Showing 65 items matching "idea art"
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Women's Art RegisterBook - Anthology, Gregory Battcock, Idea Art, 1973
... Idea Art...Idea Art..."S.Kirby" Idea Art Book Anthology Gregory Battcock Clark, Irwin & Company ...A survey of theories, practices and documents that outlines the origins of US and European Idea Art of the 1960s and 1970s.non-fictionA survey of theories, practices and documents that outlines the origins of US and European Idea Art of the 1960s and 1970s.idea art, land art, conceptual art, lucy lippard, dore ashton, jonathan benthall, cheryl bernstein, jack burnhan, joseph kosuth, ursula meyer, john perreault, arthur rose, harold rosenberg, seth siegelaub, sol le witt, lawrence weiner, daniel buren, mel bochner, robert hughes -
Beechworth RSL Sub-BranchWeapon - Case Flare Cartridge 38mm
... The remains of a 38mm Flare Cartridge that has been cut height with the idea of creating trench art...Beechworth RSL Sub-Branch 99 Ford Street Beechworth high-country The remains of a 38mm Flare Cartridge that has been cut height with the idea of creating trench art flare percussion cap cartridge case Engraving: AMM / LOT 0RM58LLH1H001 / 38mm nickel flare cartridge case that has been cut down in size. ...The remains of a 38mm Flare Cartridge that has been cut height with the idea of creating trench art38mm nickel flare cartridge case that has been cut down in size. The percussion cap on the bottom of the cartridge indicates that it has been fired. Unfinished trench art Engraving: AMM / LOT 0RM58LLH1H001 /flare, percussion cap, cartridge case -
Flagstaff Hill Maritime Museum and VillageBook - Reference Book/History, Henry Smith Williams, The Historians History of the World Vol 9 set 1 - Edited by Henry Smith Williams L.L.D. Published by “The Times” 1908, 1908
... Because Italy was not a unified nation for most of this period, the volume highlights how a region can dominate the world through ideas, art, and religion rather than a single central government. ...Because Italy was not a unified nation for most of this period, the volume highlights how a region can dominate the world through ideas, art, and religion rather than a single central government. ...The 1908 edition of The Historians' History of the World is a monumental work of Edwardian scholarship, representing a specific era of "universal history" where the goal was to synthesise all human knowledge into a single narrative. While previous volumes dealt with the Roman Empire, Volume 9 picks up the story after the "Fall of Rome" and tracks the peninsula’s evolution through the dawn of the 20th century.The Book is part of a 25 volume set with red cloth bindings and gold filigree design to ribnon-fictionThe 1908 edition of The Historians' History of the World is a monumental work of Edwardian scholarship, representing a specific era of "universal history" where the goal was to synthesise all human knowledge into a single narrative. While previous volumes dealt with the Roman Empire, Volume 9 picks up the story after the "Fall of Rome" and tracks the peninsula’s evolution through the dawn of the 20th century. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, book, the historians history of the world vol 9 set 1, henry smith williams -
Warrnambool and District Historical Society Inc.Work on paper - Swap Card Albums (2), Swap card albums, Mid 20th century
... art work. They are all of high quality and many are very beautiful. Swap card collecting was a popular activity for young girls throughout the 20th century and cards were swapped with friends and sometimes sold. Usually the cards, bought from newsagents and fancy goods shops, were kept loose in a school bag or pocket and so the number of cards and the type varied from week to week. Boys also often saved cards of a particular nature – sports cards, nature cards etc though the idea...art work. They are all of high quality and many are very beautiful. Swap card collecting was a popular activity for young girls throughout the 20th century and cards were swapped with friends and sometimes sold. Usually the cards, bought from newsagents and fancy goods shops, were kept loose in a school bag or pocket and so the number of cards and the type varied from week to week. Boys also often saved cards of a particular nature – sports cards, nature cards etc though the idea ...The 120 cards in these two albums are very varied in content. There are many of birds and animals, some of great artwork reproductions, some of famous places and buildings, a couple of V.F.L. footballers, two from the Melbourne Olympic Games, some matching pairs and a couple of Australian aboriginal art work. They are all of high quality and many are very beautiful. Swap card collecting was a popular activity for young girls throughout the 20th century and cards were swapped with friends and sometimes sold. Usually the cards, bought from newsagents and fancy goods shops, were kept loose in a school bag or pocket and so the number of cards and the type varied from week to week. Boys also often saved cards of a particular nature – sports cards, nature cards etc though the idea of ‘swapping’ was not so prevalent among the boys. Card collecting, usually promoted by a business concern or a toy company, is still a pastime for young people today. The cards in these two albums are of considerable interest as they are of good quality and are aesthetically pleasing. They also are good examples of a popular hobby of girls in the 20th century. .1 & .2 These two albums are similar in size and design. Both have grey/pale green covers with red printing on the front cover. Both are bound with two staples and both contain 10 pages with inserts to hold three cards each side of the page. The inserts are edged with a green decoration. Both albums contain 60 coloured cards. There is evidence of silverfish damage on the front covers of both albums. hobbies of the past, history of warrnambool, swap cards, trading cards, albums, card collection -
Warrnambool and District Historical Society Inc.Book, Howard's Art of Reckoning, 1892
... He advertised that he was a Fellow of the Society of Science, Letters and Art, London, but this was a profit-making society owned by an individual and enabled members to wear academic dress and use the title of ‘Professor’. Ostler had in reality no academic qualifications. In the early 1890s he lectured on his ideas...He advertised that he was a Fellow of the Society of Science, Letters and Art, London, but this was a profit-making society owned by an individual and enabled members to wear academic dress and use the title of ‘Professor’. Ostler had in reality no academic qualifications. In the early 1890s he lectured on his ideas ...This book was written by C. Frusher Howard in 1874 and this copy is the 1892 edition. C. Frusher Howard was the alias of Joseph Ostler (‘Frusher’ was his mother’s maiden name) and he was the first district secretary of the Moorabbin Roads Board. He absconded with its funds in 1867. After some time in the goldfields of U.S.A. and a bigamous marriage he published ‘The Art of Reckoning’ which was highly successful in Britain and U.S.A. He was able to pay back the money he had embezzled. He advertised that he was a Fellow of the Society of Science, Letters and Art, London, but this was a profit-making society owned by an individual and enabled members to wear academic dress and use the title of ‘Professor’. Ostler had in reality no academic qualifications. In the early 1890s he lectured on his ideas on mathematical calculation and publicized his four books in India, Egypt, Palestine and South Africa. In 1896 he returned to Australia and at the 1896-7 Warrnambool Industrial and Art Exhibition Howard gave daily lectures on mathematical calculations and illustrated these with the aid of a blackboard. The inscription in this book does not appear to have any local significance but the book is of interest because the author, C. Frusher Howard, was a lecturer at the Warrnambool Industrial and Art Exhibition of 1896-7. This is a soft cover book of 142 pages. There are several pages at the back of the book advertising other books published by Cassell and Company. The cover is brown with an ornate border on the front cover and black printing on the front cover, spine and back cover. The lettering on the spine has been mostly worn away. The first page has a black and white sketch of the author, C. Frusher Howard, in academic dress. The inscription is handwritten in black ink. ‘C.F. Hamilton, South Heathcote, 1893’ c. frusher howard (joseph ostler), joseph ostler, c. frusher howard -
