Map - Geological survey, Parish of Cardigan, County of Grenville, c1889
... ballarat industrial school reserve... industrial school reserve green hill bunker's hill sago hill diamond ...Geological map of the Parish of Cardigan on a cadastral base showing quartz reefs, shafts, alluvial deposits.cardigan, winter's creek, ballarat cattle yards railway, prince of wales park, ballarat, friendly societies reserve, ballarat industrial school reserve, green hill, bunker's hill, sago hill, diamond drill bores, cardigan propriety, half way house, ti tree creek, albion consols, prince imperial, winter's freehold company -
Federation University Historical Collection
Letter, Grant Street Terraces, 1992
... ballarat industrial school.... wynne w.b. ochiltree ballarat industrial school prince of wales ....1) 5 pages of correspondence relating to a request for survey of Crown Allotment 11, Section 11, Parish of Cardigan (included plan) .2) 3 pages relating to a tender for Bluestone / drystone terraces along the Grant Street frontage of the Ballarat School of Minesballarat school of mines, grant street, gillies street, j. winter, e.a. wynne, w.b. ochiltree, ballarat industrial school, prince of wales park, ballarat golf club -
Bendigo Historical Society Inc.
Document - HARRY BIGGS COLLECTION: HISTORY OF BENDIGO BENEVOLENT ASYLUM, 1853 ->
... & the Industrial School period.... & the Industrial School period. Document HARRY BIGGS COLLECTION: HISTORY ...Document. Harry Biggs Collection. Blue writing on foolscap. The definition of the word 'asylum' from Chambers -- 1884 Encyclopedia. (3 copies.) - Random jottings on foolscap. - 1 page on foolscap relating to the Benevolent Society & the Industrial School period.organization, club/society, health, harry biggs collection, bendigo benevolent asylum history -
Glen Eira Historical Society
Article - Caulfield Institute of Technology
... School of Industrial Studies... of Engineering School of Industrial Studies School of General Studies ...Four items about the establishment,history and courses provided at this Institute: 1/Research notes (2 pages in all) regarding the renaming of Caulfield Technical School to Caulfield Institute of Technology in 1968 sourced from La Trobe Library Reference Index. Several dates listed. Reference also to article on construction of building in 'Australian Builder' of January 1950. 2/Photocopy of article from 'The Australian Accountant', April 1975. Gives history of C.I.T. and of Business School courses plus photos. (3 pages) 3/Advertising flyer for 'The David Syme Business School at CIT' listing courses for enrolment by 15/12/1978. 4/Undated black and white photograph of building in progress on site of Caulfield Institute/Monash University Caulfield. Noted on reverse'Chisholm Tower', 'Contact June 29, PIC 3 PG3 100% pl2' ie likely taken by photographer for 'Caulfield Contact'.miller j.o. mr. (b.a. b. com. f.a.s.a.), huggan noel, halstead h.j. mr., kurtz david professor, holmes graham, collins mike, chataway graham, erdonmez hassan, gleeson june, voumard lou, coombe jack, caulfield technical college, caulfield technical school, caulfield institute of technology (cit), k.h. boykett building, monash university, dandenong road, caulfield east, victorian education department, school of business, school of applied sciences, school of engineering, school of industrial studies, school of general studies (humanities sociology art and design), technical schools, technical colleges, education, secondary education, mature age students, david syme business school, 'contact' -
Sunbury Family History and Heritage Society Inc.
Photograph, c 2000
... was relocated to the former Industrial School in Jacksons Hill in 1999... was relocated to the former Industrial School in Jacksons Hill in 1999 ...The building is the former Sunbury State School 1002, which was relocated to the former Industrial School in Jacksons Hill in 1999. The Federation Style building replaced an earlier school building in 1912 and it is now incorporated into the Sunbury Community Health Centre complex. A school in Sunbury has occupied the site on the corner of Macedon and Stawell Streets from 1870 to 1999. A coloured photograph of a red brick single storey Federation style building with an orange tiled roof. A white minivan is parked outside the building and a modern cream brick building is visible on the LHS of the photograph.sunbury state school no. 1002., sunbury community health centre -
Bendigo Historical Society Inc.
