These are theatre tickets issued to those attending a Naval Band Concert at the Warrnambool Town Hall on November 18th 1961. The Warrnambool Town Hall, opened in 1891, was located at the corner of Timor and Liebig Streets and is now in the same precinct as the Lighthouse Theatre.These tickets are of minor interest as examples of local theatre tickets used sixty years ago.75 Blue rectangular shaped tickets serrated line on left side , 72 Orange rectangular shaped tickets, serrated line on left side with printing on both packsW'bool Town Hall STALLS STALLS Naval Band Concert. Sat. Nov. 18th 3 G Town Hall, Warrnambool STALLS This Portion for Doorkeeper' NAVAL BAND CONCERT Saturday, November 18th, '61 3 Gwarrnambool town hall naval band

This is a set of documents including three sheets of blueprint plans for the New Town Hall and Offices for Warrnambool, created in 1890 by the Architect Mr Arthur H. Cutler of Melbourne. The Contract was signed by the Town Mayor for Warrnambool, Mr William Simpson on May 7th 1890. Also, a Council copy of the Contract dated 26 June 1890, with the signatures and diagram where the two official stamps would be placed. The Foundation Stone was laid the following year by the next Mayor, John Hyland on February 24th 1891. The contractor for the building was granted to W. Kellas (William) of Warrnambool. The Town Hall and Offices were built on the corner of Liebig and Timor Streets in Warrnambool. On March 20th 1983 the new Performing Arts Centre was opened y the Mayor, Councillor R w Andreson, on the same site. The new building incorporates the 1890 Town Hall building. The plans, contracts, documents and various references to people on the documents are significant to the history of the City of Warrnambool and its community. The Warrnambool Town Hall building is also significant for the many community events held there over the decades after it was built. Appreciation for the significance of the almost century-old Town Hall building is demonstrated by its inclusion in the new Performing Arts Centre.Set of five documents that includes Plans for the Warrnambool Town Hall, the Contract cover page and a letter from the Architect to the Council. The Contract cover page and the Letter are hand written on cream-coloured paper with a waxy finish, with watermarks. 1) Contract Cover Page, 5th May 1890, Specification of the New Town Hall and Offices at Warrnambool. 2) Letter, 29th January 1892, from Architect Arthur H. Cutler to Mayor and Councilors, Town of Warrnambool 3) Blueprint Sheet 4, Longitudinal Section, and profiles of Liebig Street and Timor Street, Warrnambool Town Hall, 4) Blueprint Sheet 3, First Floor & Balcony Plan, and Roof Plan 5) Blueprint Sheet 2, Ground Floor Plan, Warrnambool Town Hall 6) Contract, 26 June 1890, marked (Draft Copy Tow Hall Contract), Between Mayor, Councillors and Rate Payers, and William Kellas, ContractorWatermarks on handwritten pages [horizontal lines], "36" "BUSBRIDGE'S / LOFT DRIED" Contract cover page, Oval stamp "CUTLER - 281 COLLINS ST. E. MELBOURNE - ARCHITECT " (other crossed out text) Handwritten script "This is the specifications referred to in our agreement" "Dated this 7th day of May A.D. 1890" Signed "W. Simpson Mayor" "Arthur H. Cutler Architect", [two Witnesses' signatures and others] Letter from Arthur Cutler, handwritten, has his address "472 Chancery Lane, Melbourne" CONTRACT of 26 June 1890: "The Mayor, Councillors and Rate Payers of Warrnambool" "William Kellas of Warrnambool" "Signed William Simpson, Maoyorr" "R F Kennedy, Councillor" "Wm Kellas" with diagrams where the round Common Seal and square Stamp would be applied.warrnambool, flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime village, shipwreck coast, great ocean roaad, warrnamboo town hall, warrnambool council offices, mayor william simpson, arthur h cutler, architect, civic centre, town hall, performing arts centre, mayor john hyland, william kellas, mayor r w anderson, r f kennedy, contract

This is a programme for a 1913 Clara Butt and Kennerley Rumford concert in the Warrnambool Town Hall. Clara Butt (1872-1936) was an English contralto recitalist and concert performer, well-known for her powerful and deep voice. Her three months’ tuition in Paris was sponsored by Queen Victoria. She was married to Kennerley Rumford in 1900 and they had three children. Robert Henry Kennerley Rumford (1870-1957) was an English baritone singer known initially for his performance of oratorio. Clara Butt and Kennerley Rumford were called ‘the greatest classical Valentines’. Other performers listed in this concert programme were Mowat Carter, a Melbourne-born violinist and William Murdoch, a pianist, composer and author, born in Bendigo.This programme is of considerable significance as it records the visit to Warrnambool of the famous English singer, Clara Butt. It is an original programme and it is probably a rare one. This is an eight-page programme, consisting of two sheets of cream paper folded in half. The programme was stapled but the staples have been removed. The front cover has blue printing and the back cover has an advertisement in blue print. The print on the inside pages is in black. Two inscriptions are handwritten in blue ink.‘1913’ ‘N.J.Absalom’clara butt, kennerley rumford, warrnambool town hall, history of warrnambool