Kiewa Valley Historical SocietyTin Coffee Cylindrical, circa mid to late 1900's
... art deco" appearance its origins in the late 1950's to 1960's. This time period was one of accelerated growth both in the physical (housing) sense and the mental (new ideas and inventions) changes in "attitudes". ...art deco" appearance its origins in the late 1950's to 1960's. This time period was one of accelerated growth both in the physical (housing) sense and the mental (new ideas and inventions) changes in "attitudes". ...This "coffee" tin has by the "art deco" appearance its origins in the late 1950's to 1960's. This time period was one of accelerated growth both in the physical (housing) sense and the mental (new ideas and inventions) changes in "attitudes". These occurred more rapidly in cities but had its effects on the rural environment. The drinking of coffee was spurred on by easier distribution of imported food and drinks. Advertising by stronger radio links and then by television brought the variety of foods and drinks to semi isolated rural regions. The accessibility through greater information channels becoming available brought with it unbelievable ranges of goods and foodstuffs. Rural regions still relied on bulk supplies and relatively larger storage containers than those in cities. This "bulk" buying and storage "syndrome" was a lingering result of many years of "drought" periods when road transports met delays from flooded roadways in supplying population centres in the Kiewa Valley. The construction phases in building the SEC Vic Hydro electricity Scheme in the eastern sections of the Victorian Alps brought many changes to the quiet rural regions in the Kiewa Valley. Changes in population and social mores. The influx of a varied , mostly temporary, and "European flavoured cuisine" changes the "cuppa tea only" flavour to the have a "coffee break". The subliminal influence of the "American" films changed those children growing up in the post 1950s from the "English tea" to the "American coffee". This "Americanisation process has influenced not only rural Australia but also other areas throughout the world.This "insignificant" coffee tin is very significant as it demonstrates that the Kiewa Valley was becoming more accessible to reliable coffee supplies and general food items.The container was part of a "set" of containers that included tea, sugar,biscuits,flour, rice and other family condiments. This type of kitchen storage containers was brought about through changing patterns in tea and coffee useage and overall consumption. Household demands for faster "self help" cooking especially beveridges and the greater choice of kitchen "utensils" was brought on by easier access to products due to a lessening of the area's "isolation" by having a reliable (all weather) road system and an ever increasing population growth. The need for travelling goods/merchant supply caravans to service the area became a diminishing factor, as a result of the establishment of grocery stores in Tawonga and Mount Beauty in the supply of previously "hard to get" groceries. This transition was precipitated by the SEC Vic Hydro Scheme of the 1940's to 1960's which increased the valley's population level three fold.This cylindrical tin has a pull/push lid(for easy access to the contents). The container is labelled for "coffee" however it has no commercial manufacturer's label to establish that it was bought with coffee ingredients in it. The majority of the container's external surface has a "metallic" light blue colour with two sets of silver rings confining black (horizontal spotted) rectangles. "COFFEE" within an elongated spherical "art deco" four pointed banner of silver and black colouringkitchen containers, domestic food storage, bulk stocks of dried condiments -
Kiewa Valley Historical SocietyPainting, Cattlemen of the Bogong High Plains, c1995
... His idea was to break up the parts in the painting and use these as large replicas painted on wood for the display. An official opening was held and Leo used the money earned to visit his homeland, Austria. Leo trained as a restorer of church art...His idea was to break up the parts in the painting and use these as large replicas painted on wood for the display. An official opening was held and Leo used the money earned to visit his homeland, Austria. Leo trained as a restorer of church art ...Leo Wimmer who lived locally was commissioned to do the painting for the Mt Beauty, S. K. Pearce Pty. Ltd., Supermarket as a display was wanted to fit against the blank walls opposite the cash registers (where the liquor store is now). His idea was to break up the parts in the painting and use these as large replicas painted on wood for the display. An official opening was held and Leo used the money earned to visit his homeland, Austria. Leo trained as a restorer of church art in Austria.This painting was commissioned for a Cattlemen's display behind the cash registers at the Mt Beauty S. K. Pearce Supermarket. Each part of the foreground was painted separately onto stand alone boards -the cattle, the hut, the grass and the Mt Beauty township. Leo Wimmer lived locally and was a professional frame conservator. Leo Wimmer specialised in gilding and worked at the National Gallery of Victoria and later the National Gallery of Australia (NGA Nov. 1981 - 1990) where he was responsible for conservation of gilded frames in the national collection. This involved crafting of missing pieces on period frames, conservation/restoration of gilded surfaces, crafting of period frames, and lecturing at galleries and institutions on gilding, wood carving, Australian frame history and crafting of period frames. Framed painting of Mt Bogong with cattle, Mt Beauty township and cattleman's hut in foreground.Circular watermark (illegible) on bottom right corner. "Wimmer / 1" is underneath the watermark.cattlemen; bogong high plains; s.k.pearce; mt beauty supermarket; leo wimmer; -
Bendigo Military MuseumManual - VETERANS AFFAIRS, Dept of Veteran's Affairs, "Story Writing and Art Project ", 1986
... The idea was to provide ex -service men and women in hospital with a form of occupational activity. Books Military History Veteran's Affairs Story writing Art Soft cover book. ...Owner and donor details - see Cat. No. 5836.3. The idea was to provide ex -service men and women in hospital with a form of occupational activity.Soft cover book. Cover - cardboard, pink colour, black print on front cover. Illustrated with square with geometric shapes. Facsimile document. 107 pages - cut, plain white paper. Illustrated - colour artwork, black and white posters. Binding - plastic binding comb.books, military history, veteran's affairs, story writing, art -
Ararat & District Historical Society (operating the Langi Morgala Museum)Mary Norman-Bail and Pupils, ca1950s, Mary Norman-Bail and Pathfinder School Pupils, ca1950s, c.1950s
... The Langi Morgala Norman-Bail collection is of local signficance; but further research into the collection, and into Norman-Bail's work and ideas, may enhance the significance further. education school teacher art class photographer norman collage norman-bail bail educator pupil pathfinder-school curriculum grade progressive-education artist painter artwork Inscription the back of the photo [cat.nbrs]: "1641 / EC 1641.1" Unmounted black-and-white photo, No inscriptions, but original and new accession number of photo are written on the back. ...Black-and-white photo of Mary Norman-Bail, other staff members, and pupils of her Pathfinder School. Date is not known, but ca1950s.This is one of a collection of several hundred photos, books, documents and teaching aids donated to Langi Morgala Museum by Jessica Norman-Bail (or by her estate). Almost all the collection relates to Jessica's mother, the photographer, artist and educator Mary Norman-Bail, and to Mary Norman-Bail's Pathfinder School, which was located in Ararat for several years in the first half of the twentieth century. In total, the Norman-Bail collection provides an illuminating picture of the unique Pathfinder school, though much of the collection is yet to be analysed. The Langi Morgala Norman-Bail collection is of local signficance; but further research into the collection, and into Norman-Bail's work and ideas, may enhance the significance further. Unmounted black-and-white photo, No inscriptions, but original and new accession number of photo are written on the back. Inscription the back of the photo [cat.nbrs]: "1641 / EC 1641.1"education, school, teacher, art, class, photographer, norman, collage, norman-bail, bail, educator, pupil, pathfinder-school, curriculum, grade, progressive-education, artist, painter, artwork -
