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Warrnambool and District Historical Society Inc.
Book, Joseph Hughes & Co, Pilgrim Street, Ludgate Hill, E C London, The theory and practice of perspective projection, 1892
... Joseph Hughes & Co, Pilgrim Street, Ludgate Hill, E C... and practice of perspective projection Book Joseph Hughes & Co, Pilgrim ...The book contains a series of exercises which would have been used by artists and art teachers at the beginning of the 20th century. Mary Norman, the original owner of this book was both artist and teacher. Mary Norman worked in Warrnambool, and has left a significant amount of work of scenes from around the district. The Warrnambool and District Historical Society has five in its collection, Gaul’s Cave, Mermaid Cave, Seascape, Wreck of “La Bella”, Clifton Banks, Hopkins River.Fawn card cover with maroon cloth binding. Title in black. Back cover has black text with Dr Beach’s Entertaining readers and a list of testimonials from teachers.Stamped inside front cover, Mary L Norman the Studio Araratwarrnambool, mary norman, perspective projection, e.g.baker -
Greensborough Historical Society
Advertisement - Digital Image, Bill Hughes Menswear 1969, 12/07/1969
... Advertisement for Bill Hughes Menswear of Main Street... league bill hughes mensland main street greensborough bill hughes ...Advertisement for Bill Hughes Menswear of Main Street Greensborough. Copied from a Diamond Valley Football League football record from 1968.Digital copy of advertisement from booklet.diamond valley football league, bill hughes mensland, main street greensborough, bill hughes -
Eltham District Historical Society Inc
Slide - Photograph, Sherbourne Road, Montmorency, c.1993
... Hughes Street... melbourne Hughes Street Infrastructure Montmorency Roads Sherbourne ...35mm colour positive transparency Mount - Black and Whitehughes street, infrastructure, montmorency, roads, sherbourne road -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - Preliminary Training School 28
... Photographers stamp bottom R corner L.A. Hughes Hight... corner L.A. Hughes Hight Street Eaglehawk Black and white ...The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989. Black and white photograph of fourteen PTS 28 nurses. Photo taken 19th October, 1955Photographers stamp bottom R corner L.A. Hughes Hight Street Eaglehawkfourteen pts nurses photo, taken 19th october 1955 -
Greensborough Historical Society
Tag, Bill Hughes Mensland, Bill Hughes Mensland - price tag, 1960s
... main street greensborough Bill Hughes Mensland Greensborough ...Price tag from Bill Hughes Mensland, a men's wear shop in Greensborough.Bill Hughes Mensland is one of many shops since closed in Greensborough.Small square tag with wire to affix to garment.Bill Hughes Mensland Greensborough and price.bill hughes mensland, main street greensborough -
Federation University Historical Collection
Photograph - Photograph - Black and White, Ballarat Teachers' College Staff Members, 1947, 1947
... mcewin hughes lord dana street dana street primary school Frank ...In 1947 classes at the Ballarat Teachers' College were held in the bluestone building at the Dana Street Primary School.Seven staffmembers of the Ballarat Teachers' College pose in front of a building in the grounds of the Dana Street Primary School. Standing Left to right: Carl Bryan, Trudy Kentish, Mephan McEwin, Alan Sonsee. Sitting left to right: Beth Hughes, W.F. (Frank) Lord, Monica Millerballarat teachers' college, ballarat, monica miller, sonsee, bryan, kentish, mcewin, hughes, lord, dana street, dana street primary school, frank lord, alan sonsee, university women -
Port Fairy Historical Society Museum and Archives
Postcard, The Rose Series / The Rose Stereographs, The Bridge over Moyne River, Port Fairy Vic
... Street Port Fairy great-ocean-road moyne bridge hughes avenue ...Black and white Photograph of the Moyne river road bridge with the botanical gardens in the left background and some huts built possibly on Hughes AvenueThe Rose Series P.1123 copyright.- The Bridge over the Moyne River Port Fairy Vic.moyne bridge, hughes avenue, gipps street, river, dunes, botanical gardens -
Bendigo Military Museum
Container - BOX AND CARDS, Post 1945