These theatre chairs had been used in the Mozart Hall in Warrnambool for many years but are now no longer required. They were about to be offered for anyone to take but just by chance Flagstaff Hill’s Manager heard about them from a friend in Melbourne. Our Manager thought it important to keep the chairs in Warrnambool as they were significant to our local history and could be incorporated in our Museum. He made arrangements to collect and install them in Flagstaff Hill’s Theatrette. Originally these theatre chairs belonged to Warrnambool Town Hall. When The Warrnambool Baths (or Swimming Pool) in Gillies Street closed, due to the Health Act of 1958, the changing rooms were taken over by the Mozart Group. The building was modified and set up for musical concerts with the name Mozart Hall. The seats were re-covered by Miss Eva Gaspar, Director of the Warrnambool Music Society, with assistance from group members. The material was order by W.C. James (Treasurer) in 1964, at a cost of 26 pound and 10 shillings (£26-10), and supplied by Jacka-Wortley Fabrics Pty Ltd, Upholstery and Furnishing Supplies, 157-163 Pelham Street, Carlton, Melbourne, Victoria. The supplier’s telephone was “JACKAFAB” (5222 2322). The fabric was delivered to J. Hulin of 116 Belmore Rd, Warrnambool. The manufacturer of the chairs, Riddell & Preece Pty Ltd of Melbourne, also supplied theatre chairs for other public buildings including (1) the Ozone Theatre in Enfield, South Australia, in 1929, (2) the Gallery of the Horsham Town Hall in Victoria (at 26/6 each, that is 26 shillings and sixpence, approximate conversion in 2014 to $100.00au), (3) in 1927 in the Gallery of the Kyenton Mechanics’ Institute (4) in 1926, Horsham Theatre. (In May 2018 a transfer of three banks of chairs was made from Flagstaff Hill to the Australian Centre for the Moving Image in Melbourne.) The chairs are of local historical and social significance. Theatre chairs. The sixteen sets (groups or banks) of complete chairs, four seats per chair, give a total of 64 seats. Each chair has timber framed seats, with arm rests, upholstered in red vinyl. The seats are set into decorative gilt iron frames which incorporate five legs, all set into two timber floor rails. The seats are hinged to fold upwards and rest against the backrests. On ironwork "PTY. LTD"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, theatre chairs, theatre seats 1939, warrnambool town hall seats, mozart hall warrnambool, theatre furniture, mechanics’ institute chairs, j hulin warrnambool, mozart hall choral group, eva gaspar, warrnambool music society, w.c. james, jacka-wortley fabrics pty ltd

This journal shows payments made for a number of Council and community expenses. It includes entries relating to Town Hall, Botanic gardens, Parks, road costs, baths, beach improvements, Warrnambool Racing Club. It shows account transfer journals Provides an overview of expenses of Council in the early 20th century.Dark blue water wave fabric over card with light brown points and binding. Red leather label with gold text and border. Pages edged in pink green, yellow and white pattern. 102 Pages.Journal Town of Warrnambooltown of warrnambool 1914-1926, warrnambool expenses 1920, warrnambool town hall, warrnambool baths

No information has been found regarding this exhibition in Warrnambool. The card design indicates that the exhibition may have been in the 1950s. The Warrnambool Chamber of Commerce has been operating at various times in the 20th century and was formed by the local businesses to promote Warrnambool as a city for business initiatives, tourism and economic development. These tickets are of some interest as an example of the activities of the Warrnambool Chamber of Commerce in the mid 20th century. These are two identical tickets, with black printing on a green background on one side and blank on the other side. The edges of the cards are gold- tipped in a serrated pattern.‘The President and Committee of the Warrnambool Chamber of Commerce requests the pleasure of the company of ….. at the Made in Australia Exhibition at the Warrnambool Town Hall on Thursday Evening, October 22nd, E. M. Dempster, Organizer’. made in australia exhibition, warrnambool, warrnambool, warrnambool chamber of commerce, e dempster

