City of Whitehorse Public Notice proposing to name the sporting oval at Whitehorse Reserve the Howard Wilson Oval. Howard Wilson was highly regarded by the cricketing community.City of Whitehorse Public Notice proposing to name the sporting oval at Whitehorse Reserve the Howard Wilson Oval.wilson, howard, whitehorse reserve, mcgrath, stephen

F. R. Claxton died at the relatively young age of 56 years and was a civic leader and highly regarded member of the Ballarat Community.F.R. Claxton's untimely death may have been caused by food poisoning not English Cholera as noted the Death Certificate.Schedule B Death Certificate (2 copies) and one enlargement of this Death CertificateOn the back of Claxton's Death Certificate, in black biro "Obtained 22 Feb 2010 for Friends of the Ballarat Botanical Gardens History Group." john garner, doctor, ballarat botanical gardens, frederick moses claxton, death certificate, english cholera, lake wendouree, claxton memorial, claxton, john garner collection, gardens, ballarat

So highly regarded was F.M. Claxton that with his untimely death, public subscription funded the Claxton Memorial Fountain in the Ballarat Botanical Gardens. F.M. Claxton was dedicated to transforming the Swamp and Police Paddock in Wendouree into a beautiful Lake and Gardens.One dark coloured photograph.On back of photograph written on attached label, "Claxton Fountain, 2002".john garner, doctor, ballarat botanical gardens, lake wendouree, swamp, police paddock, mayor, public subscription, ballarat rowing club, mechanics institute trustee., claxton, gardens, ballarat, john garner collection

This apron was made by Theresa Dunn (néé Wallis) of Breakaway Creek, Victoria. Born in 1912, Theresa came from a farming family and left school at the age of 14 following the death of her mother to help care for her younger siblings. Well known for her needlework, Theresa and her sister Eileen exhibited widely and later judged work for Victorian and interstate needlework competitions. Sticklers for perfection, they were known to always look at the back of the work first. In 1935 Theresa married Allan Dunn. This apron formed part of her glory box; a collection of items saved in preparation for married life. Never used, it was donated to the Ballarat Apron Festival in 2017 by Theresa’s daughter. Made by Theresa Dunn of Breakaway Creek in the 1930s, this apron reflects early-20th century ideals of thrift and resourcefulness that were highly regarded as desirable feminine traits. By making do and adapting waste materials, such as hessian sacks and fabric scraps, into practical clothing, women could demonstrate their sewing expertise and ingenuity; highly prized qualities during times of economic depression or frugalness. Part of Theresa's glory box, this apron is in immaculate condition and is an example of depression era clothing and resourcefulness. Sugar bag apron (circa 1930s) Ballarat Apron Festival collection Until the mid-20th century concepts of thrift and resourcefulness were highly regarded as desirable feminine traits. By making do and adapting waste materials, such as hessian sacks and fabric scraps, into practical clothing, women could demonstrate their sewing expertise and ingenuity; highly prized qualities during times of economic depression or frugalness. Colonial Sugar Refining Co Ltd. Pure Cane Sugar 70lbs. Melbourne 1A

Bean is the highly regarded and official expert, recorder of facts. From the outbreak of War to the end of the first phase of the Gallipoli Campaign May 4th 1915 Maps, Illustrations, PhotographsThe Story of ANZACRed hard cover with 602 pages worn covers deteriorated front page This is the 6th Edition 1937. First published 1921anzac, c.e.w bean, gallipoli, voyage of hms emden, a.i.f, dardanelles, turks, pine ridge, mustafa kemal, 400 plateau, anzac beach

Moran was an Australian realist artist who specialised in floral works in oil. She was highly regarded for her skills as an artist as well as her ability to share her knowledge of painting. realismRural City of Wangaratta Collection, Wangaratta Art Prize Grand Winner 1986.A still life oil painting of pink and white chrysanthemums arranged in a glass vase with rounded gum leaves which has been placed on top of a round dinning table which has been covered in a white tablecloth.Obverse: P. Moran/ (bottom right corner) WANGARATTA ART SHOW/ GRAND WINNER 1986/ (plaque mounted on frame)wangaratta art gallery, patricia moran, still life, flowers, chrysanthemums, painting

Dr Margaret Alison Mackie wrote this article in 1961 for The Medical Journal of Australia. It was a highly regarded article, for which Dr Mackie received a number of worldwide requests for copies of the article. See 2024.40.7.Dr Margaret Alison Mackie (1910-1991) was in active practice between 1936 and 1970. She was a Fellow of the College, and was appointed a Commander of the Order of St Michael and St George (CMG) for services to medicine in 1975. Reprint of an article written by Dr Margaret Alison Mackie for the Medical Journal of Australia, 1961. The article is entitled 'Treatment of Toxaemia of Pregnancy' and is printed double sided on a single piece of paper. Header of the page reads 'Reprinted from The Medical Journal of Australia, April 15, 1961.'obstetrics

