Kew Historical SocietySince its foundation in 1958, members of the Kew Historical Society have been compiling and storing information about subjects relating to the history of Kew and its environs, of which this file is an example. Arranged by Secondary Values (value of records to users)Subject file created by researchers of the Kew Historical Society containing primary and secondary sources relevant to 'Pomeroy' (later renamed 'Merridale') in Sackville Street, Kew. The file includes a history of the house and its owners. Also sale notices and correspondence re use of its tennis court by parishioners of St Hilary's. [See also Conservation Study 1988 and Melbourne Mansions Database]pomeroy -- sackville street -- kew (vic.), sackville street -- kew (vic.), merridale - sackville street -- kew (vic.), historic houses - victorian -- kew (vic.)pomeroy -- sackville street -- kew (vic.), sackville street -- kew (vic.), merridale - sackville street -- kew (vic.), historic houses - victorian -- kew (vic.)

Documentary evidence records that in 1888 Henry Eeles, stationer, was the first owner and occupier of this two-storey mansion. At that date the building was given an N.A.V.of £275 and Eeles was recorded as the owner of the house until at least 1910, when the thirteen-roomed mansion attracted an N.A.V. of £190. The house is quite typical of time, and it bears a remarkable resemblance to 3 Molesworth Street, the architect of which has not been established. (Kew Conservation Study, 1988)Colour photographic positive of one of 'La Verna' (formerly 'Heathfield'). The house is two storeyed and clad in render. It is ltaIianate in styling and is dominated by a two storeyed loggia that spans two facades. At ground floor level it has rounded arches supponed on cast iron colonettes, and above, has colonettes that support stilted segmental arches. (Kew Conservation Study, 1988)heathfield -- sackville street --- kew (vic), la verna -- sackville street -- kew (vic.)

Documentary evidence records that the first occupier of this substantial two-storey residence was Harry Karlbaum, a sharebroker and although the owner's name is not listed in the Rate Books for this first year, it appears in 1893 as Robert Crawford Anderson, a merchant, The property was given an initial N.A.V. of £150 in 1892 while by 1900 it was listed as having eleven rooms. (Kew Conservation Study, 1988)Colour photographic positive of one of 'Prague House'. The house is clad in render and is typical of the late Victorian period with an asymmetrical composition that has a loggia of stilted segmental arches at both levels that turns the corner of the house, and a polygonal bay window on one side of the front facade. The application of colonettes across the facade, the square piers to the loggia. and the lift in the eave to form a gable unit are less typical. (Kew Conservation Study, 1988)prague house -- sackville street -- kew (vic.), dunboe -- sackville street -- kew (vic.)

Documentary evidence records that the first occupier of this substantial two-storey residence was Harry Karlbaum, a sharebroker and although the owner's name is not listed in the Rate Books for this first year, it appears in 1893 as Robert Crawford Anderson, a merchant, The property was given an initial N.A.V. of £150 in 1892 while by 1900 it was listed as having eleven rooms. (Kew Conservation Study, 1988)Colour photographic positive of one of 'Prague House'. The house is clad in render and is typical of the late Victorian period with an asymmetrical composition that has a loggia of stilted segmental arches at both levels that turns the corner of the house, and a polygonal bay window on one side of the front facade. The application of colonettes across the facade, the square piers to the loggia. and the lift in the eave to form a gable unit are less typical. (Kew Conservation Study, 1988)prague house -- sackville street -- kew (vic.), dunboe -- sackville street -- kew (vic.)

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.The ‘Escol Estate’ was a subdivision, which created Bramley Court, which runs south from Sackville Street between Evans Road and Orford Avenue. The subdivision was comprised of 12 lots. At the auction of the lots in May 1940, eight of the 12 allotments were sold. The land was sold subject to a restriction of only one private residence being erected on each lot.subdivision plans - kew, sackville street – kew (vic.), bramley court – kew (vic.)

History, description, site plan and house plan of 'Glencara' at 59 Sackville Street, Kew.2-page document with site plan and internal layout of Glencara (b.1893,) 59 Sackville Street, Kew. The text in the document is identical to that in Pru Sanderson's Kew Conservation Study (1988).glencara -- sackville street -- kew (vic), houses -- sackville street -- kew