Document - A SHORT HISTORY OF THE BENDIGO BENEVOLENT ASYLUM 1857 TO 1872
... Barnett; Outdoor-Relief; Industrial School; Smallpox; Scarlatina... Barnett; Outdoor-Relief; Industrial School; Smallpox; Scarlatina ...Paper by M Densley: ''A short History of the Bendigo Benevolent Asylum 1857 - 1872'' (no date and no further details of paper's submission). Sixteen pages ; 5 pages of Appendices; 1 page Bibliography. Text mentions formation of asylum (Provisional Committee); initial grant on lower side of Commissioners Gully; Dr Adolphus Barnett; Outdoor-Relief; Industrial School; Smallpox; Scarlatina; Scarlet Fever; Dr Atkinson, Dr Betham.M. Densleyorganization, institution, bendigo benevolent asylum -
Hume City Civic Collection
Photograph, early 1990s
... it was relocated to the restored former Industrial School at Jacksons Hill.... it was relocated to the restored former Industrial School at Jacksons Hill ...The brick building was constructed in 1911/1912 and replaced an earlier school building. In 1942/43 the school building was extended to cope with the increased population in Sunbury. The State School remained on the Macedon Street site until 1999 when it was relocated to the restored former Industrial School at Jacksons Hill.A coloured photograph of the former Sunbury State School No. 1002. It is a red brick Federation building with a red terracotta tiled roof and wooden white painted trims. There are two stepped brick chimneys with terracotta chimney pots and six air vents protruding from the roof. There is a small porch at the front of the building.carirns, j. f. dr., eadie, peter, education department, george evans collection -
Bendigo Historical Society Inc.
Document - WOMEN, CHILDBIRTH AND CHILDREN ON THE GOLDFIELDS: BENDIGO AND CASTLEMAINE REGION 1851 TO 1876)
... products; Bendigo Benevolent Asylum; Industrial School; Lying... Dispensary; Holloway products; Bendigo Benevolent Asylum; Industrial ...''Women, childbirth and children on the Goldfields in the Bendigo-Castlemaine Region 1851-1876)'' author Madeleine Dodds. Two copies a. and b. -one copy is double sided printing; other is single sided. Mention of Boyd and Harris Dispensary; Holloway products; Bendigo Benevolent Asylum; Industrial School; Lying -in Wing; Jabez Hogg Medical Guide; Doctor Jenkins, Dr Richard Tracy, Traces the history of early births and childcare on the goldfields. Bibliography.Madeleine Doddsbendigo, mining, women and children on the goldfields, boyd and harris dispensary, holloway products, dr. jenkins, jabez hogg medical guide, dr richard tracy, bendigo benevolent society. women, childbirth, children. -
Sunbury Family History and Heritage Society Inc.
Photograph, Sunbury Asylum, c1920s
... as an Industrial School for orphaned or neglected children and in 1879... also known as She0ak Hill opened as an Industrial School ...The brick buildings in the photograph are of the former Sunbury Asylum and F3 Ward is in the foreground. Initially the site on Jackson Hill also known as She0ak Hill opened as an Industrial School for orphaned or neglected children and in 1879 it became an asylum where it continued to function as an asylum until the Victorian Government closed it on 20th November 1992.The Sunbury Asylum played an important part in Sunbury and wider community's development over 150 years. throughout its existence there was much interaction between the residents, staff and local community, many of whom were employed at 'The Hill' as it was known locally. A sepia non-digital photograph of a large brick hospital building with three nurses standing outside it on a narrow pathway edging a garden bed. A picket fence is at the rear of the building enclosing a small yard where washing is drying on the line.sunbury asylum, jackson hill, caloola, sheoak hill, ward f3 -
Bendigo Historical Society Inc.
Administrative record - Provisions Register 1897 - 1908
... - 1885 an industrial school for children was included. In 1884... an industrial school for children was included. In 1884 a Lying ...The Benevolent Asylum was established to provide both indoor and outdoor charitable relief for the destitute and aged. Initially it was in a slab and weatherboard building before getting it's permanent home in 1860. (Now Ann Caudle Centre). From 1868 - 1885 an industrial school for children was included. In 1884 a Lying in Hospital was included and this closed in 1920.Bendigo Benevolent Asylum Provisions Register 1897 - 1905. Green coloured marbled pattern cover with red and white tape on the spine with lined ledger pages. The ledger includes the provisions acquired and dispersed each day. All entries handwritten in ink. Standard supplies included with space to add special items.bendigo benevolent asylum, provisions register -
Sunbury Family History and Heritage Society Inc.
