xiv, 177 p. : ill., plans :Includes index. Bibliography: p. 147-168.non-fictionhistoric buildings, historic gardens, historic sites

This book explains how to use the many documentary sources that are available, such as rate books, directories and titles; how to investigate and restore exteriors; and, how to recognise the main architectural styles.This book explains how to use the many documentary sources that are available, such as rate books, directories and titles; how to investigate and restore exteriors; and, how to recognise the main architectural styles.historic sites, historic buildings, conservation, (ms) celestina sagazio, national trust of australia

This book is designed to help you unlock the secrets of historic places and buildings.Detailed guidance from the National Trust Team of experts makes it as easy and accurate as possible to research the history of properties and discover their heritage significance.This book is designed to help you unlock the secrets of historic places and buildings.Detailed guidance from the National Trust Team of experts makes it as easy and accurate as possible to research the history of properties and discover their heritage significance.historic sites, historic buildings, historic gardens, conservation and restoration, (ms) celestina sagazio

In 1987, the Arthritis Foundation of Victoria (AFV) received a generous donation from the Victorian Ladies Bowls Association. The funds were raised by 37,000 members of the association for the Victorian Ladies Bowls Association Research Trust through 350 special charity bowls events across the state. In this photo, Dr John Hamilton accepts a cheque for $73,600 on behalf of the Arthritis Foundation of Victoria from Beryl Boniface, the outgoing President of the Victorian Ladies Bowls Association. Also depicted in the photo (standing between Dr Hamilton and Mrs Boniface) is the AFV's Robyn Hill. This photo appears on page 3 of the No 46, November 1987 issue of the Arthritis Foundation of Victoria's quarterly newsletter, News Review. It accompanies an article titled, "Bowled over by gift from VLBA - $73,600 donation raised by members".Black and white photo of three people standing behind a table. A man and woman are shaking hands, while another woman is standing between them. There are three items on the table: an 'LBA Victoria' logo on a stand, a small basket of flowers, and a small Australian flag on a stand.[Handwritten in blue ink] Dr JOHN HAMILTON ROBYN HILL Mrs BERYL BONIFACEarthritis foundation of victoria, afv, victorian ladies bowls association, lba victoria, research trust, donation, fundraising, dr john hamilton, robyn hill, beryl boniface, president, 1987

Individual Research Project, Catherine Loftus-Hills 1982: To what extent is the Eltham Town Park successful in providing a recreational facility for the entire community? Newspaper article: Diamond Valley News, 24 August 1982, Byways of History, Early view of Little Eltham, illustrated by photograph sometime 1902-1920. Newspaper article: Diamond Valley News, 24 August 1982, Pauline thrives on work, Australian Labor Party member of Victorian parliament. Newspaper article: unidentified, undated: Many attempts to change name, letter from Frank Burgoyne. Newspaper article: unidentified, undated: Anger over park renaming. Photocopy letter from Office of the Place Names Committee to Eltham and District Historical Society, 25 February 1982, stating naming of Eltham Town Park, not Alistair Knox Park. Newspaper article: Former shire president honoured, Diamond Valley News, Tuesday September 9, 1986, p3 (on rverse page an advertisement for Research Mowers & Chainsaws National Trust Public Art Register: Citation, 18 February 1997, of major work by sculptor Ernst Frie. Newspaper article: Diamond Valley Leader, 8 June 2005, Sign not before time, erection of Welcome to Eltham Town sign made by Greg Bebbington and Hamish Knox. Newspaper article: Diamond Valley News, 9 June 2005, p3, Former shire president honoredmain road, eltham, businesses, public art, ernst frie, eltham town park, alistair knox park, j m holloway, pauline toner, catherine loftus-hills, greg bebbington, hamish knox, frank lynch, greg johnson, advertising, research mowers & chainsaws

This ledger contains newspaper cuttings form The Warrnambool Standard newspaper from May 1891 to October 1917. The cuttings are reports of meetings of the Warrnambool Waterworks Trust. In the early days of Warrnambool domestic water and water for fire suppression was supplied by tanks, wells and springs. In the 1870s various schemes were proposed to find a better supply of water. In 1891 the Warrnambool Waterworks Trust was formed using water from the Merri River. This system lasted until 1939 when the Warrnambool water supply came from the Otway ranges. This system is still the water supply for Warrnambool today. The cuttings in this ledger will be useful for research.This is a ledger with a brown mottled cover and a leather spine and leather corners. The spine is partly detached. The front cover has a label pasted on it. The pages originally had hand written entries (The Minutes of a Warrnambool organisation). Newspaper cuttings have been pasted over the original writing. Warrnambool Waterworks Trust Newspaper Reports From 19th May 1891 To --- warrnambool waterworks trust, warrnambool water supply

These ledgers are administrative records of the Warrnambool Friendly Societies Park Trust. One contains Minutes of meetings from 1931 to 1947 and the other is an Accounts Book with records of payments for salaries, insurance, rentals, ground improvements etc. from 1908 to 1947. Some inserts in the ledgers date back to the early days of the Trust. In 1871 the Friendly Societies of Warrnambool (benefit societies which mainly offered members heath cover, including the Oddfellows, Foresters, Hibernians,, Rechabites, Sons of Temperance, Druids and Protestant Alliance) established a sports ground in Warrnambool. This included facilities for cricket, football and Athletics Carnivals and other public demonstrations and meetings and was administered by a Trust with members representing each of the Friendly Societies. Today the area is a major sports facility and still has the name Friendly Societies Park but it is now administered by the Warrnambool City Council. These items are of considerable historical interest as they contain much detail about the early history of the Friendly Societies Park Trust and give researchers valuable information on the work of benefit societies in the late 19th and early 20th centuries in Warrnambool and also on a major sports facility still existing in Warrnambool. .1 Ledger of 380 pages with a black cover and beige leather spine and corners. The edges of the pages are marbled and the pages have printed red and blue lines. The handwritten entries are in ink. There are some loose inserts in this ledger. .2 Ledger of 510 pages with a black cover and beige leather spine and corners. The pages have an alphabetical index at the front and have red and blue printed lines. The handwritten entries are in ink. friendly societies park warrnambool, friendly societies in warrnambool