Hile Terrace is a group of 3 identical terraces designed by the highly regarded architect William Pitt in 1885. It is located on the Esplanade. It maintains all the features of late Victorian terraces with cast iron balcony and postsblack and white photograph, unmounted, good conditionhand written: terraces in Upper Esplanade opposite Palais Theatre, stamped: Graeme S. Breydon, 204 Carlisle St, Balaclava, 3183 phone 94 2886william pitt, historic buildings, st kilda - terraces

This serving meat plate/platter dates to the 1914 to 1930's period in time. This was a period when fine bone china and crockery was imported from England or Europe (mainly Germany). It was highly regarded not only as good crockery but also a linkage to "mother" England and showed a that the family was "well to do". This plate has important relevance to the socio- economical "atmosphere" of rural life (Kiewa Valley) in the early 20th Century. The quality of good English merchandise and the "British best" attitude of the Australian psyche of this period, especially in rural regions, was strongly entrenched into the population. However after World War II this psyche changed drastically as European refugees from war torn Europe "invaded" the mainly "British" based cultural mores. This was the beginning of cultural diversity and rolled out onto multi-culturalism of the latter 20th Century. This large bone china oval shaped serving plate has a green floral pattern around the the base extending up the sides, similar to the "Brussels" pattern. The top edge is delineated with a swirling pattern emphasised with gold leaf. On the rim and detailing 15mm before the edge are oyster or scollop like bubbles in three rows.manufacturers stamp (dating manufacture 1914-1925) and numbered "36" domestic kitchen crockery, english crockery, serving plates and platters

Wanda Inn was a highly regarded tea room during the 1920s and 1930s, when many people traveled to Hepburn Springs for their Honeymoon. It was destroyed by fire, along with Bellinzona Guest House, in November 2003. It was the second time Bellinzona had been destroyed by fire, the first time was in 1906 when a fire wiped out most of the township of Hepburn Springs.A colour digital image showing a picket fence, and a house in the background. The house is taken from Seventh Street and shows 'Wanda Inn' from 'Actea', (Church Avenue, Hepburn Springs) during a light snow fall. Wanda Inn was destroyed by fire in November 2003.hepburn springs, wanda inn, guest house, tea room.

John James is standing on the staircase. He erected the poppet head and buildings on behalf of the syndicate. He was an experienced mine manager and highly regarded local engineer. The mine was located close to and on the western side of the Newbridge-Eddington Road, approximately one kilometer north of the Poseidon Road intersection. The remains of a once-prominent mullock head can be seen on the site. Paper label stuck onto image reads 'Plant erected by John James for Mr J. Jackson (seated - J. James, standing). Lower Hewett & Young. Nick O Time South of Newbridge ON LODDON 1905'.

Stained glass window, south wall, main nave (adjacent to the pulpit). The window is a pictorial representation of St Andrew who live to old age. There is a tradition that on being sentenced to death, he requested that he be crucified on a saltire (diagonal cross, see base of window) as he felt unworthy to be crucified on the vertical cross of Christ. Another symbol of association with St Andrew is the fishing net.The Rev. Andrew Peacock, Archdeacon of the Otways, was the fourth Vicar (1906-1912) of the Parish of Warrnambool. He was highly regarded throughout the community and died following a very short illness. His brother, Sir Alexander Peacock, three times premier of Victoria, officially unveiled a tablet on the north-west corner of the Parish Hall complex on Saturday 25th April and attended the dedication of the memorial window on Sunday 26th April 1913. Rev AE Peacock is buried at Creswick cemetery, Victoria.