Photograph, Male Hospital Sunbury
... , the Sunbury Industrial School occupied the site from 1865. The Sunbury..., the Sunbury Industrial School occupied the site from 1865. The Sunbury ...The Male Hospital in Sunbury was one of the buildings that was within the grounds of the Sunbury Mental Hospital, later known as the Sunbury Asylum, that opened on 1st December 1879 on She-oak Hill ( Jacksons Hill). Patients and staff from the Ballarat Asylum were transferred there. Prior to the establishment of the Asylum, the Sunbury Industrial School occupied the site from 1865. The Sunbury Asylum, later known as Caloola, continued to operate until the 1992.The Sunbury Mental Hospital was an important institution and was the main source of employment for Sunbury residents for 120 years. It was also one of a number of similar institutions that were established around Melbourne's outer rural centres.A sepia non- digital photo in post card format of a hospital building with verandahs along a section of the front and down the side. Two nurses are standing in front. There are circular garden beds in from of the building. A message dated 23/11.09 from Gregor to Cookie has been written on the back of the card.MALE HOSPITAL/SUNBURYsunbury mental hospital, sunbury asylum, caloola, the hill -
Sunbury Family History and Heritage Society Inc.
Photograph, Sunbury State School
... Industrial School heritage buildings in Jacksons Hill. The existing... School was relocated in the former Industrial School heritage ...The first building which housed Sunbury State School No.1002 was built on the corner of Macedon and Stawell Streets in the early 1870s and functioned as the local State School until 1912 when a sturdier red brick structure replaced on the same site. In 1999 Sunbury State School was relocated in the former Industrial School heritage buildings in Jacksons Hill. The existing building in Macedon Street was incorporated into the Sunbury Community Health Centre. The school in the photograph is the original Sunbury State School NO. 1002 building, where many early Sunbury residents attended. A non-digital black and white photograph in post card format of a crowd of children outside a school building. Four teachers are standing on the RHS of the image.sunbury state school no. 1002, stawell street, macedon street, schools -
Sunbury Family History and Heritage Society Inc.
Photograph, c1910 - 1920s
... Industrial School in Jacksons Hill. The former red-brick school... and refurbished bluestone Industrial School in Jacksons Hill. The former ...The photo is of the Sunbury State School No. 1002, which replaced an earlier building. The Federation style red-brick school was built in 1911 and was officially opened on 2nd May 1912. An extra room was added in 1945 to accommodate increased enrolment. In 1999 the school closed at the Stawell Street site and the students relocated to the former and refurbished bluestone Industrial School in Jacksons Hill. The former red-brick school building is now part of the Sunbury Community Health Centre complex.Many former and present-day residents in Sunbury have attended this school over the years.A black and white photograph of a small school building. It is a federation style building with brick walls and a tiled roof.sunbury state school no. 1002. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Dolls, antique copy 'Catherine Spence', c1980
... of destitute children, who would otherwise be sent to "Industrial... of destitute children, who would otherwise be sent to "Industrial ...Catherine Helen Spence (31 October 1825 – 3 April 1910) was a Scottish-born Australian author, teacher, journalist, politician and leading suffragette. Her family moved to South Australia in 1839. In 1897 she became Australia's first female political candidate after standing (unsuccessfully) for the Federal Convention held in Adelaide. Given the epitaph "Grand Old Woman of Australasia", Spence was commemorated on the Australian 5 dollar note issued for the Centenary of Federation of Australia. She was one of the prime movers, with C. Emily Clark (sister of John Howard Clark), of the "Boarding-out Society". This organization had as its aim the placing of destitute children, who would otherwise be sent to "Industrial School", into approved families. She was an advocate of Thomas Hare's scheme for proportional representation, at one stage considering this issue more pressing than that of woman suffrage.This doll is used as an educational toy to help visitors imagine life c1900An antique copy china doll representing Catherine Spence. The Doll has dark brown hair with a head scarf decorated with flowers and a navy blue dress with white cuffs and collar. dolls, spence catherine, suffragettes, politics, authors, orphanages, child care -
Bendigo Historical Society Inc.