This notebook appears to be the Warrnambool Water Trust Records of two contracts in 1892 . (The reference is written as 'W.W.Trust'.) The first contract, with the contractors, Coates and Reed, is for the excavation for settling tanks and clear water basin and a reservoir in Liebig Street and there are 60 pages giving details of these works - labour, masonry, concreting, fencing etc. The second contract with the contractor, William Kellas, is for the erection of a cottage and an engine shed and boiler room (7 pages). The Warrnambool Water Trust was set up in 1891 and the first project was the supply of water from the Merri River near Wollaston to a reservoir and tower in Liebig Street and this notebook concerns some details of this early water supply scheme. This notebook is of some interest as it supplies details of a late 19th century Warrnambool water supply scheme and so should be of value to local history researchers This is a notebook with a red leather cover and pages with printed headings and ruled red lines. The pages contain handwriting in black ink. The cover has a label (partly torn) with handwriting.Returns Contracts 1 & 2warrnambool water supply, warrnambool water board, 19th century water in warrnambool

This bottle of castor oil was used during the mid to late 1900's when there was a Hospital in the Kiewa Valley, but regarded as only for serious injuries and near death situation. For this reason many households had a "first aid" box full of items such as this bottle of castor oil. Home based remedies for non life threatening injuries and illnesses were a part of life in a semi remote rural region. True and trusted family "health" remedies were passed from generation to generation.This Castor Oil bottle is very significant to the Kiewa Valley as it demonstrates the self reliance of the early farming and grazing pioneer families. Knowledge of "first aid" was uppermost to the survival of families before the late 1900's. Naturopathic remedies such as connected with the castor oil contained in this bottle, although may not be sanctioned by medical research, does not take into account of the positive "self healing" of the human mind (if you think it is doing you good it creates a positive action). Such preservation techniques were handed down through the generations.Medical Reference material was limited to books available and read and not not from "the internet" in the latter part of the 1900's. The availability of General Practitioners increased because of the boost in the population growth (SEC Vic Hydro Electricity Scheme) in the Kiewa Valley from 1940's onward. This small indigo coloured glass bottle has a narrow neck and a screw on lid.It has an embossed manufacturer's name and contents (Castor Oil) on one side and identification marks embossed on the underside base.medicine bottles, home first aid remedies, indigo glass medicine bottles

Verna Barry commenced worked as a typist at the Ballarat School of Mines (SMB) in 1961. In 1965 she became private secretary to Jack Barker, Principal of the Ballarat School of Mines and later Director of the Ballarat Institute of Education (BIAE) and the Ballarat College of Advanced Education (BCAE). A trusted and loyal member of staff, Verna was devoted to her job, her workplace and greatly respected Jack Barker with whom she worked loyally for until his retirement in 1987. In 1988 Verna was appointed Administration Officer with Engineering Faculty. She spent five years with Engineering Science from 1990, and in 1996 worked for Information Technology & Mathematical Science (ITMS), becoming a key member of the Research Support team. After thirty-nine years of service to the University of Ballarat and its predecessor institutions Verna Barry retired from full-time work on 31 January 2000women of note, verna barry, typist, secretary, jack barker, 1965-1987, ballarat school of mines, ballarat institute of advanced education, ballarat college of advanced education, administration officer, engineering faculty, engineering science, information technology and mathematical science, research support

These house plans were drawn up for James Nixon. James Nixon was born in Orbost on 15.11.1912. He married Joyce May Thompson on 2.2.1937. He was a well known Orbost identity, serving a record 47 years as a Commissioner on the Snowy River improvement Trust, as well a director of Snowy River Seed and th Bean Board. He died on 21.12.2002.James Nixon, a third generation Nixon, father of Peter Nixon A.O., was an involved and respected Orbost identity. This item is a significant research tool.Architectural plans for a two-storey house with 4 bedrooms to be built on the corner of Gladstone and Tennyson Streets in Orbost. On a white background with coloured drawings ( water colour).nixon-james house-plans architecture

In 1922 Robert Campbell Edwards (1862-1946) established the Campbell Edwards Trust for religious, educational and charitable purposes. This book is the story of Robert Campbell Edwards' life from his birth in Drumgowan, Ireland until his death in South Yarra, Victoria. The Campbell Edwards Trust trust is still operating today.This is a useful research tool on the history of Robert Campbell Edwards.A thin soft cover book with a light brown cover with dark brown print. On the front cover is an oval shaped photograph of Robert Campbell Edwards.on title page "With Kind Regards O S Green" handwritten in blue penbook-the-ensign-bearer green-oswald-stuart campbell-edwards-trust

This book was used by Orbost Cemetery Trust to record letters written especially to provide a running account of the trust's activities. Although the cemetery was officially gazetted in November, 1891, it seemed certain that burials had taken place before that time. The early trusts were diligent in their record keeping and visionary in their planning.The original Trust members approved by the Public Health Department included C. N. Henderson, E. Watt (Ernest), D. Munro (Donald), M. R. Coote (Massy) and James Cameron (recorded at the first meeting of the Trust dated 29th May 1891. The first mention of a Mr. C. Richardson wasn’t until 25th February 1916 whilst the cemetery was under the control of the Orbost Shire Council with select councillors on the committee. Orbost Cemetery is an important part of Orbost's history. Its records are essential in research of local history.A grey covered letter book used by the Orbost Cemetery Trust to record letters written between 1894 and 1907.On spine-Letter Bookorbost-cemetery letter-book

The Geoffrey Blainey Research Centre is a supervised reading room in the E.J. Barker Library on the Federation University Mt Helen Campus. It holds the Art and HIstorical Collections, as well as special librarry collections.Colour photographs of visitors to the Federation University Geoffrey Blainey Research Centre. * Dr Dorothy Wickham, 08 August 2012 * Gene Geoffrey and the Human Skin Covered Book * Major Neil Leckie RFD (Ret'd) with his newly released book 'Creswick's War: Through the Letters of Driver S. Gordon Spittle MM "The War Correspondent", 04 September 2019 * Barry Kentish and Peter Voterakis of the Ballarat Fly Fishing Club * Kevin Jewell and Robert Littlewood, trustees of the Keith Wingrove Memorial Trustgeoffrey blainey resaerch centre, visitors, dorothy wickham, gene geoffrey, neil leckie, barry kentish, peter voterakis, kevin jewell, robert littlewood