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 49 Sackville Street, Kew by Margaret Picken.49 SACKVILLE ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 49 sackville street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 5/54 Sackville Street, Kew by Margaret Picken.5/54 SACKVILLE ST., KEW / MARGARET PICKEN (c) 2001 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 5/54 sackville street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 8/54 Sackville Street, Kew by Margaret Picken.8/54 SACKVILLE ST., KEW / MARGARET PICKEN~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 8/54 sackville street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 84 Sackville Street, Kew by Margaret Picken.84 SACKVILLE ST., KEW / MARGARET PICKEN '90 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 84 sackville street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 101 Sackville Street, Kew by Margaret Picken.101 SACKVILLE ST., KEW / MARGARET PICKEN ~94 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 101 sackville street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 110 Sackville Street, Kew by Margaret Picken.110 SACKVILLE ST., KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 110 sackville street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 111 Sackville Street, Kew by Margaret Picken.11 SACKVILLE ST., KEW - BAINES ©2001 M.PICKENartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 111 sackville street - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 130 Sackville Street, Kew by Margaret Picken.130 SACKVILLE ST., KEW / MARGARET PICKEN ~97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 130 sackville street - kew (vic)

This grand Italianate mansion at 26 Sackville Street was built in 1890 as a private home. In May 1915, ‘Blackhall’ was purchased for £1800 by the Salvation Army and renamed the ‘Catherine Booth Girls’ Home’. The Home provided accommodation from 1915 to 1976 for about 90 to 100 girls between the ages of 4 and 16. An original plaque can still be seen at the front entrance. ‘Preshil, the Margaret Lyttle Memorial School’ purchased Blackhall for its Senior School in 1978. The photograph dates from 1945.Colour photographic positive of one of the houses in Sackville Street, now Preshil but formerly 'Blackhall'. Also at one stage the Salvation Army Catherine Booth Girls’ Home. Built in 1890, Blackhall is of significance as a typical and intact late Victorian mansion and as such is one of the key Victorian Buildings to have been built in Kew. It is integral to the significance of the concentration of Victorian mansions along Sackville Street.blackhall -- sackville street -- kew (vic.), catherine booth girls’ home, salvation army -- kew (vic.)

'Berrington' in Sackville Street was built in 1888 for Job Smith, builder, who was the first owner of this substantial two-storey house. The property was given an initial N.A. V. of £125 3 and it is possible that Smith was the contractor for his house.By the turn of the century 'Berrington' was identified as having thirteen rooms and an N.A.V. of £13 while the house remained in the hands of the Smith family until the late 1930s. The new owner at that stage was a Mrs Pederson who convened the house into three flats 6 while in 1951 it was further subdivided to become seven units. (Kew Conservation Study, 1988)Colour photographic positive of one of 'Berrington'. The building is a large two storeyed house typical of the late Victorian period. It remains substantially intact with a cast iron verandah dominating the front and side facades, that has the added distinction of a fine cast iron frieze that at ground floor level has two tiers. Behind the verandah, the facade is asymmetrical. There is a central six panelled door with a fine semicircular fanlight, and segmentally arched windows to the ground floor and on one side of the door there is a polygonal bay window that extends up the two floors. The eaves and chimneys are decorated with Italianate brackets. (Kew Conservation Study, 1988)berrington -- sackville street -- kew (vic.), job smith

Documentary evidence records that in 1890 William H. Jarman, accountant, was the first owner and occupier of 'Kalimna', a substantial rwo-storey residence; it having an initial N.A.V. of £1503. In the following year the N.A.V. for the eleven-roomed property had increased to £2504 indicating that the building had been completed. Jarman is recorded as owning and occupying 'Kalimna' until at least 1910,Colour photographic positive of one of 'Kalimna'. The house is typical of the late Victorian period with polychromatic brick walls, a two storeyed, cast iron decorated verandah that spans two facades, and a polygonal bay window extending to the front. The eaves and chimneys are decorated with Italianate brackets executed in render. The slate roof remains intact, including its cast iron finials. (Kew Conservation Study, 1988)kalimna -- sackville street -- kew (vic.), preshil

The first documentary evidence of this house comes from Rate Books which record that in 1893 a Mrs Treadway was the owner of this building with an N.A.V. of £80. At that date the occupier of the house was Charles B. Kelly, a clerk, while by 1910 Kelly had become the owner of the property described in that year as a six-roomed stone, brick and wood house with stables and outbuildings.(Kew Conservation Study, 1988)Colour photographic positive of one of 'Glencara'. It is a single storeyed house clad in render and dominated by a verandah that wraps around the front and sides, following the line of the projecting polygonal bay window. The verandah has elegance, being supported on coupled candy-twist columns and decorated with cast iron, and it returns around to the side entrance. The slate roof is intact. (Kew Conservation Study, 1988)glencara -- sackville street -- kew (vic.)

The first documentary evidence of this house comes from Rate Books which record that in 1893 a Mrs Treadway was the owner of this building with an N.A.V. of £80. At that date the occupier of the house was Charles B. Kelly, a clerk, while by 1910 Kelly had become the owner of the property described in that year as a six-roomed stone, brick and wood house with stables and outbuildings.(Kew Conservation Study, 1988)Colour photographic positive of one of 'Glencara'. It is a single storeyed house clad in render and dominated by a verandah that wraps around the front and sides, following the line of the projecting polygonal bay window. The verandah has elegance, being supported on coupled candy-twist columns and decorated with cast iron, and it returns around to the side entrance. The slate roof is intact. (Kew Conservation Study, 1988)glencara -- sackville street -- kew (vic.)