... .2) "3/6/55" written in pencil inside lid. "Mr L R HUGHES... goldfields Leslie Raymond Hughes VX88615 2nd AIF. Refer Cat No 540 ...Leslie Raymond Hughes VX88615 2nd AIF. Refer Cat No 540 (medals) for his service details..1) Cream coloured cardboard box base. .2) Lid of .1) with address on brown paper pasted on surface. .3) Folded white tissue paper. .4) Folded instructions for wearing of medals .5) Small cream coloured card sent with medals .6) Small yellow coloured card sent with medals .7) Yellow coloured polishing cloth. .8) Plastic bag for polishing cloth.2) "3/6/55" written in pencil inside lid. "Mr L R HUGHES 5 Berkely street Castlemaine, Victoria" "VX88615" written inside.containers, boxes, medals -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - Training School 71, 1968
... Hughes, Photographer, 7 High Street Eaglehawk..... Photo by Leo Hughes, Photographer, 7 High Street Eaglehawk ...The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.School 71 Two black and white photos of Nurse Angela Hoye-Evans holding a young boy who is holding a toy. Photo by Leo Hughes, Photographer, 7 High Street Eaglehawk.nurse training, ndsn, lister house, school 71 -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - Training School 46, 1960
... . Hughes, 15 High Street Bendigo.... in the background.. Photo taken by L.A. Hughes, 15 High Street Bendigo ...The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Training school 46 commenced 20/4/1960. Black and white photograph; of a group of 21 Females students in nurses' uniforms; in three rows, front row sitting on the chairs, second and third rows standing. Curtain in the background.. Photo taken by L.A. Hughes, 15 High Street Bendigo.nurse training, ndsn, lister house, school 45 1960, school 46 1960 -
Bendigo Historical Society Inc.
Photograph - Bridal party
... . Hughes 7, High Street Eaglehawk, photographer. Aileen and John... folder. Leo H. Hughes 7, High Street Eaglehawk, photographer ...Black and white photograph of a bride and three of her bridesmaids. from left Rosemary Ellison (sister) 'Ro", Lorraine Sharpe, Carol Krane and the bride Merryn Gerrard nee Ellison. June 13th, 1979. The photo is in a white folder. Leo H. Hughes 7, High Street Eaglehawk, photographer. Aileen and John Ellison Collection.ellison, marriage, 1970 -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - Training School 45, 1960
... . Curtain in the background.. Photo taken by L.A. Hughes, 15 High... by L.A. Hughes, 15 High Street Bendigo. Photograph Training ...The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Training school 45 commenced 3/2/1960. Black and white photograph donated by Penny Davies; of a group of 28 Females students in nurses' uniforms and their Tutor Nancy Shaw; in three rows, front row sitting on the chairs, second and third rows standing. Curtain in the background.. Photo taken by L.A. Hughes, 15 High Street Bendigo.nurse training, ndsn, lister house, school 45 1960 -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - P.T.S. Training School 65, 1965
... Photo by L.A. Hughes, 15 High Street Eaglehawk.... is Cyntia Waters Photo by L.A. Hughes, 15 High Street Eaglehawk ...The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.School 65 commenced Jan 1965 38 Female Nurses are in uniform. Three rows, the front row seated and the second and third row standing. Some names are written on the rear of the photo, but not all. Back Row: Nurse 6th from the right is Sue Schron (Mildura) Middle Row: 6th from the left is Sue Greenham, 8th from the left Noelene Lockett Front row: 5th from the left is Cyntia Waters Photo by L.A. Hughes, 15 High Street Eaglehawk.nurse training, ndsn, lister house, school 65 -
Orbost & District Historical Society
letter book, before 1919
The Orbost Butter and Produce Co. Ltd was registered on June 1st 1893 and was an important source of income to the Orbost district.A greenish-grey hard covered letter book used by the orbost Butter Factory. It contains hand-written letters from the secretary. One glued in typed letter is addressed to the prime minister (Billy Hughes) in Melbourne.On spine - Letter Bookorbost-butter-factory correspondence letter-book agriculture dairy -
Orbost & District Historical Society
plaque, 1919
To finance the war the Commonwealth had a series of war loans, and then peace loans. All were over-subscribed. This plaque was made and presented to the Shire of Orbost in recognition of the Shire residents' contributions to the Peace Loan at the end of World War 1.A rectangular brass plaque with raised lettering and raised borders.Commonwealth of Australia / Peace Loan / A.D. 1919 / To commemorate the oversubscription of the allotted quota of this loan by the Shire of Orbost / R.P. Cameron ? W.A. Watt Treasurer, W.M. Hughes Prime Ministerplaque civic-memento orbos-shire peace-loan -