The Ballarat School of Mines is a predecessor organisation of Federation University Australia.Black and white photographThis building was officially opened on 4th July, 1978 by E.J.T. Tippett, M.B.E. in whose honour the library was named thus commemorating dedicated service since 1934 as a member of the Council of the School of Mines and Industries Ballarat Stamp Battery The stamp battery for treating gold ores was first intriduced in California. A heavy iron stamp is raised on a cam and let fall so that its weight causes the quartz which is held in the mortar box. This three head battery was installed in the mining laboratory of The School of Mines, Ballarat in 1898 and crused many hundreds of tons of quartz. It was reected on this site to commeorate the centenary of the School of Mines in 1870. School of Mines & Industries Ballarat Established - 1870 Stage one of The Vocational Skills Centre was officially opened by The Hon. Robert Fordham M.P. Minister of Education on 29th April 1983 P.R. Shiells K.J. Flecknoe Principal President The School of Mines and Industries Ballarat Established - 1870 This plaque commemorates the opening of the Hairdressing School on 9 March 1983 by Peter Cutter, B. Comms, M. Ed. General Manager - Programs, TAFE Board School of Mines and Industries Ballarat Ltd Land Laboratory officially opened by Dr D.F. Smith Director of Agriculture on 12th November 1980. School of Mines & Industries Ballarat Amenities Building was officially opened by His excellency The Hon. Sir Henry Winneke K.C.M.G., K.C.V.O., O.B.E.. K. St. J., O.C., Governor of Victoria on 7th October 1981 G.H. Beanland K.J. Beanland Principal President This room is known as the Yates Geological Centre in recognition of a professional lifetime of service from 1920=1962 as' head of Geology in The SChool of Mines and Industries Ballarat by Harold Yates M.Sc Plaque presented by former students This stone was laid by The Hon. Alexr J. Peacock Minister of Public Instruction April 14th 1899 Abdrew Anderson, Presidentbuildings, ballarat school of mines, smb campus, premier of victoria, plaque, e.j.t. tippett library, tippett learning research centre, smb library, ballarat school of mines library, e.j. tippett, smb foundation stone, smb stamp battery plaque, geology centre - yates, yates geological centre, smb amenities building opening, smb land laborarory opening, smb hairdressing school opening, smb vocational centre (stage 1) opening, smb e.j. tippett library opening, former ballarat gaol national trust plaque, former ballarat supreme court national trust plaque, smb buildings - administration national trust plaque, foundation of technical education in australia, ballarat school of mines foundation stone, yates geology centre, amenities building, land laboratory, former ballarat gaol, former ballarat supreme court, courthouse theatre, stamp battery, stamper battery, centenary, anniversary, mortar box, peter shiells, ken flecknoe, vocatonal skills centre, haidressing school, peter cutter, museum building, former wesley church, henry winneke, graham beanland, harold yates, alexander peacock, andrew anderson, a building, administration building

This set of magazines is a vital tool for those researching the early days and later development of ATCV and CVA. It was modelled loosely on the magazine "Conserver" of the British Trust for Conservation Volunteers (BTCV). Issues become more sophisticated in format over time and each includes news, project reports, lists of upcoming projects, and stories. The editor for 62 issues was Mr Alf Bailey (staff 1987-current (2010)who edited the Conservator from Mar 1987 to mid-2006.Alf was a former high school principal and set a high standard. Since 2006 a more compact and economical newsletter "Conservation Volunteer" has been mailed to CVA and CVNZ members and is also downloadable from the CVA website.This set of magazines is significant because it is the most comprehensive record of all aspects of the establishment, growth, expansion, and nature of ATCV/CVA and its activities. It reveals the change from a local charity to a nation-wide corporate structure engaging thousands of volunteers tackling hundreds of projects a year in Australia and New Zealand in the present day.This was the final issue of a magazine produced by ATCV/CVA from 1982-2006 (c. 90 issues). This issue was a high quality, profusely illustrated colour magazine, representing a quantum leap in professionalism from the earliest photocopied editions. magazine, conservator, conservation, volunteer, promotion, alf, bailey