Photograph - NICHOLAS CAIRE VIEWS OF BENDIGO
... and industrial school. 34) Bendigo flat as seen from Wattle Hill. 35...) The Bendigo benevolent asylum and industrial school. 34) Bendigo flat ...Full set (52 photos) of Nicholas Caire ''Views of Bendigo'' photographs. 1) Sandhurst East with a portion of the City Reserve. 2) New Chum line of reef. 3) Sandhurst-North part as seen from the top of the Masonic Hall. 4) The Hustler's line of reef seen from Redan Hill. 5) Battery of stampers for crushing quartz 6) View of Sandhurst as seen from the top of the New Masonic Hall. 7) Excavation of quartz reef near Ironbark Hill. 8) St. Paul's Church, tower and belfry. 9) View of the Camp Reserve as seen from the Court House. 10) View of North Old Chum showing surface excavations. 11) View as seen from the Camp Hill near the lodge. 12) Garden Gully amalgamated claims. 13) Shamrock Hotel, Sandhurst. 14) View as seen from Court House showing the willows & East Pall Mall. 15) Wesleyan Church, Golden Square. 16) Savings bank, Sandhurst. 17) The Bendigo district hospital. 18) Interior of the Wesleyan Church, Golden Square. 19) View of Golden Square township. 20) The Town Hall, City of Sandhurst. 21) The City Hotel, Sandhurst. 22) Pall Mall, Sandhurst. 23) Sandhurst City Market. 24) Pall Mall, Sandhurst looking west. 25) View from Camp Hill looking north - east 26) View of Charing Cross, Sandhurst. 27) View of Sandhurst as seen from Knipe's Castle. 28) Township of Long Gully. 29) View taken from St. Paul's tower. 30) View of the Sandhurst cemetery at back creek. 31) Kock's pioneer quartz crushing plant, Long Gully. 32) The New Masonic Hall, Sandhurst. 33) The Bendigo benevolent asylum and industrial school. 34) Bendigo flat as seen from Wattle Hill. 35) View of Old Chum Hill. 36) New Chum Gully as seen from Specimen Hill. 37) Township of Eaglehawk. 38) View from St. Paul's tower looking south west. 39) View of the railway tunnel through the Big Hill, near Mt. Herbert. 40) View taken from St. Paul's looking south. 41) Scene taken from St. Paul's tower looking eastward. 42) View of Sandhurst from St. Paul's tower looking north-west. 43) The great extended Hustler's co's. quartz mining claim. 44) View from the Big Hill showing the line of railway to Melbourne. 45) View from St. Paul's Church tower looking westward. 46) View from St. Paul's Church tower looking north-west. 47) Scene near the Big Hill ranges taken from Mr. Buick's residence. 48) View from St. Paul's Church tower looking north eastward. 49) Township of Eaglehawk 50) View of Mitchell Street, Sandhurst. 51) Botanical gardens near the White Hills. 52) View Point, Sandhurst.bendigo, streetscape, various views, nicholas cairne -
Vision Australia
Administrative record - Text, Royal Victorian Institute for the Blind annual report 105th 1970-1971, 1970-1971
... , President's report, Nursery and school, Industrial, Training..., President's report, Nursery and school, Industrial, Training ...Articles in annual report include: List of RVIB president, vice president, board of management, medical staff and officers of the institute, honorary officers and consultant medical staff, President's report, Nursery and school, Industrial, Training and rehabilitation centre, Multi handicapped blind children, Sight restored after 35 years - article about John Crowe who went to New York where no other medical centre in the world offered a procedure to use a synthetic cornea. The cost of the trip was met by RVIB, after losing his sight which he lost in an industrial accident, when he returned to Melbourne he saw his wife for the first time, Carols by candlelight, Finance, Welfare and counselling services, Blindness in old age, Auxiliaries and other general helpers, Services and facilities, When you make or amend your will. Events that occurred in 1970 : Australia post supported work training program -offered a complete training centre for blind switchboard operators, the only one of its type in the world, established at the institute, 53 operators were successfully employed in Vic, some also operate as receptionists.1 printed volume with photographsroyal victorian institute for the blind, annual reports -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth I, c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MARCUSE / B.worth (in pen) Reverse: BEECHWORTH NOSTALGIA / BW – 01 (crossed out) / B2 / CORNER CAMP + FORD STREET / (on masking tape) 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Yackandandah I, 1983
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MILLS / DISPENSARY / MARCUSE 83 / YACKANDANDAH Reverse: Y 12 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program, yackandandah -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth III, c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: BEECHWORTH / VIC. / MARCUSE Reverse: BEECHWORTH NOSTALGIA / BW – 03 (on masking tape) 003 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth – Opposite Crown Hotel (Tanswell Hotel), c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Opposite Crown Hotel / Tanswell Hotel / BEECHWORTH / (on tape) Reverse: BEECHWORTH NOSTALGIA / BW – 05 (on masking tape) 004 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program