Federation University Historical CollectionPamphlet - Promotional brochure, Bachelor of Visual Arts, Graphic Design/Multimedia, c1999
... Art Directors Club Student Awards, New York, USA 1999; Graphis New Talent 1999; two Gold in Souther Cross Packaging Awards, 1998. At time of publication, the School of Arts, Visual Arts reportedly had 210 students with majors in Graphic Design/Multimedia, Ceramics/3D, Painting, Drawing, and Multidiscipline. Minors studies included Printmaking, Photography, 3D, 2D, and Graphic Communication. ___ Course aimed to train "independent, flexible thinkers". The course promised to "Promote creativity, originality and imaginative thinking; Develop self-directed learners, displaying initiative in the formation of ideas...Art Directors Club Student Awards, New York, USA 1999; Graphis New Talent 1999; two Gold in Souther Cross Packaging Awards, 1998. At time of publication, the School of Arts, Visual Arts reportedly had 210 students with majors in Graphic Design/Multimedia, Ceramics/3D, Painting, Drawing, and Multidiscipline. Minors studies included Printmaking, Photography, 3D, 2D, and Graphic Communication. ___ Course aimed to train "independent, flexible thinkers". The course promised to "Promote creativity, originality and imaginative thinking; Develop self-directed learners, displaying initiative in the formation of ideas ...Promoting the Graphic Design/Multimedia program being offered by the University of Ballarat at the Mt Helen Campus. Promoted course as "one of the smallest and arguably the best three year programs of its kind in Australia and the South Pacific region." The brochure lists student awards received including Platinum and Gold in the AGFA International Young Designer Contest, 1999; two meritorious awards in The Art Directors Club Student Awards, New York, USA 1999; Graphis New Talent 1999; two Gold in Souther Cross Packaging Awards, 1998. At time of publication, the School of Arts, Visual Arts reportedly had 210 students with majors in Graphic Design/Multimedia, Ceramics/3D, Painting, Drawing, and Multidiscipline. Minors studies included Printmaking, Photography, 3D, 2D, and Graphic Communication. ___ Course aimed to train "independent, flexible thinkers". The course promised to "Promote creativity, originality and imaginative thinking; Develop self-directed learners, displaying initiative in the formation of ideas and the confidence to construct personal responses; Develop appropriate conceptual, technical and professional skills; Develop the student's critical process: ability to undertake research, and to make informed decisions; Clarify thinking, concepts and understanding and deep knowledge, attitudes and skills enabling the designer to respond to community needs." Studio and working environment described as "one open space with working facilities for approximately 75 students across 3 year levels. The area is divided up into work stations where 1st, 2nd and 3rd year students intermix, allowing a natural interaction. These workstations are configurations of six, consisting of two students from each year level. This reinforces the area's ongoing development with an open ethos and cross-level delivery and learning. This maximises the use of information in order for it to be applied throughout all levels of the learning process, whilst allowing a natural mentor arrangment to be developed for all first year students, " "The open ethos approach also encourages students and staff to freely express their opinions in relation to design via cross-level critiques, whilst allowing for a liberal arts approach and structure to the development of the creative process." "Emphasis is placed on experimentation, innovation, expression and the development of the individual's design philosophies, concepts and style." Also notes the 24 hour access Macintosh laboratory, with 34 Power Macintosh computers, ratio of one for every 2.5 students. Each with a Fujitsu Dyna Magneto Optical drive for file storage and transport. Two Sharp scanners, Phaser Dye-Sublimation Extra Tabloid colour printer and Ricoh A3 colour printer. Two large format printers. Digital and video cameras. Software: Adobe Photoshop, Illustrator, Acrobat; QuarkXpress; Macromedia Freehand; Pagemaker; Premier; Director; 3D Extreme; Sound Eidt, Shockwave, Infinite 3D and After Effects. Approx 4.5 staff, "all of whom are practicing designers. They have a full understanding of industry requirements and trends which assists in the development of industrial contacts when specialists are required." Prospective students interviewed in late Nov/ early Dec, face to face. Present a "comprehensive folio of work", academic records, references. "Selection is determined by the perceived potential of the student, their motivation and reason for study within the field as well as their previous experience in the Visual Arts. Folio work should be representative of the individual's ideas and abilities. Qualities of importance are: originality, innovation, imagination, experimentation and a competent display of the basic skills associated with visual arts [evidence of drawing skills should be included]." Demonstration of GD/MM computer skills an advantage. Students also asked to bring sketch books. Promotional brochure for prospective students. 8pp Double fold brochureuniversity of ballarat, federation university, graphic design, multimedia, bachelor, degree -
Eltham District Historical Society IncDocument - Folder, Mitchell, Jenni
... ideas", Diamond Valley Leader, 1 June 2005. Jenni Mitchell's exhibition "Images of the Antarctic" at Dickerson Gallery 7 June to 3 July 2005. Newspaper article: "Works are poetry on canvas", Diamond Valley News, ~2005. Jenni Mitchell's exhibition "Desert, Ice and Poetry" at Montsalvat until 12 December 2005. Newspaper article: "Places for painting", Diamond Valley Leader, 2 November 2005. Jenni Mitchell organising plein air painting workshops around Eltham for students. Newspaper article: "Spirit of past inspires artist", Diamond Valley Leader, 1 November 2006. Jenni Mitchell and Mervyn Hannan have opened a studio at Montsalvat, appealing for more volunteers. Newspaper article: "Art...ideas", Diamond Valley Leader, 1 June 2005. Jenni Mitchell's exhibition "Images of the Antarctic" at Dickerson Gallery 7 June to 3 July 2005. Newspaper article: "Works are poetry on canvas", Diamond Valley News, ~2005. Jenni Mitchell's exhibition "Desert, Ice and Poetry" at Montsalvat until 12 December 2005. Newspaper article: "Places for painting", Diamond Valley Leader, 2 November 2005. Jenni Mitchell organising plein air painting workshops around Eltham for students. Newspaper article: "Spirit of past inspires artist", Diamond Valley Leader, 1 November 2006. Jenni Mitchell and Mervyn Hannan have opened a studio at Montsalvat, appealing for more volunteers. Newspaper article: "Art ...Jenni Mitchell, daughter of Grace and Arthur Mitchell, is a painter. Contents Newspaper article: "Back to the drawing board", Diamond Valley News, 19 May 1981. Jenni Mitchell's early life. Newspaper article: "Jenni captures the cast and rugged desert", Diamond Valley News, 13 March 1984. Jenni Mitchell's exhibition of Wimmera paintings, 16-25 March 1984. Exhibition list: Jenni Mitchell studio exhibition, ?1984 ?1986. Newspaper article: "Jenni mingles with greats of art world", Diamond Valle News, 29 July 1986. Jenni Mitchell exhibitor in Melbourne Spoleto Festival exhibition, Ross House Gallery, Kew. Newspaper article: "Poet, painter a formidable duo", Diamond Valley News, 28 October 1986. A poem from Cornelis Vieeskens's book and story of connection to Grace Mitchell's art works. Newspaper article: "Eltham artist to stage her 20th solo exhibition", Diamond Valley News, 31 May 1995. Jenni Mitchell's "Survey Exhibition 1975-1995", at Dempsters Fine Art Gallery, Canterbury, opened by poet Judith Rodriguez on 2 June 1995 . Election flier: Jenni Mitchell, candidate for Eltham Council, 1989. Newspaper article: "Aiming to keep history alive", Diamond Valley News, 22 August 1989. Newly elected Eltham Councillor Jenni Mitchell's objectives. Newspaper article: "Poetry in paint", Diamond Valley News, 23 November 1992. Jenni Mitchell's exhibition of Australian contemporary writers at the National Poetry Festival at Montsalvat, December 1992. Newspaper article: "Eltham artist to stage her 20th solo exhibition", Diamond Valley News, 31 May 1995. Jenni Mitchell's exhibition, "Survey Exhibition 1995-1985" at Dempsters Fine Art Gallery, Canterbury, opened 