Art Gallery with mural painted by Clifton Pugh (1924-1990) at his Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p153 It’s not surprising that artist Clifton Pugh was drawn to Cottles Bridge to establish his artists’ colony Dunmoochin. Undisturbed by the clamour of modern life at Barreenong Road, Pugh was surrounded by the Australian bush he loved, and where his ashes were later scattered. The 200 acres (81ha) of bushland, broken by glimpses of rolling hills, has more than 50 species of orchids and Pugh shared his property with native animals including kangaroos, emus, phascogales, wombats, and diverse bird life. Pugh encouraged these creatures to join him in the bush by creating, with Monash University, a holding station where the animals were raised. Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian doorframe archway with leadlight of intricate design procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. Now in place of Pugh’s house, are two double-storey mud-brick artists’ studios topped with corrugated roofs curved like birds’ wings, with accommodation for seven. The original studios, gallery and other buildings remain.3 Pugh grew up on his parents’ hobby farm at Briar Hill and attended the Briar Hill Primary School, then Eltham High School and later Ivanhoe Grammar. At 15 he became a copy boy for the Radio Times newspaper, then worked as a junior in a drafting office. Pugh was to have three wives and two sons. After serving in World War Two in New Guinea and Japan, Pugh studied under artist Sir William Dargie, at the National Gallery School in Melbourne.4 Another of his teachers was Justus Jörgensen, founder of Montsalvat the Eltham Artists’ Colony. Pugh lived on the dole for a while and paid for his first six acres (2.4ha) at Barreenong Road by working as an egg packer for the Belot family. Pugh accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in the 200 acre property. They, too, purchased their land from the Belot family by working with their chickens. Around 1951 Pugh felt he had ‘Done moochin’ around’ and so the name of his property was born. Pugh bought some used timber from architect Alistair Knox to build his house on the crest of a hill. Inspired by local goldminers’ huts it was a one-room wattle-and-daub structure with a dirt floor. It was so small that the only room he could find for his telephone was on the fork of a tree nearby.5 Over the years the mud-brick house grew to 120 squares in the style now synonymous with Eltham. It had thick adobe walls (sun-dried bricks) made from local clay, high ceilings and stone floors with the entire structure made of second-hand materials – most found at wreckers’ yards. Pugh’s first major show in Melbourne in 1957, established him as a distinctive new painter, breaking away from the European tradition ‘yet not closely allied to any particular school of Australian painting’.6 Pugh became internationally known and was awarded the Order of Australia. He won the Archibald Prize for portraiture three times, although he preferred painting the bush and native animals. In 1990 not long before he died, Pugh was named the Australian War Memorial’s official artist at the 75th anniversary of the landing at Gallipoli. Today one of Pugh’s legacies is the Dunmoochin Foundation, which gives seven individual artists or couples and environmental researchers the chance to work in beautiful and peaceful surroundings, usually for a year. By November 2007, more than 80 people had taken part, and the first disabled artist had been chosen to reside in a new studio with disabled access.1 In 1989, not long before Pugh died in 1990 of a heart attack at age 65, he established the Foundation with La Trobe University and the Victorian Conservation Trust now the Trust for Nature. Pugh’s gift to the Australian people – of around 14 hectares of bushland and buildings and about 550 art works – is run by a voluntary board of directors, headed by one of his sons, Shane Pugh. La Trobe University in Victoria stores and curates the art collection and organises its exhibition around Australia.2 The Foundation aims to protect and foster the natural environment and to provide residences, studios and community art facilities at a minimal cost for artists and environmental researchers. They reside at the non-profit organisation for a year at minimal cost. The buildings, some decorated with murals painted by Pugh and including a gallery, were constructed by Pugh, family and friends, with recycled as well as new materials and mud-bricks. The Foundation is inspired by the tradition begun by the Dunmoochin Artists’ Cooperative which formed in the late 1950s as one of the first artistic communes in Australia. Members bought the land collaboratively and built the seven dwellings so that none could overlook another. But, in the late 1960s, the land was split into private land holdings, which ended the cooperative. Dunmoochin attracted visits from the famous artists of the day including guitarists John Williams and Segovia; singer and comedian Rolf Harris; comedian Barry Humphries; and artists Charles Blackman, Arthur Boyd and Mirka Mora. A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. But two of the original artists remained into the new millennium as did relative newcomer Heja Chong who built on Pugh’s property (now owned by the Dunmoochin Foundation). In 1984 Chong brought the 1000-year-old Japanese Bizan pottery method to Dunmoochin. She helped build (with potters from all over Australia) the distinctive Bizan-style kiln, which fires pottery from eight to 14 days in pine timber, to produce the Bizan unglazed and simple subdued style. The kiln, which is rare in Australia, is very large with adjoining interconnected ovens of different sizes, providing different temperatures and firing conditions. Frank Werther, who befriended Pugh as a fellow student at the National Gallery Art School in Melbourne, built his house off Barreenong Road in 1954. Werther is a painter of the abstract and colourist style and taught art for about 30 years. Like so many in the post-war years in Eltham Shire, as it was called then, Werther built his home in stages using mud-brick and second-hand materials. The L-shaped house is single-storey but two-storey in parts with a corrugated-iron pitched roof. The waterhole used by the Werthers for their water supply is thought to be a former goldmining shaft.4 Alma Shanahan at Barreenong Road was the first to join Pugh around 1953. They also met at the National Gallery Art School and Shanahan at first visited each weekend to work, mainly making mud-bricks. She shared Pugh’s love for the bush, but when their love affair ended, she designed and built her own house a few hundred yards (metres) away. The mud-brick and timber residence, made in stages with local materials, is rectangular, single-storey with a corrugated-iron roof. As a potter, Shanahan did not originally qualify as an official Cooperative member.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road

Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p155 It’s not surprising that artist Clifton Pugh was drawn to Cottles Bridge to establish his artists’ colony Dunmoochin. Undisturbed by the clamour of modern life at Barreenong Road, Pugh was surrounded by the Australian bush he loved, and where his ashes were later scattered. The 200 acres (81ha) of bushland, broken by glimpses of rolling hills, has more than 50 species of orchids and Pugh shared his property with native animals including kangaroos, emus, phascogales, wombats, and diverse bird life. Pugh encouraged these creatures to join him in the bush by creating, with Monash University, a holding station where the animals were raised. Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian doorframe archway with leadlight of intricate design procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. Now in place of Pugh’s house, are two double-storey mud-brick artists’ studios topped with corrugated roofs curved like birds’ wings, with accommodation for seven. The original studios, gallery and other buildings remain.3 Pugh grew up on his parents’ hobby farm at Briar Hill and attended the Briar Hill Primary School, then Eltham High School and later Ivanhoe Grammar. At 15 he became a copy boy for the Radio Times newspaper, then worked as a junior in a drafting office. Pugh was to have three wives and two sons. After serving in World War Two in New Guinea and Japan, Pugh studied under artist Sir William Dargie, at the National Gallery School in Melbourne.4 Another of his teachers was Justus Jörgensen, founder of Montsalvat the Eltham Artists’ Colony. Pugh lived on the dole for a while and paid for his first six acres (2.4ha) at Barreenong Road by working as an egg packer for the Belot family. Pugh accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in the 200 acre property. They, too, purchased their land from the Belot family by working with their chickens. Around 1951 Pugh felt he had ‘Done moochin’ around’ and so the name of his property was born. Pugh bought some used timber from architect Alistair Knox to build his house on the crest of a hill. Inspired by local goldminers’ huts it was a one-room wattle-and-daub structure with a dirt floor. It was so small that the only room he could find for his telephone was on the fork of a tree nearby.5 Over the years the mud-brick house grew to 120 squares in the style now synonymous with Eltham. It had thick adobe walls (sun-dried bricks) made from local clay, high ceilings and stone floors with the entire structure made of second-hand materials – most found at wreckers’ yards. Pugh’s first major show in Melbourne in 1957, established him as a distinctive new painter, breaking away from the European tradition ‘yet not closely allied to any particular school of Australian painting’.6 Pugh became internationally known and was awarded the Order of Australia. He won the Archibald Prize for portraiture three times, although he preferred painting the bush and native animals. In 1990 not long before he died, Pugh was named the Australian War Memorial’s official artist at the 75th anniversary of the landing at Gallipoli. Today one of Pugh’s legacies is the Dunmoochin Foundation, which gives seven individual artists or couples and environmental researchers the chance to work in beautiful and peaceful surroundings, usually for a year. By November 2007, more than 80 people had taken part, and the first disabled artist had been chosen to reside in a new studio with disabled access.1 In 1989, not long before Pugh died in 1990 of a heart attack at age 65, he established the Foundation with La Trobe University and the Victorian Conservation Trust now the Trust for Nature. Pugh’s gift to the Australian people – of around 14 hectares of bushland and buildings and about 550 art works – is run by a voluntary board of directors, headed by one of his sons, Shane Pugh. La Trobe University in Victoria stores and curates the art collection and organises its exhibition around Australia.2 The Foundation aims to protect and foster the natural environment and to provide residences, studios and community art facilities at a minimal cost for artists and environmental researchers. They reside at the non-profit organisation for a year at minimal cost. The buildings, some decorated with murals painted by Pugh and including a gallery, were constructed by Pugh, family and friends, with recycled as well as new materials and mud-bricks. The Foundation is inspired by the tradition begun by the Dunmoochin Artists’ Cooperative which formed in the late 1950s as one of the first artistic communes in Australia. Members bought the land collaboratively and built the seven dwellings so that none could overlook another. But, in the late 1960s, the land was split into private land holdings, which ended the cooperative. Dunmoochin attracted visits from the famous artists of the day including guitarists John Williams and Segovia; singer and comedian Rolf Harris; comedian Barry Humphries; and artists Charles Blackman, Arthur Boyd and Mirka Mora. A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. But two of the original artists remained into the new millennium as did relative newcomer Heja Chong who built on Pugh’s property (now owned by the Dunmoochin Foundation). In 1984 Chong brought the 1000-year-old Japanese Bizan pottery method to Dunmoochin. She helped build (with potters from all over Australia) the distinctive Bizan-style kiln, which fires pottery from eight to 14 days in pine timber, to produce the Bizan unglazed and simple subdued style. The kiln, which is rare in Australia, is very large with adjoining interconnected ovens of different sizes, providing different temperatures and firing conditions. Frank Werther, who befriended Pugh as a fellow student at the National Gallery Art School in Melbourne, built his house off Barreenong Road in 1954. Werther is a painter of the abstract and colourist style and taught art for about 30 years. Like so many in the post-war years in Eltham Shire, as it was called then, Werther built his home in stages using mud-brick and second-hand materials. The L-shaped house is single-storey but two-storey in parts with a corrugated-iron pitched roof. The waterhole used by the Werthers for their water supply is thought to be a former goldmining shaft.4 Alma Shanahan at Barreenong Road was the first to join Pugh around 1953. They also met at the National Gallery Art School and Shanahan at first visited each weekend to work, mainly making mud-bricks. She shared Pugh’s love for the bush, but when their love affair ended, she designed and built her own house a few hundred yards (metres) away. The mud-brick and timber residence, made in stages with local materials, is rectangular, single-storey with a corrugated-iron roof. As a potter, Shanahan did not originally qualify as an official Cooperative member.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road