The first documentary evidence of this house comes from Rate Books which record that in 1893 a Mrs Treadway was the owner of this building with an N.A.V. of £80. At that date the occupier of the house was Charles B. Kelly, a clerk, while by 1910 Kelly had become the owner of the property described in that year as a six-roomed stone, brick and wood house with stables and outbuildings.(Kew Conservation Study, 1988)Colour photographic positive of one of 'Glencara'. It is a single storeyed house clad in render and dominated by a verandah that wraps around the front and sides, following the line of the projecting polygonal bay window. The verandah has elegance, being supported on coupled candy-twist columns and decorated with cast iron, and it returns around to the side entrance. The slate roof is intact. (Kew Conservation Study, 1988)glencara -- sackville street -- kew (vic.)

Colongulac is believed to have been built c.1920.Colour photographic positive of 'Colongulac', 103 Sackville Street, Kew .colongulac -- sackville street -- kew (vic.)

Colongulac is believed to have been built c.1920.Colour photographic positive of 'Colongulac', 103 Sackville Street, Kew .colongulac -- sackville street -- kew (vic.)

'Walden' is believed to have been built c.1920.Colour photographic positive of 'Walden', 105 Sackville Street, Kew .walden -- 105 sackville street -- kew (vic.)

Colour photographic positive of Sackville Street, Kew from the corner of Ross Street.sackville street -- kew (vic.)

In 1979, a series of photographs of significant gardens in Kew (Victoria) were taken during a tour by Peter Watts, of National Trust Victoria. These were later purchased to add to the collection. In the case of each photo the colour had badly degraded over time. Original colour (degraded) positive photograph of the front garden and part of the colonnaded verandah of 'Merridale' (formerly 'Pomeroy'), 43 Sackville Street, Kew.Annotated in ink reverse: "Merridale 43 Sackville St Built 1884/5 / View of drive to portico / Entrance old trees and gardens"merridale, pomeroy, sackville street -- kew (vic.), gardens -- kew (vic.)

The donor's aunt, Margaret E. Hollis nee Piesse (18/2/1919-2008) wore this gown to the Coronation of Queen Elizabeth II in 1953. She was one of a total of 8,251 guests who attended the ceremony at Westminster Abbey, London. Margaret Piesse was born in Hobart and grew up in the Piesse family home, 'Merridale', Sackville Street, Kew. She was residing at 4a Little Cloister, Westminster Abbey at the time of the Coronation and was married (on 14/2/1942) to Rev Howard Hollis, a minor Canon at the Abbey and a deputy Priest in – Ordinary to the Queen (1954-1959). Howard chanted the litany and carried the sceptre. Margaret’s daughter-in-law, Sue Hollis, Margaret’s sons, Julian who attended the Coronation with his mother, and Richard, gave the photograph to Felicity Renowden, the donor. Margaret Hollis died in Kew on 16/4/2008.Single piece, formal silk brocade gown worn to the Coronation of Elizabeth II on 2 June 1953. The bodice is informally draped with horizontal folds of fabric above an antebellum waistline below which is a full skirt. An accompanying photograph of the wearer in the dress can be viewed in the final image above. coronation elizabeth ii, piesse family, merridale -- sackville street -- kew (vic.), margaret e hollis, margaret ellen piesse, fashion design, fashion -- 1950s, women's clothing -- 1950s

The donor's aunt, Margaret E. Hollis nee Piesse (18/2/1919-2008) wore this gown to the Coronation of Queen Elizabeth II in 1953. She was one of a total of 8,251 guests who attended the ceremony at Westminster Abbey, London. Margaret Piesse was born in Hobart and grew up in the Piesse family home, 'Merridale', Sackville Street, Kew. She was residing at 4a Little Cloister, Westminster Abbey at the time of the Coronation and was married (on 14/2/1942) to Rev Howard Hollis, a minor Canon at the Abbey and a deputy Priest in – Ordinary to the Queen (1954-1959). Howard chanted the litany and carried the sceptre. Margaret’s daughter-in-law, Sue Hollis, Margaret’s sons, Julian who attended the Coronation with his mother, and Richard, gave the photograph to Felicity Renowden, the donor. Margaret Hollis died in Kew on 16/4/2008. Print copy of an original photograph of Margaret Ellen Hollis (nee Piesse) before she attended the Coronation of Elizabeth II in 1953. She is posed in the photograph, seated wearing her dress, tiara and long elbow length gloves.coronation of elizabeth ii, westminster abbey, piesse family, merridale -- sackville street kew (vic.), margaret e hollis