Flagstaff Hill Maritime Museum and Village
Instrument - Sextant, Late 20th Century
In 1941, the scientific instrument manufacturing firms of Henry Hughes & Son Ltd, London, England, and Kelvin Bottomley & Baird Ltd, Glasgow, Scotland, came together to form Kelvin & Hughes Ltd. Kelvin Company History: The origins of the company lie in the highly successful and strictly informal relationship between William Thomson (1824-1907), Professor of Natural Philosophy at Glasgow University from 1846-1899 and James White, a Glasgow optical maker. James White (1824-1884) founded the firm of James White, an optical instrument maker in Glasgow in 1850 and was involved in supplying and mending apparatus for Thomson university laboratory and working with him on experimental constructions. White was declared bankrupt in August 1861 and released several months later. In 1870, White was largely responsible for equipping William Thomson laboratory in the new University premises at Gilmore hill. From 1876, he was producing accurate compasses for metal ships to Thomson design during this period and this became an important part of his business in the last years of his life. He was also involved in the production of sophisticated-sounding machinery that Thomson had designed to address problems encountered laying cables at sea, helping to make possible the first transatlantic cable connection. At the same time, he continued to make a whole range of more conventional instruments such as telescopes, microscopes and surveying equipment. White's association with Thomson continued until he died. After his death, his business continued under the same name, being administered by Matthew Edwards (until 1891 when he left to set up his own company. Thomson who became Sir William Thomson and then Baron Kelvin of Largs in 1892, continued to maintain his interest in the business after James White's death. In 1884 raising most of the capital needed to construct and equip new workshops in Cambridge Street, Glasgow. At these premises, the company continued to make the compass Thomson had designed during the 1870s and to supply it in some quantity, especially to the Admiralty. At the same time, the firm became increasingly involved in the design, production and sale of electrical apparatus. In 1899, Lord Kelvin resigned from his University chair and became, in 1900, a director in the newly formed limited liability company Kelvin & James White Ltd which had acquired the business of James White. At the same time Kelvin's nephew, James Thomson Bottomley (1845-1926), joined the firm. In 1904, a London branch office was opened which by 1915 had become known as Kelvin, White & Hutton Ltd. Kelvin & James White Ltd underwent a further change of name in 1913, becoming Kelvin Bottomley & Baird Ltd. Hughes Company History: Henry Hughes & Sons were founded in 1838 in London as a maker of chronographic and scientific instruments. The firm was incorporated as “Henry Hughes & Sons Ltd” in 1903. In 1923, the company produced its first recording echo sounder and in 1935 a controlling interest in the company was acquired by S Smith & Son Ltd resulting in the development and production of marine and aircraft instruments. Following the London office's destruction in the Blitz of 1941, a collaboration was entered into with Kelvin, Bottomley & Baird Ltd resulting in the establishing “Marine Instruments Ltd”. Following the formal amalgamation of Kelvin, Bottomley & Baird Ltd and Henry Hughes & Sons Ltd in 1947 to form Kelvin & Hughes Ltd. Marine Instruments Ltd then acted as regional agents in the UK for Kelvin & Hughes Ltd who were essentially now a part of Smith's Industries Ltd founded in 1944 and the successors of S. Smith & Son Ltd. Kelvin & Hughes Ltd went on to develop various marine radar and echo sounders supplying the Ministry of Transport, and later the Ministry of Defence. The firm was liquidated in 1966 but the name was continued as Kelvin Hughes, a division of the Smiths Group. In 2002, Kelvin Hughes continues to produce and develop marine instruments for commercial and military. G. Falconer Company History: G Falconer (Hong Kong Ltd) appear to have had a retail presence in Hong Kong since 1885, according to the company website, and currently have a shop in the Peninsula Hotel. G Falconer was the Hong Kong selling agent for several British companies. Ross Ltd of 111 New Bond St London