This sign is a part of the "human" factor required for remote and difficult, large impact (both labour and other resources) projects. It is one of the "human" factors which was clearly used in the big 1930's to the 1970's "landscape redevelopment" schemes which started in the early 1900's and is highly regarded as lifting the Australian psyche of only primary producers to an industrial level, equal to any in the world.This "Wet Canteen" sign was installed at the entrance of the Bogong "workers" village "provision's hut" detailing the operational times for the SEC Victorian staff and construction workers, involved in the building of the Kiewa Hydro Electricity Scheme to obtain alcoholic beverages. This facility lasted for over the extensive period (1938 to 1961) of the "Schemes" building phase. This large project was the forerunner when industrial legislation provided for the welfare of workers living in the Bogong Village. The provision of facilities such as a "wet canteen" was of the utmost importance not only to ensure that the long running project was both successful, production wise, but also that its employees were not only physically but also mentally healthy. This sign details that all aspects required for a fit and productive labour force were in place, in this remote and demanding work environment. The majority of heavy equipment and machinery used was either made in England or Europe. A section of the specialised workforce came from local and European expertise in dam construction and water management in alpine terrain. The majority of labour came from migrants and some specialists recruited from England and Europe. At this point in time, the quality of the machines used came from England, Europe and the USA and could not be matched from anywhere else in the developed world. With a specialised workforce came the responsibility of providing all the "comforts of home" including alcoholic beverages. On site accommodation for the workforce is still a requirement for some mining areas but high market returns have produced fly in/out labour.This anodised metal sign has been "block" stenciled on. Black lettering and numbers with the main headings underlined with a red and a yellow line(emphasising the headings)In black stenciled type "BOGONG WET CANTEEN" underneath this "TRADING HOURS" Below this "MONDAY TO THURSDAY 5.15 PM TO 5.50 PM, 7.00 PM TO 9.00 PM" "FRIDAYS SHORT WEEKEND 4.30 PM TO 5.20 PM 7.00 PM TO 9.00 PM" Below this "FRIDAYS LONG WEEKEND 10.00AM TO 11.30 AM" Below this "SATURDAYS PUBLIC HOLIDAYS 4.30 PM TO 5.30 PM 7.00 PM TO 8.30 PM" bELOW THIS "CANTEEN WILL BE CLOSED ON SUNDAYS, GOOD FRIDAY AND UNTIL 4.00 PM ON ANZAC DAY"saucer, plate, secv, state electricity commission of victoria, canteen, bogong mess hall, recreational amenities, socialisation of sec vic kiewa hydro scheme labour force

Alison M Grant (18/3/1925–15/4/1984) studied for a B.D. as a private student and when in 1974 the General Assembly of Australia approved the ordination of women she applied to be a candidate for the ministry and was ordained in 1975. She served in Robinvale and Balmoral before her untimely death from cancer on Palm Sunday 1984. She was very highly regarded as both an educator and as a minister.B & W photograph of Rev. Alison Grant riding a bicycle.rev. alison m. grant; ordained 1975; robinvale; balmoral.

Ned Williams was born in Bristol, England in 1825 and died at Ballarat 7 September 1900. Ned took a leading role in transforming what was a swamp (Yuille's Swamp) into the modern day Lake Wendouree. Ned was the establishment and promotion of water sports on the lake, he was well liked in the community and highly regarded as a leading citizen, an athlete, a sportsman and as an oarsman. This memorial was commissioned on his passing in 1900.The item is of aesthetic and historic significance to the people of BallaratA Carrara marble fountain on a basalt base. Eight tiers of marble, the central element is bordered by four pillars with decorative capitals on top. The pillars and capitals are secured with copper allot rod at the upper junction and ferrous rods at the base. Once had a working drinking fountain.Created by the friends of Edward King (Ned) Williams in commemoration of his qualities as a pioneer citizen, oarsman, athlete, and sportsman. Ned Williams Born at Bristol England November 4th 1825, Died at Ballarat September 7th 1900. His heart was kind and true. He took a leading part in transforming Wendouree, from a swampy waste into a picturesque lake and was ever foremost in establishing and promoting aquatic and other manly sports.ned williams ballarat, lake wendouree

The portrait was painted by Evert Ploeg in 2010. Evert Ploeg is one of Australia's most highly regarded portrait painters, who has won a range of painting prizes, such as the 1999 and 2007 Archibald Prize and was awarded the highly coveted ‘Signature Status’ of The Portrait Society of America.. Archibald Prize winner 1999 & 2007. This portrait is part of the Record Series 74. Permanent/Semi-Permanent Displayed Works.Oil Painting of Ms Meg Hansen Principal Ms Meg Hansen Principal 2000-2010

Kraft-Walker Cheese Company commenced in Allansford in 1935 leasing the factory premises from Warrnambool Cheese and Butter Factory Company. Dairy companies entered competitions organised by the Dairy Industry Association and associated organisations and local agricultural societies to encourage improvement in products. Some of these awards are considered prestigious and highly regarded within the industry. The certificates were passed to Cheese World Museum by the factory management.This certificate was held by the factory management until transfer to Cheese World Museum. The certificate provides an insight into the dairy industry during the 1950s.Cream card certificate from Royal Agricultural Show has a plain line border on left, bottom and right side with inner border of green vine plant on left, top and right side. A sheaf of oats and a scene of haymaking complete the border design. The top of the certificate has the Department of Agriculture Victoria logo flanked by circular images of a sheep and cow on the left and a hen and horse on the right. The centre of the certificate has a gold shape overprinted with black.Government Champion Certificate/ Awarded to Kraft Walker Cheese Co Pty Ltd (Allansford) at the Royal Agricultural Show 1951/ for Champion Cheese/ Issued by direction of/Hon. the Minister for Agriculture/H A Mullett/ Director of Agriculture/ W J Park/ Judgesallansford, kraft walker cheese company, cheese manufacture, dairy awards, product awards, warrnambool cheese and butter factory company, kraft walker pty ltd, royal agricultural show, department of agriculture victoria, cheeses, cheese manufac, warrnambool cheese and butter