BACKGROUND The Eltham Cemetery is of historic significance to the Eltham area. The Trust was established in 1858 and has administered and maintained the cemetery from that date right up to the present. Among the more noteworthy graves is that of Sir William Irvine, a former State Premier and Chief Justice of Victoria. Eltham Cemetery is surrounded on three sides by urban development. Montsalvat Artists Colony adjoins the remaining (eastern) side. A Joint Select Committee of Parliament called the “Mortuary Industry and Cemeteries Administration Committee" (MICA) enquired into the land requirements at the Eltham Cemetery in 1986. The MICA recommendations contained in its 1986 report are included in the Appendices attached to this report. Although the recommendations have not been adopted by the Government it is interesting to note that the MICA report recommended the use of the bulk of the land for cemetery purpose. In June of 1987, the Cemetery Trust was expanded to include additional members from the Eltham Community by the Minister for Health. At the same time, he instructed the Trust to resolve the land requirement issues. As a result of this Ministerial direction, Tract Consultants has been instructed by the Eltham Cemetery Trust to prepare a report addressing the issues raised in the Minister's letter (see Appendix 1) to the Trust. Principally, the study will examine options available for development of the Cemetery. These options will explore possible boundaries, cemetery design, vegetation, the overall environment, landscaping and financial planning for the Cemetery operations. Appendix 2 details the Cemetery Trusts Terms of Reference for the Study. Before commencing the study in detail, additional basic information was sought; viz: a) sub-soil and rock analysis; and b) feature survey by a Licensed Surveyor. The results from both exercises are included as appendices to this report. Section three includes a summary of the findings along with other analytical results. Also: Eltham Cemetery - planning bewteen 1859 to 1860; research by Alan Sheehan April 2015, collated by Harry Gilham, EDHS, April 2016 (2 pages) PROV Guide 5: Cemetery Records (8 pages), printed 7 May 2014Development of Eltham Cemeteryeltham cemetery trust, master plan, mica, montsalvat, mortuary industry and cemeteries administration committee, tract consultants

Appendix to Shire Secretary’s Report, 28 November 1966 SHIRE PRESIDENTS Local Government in this part of the State could be said to have commenced with election in 1846 of three trustees for "The Parish Road, leading from the Suburban Allotments in the Parish of Jika Jika, near Melbourne, to the Village Reserve in the Parish of Nillumbik". The Upper Heidelberg and Old Eltham Road follow approximately the original line of road proclaimed in 1840. The Eltham Road District was proclaimed on 24.9.1856. A meeting of landowners and householders of the Eltham Road District was held on 14.10.1856 at the Fountain of Friendship Hotel, Little Eltham, for the purpose of forming a District Road Board. To date I have been unable to locate any record of the names of the members elected, or of the first Chairman. Further research may yield the desired information. The Shire of Eltham was constituted on 28.3.1871. The proposed Roll of Shire Presidents should, I believe, also include the Road Board Chairmen. It may also be considered fitting to recognise the Heidelberg or Nillumbik (or Warringal) Road Trust in the same way. The first Minute Book of the Board, covering the period 1856 to 1863, has apparently been missing for many years. The Shire Minute Book for the period 1878 to 1885 is also missing. The absence of these vital records makes difficult the compilation of a complete and accurate list of Chairmen and Presidents. Although an early letter book yielded the names of the Shire Presidents in 1878, 1879 and 1800. The names prior to 1863 were derived from Rate Books and Government Gazettes. The information contained in the Municipal Directories 1875 to 1885 is at variance to some extent with such Council records as are available for that period, and consequently cannot be relied upon for the years where the Presidents names have not been shown. shire of eltham archives, series listing, a. armstrong, a. beale, a. brinkkotter, a. donaldson, a.h. price, a.j. braid, c.h. bath, c.m.a. pelling (mrs.), c.t. bell, d.c. o'beirne, e.d. butler, e.h. cameron, e.j. andrew, e.p. harmer, f.e. griffith, f.v. squire, f.w. nankervis, g. love, g. robertson, h. dendy, h. hewitt, h. stooke, l.t. wilmot, j. cox, j. murray, j. barr, j. bell, j. fitch, j. herbert, j. lawrey, j. mealy, j. pape, j. ryan, j. smedley, j.b. shallard, j.l. beale, l. c. docksey, r. mcadam, r.a. bell, r.c. white, r.r. woolcott, rutter, s.s. addison, s.w. scott, t. armstrong, t. irvine, w. horris, w. hubbard, w. lorimer, w. morris, w. taylor, w.c. farrell, w.f. ford, w.g. gray, w.h. bradbury, w.j. taylor, w.v. houghton