was one and the other was Kelvins Nautical Instruments. Falconers were primarily watchmakers, jewellers and diamond merchants.They were also agents for Admiralty Charts, Ross binoculars and telescopes, and sold English Silverware and High Class English Jewellery. In 1928 the company was operating from the Union Building opposite the Hong Kong general post office. It is unclear if the item is an original Sextant made by Kelvin prior to his amalgamation with Henry Hughes & Sons in 1941 as Kelvin appears to have only made compasses up to this date. If the Sextant can be established that it was made by Kelvin then it is very significant and a rare item made for and distributed through their Hong Kong selling agents G Falconer Ltd. There are many Sextants advertised for sale stating "Kelvin & Hughes 1917 model sextant". These can be regarded as replicas as the company was not formed until 1941 and production of marine instruments was not fully under way until after the war in 1947. Further investigation needs to be undertaken to accurately determine the provenance of this item. As the writer currently has the impression that the subject object was possibly made by Kelvin and Hughes in the mid to late 20th century or is a replica made by an unknown maker in the late 1970s. Purchased as an exhibition of marine navigational instruments for the Flagstaff Hill museum. The Sextant is a brass apparatus with filters and telescope lens, and comes with a wooden felt lined storage box. It is a doubly reflecting navigation instrument that measures the angular distance between two visible objects. The primary use of a sextant is to measure the angle between an astronomical object and the horizon for the purposes of celestial navigation.G Falconer and Co. Hong Kong (retailers of nautical equipmentflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sextant, kelvin & hughes ltd, hong kong, navigational instrument, g falconer, mariner's quadrants -
Flagstaff Hill Maritime Museum and Village
Parallel Rule, 1947-1955
History/Context: In 1947, the scientific instrument manufacturing firms of Henry Hughes & Son Ltd, London, England, and Kelvin Bottomley & Baird Ltd, Glasgow, Scotland, came together to form Kelvin & Hughes Ltd. Hughes Company History: Henry Hughes & Sons were founded in 1838 in London as a maker of chronographic and scientific instruments. The firm was incorporated as “Henry Hughes & Sons Ltd” in 1903. In 1923, the company produced its first recording echo sounder and in 1935 a controlling interest in the company was acquired by S Smith & Son Ltd resulting in the development and production of marine and aircraft instruments. Following the London office's destruction in the Blitz of 1941, a collaboration was entered into with Kelvin, Bottomley & Baird Ltd resulting in the establishing “Marine Instruments Ltd”. Following the formal amalgamation of Kelvin, Bottomley & Baird Ltd and Henry Hughes & Sons Ltd in 1947 to form Kelvin & Hughes Ltd. Marine Instruments Ltd then acted as regional agents in the UK for Kelvin & Hughes Ltd who were essentially now a part of Smith's Industries Ltd founded in 1944 and the successors of S. Smith & Son Ltd. Kelvin & Hughes Ltd went on to develop various marine radar and echo sounders supplying the Ministry of Transport, and later the Ministry of Defence. The firm was liquidated in 1966 but the name was continued as Kelvin Hughes, a division of the Smiths Group. In 2002, Kelvin Hughes continues to produce and develop marine instruments for commercial and military use. (See Note section this document for further information on the company's origins)This model parallel map ruler is a good example of the commercial diversity of navigational instruments made by Kelvin & Hughes after world war 2. It was made in numbers for use by shipping after the second world war and is not particularly rare or significant for its type. Also, it was made no earlier than 1947 as the firms of Kelvin, Bottomley & Baird Ltd and Henry Hughes & Sons Ltd who took over from Smith & Sons were not amalgamated until 1947. It can there for be assumed that this ruler was made during the company's transitional period to Kelvin & Hughes from Smith Industries Ltd.Metal parallel rule with Kelvin & Hughes Ltd, Made in Great Britain imprinted, numerous measurements, two handles and 3 hinges.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, parallel rule, kelbin & hughes ltd, metal parallel rule -
Warrnambool and District Historical Society Inc.