Kraft-Walker Cheese Company commenced in Allansford in 1935 leasing the factory premises from Warrnambool Cheese and Butter Factory Company. Dairy companies entered competitions organised by the Dairy Industry Association and associated organisations and local agricultural societies to encourage improvement in products. Some of these awards are considered prestigious and highly regarded within the industry. The certificates were passed to Cheese World Museum by the factory management.This certificate was held by the factory management until transfer to Cheese World Museum. The certificate provides an insight into the dairy industry during the late 1930s.Product award printed on beige card in pale green with a column design along the sides and brown fine line border. A green rural scene containing brown and white cows is printed along the bottom edge.The Australian Institute of Dairy Factory Managers & Secretaries Incorporated Victorian Division/Certificate of Award 1937/at the Butter & Cheese Competition, Melbourne/ Awarded to Kraft-Walker Cheese Co. Allansford/Class 4/ Second Prize/For Two Cheese-Loaf-not less than six weeks old (93/12)allansford, dairy awards, product awards, warrnambool cheese and butter factory company ltd, kraft-walker cheese co, australian institute of dairy factory managers & secretaries incorporated, cheeses

Kraft-Walker Cheese Company commenced in Allansford in 1935 leasing the factory premises from Warrnambool Cheese and Butter Factory Company. Dairy companies entered competitions organised by the Dairy Industry Association and associated organisations and local agricultural societies to encourage improvement in products. Some of these awards are considered prestigious and highly regarded within the industry. The certificates were passed to Cheese World Museum by the factory management. This certificate was held by the factory management until transfer to Cheese World Museum. The certificate provides an insight into the dairy industry during the late 1930s.A white card with gold and blue print. The is a gold band along the top and bottom and borders in gold. A 'prize cup' is printed in gold on the left hand side. Text is in blue print.Royal Agricultural Society of Victoria/ Grand Annual Exhibition 1939/ Champion Awarded to Kraft Walker Cheese Co Pty Ltd/ Exhibit Cheese Garvoc Factory/ Class No 435/ Louis Monod, Secretary/ COPYRIGHT/ H HEARNE & CO PTY LTD, Latrobe Street, Melbourneallansford, dairy awards, kraft walker cheese co pty ltd, royal agricultural society of victoria, agricultural shows, product awards, garvoc cheese and butter factory

Kraft-Walker Cheese Company commenced in Allansford in 1935 leasing the factory premises from Warrnambool Cheese and Butter Factory Company. Dairy companies entered competitions organised by the Dairy Industry Association and associated organisations and local agricultural societies to encourage improvement in products. Some of these awards are considered prestigious and highly regarded within the industry. The certificates were passed to Cheese World Museum by the factory management.A blue background full colour certificate and a cream cartouche with a darker banner across it and the insignia of the Royal Agricultural Society of Victoria; in the lower right hand corner of this section is the Australian coat of arms; around this are grasses, grapes and wheat. On the left hand side and across the bottom are images in various shapes. The circular image on the top shows a Royal coat of arms; below are two gold medals featuring a female and a laurel wreath; underneath is an image of two black sheep and a blue ringed circle has two sheep with blue ribbons around their necks standing in front of a wooden fence. Along the bottom are three images -first a black riding horse together with a brown shire horse in harness; second a horse drawn harvester; third a brown prize bull.THE ROYAL/AGRICULTURAL/SOCIETY/ OF VICTORIA Gold Medal/Royal Melbourne Dairy Show/1997/WARRNAMBOOL MILK PRODUCTS P/L/Class 127/Exhibit 165/EXCELLENCE IN AGRICULTURE allansford, dairy awards, product awards, warrnambool milk products, warrnambool cheese and butter factory company, royal melbourne dairy show, agricultural shows