Caulfield Conservation Study – Andrew Ward 1995 with photos. Photocopy of extract from the study. Two Black and White photographs of the Carnegie Methodist Church 1) 90mm x 135mm 2) 80mm x 115mm. Sats unknown. Handwritten research note on the Carnegie Methodist Church. Undated and unacknowledged. Letter, National Trust of Australia (Victoria) notifying inclusion of the Carnegie Methodist on the Register – 25/09/1990carnegie, rosstown state school, rosstown, neerim road, carnegie state school, coles a. phipps, schools, oakleigh circuit, ward andrew, toolambool road, methodist circuit, carnegie methodist church, broadbent l. c., snell j. f., reid g., rosstown theatrical company, methodist church, uniting church, architectural styles, architectural features, frederick h. w. rev., californian bungalow, sunday schools, towers.

black and white ( copy ) H. Jackson's Gold Office, View Point, Bendigo. Men standing otuside office under verandah. Batchelder, Photographer, Pall Mall. Also Finlay & Co. See also Mosaic items 2400.160 and 2400.101. All details in Mike Butcher and Yolande Collis's book, An American on the Goldfields : the Bendigo Photographs of Benjamin Pierce Batchelder.' Also details of Henry Jackson's store in Bendigo Historic Buildings by Mike Butcher and Gill Flanders. National Trust of Australia (Vic). Central Victorian Branch. 1987. See Research Field for further information.Batchelder, Photographer, Pall Mallorganization, business, h. jackson's gold office, jackson, henry. finlay & co. view point, bendigo. jackson's corner. jackson's gold office.

This book covers various heritage cemeteries throughout Victoria and includes tips on maintenance as well as information on using cemeteries as a research tool. There is a small section on St Katherine's Cemetery St Helena.184p., illus.st katherines church st helena, st helena cemetery

Photocopies of articles, some unsourced relating to the genral history of the Bills horse troughs. "Bills horse troughs are watering troughs that were manufactured in Australia and installed to provide relief for working horses in the first half of the twentieth century. The troughs were financed by a trust fund established through the will of George Bills. A total of around 700 troughs were distributed by the trust in Australia and 50 in several other countries" - Wikipedia There is a trough locally situated on Main Road, Research7 pageswater trough, bills horse trough, george bills