Book, Bible (in Welsh), 1868
This Welsh Bible belonged to Ellen Hughes who was Welsh-speaking and the daughter of a farmer from Caernarfonshire, Wales. In 1874 she married William Jones of Warrnambool and became a stepmother to Robert Jones who was to become the owner of the property The Union, near Woolsthorpe. Robert’s daughters, Gwen and Edna Jones, gave this Bible to the Warrnambool and District Historical Society. They were both members of the Society. This book is of great importance as a beautiful memento of the 19th century when the Welsh Calvinistic tradition was strong in the Warrnambool district and a Gaelic church was operating in Woodford and services in Gaelic services were held regularly in Warrnambool. This is a hard cover book with a brown leather cover with gold metal edging and a gold clasp. The cover has embossed patterns on the front back and spine. The pages have gilt edges. The text is in the Welsh language and is presented in two columns per page. There is one blue stamp of the Warrnambool and District Historical Society on the first page. The inscription is handwritten in black ink. ‘Presented to Miss Ellen Hughes by her wellwishers Hugh and Kate Pritchard, Llanfairfechan, July 14th 1871’ ellen hughes, gaelic church, woodford, history of warrnambool, the union -
Warrnambool and District Historical Society Inc.
Book, The Treaty of Peace, 1919
A record of the Treaty of VersaillesThis is a book of 451 pages. It has a grey cover with black printing on the front and a grey baize cloth binding. The binding has a tear in the spine section. The pages contain printed text in French and English and five maps inserted into a folder at the back.non-fictionA record of the Treaty of Versaillesworld war one, treaty of versailles -
Warrnambool and District Historical Society Inc.
Scales hanging, Hughes, 1930s
This is a pocket spring balance. It would have been used last century in our district by market gardeners, hawkers and other itinerant workers and possibly also used in some small businesses. In households it could also be useful for weighing jam fruit, vegetables etc. Spring balances are still in use today.This item is retained as an example of a spring balance manufactured 80 or more years ago.This is a set of spring balance scales. The spring is fixed at one end with a hook attached to hold an object to be weighed. The top end has a ring to hang the scales up. The spring mechanism is enclosed by a steel cover. The front scale face is made of brass and both this face and the rear spring casing are fastened by three rivets. On the front is a spring-loaded blade which has equally spaced scale markings next to it on one side. This item is much rusted. ‘Hughes Pocket Balance’ ‘Patent’ Scale Markings:- ‘0 to 25’ pocket spring balances, household items of the past., history of warrnambool -
Eltham District Historical Society Inc
Photograph - Aerial Photograph, Landata, Eltham, Vic, Apr. 1963
Centred on present day Eltham Lower Park bounded by Brougham Street to north, Yarra River and Fitzsimons Lane Bridge to south, Main Road at Kent Hughes Road to east and Bolton Street to west. Historic Aerial Imagery Source: Landata.vic.gov.au Aerial Photo Details: Project No :486 Project : MELBOURNE (1963) PROJECT Run : 7 Frame : 232 Date : 04/1963 Film Type : B/W Camera : RC8 Flying Height : 5100 Scale : 9600 Film Number : 1805 GDA2020 : 37°44'03"S, 145°08'33"E MGA2020 : 336329, 5822040 (55) Melways : 21 H10 (ed. 42)aerial photo, neil webster collection, 1963-04, bolton steet, brougham steet, eltham, eltham lower park, fitzsimons lane bridge, kent hughes road, melway 21h10, yarra river -
Eltham District Historical Society Inc
Photograph - Aerial Photograph, Landata, Eltham, Vic, Apr. 1972