2 June 1995. Newspaper article :Keen to get focus on art again", Diamond Valley News, 6 November 1996. Jenni Mitchell exhibiting in Nillumbik Festival's Artists Open Studios program 1996. Newspaper article: "Rocky mountain high", ?1997. Jenni Mitchell's exhibition of Flinders Ranges work in Mains Restaurant, Eltham ?1997. Newspaper article: "Inspired works", ?1999. Jenni Mitchell's exhibition of works from artist-in-residence at Bundanon and Riversdale, Adam Galleries, Melbourne until 8 September ?1999. Newspaper article: "Gone bush, in search of the still place", The Age, 2 May 2000. Jenni Mitchell's exhibition Portraits of Extraordinary People, Queens Hall, Parliament House until 12 May 2000. Booklet: "Sharing a History, an essay by JHenni Mitchell", produced in association with exhibition Captured at the Eltham Library Community Gallery, 22 February to 3 March 2002 Flier: "Artists Open Studio 2001-2002. Exhibition of artists participating in the Nillumbik Artists Open Studio Program at Eltham Wiregrass Gallery, 21 February to 7 March 2002. Newspaper article: "Not just white in sight", Diamond Valley Leader 3 September 2003. Jenni Mitchell's exhibition "To the Ice, Images from the Antarctic at Montsalvat until 7 October 2003. Newspaper article: "Works are poetry on canvas", Diamond Valley News, 2003. Jenni Mitchell's exhibition 'Desert, Ice and Poetry, at Montsalvat until 12 December 2003. Newspaper article: "In love with a world of ice", Herald Sun, 25 October 2003. Jenni Mitchell's exhibition 'Desert, Ice and Poetry, at Montsalvat until 12 December 2003. Newspaper article: "Display honours artist, wife", Diamond Valley Leader 28 July 2004. Jenni Mitchell had been student of Alan Martin, retrospective exhibition of Martin's work at Eltham Community Centre 31 July to 1 August 2004. Newspaper article: "Portrait due get to the heart of the matter", Diamond Valley Leader, 13 April 2005. Jenni Mitchell painted double portrait of Colin Royse and Allstair Royse for Archibald Prize. Newspaper article: "Brothers impress artist", Diamond Valley Voice 13 April 2005. Jenni Mitchell painted double portrait of Colin Royse and Allstair Royse for Archibald Prize. Newspaper article: "Poles apart but online", Diamond Valley Leader 2005. Jenni Mitchell's journey to the North Pole will have a website set up by Hugh Stubley and Stephen Pearce, Tribity Digital Solutions. Newspaper article: "Going to extremes for ideas", Diamond Valley Leader, 1 June 2005. Jenni Mitchell's exhibition "Images of the Antarctic" at Dickerson Gallery 7 June to 3 July 2005. Newspaper article: "Works are poetry on canvas", Diamond Valley News, ~2005. Jenni Mitchell's exhibition "Desert, Ice and Poetry" at Montsalvat until 12 December 2005. Newspaper article: "Places for painting", Diamond Valley Leader, 2 November 2005. Jenni Mitchell organising plein air painting workshops around Eltham for students. Newspaper article: "Spirit of past inspires artist", Diamond Valley Leader, 1 November 2006. Jenni Mitchell and Mervyn Hannan have opened a studio at Montsalvat, appealing for more volunteers. Newspaper article: "Art in Action", Heidelberg and Valley Weekly, 31 October 2006. Jenni Mitchell and Mervyn Hannan's Working Studio Gallery at Montsalvat. Newspaper article: "Honey lures art taste to sport", Diamond Valley Leader 11 July 2007. Jenni Mitchell's portrait of Gary Honey entered for Basil Sellers Art Prize., on show at Gateway Galleries Eltham as part of her Extra-Ordinary People series. Newspaper article: "Celebrate history and her story", Diamond Valley Leader, 20 February 2008. Jenni Mitchell and Grace Mitchell already nominated for a Nillumbik Women's Network publication. Newspaper article: "Aura of northern lights draws Eltham artist", Diamond Valley Leader, 13 January 2010. NewspaperJenni Mitchel will travel o a Norwegian cruise ship for six weeks. Newspaper article: "Brush with fame", Banyule and Nillumbik Weekly, 28 September 2010. Jenni Mitchell's house and studio, and her exhibition "From the Edge" at Montsalvat until 30 September 2010. Talk flier: "A visual presentation and floor talk" by Jenni Mitchell for her exhibition "From the Edge" 16 September 2010. Exhibtion flier: "From the Edge" exhibition of painting and photography by Jenni Mitchell, Montsalvat 3-30 September 2010. Newspaper article: "Home is where the art is", Diamond Valley Leader, 16 November 2011. Jenni Mitchell's early life with Grace Mitchell, and exhibition as part of Artists Open Studios. Newspaper article: "Artists visit Mongolia", Diamond Valley Leader, 25 April 2012. Jenni Mitchell and Mervyn Hannan will spend seven weeks in Mongolia, exhibiting at the National Museum of Mongolia. Flier: Open Studio, Jenni Mitchell, Mervyn Hannan, Grace Mitchell, 5-6 May 2012. Newspaper article: "Shared love fires artists", Diamond Valley Leader, 4 July 2012. Exhibition of works by Mongolian artist Tugsoyun Sodnom, Jenni Mitchell and Mervyn Hannan at Montsalvat. Newspaper article: "Tribute to an art legend", Diamond Valley Leader, 26 September 2012. Exhibition "Grace Mitchell" A selected Retrospective" to open at South Fine Art Studios and Gallery on 7 October 2012. Newsletter article: "Jenni Mitchell - My mother Grace", Eltham District Historical Society No.207 November 2012. Exhibition notes: "The Retro Eltham Show", Eltham South Fine Art Studios and Gallery, 14 April to 9 June 2013. Newspaper article: "Jenni salutes Mongolia", Diamond Valley Leader, 12 November 2013. Jenni Mitchell's exhibition "Two Mongolian Journeys" at Eltham South Fine Art Gallery until 24 December 2013. Flier: Eltham South Fine Art Studios and Gallery, 6 Mount Pleasant Road, undated. Newspaper article: "Moving on is not without a shockwave", Diamond Valley Leader, 26 October 2016. Jenni Mitchell and Mervyn Hannan are moving to Hamilton, selling their Mt Pleasant Road property and gallery Newspaper article: "Great Grampians, It's Jenni Mitchell and Mervyn Hannan!", Jenni Mitchell and Mervyn Hannan's exhibtion at Streamline Publishing's Gallery, opened by Vicki Ward, 7-28 September 2022.Newspaper clippings, A4 photocopies, etcjenni mitchell, grace mitchell, cornelis vieeskens, dempsters fine art gallery, judith rodriguez, montsalvat eltham, professor a d hope, judith wright, geoffrey eggleston, shelton lea, montsalvat poetry festival, artists open studios, mervyn hannan, south fine art studios and gallery, jennifer mitchell, ken taylor, nic taylor, ross house gallery kew, melbourne spoleto festival, brian pearce, robert wilson, bundanon, adam galleries, eltham wiregrass gallery, alan martin, eltham community gallery, eltham cemetery, cemeteries and crematoria bill, isla heddle, nillumbik cemetery trust, michael dobson, tpmy raimoc, belinda clarkson, friends of nillumbik, catherine dale, allstair royse, archibald prize, dickerson galley, hugh stubley, stephen pearce, trinity digital solutions, gateway galleries eltham, gary honey, basil sellers art prize, nillumbik women's network, warwick leeson, national museum of mongolia, tugsoyun sodnom, michelle morgan, zanzy community choir, eltham south fine art gallery, streamline publishing's gallery, vicki ward, sonia skipper, joe hannan, robert marshall, hamilton regional gallery, petschel house hamilton, colin rouse, st. katherine's church, st helena -
Eltham District Historical Society Inc
Document - Folder, Peck, Michael
... Michael Peck taught art to migrant children in London before returning to Australia; his work then explored the idea being a refugee. ...Eltham District Historical Society Inc 728 Main Rd Eltham melbourne Michael Peck taught art to migrant children in London before returning to Australia; his work then explored the idea being a refugee. ...Michael Peck taught art to migrant children in London before returning to Australia; his work then explored the idea being a refugee. By 2011, his work explored his relationship with his two grandfathers who both served in World War II. Contents Newspaper article: "On venturing to find a fit", Diamond Valley Leader, 4 June 2008. Painter Michael Peck describes his technique and objectives. Newspaper article: "Grandfather's legacy", Diamond Valley Leader, 23 November 2011. Michael Peck's latest artistic work explores his relationship with his two grandfathers.Newspaper clippings, A4 photocopies, etcmichael peck -
Mission to Seafarers VictoriaArtwork, other - Art installation, Dagmar Udhe, Leap of the Heart: Ultramarine perspex oval shape by Dagmar Udhe, 1998