Wellers of Kangaroo Ground Vertical File Contents: 1. Article: History of Wellers Restaurant by Sandra Cahir, revised 2017. 7 pages 2. Article: Weller’s Hotel of Kangaroo Ground (final draft) by Jim Allan, 1 June 2017, including feedback email from Sandra Cahir (7 May 2017). 3. Printout of online image - Kangaroo Ground landholders from 1841, Kangaroo Ground Presbyterian Church. (2022, June 29). Retrieved from https://kgpc.pcvic.org.au/images/history_images/Kangaroo-Ground-landholders.jpg 4. Folder of printouts of historical newspaper articles referencing the hotel 1866-1911 https://trove.nla.gov.au/list/163201 5. Printouts (various versions) from Victorian Heritage Database (National Trust and Nillumbik Shire) https://vhd.heritagecouncil.vic.gov.au/ 6. Collection of research notes, copies of records from various publications including EDHS Chronology of Events and Kangaroo Ground: The Highland Taken by Mick Woiwod, pp90, 180-181 (EDHS_01618). 7. Report: Request for ministerial amendment to use the property as a restaurant, includes existing conditions and plan for development, 1 November 1984 8. Papers donated by Diana and Peter Bassett-Smith including: a. Photocopy of Weller’s Hotel, Licensee M. Weller b. Letter: Shire of Eltham to Office of the Secretary for Planning and Environment, 23 Feb 1984 - Information regarding inclusion of Wellers Hotel into the Historic Buildings Register c. Letter: Historic Buildings Council letter to Peter Bassett-Smith seeking historical information on Wellers Hotel, 10 Jan 1985 d. Memo: Peter Bassett-Smith to Robert N. Hendrey on history of Wellers Hotel, 28 Jan 1985 - Includes extract of information about Mary Weller, Dept. of Crown Lands and Survey Map NILLUMBIK showing properties of John Weller and E. Weller and a Diamond Valley News article from 10 April 1973, p11, "Eltham on old coach route" 9. Information about the Weller family including family trees from various sources a. Edward Weller, Pioneer Families in Victoria, http://mepnab.netau.net/w/w09.html, 1 Jan 2017 (link broken) b. The WELLER family tree. (2017, January 1), 2 pages. Retrieved from https://www.weller.org.uk/cgi-bin/FamilyTree/ShowFamily.pl? and 27 pages Retrieved from https://www.weller.org.uk/cgi-bin/FamilyTree/ShowFamily.pl?ListAllPeople=A c. Edward WELLER on the WELLER family tree. (2017, January 1), 1 page. Retrieved from https://www.weller.org.uk/cgi-bin/FamilyTree/ShowFamily.pl?PersonID=516 d. Photograph (print copy), believed to be Edward Weller, 1836-1883 e. Photograph (print copy), Gravestone of Weller family at Kangaroo Cemetery f. Wellers of Kangaroo Ground, 1 page, possibly from History, http://www.wellers.com.au (broken) c.2016 g. Edward and Mary Weller miscellaneous biographical research notes (by Jim Allen?) including from Ancestry.com, and extracts from Chappel file (EDHS_04448) with relevant names highlighted h. Information about the Vernon Pitman family from Ancestry.com 10. Newspaper articles: a. Cobb & Co called here by Marguerite Marshall; Diamond Valley News, May 4, 1982, p2 b. Rich is history, 30 August 1983 (very similar to previous article) c. Weller’s Pub - restaurant, craft store or art gallery? Diamond Valley News, October 22, 1985, p3 d. Despite years of neglect a magical charm lies waiting, Diamond Valley News, October 29, 1985 e. Old pub fate still in doubt, Diamond Valley News, (?) 29 October 1985 f. Renovated Weller’s Pub to begin its new stage of life, DVN 26 January 1988 g. Wellers Restaurant, Lynne Hillier, Network, October 1988, p14 h. Revolution at Wellers, Nillumbik Mail, December 20, 2000 i. Wellers brings on good times, Valley Weekly, June 22, 2005 j. Dine in with ideal outlook, Valley News, 10 August 2005 k. Advertisement: Wellers of Kangaroo Ground, Enjoy lunch, afternoon tea and dinner at Wellers from Tuesday to Sunday, Valley Weekly, Wednesday, August 31, 2005 l. Advertisement: Wellers of Kangaroo Ground, Appearing live; Normie Rowe Fri 24 Feb, Diamond Valley Leader February 22, 2006, p11 m. Advertisement: Wellers of Kangaroo Ground, Lunch Special, Diamond Valley Leader March 27, 2010 n. Braithwaite abounds to Kangaroo Ground, Gig Guide, The Age, Friday, October 8, 2010, p14 o. History up for grabs, Diamond Valley Leader, March 28, 2012 p. Advertisement: Wellers Restaurant, Freehold only for sale, Morrison Kleeman, Diamond Valley Leader, March 28, 2012 q. Restaurant’s crash course, Megan Bailey, Diamond Valley Leader, January 1, 2014, p3. Also accessible online - Staff praised after car crashes through Kangaroo Ground eatery. (2022, June 29). Retrieved from https://www.heraldsun.com.au/leader/north/staff-praised-after-car-crashes-through-kangaroo-ground-eatery/news-story/021c896a1ab6d76bd6b73f2e57dc1854 r. Eatery set for revival, Brittany Shanahan, Diamond Valley Leader 15 February 2017; Also, online as Much-loved Wellers of Kangaroo Ground to be relaunched as Italian restaurant Fondata 1872. (2022, June 29). Retrieved from https://www.heraldsun.com.au/leader/north/muchloved-wellers-in-kangaroo-ground-to-be-relaunched-as-italian-restaurant-fondata-1872/news-story/665777fb347584ef483867ae2b536a8f s. Fondata 1872 proves a big hit with food, Diamond Valley Leader 3 May 2017, p3 11. Wellers of Kangaroo Restaurant Bar Entertainment Functions, tri-fold brochure promotional brochure 12. Website Printout: Wellers Restaurant, Live Guide, (2017, January 5). Retrieved from http://www.liveguide.com.au/Restaurants_Bars/VIC/Kangaroo_Ground/Food_Styles/3... 13. Website Printout: Wellers of Kangaroo Ground, Only Melbourne (2017, January 30). Retrieved from http://www.onlymelbourne.com.au/wellers-of-kangaroo-ground 14. Printouts from Fondata 1872 website and Facebook page including colour photograph of sign in front and business card (2017).   Related EDHS Collection items • Wellers Hotel of Kangaroo Ground by Jim Allen, Part 1, Newsletter No. 235, Eltham District Historical Society, August 2017. Retrieved from https://elthamhistory.files.wordpress.com/2017/08/edhs-nl-235-aug-2017.pdf • Wellers Hotel of Kangaroo Ground by Jim Allen, Part 2, Newsletter No. 236, Eltham District Historical Society, October 2017. Retrieved from https://elthamhistory.files.wordpress.com/2017/10/edhs-nl-236-oct-2017.pdf • EDHS_03997 - Slide, Wellers Hotel, Pitmans Corner, Eltham-Yarra Glen Road, Kangaroo Ground, c.1975 https://victoriancollections.net.au/items/5e59e36221ea671798ac40eb • EDHS_03998 - Slide, Wellers Hotel, Pitmans Corner, Eltham-Yarra Glen Road, Kangaroo Ground, c.1975 https://victoriancollections.net.au/items/5e59e39e21ea671798ac9c27 • EDHS_03999 - Slide, Wellers Hotel, Pitmans Corner, Eltham-Yarra Glen Road, Kangaroo Ground, c.1975 https://victoriancollections.net.au/items/5e59e3c721ea671798acd2ef • EDHS_04000 - Slide, Wellers Hotel, Pitmans Corner, Eltham-Yarra Glen Road, Kangaroo Ground, c.1975 https://victoriancollections.net.au/items/5e59e3e021ea671798acfd68 • EDHS_04066-18 - Photograph, Wellers Restaurant, Eltham-Yarra Glen Road, Kangaroo Ground, c.Mar. 1989 https://victoriancollections.net.au/items/610f4dafa346aadcee7ac79c • EDHS_04041-26 - Photograph, Wellers Restaurant, 150 Eltham-Yarra Glen Road, Kangaroo Ground, c.May 1988 https://victoriancollections.net.au/items/610e2f4a7d65e7c945a35e69 • EDHS_04437 – Newsclipping, Renovated Weller's Pub to begin its new stage of life by Linley Hartley, Diamond Valley News, 26 January 1988 https://victoriancollections.net.au/items/5de4913921ea6710a46a85c7 • EDHS_04438 - Newsclipping, Wellers Restaurant by Lynne Hillier, Network, October 1988, p14 https://victoriancollections.net.au/items/5de4916f21ea6710a46aea0f • ArtStreams magazine (from Volume 9, 2004) ‘partnered' with Wellers in promoting and supporting the arts and culture. Various advertisements throughout, particular with live performance acts. Numerous references throughout to art and music performances on site. • Stephen Cummings and Joe Camilleri at Wellers Kangaroo Ground, ArtStreams, Vol. 9, No. 4, Sep/Oct 2004, p17 EDHS_04406 - Journal, ArtStreams: Whittlesea, Banyule, Darebin, Manningham, Nillumbik, Yarra; Vol. 9, No. 4, Sep-Oct 2004 https://victoriancollections.net.au/items/5bcc086021ea6804a82a92a9 • Daryl Braithwaite rocks up at Wellers, Fiona Sievers, ArtStreams, Vol.10 No.2, 2005, pp6-7 EDHS_04409 - Journal, ArtStreams: Vol. 10, No. 2, 2005 https://victoriancollections.net.au/items/60f5416ab06f0c13a9419541 • Ephemeral Sculpture by Peter Dougherty, ArtStreams, Vol.10 No.3, 2005, pp7-9. About sculptures created in or on the grounds of culinary establishments throughout the Shire. - Denise Keele-Bedford constructed ‘Ou Well’ at Wellers Restaurant and Vicky Shukuroglou, also at Wellers set up cotton banners printed and painted with natural dyes from onion skins, spinach, radish beetroot, turmeric and charcoal. EDHS_04410 - Journal, ArtStreams: Vol. 10, No. 3, 2005 https://victoriancollections.net.au/items/60f5436db06f0c13a941ae19 • Music at Wellers Restaurant, ArtStreams, Vol.10 No.4, 2005, p23 EDHS_04411 - Journal, ArtStreams: Vol. 10, No. 4, 2005 https://victoriancollections.net.au/items/60f543e4b06f0c13a941b059 • Weller’s Pub, Diamond Valley sketchbook / text by Brian McKinlay ; drawings by Graham Hawley, 1973, pp42-43 EDHS_00856 - https://victoriancollections.net.au/items/590852edd0ce7b14e8177da3 • Gold Field Coaches Stopped Here, Nillumbik now and then / Marguerite Marshall; photographs Alan King with Marguerite Marshall, 2008, pp86-87 EDHS_00977 - https://victoriancollections.net.au/items/5935f315d0cdd42c80f9cc52 External Links: • Historic Kangaroo Ground venue comes up for rare sale. (2022, June 29). Retrieved from https://www.smh.com.au/business/companies/historic-kangaroo-ground-venue-comes-up-for-rare-sale-20120325-1vshw.html • Wellers, Kangaroo Ground property sold with leaseback. (2022, June 29). Retrieved from https://www.urban.com.au/expert-insights/investing/37735-wellers-kangaroo-ground-property-sold-with-leaseback • Wellers, Kangaroo Ground | With Mark Seymour, at one of his …. (2022, June 29). Retrieved from https://www.flickr.com/photos/robertmilesdesign/4564390893/ • 2016 Notice of proposed deregistration - WELLERS OF KANGAROO GROUND PTY LTD 124 435 409. (2022, June 29). Retrieved from https://publishednotices.asic.gov.au/browsesearch-notices/notice-details/WELLERS-OF-KANGAROO-GROUND-PTY-LTD-124435409/35d43b89-159a-4435-963f-daec688a61ca • Search results for: Websites (archived). (2022, June 29). Retrieved from https://trove.nla.gov.au/search/category/websites?keyword=%22wellers%20restaurant%22 29 June 2022 edward weller, wellers of kangaroo ground, wellers hotel, wellers restaurant, mary weller, pittmans corner, fondata 1812 at wellers, historic buildings register, hotels, john weller, kangaroo ground, pitman's corner, bassett-smith collection