... Kent Hughes Road Melway 21J8 Mount Pleasant Road Susan Street ...Centred on present day Dalton Street at Mount Pleasant Road, Eltham bounded by Arthur Street to north, Yarra River and Kent Hughes Road to south, Eucalyptus Road to east and Susan Street to west. Historic Aerial Imagery Source: Landata.vic.gov.au Aerial Photo Details: Project No :985 Project : MELBOURNE 1972 Run : 28 Frame : 208 Date : 04/1972 Film Type : B/W Camera : RC10 Flying Height : 5700 Scale : 9600 Film Number : 2635 GDA2020 : 37°43'29"S, 145°08'54"E MGA2020 : 336816, 5823118 (55) Melways : 21 J8 (ed. 42)aerial photo, neil webster collection, 1972-04, eltham, arthur street, dalton street, eucalyptus road, kent hughes road, melway 21j8, mount pleasant road, susan street, yarra river -
Eltham District Historical Society Inc
Magazine - Magazine Article, Rosscorp Pty Ltd, 1990 Home Directory Magazine, 1990
... for eminent Collins Street surgeon, Dr. Kent-Hughes. • “The Mud Brick... for eminent Collins Street surgeon, Dr. Kent-Hughes. • “The Mud Brick ...Articles featuring local Eltham mudbrick houses designed by Robert Marshall, Alistair Knox, etc and landscape bush gardens by Gordon Ford • “At Home with the Browns”, pp114-116 ‘Cherrytrees’, home of Margaret and Neil Brown, originally built in 1917 for eminent Collins Street surgeon, Dr. Kent-Hughes. • “The Mud Brick homes of Eltham”, pp148-149 References to Alistair Knox and Robert Marshall • “Mudbrick Collecting”, pp150-155 Features a Robert Marshall designed home built by Barry Wild and Geoff Williams • “Mudbrick sophistication”, pp156-158 Features a Robert Marshall designed home with Gordon Ford landscape garden • “It grew like topsy”, pp160-162 originally designed by Alistair Knox then extended upon • “A love of the environment”, pp163-164 Features artist and local Councillor Jenni Mitchell’s mudbrick cottage designed by Bohdan (Danny) Kuzyk with influences of Alistair Knox • “Build your own muddy”. Pp165-167 • “Pioneer of bush gardens; Gordon Ford and his no mowing no weeding approach”, pp174-177 robert marshall, alistair knox, gordon ford, mudbrick, margaret brown, neil brown, cherrytrees, dr kent-hughes, eltham, barry wild, geoff williams, jenni mitchell, bohdan (danny) kuzyk, bush gardens -
Glen Eira Historical Society
Article - Little Cromer, Kooyong Road, 235, Elsternwick
Photocopied article from Australian Jewish News April 20, 2001 titled A Rich History on the property Little Cromer, 235 Kooyong Road Elsternwick, which is to be auctioned on April 29, 2001. Includes one exterior and one interior photograph. Also includes print of entry for Bellecourt, 85 Seymour Road from Victorian Heritage Database which notes that Little Cromer was formerly called Neringakooyong road, elsternwick, little cromer, hughes allan, hughes marjorie, air raid shelters, beemery park, langdon henry, langdon montague, renwick samuel, blanche street, neringa, langdon charles petley, sadleir john, schreiber robert henry, architect, auctions, roof, gables, stables, gary peer and associates, parsons charles, moloney james, trezise alex, vassy albert, johnston mr., johnston mrs., bellecourt -
Federation University Historical Collection
Container - Exhibition Catalogue, Under Construction, Graduate & Honours Exhibition, 2002, 2002
Graphic Design / Multimedia: Daniel Buckingham, Dominic Carey, Claire Hards, Simon Hunt, Rose Kim, Glen McClay, Joshua McGregor, Luke Monssen, Stuart Murray, Kristian Pechotsch, Melissa Price, Michael Renga, Kristen Retallick, Claire Robson, Jarrod Rouhan, Leigh Ryan, Alana Smyth, Stuart Sullivan, Mary Rose Thomas, Peter Wallace. Multidiscipline: Marlene Broadbent, Gary Brogden, Marg Delahunty-Spencer, Nathan Donegan, Cameron Haldane, Natali Mirovski, Darren Newby, Kelly Roberts, Natasha Young Drawing: Kim Anderson, Vane Andonov, Rebecca Brown, Lucas Corbett, Kathryn Cudia, Jessica