This pencil is a souvenir of the Fun 4 Kids Festival, a children’s festival run by Warrnambool City Council from 1999 to 2018. It was held during a week in winter on the Civic Green at the corner of Timor and Liebig Streets with the site including temporary buildings as well as the adjoining permanent buildings. The festival was highly regarded and won the 2015 Gold Australian Tourism Award. Declining numbers and increasing costs led to its demise in 2018.This pencil is a memento of Fun 4 Kids, a children’s festival run by the Warrnambool City Council. Existing for 19 years, it was one of the longest surviving children’s festivals in Australia.This is a round wooden pencil containing a thin sliver of graphite. The pencil has a metal band and a rubber at one end and is sharpened at the other end. The pencil has an orange covering, black lettering and an image of a child and a sun.Fun 4 Kids Festivalfun 4 kids warrnambool

Geoffrey R. Hendy was Ballarat College of Advanced Education Registrar since 9 February, 1989,and prior to that, was a senior member of the Registry staff for about 19 years. He died suddenly in Los Angelos, United Stated of America on 8 October 1991. The Ballarat University College Annual Report, 1991 states: "Mr Hendy made a major contribution to the student administrative services of the College and was a highly regarded member of staff. He will be sadly missed." Three photographs of Ballarat College of Advanced Education staff. .1) Wendy Cloke, in a white laboratory coat at the aquatic plant tank, 1982 .2) Geoff Henry, Ballarat College of Advanced Education Academic Secretary, enrolls a student, 1985 .3) Steve Bettes, Technical Officer at the Teaching Resources Centre with an unidentified person, 1985.2) A sticker on the back of the photo states "A student enrolling at Registry with the help of Geoff Hendy 1985"ballarat college of advanced education, hendy, geoff hendy, cloke, bettes, steve bettes, wendy cloke, student activity, enrolment, enrollment

Information outlining exhibitions, urban art, popup events, performances, music, etc., centred around Maroondah Federation Estate Gallery, Ringwood Town Square, Ringwood Library and ArtSpace at Realm.One of 2019's highlights is the highly regarded R & M McGivern Prize, opening at ArtSpace at Realm and Maroondah Federation Estate Gallery in November. The theme for this year's Prize is 'The Anthropocene', and entries from artists across Australia will respond to the environment, colonialism, sustainability, geology and ecology. Throughout the year there's also a rich array of pop-up performances, street art, exhibitions, arts incubators, events, workshops and activities. Explore some of what's on offer and keep in touch with a whole lot more by following Arts in Maroondah on Facebook and Instagram or visiting our website.

Laurence SCOTT PENDLEBURY (1914 - 1986) Born Melbourne Laurence Scott Pendlebury studied at the National Gallery of Victoria School between 1932 and 1938 and then at Swinburne Technical College. He served during World War Two with the AIF between 1941 and 1945. Teaching at Swinburne Technical College between 1946 and 1963 Laurence Scott Pendlebury was head of the art school from 1963 until his retirement in 1974. He was president of the Victorian Artists’ Society from 1961 to 1963. Awards include: Dunlop Prize in 1950, 1951, 1953 and 1954; Gibson Prize, Victorian Artists’ Society in 1956; Wynne Prize in 1956, 1957, 1960 (shared with John Perceval) and 1968; Caltex Prize in 1957; Victorian Artists’ Society Artist of the Year (shared) in 1975. Portrait of Nornie Gude, the artist's wife, holding a violin. Nornie Gude was a student of the Ballarat Technical Art School, a division of the Ballarat School of Mines. Nornie Gude was the daughter of Walter Gude, a leding musician, and highly regarded teacher. She grew up in Ballarat and was educated at Loreto College. From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 because she was so advanced in painting. Nornie Gude studied at Ballarat for five years before progressing to Melbourne’s National Gallery of Victoria School. As a violinist Nornie Gude played for more than a decade with the Zelman Orchestra. This work was a finalist in the 1978 Archibald Prize.artists, artwork, laurence scott pendlebury, pendlebury, nornie gude, gude, available, alumni

The photo is of Thalia Paizis taken in Ithaca in 1907. Thalia left Ithaca as very young child together with her mother, Chrisaida, to be reunited with her father, Nicholas Paizis in Perth W.A. Nicholas had left Ithaca prior to Thalia's birth in 1905 and established a successful business in Perth, W.A. Thalia went back to Greece in 1921 and eventually returned to Australia where she married Anastasios Papadopoulos in 1929 and settled in Melbourne. Thalia and Anastasios were the parents of Irini Pappas who was well known and highly regarded actor in Melbourne's Greek community.A photograph of a sepia studio photograph of a little girl standing on a chair. She is wearing an embroidered dress and little lace up boots. The original photograph is backed onto a decorative grey embossed board. Written across the bottom of the photo: Sofianos Ithaca 1925