Bridget was the daughter of John Wright MURRAY(1816-1867) and Mary SWEENEY(1833-1909). She married Hamilton DRAIN(1847-1886) in 1884 and they had a daughter, Mary Ellen DRAIN(1886-1888). Following husband Hamilton Drain’s death in 1886, and her infant daughter Mary’s death in 1888, Bridget married Michael Dillon in 1894. It appears that she and Michael had no children together. Electoral roll records indicate that Michael was a farmer and that he and Bridget lived in Research, Vic. Some damage has occurred to their monument and the Eltham Cemetery Trust would like to locate a next of kin or family member. Unfortunately, there was no purchase information recorded, only the following details; no next of kin. Deceased Location Date of Death Interment Date Michael Dillon Roman Catholic 205 10/12/1916 11/12/1916 Bridget Cecilia Dillon Roman Catholic 206 7/04/1927 19/04/1927 The photo of the headstone is dated 4 May 2016, which provides the best detail of the inscription.The headstone has deteriorated further in the last few years. In Loving Memory of Michael Dillon Died 10th Dec. 1916 Aged 65 years Also Bridget Cecilia Wife of the above Died 17th April 1927 Aged 78 years R.I.PBorn Digitaleltham cemetery, gravestones, michael dillon, bridget cecilia dillon (nee sweeeney)

Contents 1. Draft chronology - Eltham Primary School Chronology 1856-1995; Harry Gilham (EDHS) 1995 127 pages, A4 photocopies This collection of memorabilia has a focus on the Eltham State School No. 209. It was prepared to help celebrate the 140th year of the school's existence on its original land grant of 1856, which appeared on the first surveyed land for the formation of the Town of Eltham, in the Parish of Nillumbik, County of Evelyn, granted by the then Government of New South Wales. It is inscribed in Harry Gilham's writing on page 1 - "For Eltham P.S Chronology 209 - 150th Anniv. book; Harry Gilham Collection; Unpublished" and stamped "Eltham District Historical Society" Pages 3 and 4 missing. This manuscript was a major source reference for the book "We Did Open A School In Little Eltham; Eltham Primary School 209, 1856-2006, A History" Source references from Inspector's Register of State Schools; photocopies held by EDHS in A3 binders 2. Renovation of Eltham Primary School Residence; Application of a Grant from National Estate Grants program, 17 April 1989 10 pages A4 photocopy 3. Wayfinding In The Environment; The role of aesthetics research in participatory planning design by Victoria Sharp for the School of Environmental Planning, The University of Melbourne, February 1987 4 pages, A4 photocopy extracts copied include: Synopsis Spefic Design Concerns p37 (relative to Eltham Gateway) Summary p38 4. File Record, State School No 209 - Eltham; National Trust of Australia File No B3260; 29 March 2000 1 page A4 5. Notes by Harry Gilham concerning Eltham State School No 209 1 page handwritten lined pad sheet 6. Notes by Harry Gilham concerning Eltham State School No 209 and feedback on 150th Anniversary book 1 page, A4 green 144 A4 pages As noted150th anniversary, chronology, eltham gateway, eltham primary school, eltham state school, harry gilham, national trust of australia, planning, renovation, school residence, state school no. 209, victoria sharp

History of Victorian cemeteries; includes a chapter on Aboriginal mission cemeteries; guide to how to use cemeteries for research and family history and how to conserve cemeteries.Paperback; 184 p. : ill., 1 map ; 24 cm.ISBN 0909710856social customs, cemeteries, healesville, victoria, aborigines, st helena, greensborough