Jackson, Penelope Jenner, Michelle Trgovac Ceramics: Marty Foster, Perry Lane, Georgina Moon, Kristine Thomas, Paul Uren, Dawn Whitehand Painting: Esmene Beyzade, Christopher Geljon, Peta Jeffries, Sara Johnson, Mari-Martha Mago, Ricki Millar, Kate Peachey, Daniel Salmon, Sandra Williams Honours: Claire Blake, Wendy Bolger, Suzanne Close, Benjamin Cox, Kieran Denahy, Natasha Dusenjko, Judith Hughes, Paul Mears, Michael Shiell, Leigh Scholten, Janelle Vaughan, Fiona Woolley. Custom polypropylene case, printed single colour black. Eight single-sided pages printed black and yellow, bound top left with metal paper fastener. CD Rom included in pack, unprinted.university of ballarat, federation university, graphic design, multimedia, camp street campus, new north, arts academy, painting, ceramics, drawing, multidiscipline, honours -
Flagstaff Hill Maritime Museum and Village
Instrument - Scale, George Salter & Co, Circa 1921
The Hughes’ Family Scale No. 48 is a spring balance scale. It uses the Imperial measurements of ounces and pounds. There are 16 ounces (OZ) in one pound (LB), and each pound equals approximately 454 grams in Metric measurements. Scales have been used to measure and compare items for value for centuries. A weight was placed on one side of a balance and the object was placed on the other. Adjustments were made to either the weight or the object until the balance was horizontal, which meant that each side was the same weight. The Salter family business began in 1760 with spring makers, Richard and William Salter. In the late 18th century, Richard Salter invented the spring scale, where the weight of an object on the tray of the scale causes pressure on a spring in the scale. The pressure caused by gravity was then measured to calculate the weight of an object. Spring scales are still used today along with the more recent and accurate digital scales. The company began manufacturing in West Bromwich, England, in 1770. The firm was taken over by William’s sons, John and George. In 1824, after the death of John, the firm became George Salter & Co. The company produced a wide variety of products, including Britain’s first bathroom scale and the first English typewriter. In 1884 the Salter Trademark of a Staffordshire knot pierced by an arrow was registered. After over 100 years of manufacturing, the company was bought out by Staveley Industries, which was bought by Weigh-Tronix, and then that company was bought by HoMedics Company in 2004.This scale was made by Salter, the company that invented the balance scale, the first British bathroom scale and the first English typewriter. The scale represents the domestic equipment used for measuring in food preparation over 100 years ago. Modern kitchen scales are still using the same principal, along with scales used in business and industry.Scale; a domestic spring balance scale for measuring weight from 0 to 20 pounds. The scale’s grey metal case has a round white dial on the front with black markings, an arrow indicator and a round shallow metal bowl on a pedestal at the top. The scale is raised on a rectangular metal base with outward-sloping sides. An adjustable screw is on the dome top. The scale is marked from 0 to 20 pounds, with each pound marked in 1-ounce increments. The scale is named the Hughes Family Scale No. 48 and was made in Britain by Salter.“HUGHES’ / FAMILY SCALE / No. 48” “BRITISH MADE” “TO WEIGH 20 LBS BY 1 OZ” “SALTER” above logo [knotted rope with an arrow through loops]flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, hughes, salter, british made, family scale, no. 48, spring balance, scale, weighing instrument, weights and measures, weighing machine, kitchen utensil, baking accessory, domestic equipment, cookware, bakeware, kitchen scale, kitchen accessory, food preparation, recipes, cooking, measuring -