... Information for the brochure (http://www.artdes.monash.edu.au/globe/issue8/tbtitle.html) Construction in Process VI The Bridge, Melbourne Event: March 21-31 1998 Exhibition April 1-30 1998 During Construction in Process (CIP) III at Lodz, Poland in 1991, Emmett Williams and other participating artists initiated the idea of a biannual "performance" of their project in different cities and sites around the world. In the first instance, CIP was a response to the strictures of museum contained commodification of art practices and the dissolution of communism. ...Mission to Seafarers Victoria 717 Flinders Street Docklands melbourne Information for the brochure (http://www.artdes.monash.edu.au/globe/issue8/tbtitle.html) Construction in Process VI The Bridge, Melbourne Event: March 21-31 1998 Exhibition April 1-30 1998 During Construction in Process (CIP) III at Lodz, Poland in 1991, Emmett Williams and other participating artists initiated the idea of a biannual "performance" of their project in different cities and sites around the world. In the first instance, CIP was a response to the strictures of museum contained commodification of art practices and the dissolution of communism. ...See document 1507Information for the brochure (http://www.artdes.monash.edu.au/globe/issue8/tbtitle.html) Construction in Process VI The Bridge, Melbourne Event: March 21-31 1998 Exhibition April 1-30 1998 During Construction in Process (CIP) III at Lodz, Poland in 1991, Emmett Williams and other participating artists initiated the idea of a biannual "performance" of their project in different cities and sites around the world. In the first instance, CIP was a response to the strictures of museum contained commodification of art practices and the dissolution of communism. And with this agenda in mind, their events affirm the active participation of international artists with local infrastructure and site specific materials. The organisation of the 1998 CIP in Melbourne, titled "The Bridge", took Richard Thomas, Katherine Armstrong, Gail Davidson and the legion of others over two years of dedication. And they brought off one of the most open-ended, logistically challenging conceptual events this metropolis has witnessed. The following photo essay provides a personal survey of the "The Bridge", as I saw it transpire around me. German artist Dagmar Udhe created several art installation in Swanson Dock and the Mission. This plaque was placed either in the dome or outside the dome. It may have been forgotten or left intentionally by the artist.PerformanceUltramarine ovoid shaped perspex plaque attached to the wall in the entrance of the Mission (Flinders Street).art installation, dagmar udhe, cultural events, artwork-paintings -
Eltham District Historical Society IncPhotograph, Liz Pidgeon, Alan Marshall by Marcus Skipper (1995) outside Eltham Library, Panther Place, 21 May 2014, 21 May 2014
... Marcus Skipper submitted the idea for the work to the first 'Art in Public Places' Awards in 1990. ...Marcus Skipper submitted the idea for the work to the first 'Art in Public Places' Awards in 1990. ...A sculpture of local author Alan Marshall welcomes visitors in the grounds of Eltham library. Alan loved telling stories and talking to children and his own story overcoming the legacy of polio has been an inspiration to generations of Australians. Marcus Skipper, the sculptor, knew Alan well and the sculpture is said to capture his spirit and appearance perfectly; the jumper was even cast from one of Alan’s own. A realistic depiction (almost life size) of Alan Marshall (1902-1984) cast in bronze with green patination. Dressed in a jumper and slacks, Marshall is shown perched on a crutch, holding a book to his heart, gesturing to his audience to come and listen to his words. It was scupluted by local artist Marcus Skipper (b.1950 Melb. died 2011). HISTORICAL INFORMATION Alan Marshall was an author of more than fifteen books, and lived much of his life in Eltham. He became a central figure in the area's arts community of writers, artists, sculptors, film makers, actors and musicians . He is shown stroking a book to his heart, perched on a crutch, which references his disability (contracted polio when he was young), and his status as one of Australia's most successful and loved authors. His most famous book, 'I Can Jump Puddles' is based on his life story and the obstacles he faced as a child in trying to overcome his disability. Marcus Skipper submitted the idea for the work to the first 'Art in Public Places' Awards in 1990. The selectors at the time recommended that the work would be more suitably placed near the Eltham Library. It was commissioned and installed for the new Eltham Library, which was designed by Greg Burgess in 1994. It was partially funded by the then Shire of Eltham's Art Development Fund (Eltham Arts Council) and the rest donated by the artist Marcus Skipper. - Highlights from the Nillumbik Public Art Collection. "The setting and location are ideal and Marcus has really captured the typical Marshall character. It has attracted much favourable comment since its completion. .. Alan Marshall, A.M., O.B.E., Hon.LL.D. (1902-1984) was born at Noorat, Victoria and became one of Australia's most famous authors. His association with the Eltham area began in 1920 when he started his first job as a junior clerk at the Eltham Shire Offices, Kangaroo Ground. In the 1940s he spent some time living at Research. From 1955 he lived in Eltham for nearly 20 years. Disabilities resulting from polio as a young child did not prevent a wide range of experiences. Alan's occupations have been listed as clerk, night watchman, fortune teller, freelance journalist and author. He has been patron of many disadvantaged Children's Societies. Alan's books are numerous and include novels, short stories, children's books, history and travel. Among the best known are his autobiographies "I Can Jump Puddles" and "This is the Grass". Others include "These are My People", "Ourselves Writ Strange", "People of the Dreamtime", "The Gay Provider" and "Wild Red Horses". In 1971 he wrote the Centenary History of the Shire of Eltham, "Pioneers and Painters". -EDHS Newsletter No. 104, September 1995This work has significance for its reference to two well known names associated with Eltham and its history. The sculpture is a realistic statue of the famous Australian author Alan Marshall who wrote "I Can Jump Puddles". He lived and worked in the Shire. The artist Marcus Skipper represents a highly recognised family of artists associated with Monsalvat . The sculpture 'Alan Marshall' has been classified as of regional significance by the National Trust of Australia. - Highlights from the Nillumbik Public Art Collection.Born Digitalart in public places, alan marshall, marcus skipper, sculptures, eltham library -
Women's Art RegisterBook, Isabelle Anscombe, A Woman's Touch, A. Women in Design from 1860 to the Present Day, 1984
... Women's Art Register Richmond Library, 415 Church Street Richmond melbourne Interviews and well researched social history illustrate how interior design created by Vanessa Bell, Sonia Delaunay, Elsie de Wolfe and others revolutionized ideas about form and function in the home. ...Women interior decorators of the 1920s and 30s and their contribution to the Arts and Crafts movement in Britain, The Glasgow School of Art and The Bauhaus School..non-fictionWomen interior decorators of the 1920s and 30s and their contribution to the Arts and Crafts movement in Britain, The Glasgow School of Art and The Bauhaus School..industrial design, craft, wallpaper, weaving, furniture, design theory, architecture -
Women's Art RegisterBook, Oxford University Press, Idols of perversity. Fantasies of Feminine evil in Fin-de-Siecle Culture, 1989
... Art Register Richmond Library, 415 Church Street Richmond melbourne The nature and development of 19th century anti-feminine sentiment. A richly illustrated treatise which contributes to our understanding of this period and its connection to the anti -women attitudes that continue today, and how Victorian ideas still exist as contemporary archetypes. ...Analysis of late 19th century American and European writing, art, science and philosophy exploring cultural misogyny. Discusses the attitude to women as having only sexual and reproductive roles and being depicted as symbols of evil, passivity and sensuality, and ever dependent, while men were free to follow financially independent public and intellectual lives.Booknon-fictionAnalysis of late 19th century American and European writing, art, science and philosophy exploring cultural misogyny. Discusses the attitude to women as having only sexual and reproductive roles and being depicted as symbols of evil, passivity and sensuality, and ever dependent, while men were free to follow financially independent public and intellectual lives. painting, feminism, sexuality, violence, symbolism, mythology, motherhood, darwinism, pre-raphaelites -
Women's Art RegisterBook, Angus & Robertson Publishers, Women on Women. Twelve Photographic Portfolios
... Art Register Richmond Library, 415 Church Street Richmond melbourne The untitled photographic series by Deborah Turbeville, Karen Szekessy. Alice Springs, Sacha, Marcia Resnick. Christa Peters, Sarah Moon, Linda Benedict-Jones, Irina Ionesco, Jo Alison Feiler, Shirley Beljon and Caroline Arber are presented individually showing perspectives on contemporaneous women in candid and often amusing ways. Many work in the fashion and advertising arena. The introductory essay interrogates ideas ...Published in Italy in 1979 exploring the theme of women and sexuality these diverse images reveal how women see themselves, their bodies and their changing roles, characterised by inventiveness, intimacy and sensuality.booknon-fictionPublished in Italy in 1979 exploring the theme of women and sexuality these diverse images reveal how women see themselves, their bodies and their changing roles, characterised by inventiveness, intimacy and sensuality.portraiture, body, colour photograpy, erotica -
Women's Art RegisterBook, Whitney Chadwick, Women Artists and the Surrealist Movement, 1991
... Women's Art Register Richmond Library, 415 Church Street Richmond melbourne Focussing on International artists this richly illustrated overview documents how these artists embodied their age as they struggled for artistic maturity and their own 'liberation of the spirit' against the background of the turbulent 20s, 30s and 40s, and the war which forced Surrealism into exile in New York and Mexico.The book counters the idea that women were muses rather than participants in exhibitions and events, and outlines the prejudice they faced being taking seriously at the time, and by critics and researchers since. ...Explores the lives, ideas and artworks of women in the Surrealist Movement including Frida Kahlo, Meret Oppenheim Dorothea Tanning and Leonora Carrington, alongside their more well-known male counterparts.Booknon-fictionExplores the lives, ideas and artworks of women in the Surrealist Movement including Frida Kahlo, Meret Oppenheim Dorothea Tanning and Leonora Carrington, alongside their more well-known male counterparts.painting, drawing, collage, photography, surrealism -
Women's Art RegisterBook, Chritine Battersby, Gender and Genius. Towards a Feminist Aesthetics, 1989
... Complements material held in The Women's Art Register myths creativity motherhood psychoanalytic theory prejudice Using the writings of ancient and contemporary male philosophers the book interrogates ideas around narrow gender roles, and the creation of feminist aesthetic. ...Using the writings of ancient and contemporary male philosophers the book interrogates ideas around narrow gender roles, and the creation of feminist aesthetic.Booknon-fictionUsing the writings of ancient and contemporary male philosophers the book interrogates ideas around narrow gender roles, and the creation of feminist aesthetic.myths, creativity, motherhood, psychoanalytic theory, prejudice -
Women's Art RegisterBook, Sandy Kirby, Sight Lines. Women's Art and Feminist Perspectives in Australia, 1992
... Women's Art Register Richmond Library, 415 Church Street Richmond melbourne Provides context on how various aspects of arts feminism manifest in the groups, performances, events, issues, documents and ideas which engaged female artists. ...Charts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.Booknon-fictionCharts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.portraiture, feminist art practice, performance art, political art, art and craft, thancoupie, jill orr, vivienne binns, collective art, erica mcgilchrist, mickey allan, ann newmarch -
Women's Art RegisterBook, Fiona Foley et al, The Art of Politics, The Politics of Art: The Place of Indigenous Contemporary Art, 2006
... The Art of Politics, The Politics of Art: The Place of Indigenous Contemporary Art Book Fiona Foley Regina Ganter Subba Ghosh Anna Haebich Dillon Kombumerri Fa'aoleole Sofine Maiava Louise Martin-Chew Michael A. Mel Djon Mundine Fiona Nicoll Aaron Seeto Franca Tamisari Kelvin Yazzie Centre for Public Culture and Ideas, Griffith University ...A collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists.non-fictionA collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists. fiona foley, fiona nicoll, regina ganter, ole maiava, louise martin-chew, anna haebich, franca tamisari, aboriginal art, indigenous architecture -
Federation University Historical CollectionPhotograph - Photograph - Black and White, Harold Herbert of the Ballarat Technical Art School, 1919
... Art School in 1898. Harold Herbert undertook further studies in England returning to Ballarat with all new entrepreneurial ideas. ...Art School in 1898. Harold Herbert undertook further studies in England returning to Ballarat with all new entrepreneurial ideas. ...Harold Brocklebank Herbert (16.09.1891-1945) Harold Herbert was one of the first pupils at the school starting in 1891, commencing as a 15 years old he studied Applied Design and Architecture at the Ballarat Technical School of design attached to the Ballarat Fine Art Galery, transferring to the Ballarat Technical Art school attached to the Ballarat School of Mines. He was a certificated Art Teacher with the Victorian Education Department. His talents were identified by Ballarat’s Ponsonby Carew-Smith who rose to become Art Inspector with the Victorian Education Department. His teaching career included being appointed Principal of the Sale Technical Art School in 1898. Harold Herbert undertook further studies in England returning to Ballarat with all new entrepreneurial ideas. He worked at the Ballarat Technical Art School between 1915-19. Harold Herbert was involved with the design of the Ballarat Arch of Victory, and was responsible for the reproductions in ‘The Education Department’s Record of War Service. Had been principal of the Sale Technical Art School since 1898, and had undertaken further studies in England returning to Ballarat with all sorts of entrepreneurial ideas. In 1924 the Ballarat School of Mines Students’ Magazine reported “We are perfectly safe in claiming on behalf of our school, that no institution of its kind has turned out a greater number of men and women students who have since “made good” while some have achieved enviable prominence in the world of art. Amongst these later, the most brilliant is Harold B. Herbert whose work is so widely and justly appreciated throughout Australia and whose achievements are watched by his old school with the greatest pride. He commenced at the School when he was about 15 years of age, and followed a course of training very similar to what most students are doing the most valuable qualities shown by him during his career as a student were a passion for drawing and a capacity for taking pains, so essential in all artwork. He was appointed as Assistant Art Teacher at Ballarat on completion of his course, and later assistant in the office of Art Inspector. All of his spare time was devoted to out-door sketching and commercial drawing and he showed an ability in practical design for various crafts quite equal to the ability he has since displayed in depictive art. His return to this School as senior master and his departure to devote himself entirely to fine art are quite recent happenings with which all students are familiar. The wonderful exhibition he held in Melbourne on return from a sketching trip abroad has place him amongst the leading artists of Australia. Upon his death in 1945 the Ballarat School of Mines Student's Magazine recorded: "The death of the famous water-colour artist, Harold Herbert, will be a distinct loss to art in Australia. he was educated at the Ballarat Art School which it was situated in Sturt Street, and the gave promise of becoming a famous artist then. his talents were recognised, and in water-colour work he quickly made a name for himself. his landscapes in water-colour are in the principle galleries of the world, and many of them are to be found in the Ballarat gallery and in other provincial galleries. In 1941 he was appointed official war artist for the COmmonwealth, and he served in the Middle East and Syria. Exhibitions of his war pictures have been seen at different times in Melbourne."Portrait of a young man in a suit. He is Harold Brocklehurst Herbert, staffmember of the Ballarat Technical Art School (a division of the Ballarat Technical Art School). The photograph is a detail of the Ballarat School of Mines Magazine Committee, 1919. (http://victoriancollections.net.au/items/54923a682162f116140de59c)harold herbert, harold b. herbert, harold brocklebank herbert, ballarat school of mines, ballarat technical art school, art, arch of victory -