Mission to Seafarers Victoria
Book, Australian Scholarly Publishing, Lights Everlasting: Australia’s commemorative stained glass from the Boer War to Vietnam, 2023
Almost hidden within religious buildings, hospitals, school chapels and civic buildings, stained-glass windows tell of Australians at war. Bronwyn Hughes focuses on commemorative stained glass—an overlooked art form—describing its rich artistic and architectural heritage and the artists and firms who created it. Memorial stained glass serves to depict and illuminate the men and women who fought and died for their faith and their country. It has a tragic beauty. The book includes stained glass windows from the St Peter chapel of the Mission to Seafarers.255 pages with colour and black and white illustrations; notes, bibliography, index.non-fictionAlmost hidden within religious buildings, hospitals, school chapels and civic buildings, stained-glass windows tell of Australians at war. Bronwyn Hughes focuses on commemorative stained glass—an overlooked art form—describing its rich artistic and architectural heritage and the artists and firms who created it. Memorial stained glass serves to depict and illuminate the men and women who fought and died for their faith and their country. It has a tragic beauty. The book includes stained glass windows from the St Peter chapel of the Mission to Seafarers.australian history, ww1, ww2, boer war, vietnam war, stained glass windows, bronwyn hughes -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, William Aikman (1868-1959), In memory of William Digges Latouche Balden, 1947
William Digges Latouche Balden was an 18 year-old cadet on the Samarkund. He and three other crew members: William Archibald Jones, 35 (ship mate), Christopher Ewbank, 19 (third officer) and George P. Worsp, 45 (chief steward) died of oxygen starvation in the ballast tank of the ship on 20 August 1945 while in Geelong. Padre Oliver delivered a service in the St Peter chapel, on the 26th of August 1945, in the 4 men's memory. The window commissionned by his parents, was made by William Aikman (1868-1959), a reknown scottish stained-glass artist, and sent from England. Padre Oliver had met them during a voyage to England. It was unveiled on the 10 April 1949. This is the only imported window and according to Brownwyn Hughes the best quality one from all the opter windows.Arched windows depicting St Nicholas, patron Saint of Ships and Sailors, floating on the sea with a gallon shilling in the background. The small portrait of William Digges La Touche Balden, set within a laurel wreath in the window’s lower section.st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, ww2, samarkand, william digges latouche balden, cadets, officers, geelong, deaths, victory ship, merchant navy, st nicholas, galleon, william aikman (1868-1959), christopher ewbank, george p. worsp, william archibald jones -
Mission to Seafarers Victoria
Article - Survey, Bronwyn Hughes, The Art of Light: a survey of stained glass in Victoria, December 1990
Introduction Early Stained Glass in Victoria "Marvellous Melbourne" The Aftermath of the First World War Post-1945: Australian Modernism Conclusionnon-fictionIntroduction Early Stained Glass in Victoria "Marvellous Melbourne" The Aftermath of the First World War Post-1945: Australian Modernism Conclusionla trobe journal, state library of victoria, bronwyn hughes, stained glass window -
Mission to Seafarers Victoria
Article, New Light on the Light of the World
... Mission to Seafarers Victoria 717 Flinders Street Docklands ...Abstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.non-fictionAbstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.jesus, stained glass windows, bronwyn hughes, pre-raphaelite, william holman hunt (1827-1910)