Federation University Historical CollectionLetter - Correspondence, Henry J. Hall, Henry J. Hall to Ballarat School of Mines, 19/03/1898
... In 1889 he reported to the Ballarat School of Mines Council that this class was never established for the cultivation of Art (as generally understood) or the making of pictures but with an idea of assisting artisans - of both sexes - and persons connected with mechanical industries, in acquiring lightness of hand, and facility in the use of a black-lead pencil so as to be able to place legibly and intelligibly upon a sheet. ...In 1889 he reported to the Ballarat School of Mines Council that this class was never established for the cultivation of Art (as generally understood) or the making of pictures but with an idea of assisting artisans - of both sexes - and persons connected with mechanical industries, in acquiring lightness of hand, and facility in the use of a black-lead pencil so as to be able to place legibly and intelligibly upon a sheet. ...Henry J. Hall was an teacher Freehand Drawing and Model Drawing at the Ballarat School of Mines. In 1889 he reported to the Ballarat School of Mines Council that this class was never established for the cultivation of Art (as generally understood) or the making of pictures but with an idea of assisting artisans - of both sexes - and persons connected with mechanical industries, in acquiring lightness of hand, and facility in the use of a black-lead pencil so as to be able to place legibly and intelligibly upon a sheet. For many years Henry Hall advertised private tuition in Drawing, Painting and Perspective, at 'Ferndale', 25 Eyre Street. Handwritten letter on paper with the address 'Ferndale, 25 Eyre Street, Ballarat' printed at the top. The handwritten letter is from Henry J. Hall to Andrew Anderson, President of the Ballarat School of Mines. Handwritten in ink "March 19th 98 Andrew Anderson Esq President School of Mines Dear Sir I am informed by the registrar of the School of Miens that you are desirous of despensing [sic] with the services of Drawing Instructor at that Institution. The reason assigned being dis-satisfaction expressed by the inspector regarding "the quantity and quality of the freehand work done during the year. Before any definite action is taken, might I ask in justice to myself and the students whose work is thus maligned, that I be allowed a personal interview with Mr Monkhouse in order to ascertain the grounds of his complaint, and afford me an opportunity of vindicating my position. I have the honor to remain, respectfully yours Henry J. Hall." Written and circled in red ink "168" ballarat school of mines, henry j. hall, henry hall, andrew anderson, drawing, art -
Sunshine and District Historical Society IncorporatedArchive - City of Sunshine 1984 List Of Factories, K.G. Wilson, L.R. Dryer & R.A. Scaramella, 1984
... Idea General Engineering Industrial Engineering Invicta Group Industries Pty Ltd K. & B. Windows Pty Ltd K.C. Furniture & Cabinets K.D.S. Manufacturing K.M. Tubular Industries (Aust) Pty Ltd K.P.T. Clothing Manufacturers (K.T.P. Fashions Pty Ltd) Kanga Engineering Pty Ltd Keilor Footwear Pty Ltd Kelgrif Patterns Pty Ltd Klipspringer Pty Ltd Krueger Transports Equipment Pty Ltd Langmar Pty Ltd Layton Granite Industries Pty Ltd Lesvos General Products (Gabbia Pty Ltd) Lewis Foundry Lysaght Durham Chemical Company (Austram Corporation Ltd) M.C.I. (Aust) Pty Ltd M.J. Billings M.S.M. Cabinets Pty Ltd Maidstone Cabinet Works Marble Art...Idea General Engineering Industrial Engineering Invicta Group Industries Pty Ltd K. & B. Windows Pty Ltd K.C. Furniture & Cabinets K.D.S. Manufacturing K.M. Tubular Industries (Aust) Pty Ltd K.P.T. Clothing Manufacturers (K.T.P. Fashions Pty Ltd) Kanga Engineering Pty Ltd Keilor Footwear Pty Ltd Kelgrif Patterns Pty Ltd Klipspringer Pty Ltd Krueger Transports Equipment Pty Ltd Langmar Pty Ltd Layton Granite Industries Pty Ltd Lesvos General Products (Gabbia Pty Ltd) Lewis Foundry Lysaght Durham Chemical Company (Austram Corporation Ltd) M.C.I. (Aust) Pty Ltd M.J. Billings M.S.M. Cabinets Pty Ltd Maidstone Cabinet Works Marble Art ...This list of factories in the City of Sunshine is an extract from a report by K.G. Wilson, L.R. Dryer & R.A. Scaramella, prepared for the Melbourne Western Region Commission (WRC). The Melbourne Western Region Commission was a major inter‑municipal planning and advocacy body operating across Melbourne’s western suburbs in the late 1970s and 1980s. It coordinated planning, heritage studies, and regional development across multiple councils. The Commission brought together a broad sweep of western-region councils City of Altona, City of Essendon, City of Footscray, City of Keilor, City of Sunshine, City of Williamstown, Shire of Bacchus Marsh, Shire of Melton & Shire of Werribee. The Melbourne Western Region Commission was one of the most important institutional predecessors to the region’s later heritage, planning, and community‑development frameworks.This report records the business name, type of industry and address of businesses operating in the City of Sunshine in 1984.Factory Name or Occupier A. Korinfsky & Connolly A.J. & J.N. Cook A.R.C. Engineering Pty Ltd Air Refiners Aust Pty Ltd Ajax Pumps Pty Ltd Albion Explosive Factory (Department of Defence) Alliance Printing Co. Pty Ltd Aqua Heat Australia Pty Ltd Aranem Furniture Pty Ltd Arrar Pty Ltd Australain Tube Mills Pty Ltd Australian Quality Closures (Volanda Nominees Pty Ltd) Aztec Sheet Metal Industries Pty Ltd B.G. & J.M. Douglas Nominees Pty Ltd Berkeley Appatel Pty Ltd Berkshire Kitchen Cabinets Pty Ltd Blade Engineering Pty Ltd Boka Engineering Pty Ltd Boneham Engineering Pty Ltd Brand Engineering Toolmaking (Vic) Pty Ltd C.G. Carlton Pty Ltd C.J.T. Niven Pty Ltd C.M.A. Foam Group (Cablemakers Aust Pty Ltd) Campbell & Paterson Engineering Pty Ltd Cargo Newpack Industries City Insulations Pty Ltd Classic Garage Construction Cliff Poole Industries Pty Ltd Collie Cooke Consolidated Conlo Constructions Pty Ltd Connor Shea & Co. Pty Ltd Consolidated Partition Industries Holding Pty Ltd Cosmoplitan Clothing Manfacturers Crea Fashions Pty Ltd Currie Furniture Manufacturing Pty Ltd D. Richardson & Son Ltd Dalco Hardware (Dalco Pty Ltd) Daveyduke Industries (Mimvic Nominees Pty Ltd) Debora Downs Pty Ltd Deer Park Engineering Pty Ltd Deer Park Flyscreens (Azzopardi & Associates Pty Ltd) Dieselflex Pty Ltd Donald Minahan Pty Ltd Drava Continental Butchers & Smallgoods Manufacturer Drilling Equipment (Van Dyke Pty Ltd) Dunham Welding Engineering Pty Ltd E. & F. Industries Pty Ltd E.P. Morrisey & Co. Pty Ltd Elite-Built Holdings Ltd Englehold Engineering Pty Ltd Everlast Steel Products Explosive Factory (Department of Defence Support) Extruded Metals Pty Ltd Exy-Fit Screens F. & D.M. Costa Pty Ltd F. & I. Pfeffer Holdings Pty Ltd F.J. Humphrey Pty Ltd Fallshaw Holdings Pty Ltd Ferrous Forgings Pty Ltd Fleet Engineering Pty Ltd Fletcher Chemical Co. Ltd Franklin Printing & Lithographic Co. Pty Ltd Fraser Cabinets Pty Ltd G. & L. Stone Pty Ltd G.A.M. Engineering Industries Pty Ltd G.P.I. Automotive Products Pty Ltd G.U.D. Manufacturing Co. Pty Ltd G.W. Gregory Engineering (Aust) Pty Ltd General Printing Ink (Aust) Pty Ltd George Press Pty Ltd Griffiths & Beeren Pty Ltd Gubbata Nominess Pty Ltd Harkrome Electroplaters Pty Ltd Hills & Mason Pty Ltd Hydraulic Equipment & Cylinder Service Pty Ltd Hy-Du-Ex I.C.I. Australia Operations Pty Ltd I.H. Mono & Co. Idea General Engineering Industrial Engineering Invicta Group Industries Pty Ltd K. & B. Windows Pty Ltd K.C. Furniture & Cabinets K.D.S. Manufacturing K.M. Tubular Industries (Aust) Pty Ltd K.P.T. Clothing Manufacturers (K.T.P. Fashions Pty Ltd) Kanga Engineering Pty Ltd Keilor Footwear Pty Ltd Kelgrif Patterns Pty Ltd Klipspringer Pty Ltd Krueger Transports Equipment Pty Ltd Langmar Pty Ltd Layton Granite Industries Pty Ltd Lesvos General Products (Gabbia Pty Ltd) Lewis Foundry Lysaght Durham Chemical Company (Austram Corporation Ltd) M.C.I. (Aust) Pty Ltd M.J. Billings M.S.M. Cabinets Pty Ltd Maidstone Cabinet Works Marble Art Company Marib Cutter Sharpening Service Massey-Ferguson (Aust) Ltd McIntyre Steel Industries (Vic) Pty Ltd Midway Press Business Forms Mirna Cabinets Manufacturers Pty Ltd Monsanto Aust Ltd Morgan Cabinets Morris Structural & Engineering Newroll Industries Pty Ltd North Sunshine Cases Novio Insulation (Vic) Pty Ltd Olex Cables (Dunlop Olympic Ltd) Ordnance Factory (Department of Defence Support) P. & S. Siegel Pty Ltd P.S. Fenech Pty Ltd Pacific Carpets Internations Pty Ltd Pattern Productions Pauls Woodworking Pty Ltd Penthouse Furniture Co. Pty Ltd Peter Bouris General Steel Work Pomona Printers Pty Ltd Presstool Manufacturing & Grinding R.E.M. Constructions Pty Ltd R.J. Thompson Nominees Pty Ltd R.M.D. Press Co. Pty Ltd Ralph McMay Ltd Reeco Industries Pty Ltd Regina Terrazzo Tile Robcliff Printing Rockwell Standard of Australia Ltd Saturn Quality Trailers Pty Ltd Sedco Pty Ltd & Sunshine Extrusion Die Co. Pty Ltd Sign City Pty Ltd Smithweld Pty Ltd Smorgan Consolidated Industries Solo Signs Spafco Pty Ltd Stafford Engineering Pty Ltd Star of Paris Pty Ltd Steel Improvement Pty Ltd Sunset Joinery Pty Ltd Sunshine Engineering Pty Ltd Sunshine Group Industries Pty Ltd Sunshine Joinery Pty Ltd Sunshine Metal Polishing Pty Ltd Sunshine Trailers Sunshine Vitreous Enamellers Pty Ltd Sunshine Wrought Iron Super Cartridge Superstyle Tubular Manufacturers Pty Ltd Talkprint Pty Ltd Tenderfoot Shoes Treble Printing Co. Trifoleum Pty Ltd Ultra Scales Pty Ltd United Scales Pty Ltd V.P. Hawthorne Nominees Pty Ltd Vinidex Tubemakers Pty Ltd Vitas Engineering W. & H. General Engineering Pty Ltd W. Pridham (Aust) (Peerless Processing Co Pty Ltd) W.G. Engels Pty Ltd W.L. Allen Foundry Co. Pty Ltd Wakefield Repetition & General Engineers Warren & Brown Co. (Repco Ltd) Westbury Joinery Co. Holdings Pty Ltd Western Containers Pty Ltd & Chanel Press Pty Ltd Westgate Engineering Westside Joinery Pty Ltd (The Bulman Family Trust) Westwork Industries Wiltshire Tools Pty Ltd Worsted Finishers (Aust) Pty Ltd melbourne western region commission -
Flagstaff Hill Maritime Museum and VillageBook - Reference Book/Historical/Sociology/Research, Charles Kingsley, Plays and Puritans and other Historical Essays, 1873
... ideas. The volume is not among Kingsley’s most famous works in the way that “The Water Babies” or “Westward Ho” are, but it is considered an important example of Victorian historical and cultural criticism. It is cited and reprinted in scholarly and reprint series precisely because it offers a characteristic Victorian attempt to reconcile religious seriousness with aesthetic and dramatic culture, shedding light on how post Puritan Britain viewed both its own past and its moral relationship to art. ...Plays and Puritans and Other Historical Essays by Charles Kingsley is a collection of cultural and historical meditations, centred on the relationship between Puritanism and the English stage, especially in the 16th and 17th centuries, along with broader reflections on art, morality, and national identity in Victorian‑era Britain.Plays and Puritans and other Historical Essays Author: Charles Kingsley Publisher: MacMillan & Co Date: 1873, Light Blue to cloth cardboard covers darker Blue to the spine the spine has title embossed in gold lettering. non-fictionPlays and Puritans and Other Historical Essays by Charles Kingsley is a collection of cultural and historical meditations, centred on the relationship between Puritanism and the English stage, especially in the 16th and 17th centuries, along with broader reflections on art, morality, and national identity in Victorian‑era Britain. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, plays and puritans and other historical essays, charles kingsley -
Merri-bek City CouncilWork on paper - Charcoal and pages from Aboriginal Words and Place Names, Jenna Lee, Without us, 2022
... This exhibition used the metaphor of ‘weeds’ to probe ideas of identity, displacement, we well as to explore the impact of colonisation on native ecologies. Selection criteria • Shows a distinctive and verifiable connection with the City of Merri-bek, such as being a work of art by an artist who has contributed to the creative culture of Merri-bek • A work that enhances the status and diversity of the Merri-bek Art Collection • A work that engages with important social, cultural or environmental issues • An innovative artwork that reflects current trends within a broader context of contemporary Australian art • An artwork that builds upon and strengthens the First Nations art component of the Merri-bek Art Collection, as per Council’s Reconciliation Policy Statement of significance The two proposed works by Jenna Lee, Without Us (2022) and Billy Can Pair (2022), engage with themes of ancestral material culture, colonial histories, and the reclamation of Indigenous identity. ...Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork -
Merri-bek City CouncilMixed media - Callistemon charcoal and ink on marine ply, Brian McKinnon, Bush Fire I “Redgum Sleeper”, 2019
... This work connects with themes of identity, colonial ignorance and denial, key ideas that McKinnon interrogated across the decades of his art practice. ... -
Darebin Art CollectionPainting, Phil Harris, 'Ideas Man', 2015
... Darebin Art Collection 7 Prospect Hill Dr Bundoora melbourne painting 'Ideas Man' Painting Phil Harris ...painting -
Emerging Writers' Festival2007 Festival Photographs
... Ideas Little Lonsdale Street Melbourne melbourne The 2007 Emerging Writers' Festival was programmed by Steve Grimwade and ran from Friday, 25 May to Sunday, 27 May 2007, at the Melbourne Town Hall, State Library Victoria and Federation Square. Special events in 2007 included: - Friday night launch featuring a keynote speech by Waleed Ali on issues key to emerging writers - The 48-Hour Play Generator - Scrabble - the best in wordplay – the Festival's Saturday night party - Independent Press and Zine Fair – all day Sunday in the Atrium - RMIT Gallery art/text exhibition from May 1 - Speed Dating for writers and editors 2007 Emerging Writers' Festival Steve Grimwade literary programming The Wheeler Centre Emerging Writers' literary festival Melbourne A collection of digital photographs, taken at various events associated with the 2007 Emerging Writers' Festival. 2007 Festival Photographs ...The 2007 Emerging Writers' Festival was programmed by Steve Grimwade and ran from Friday, 25 May to Sunday, 27 May 2007, at the Melbourne Town Hall, State Library Victoria and Federation Square. Special events in 2007 included: - Friday night launch featuring a keynote speech by Waleed Ali on issues key to emerging writers - The 48-Hour Play Generator - Scrabble - the best in wordplay – the Festival's Saturday night party - Independent Press and Zine Fair – all day Sunday in the Atrium - RMIT Gallery art/text exhibition from May 1 - Speed Dating for writers and editorsA collection of digital photographs, taken at various events associated with the 2007 Emerging Writers' Festival.2007 emerging writers' festival, steve grimwade, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne -
City of BallaratArtwork, other - Public Artwork - Temporary, Pauline O'Shannessy- Dowling et al, Lead On Mural (decommissioned 2020), 2013-2020
... art program and the City of Ballarat. The project was funded under the Graffiti Prevention and Removal Grants, part of the Victorian Government’s Community Crime Prevention Program. The aim of the project was for the young people involved to develop their skills, ideas...art program and the City of Ballarat. The project was funded under the Graffiti Prevention and Removal Grants, part of the Victorian Government’s Community Crime Prevention Program. The aim of the project was for the young people involved to develop their skills, ideas ...A temporary artwork by Lead On Ballarat was installed in a carpark at the Ballarat Library from 2013-2020. Art Streetz Murals was an initiative of Lead On Ballarat’s, “Take Back the Streets” art program and the City of Ballarat. The project was funded under the Graffiti Prevention and Removal Grants, part of the Victorian Government’s Community Crime Prevention Program. The aim of the project was for the young people involved to develop their skills, ideas and designs with assistance from the ‘Lead Artist’ Pauline O'Shannessy-Dowling. The artwork was created through a number of workshops, planning and design sessions. The final design received approval from the City of Ballarat and was painted by the lead artist and collaborators from April – May 2013.The artwork is of aesthetic and social significance to the people of Ballaratpainted mural lead on ballarat, take back the streets