This programme is for the 1956 Warrnambool production of ‘The Heiress’. It was produced by Joyce Hayward, assisted by her husband Cyril. Joyce Hayward produced more than 80 plays and musicals in Warrnambool over a 30 year period and was a life member of the Warrnambool Theatre Company (as the Warrnambool Musical and Dramatic Society was re-named). Cyril Hayward acted in more than 40 plays in Warrnambool and stage-managed more than 50. Together they dominated the cultural scene in Warrnambool from 1955 to 1985 and were chiefly responsible for the establishment of the Warrnambool Performing Arts Centre (now the Lighthouse Theatre). Both received British Empire Medals.This program is of interest as an early example of the plays produced in Warrnambool by Joyce Hayward assisted by her husband Cyril. The Haywards had a major influence on the cultural life of Warrnambool for 30 years in the second half of the 20th century. The advertisements in this programme are also historically important.This is a soft cover programme of eight pages. It has an orange cover with black printing. The programme has many advertisements, information on the cast and the play produced. The booklet has been stapled but the staples have been removed.Front Cover: Warrnambool Musical & Dramatic Society presents The Heiress, a Play by Ruth and Augustus Goetz, Warrnambool Town Hall, Thursday, Friday, Saturday, 15th, 16th, 17th Nov. 1956, Programme 1/-warrnambool musical & dramatic society, cyril & joyce hayward, warrnambool

This is a framed photograph showing a key event in Warrnambool's history - the proclamation by Sir Arthur Stanley of Warrnambool as a city in 1918. Warrnambool was the fifth non--metropolitan town in Victoria to be declared a city and a large crowd gathered outside the Town Hall to see this event. Sir Arthur Stanley (Lord Stanley of Alderley) was an English nobleman, Parliamentarian and soldier who was the Governor of Victoria from 1914 to 1920. The photographer was Arthur Jordan who, like his father Joseph, was a prominent photographer in Warrnambool at the end of the 19th and the beginning of the 20th centuries and took many official photographs of civic affairs. The donor of the photograph, probably immediately after the event to the Warrnambool Museum at the time under the auspices of the Warnambool Mechanics' Institute, was George Mackay, a prominent Warrnambool lawyer, Councillor and Mayor. He was probably responsible for the framing of the photograph.This is a significant photograph as it is a record of an important event in Warrnambool's history and is a great research toolThis is a black and white photograph in a polished wooden frame with a card inset and a glass covering. The photograph shows the Governor of Victoria, Sir Arthur Stanley, in civilian dress standing on a platform outside the Warrnambool Town Hall proclaiming Warrnambool a city. Behind the Governor on the platform are many men and some women and in the foreground left is a band and in the foreground centre are Army school cadets. The photograph frame has a wooden backing with a piece of wire attached for hanging the object. In the photograph also is a columm with a sign on it.His Excellency the State Governor Sir Arthur Stanley Proclamation- Warrnambool a City 23rd May 1918 Warrnambool Museum & Art Gallery Presented by G.S.Mackay Warrnambool Arthur Jordanwarrnambool -a city in 1918, sir arthur stanley, george s. mackay, arthur jordan

This is a program of the production of the comedy Quiet Weekend by the Warrnambool And District Musical and Dramatic Society. It was staged at the Warrnambool Town Hall probably in the 1950s. This local dramatic society is known to have been in existence since 1945 and its successor today is the Warrnambool Theatre Company.This programme is retained as an example of the plays staged locally in the 1950s.This is a sheet of yellow paper folded in two to make four pages with blue printing and decorative patterns on the front cover.Quiet -Weekend WARRNAMBOOL AND DISTRICT DRAMATIC SOCIETYwarrnambool & district musical & dramatic society, theatre productions

The Warrnambool Camera Club is a group of like -minded people who meet once a month in Dennington. The ledger contains lists of entrants and photographs from International Exhibitions of Photography held from 1966 to 1970. The exhibition was held in January 1966 at the Warrnambool Town Hall. Patrons were the Governor of Victoria Sir Rohan Delacombe and the Hon. H. E. Bolte.The significance of this ledger lies with its links to a local club which is still viable. It also shows the organisation behind holding an International Exhibition.Black leather bound volume with green card inside front and back cover. Contains handwritten entries and a number of brochures, tickets and statements. Modern print 91 Kepler Street, Warrnambool. Telephone 2274.warrnambool, warrnambool photography club, photographs, ledger, international photographic exhibition warrnambool photographic society

This is a program for the 1956 production of ‘My Fair Lady’ by the Warrnambool Theatre Company. This group was originally known as the Warrnambool Dramatic Society but in the late 1950s the name was changed to the Warrnambool Theatre Group. Since that time the company has produced all types of theatrical performances, many of them in the old Warrnambool Town Hall. Joyce and Cyril Hayward were associated with the company productions for many years. This program is of minor significance as a memento of the 1956 performance of ‘My Fair Lady’ by the Warrnambool Theatre Group.This is a booklet of eight pages with a green cover. There is printed material on all pages and this includes advertisements, information on the Warrnambool Theatre Company, synopsis of the story, lists of actors and associated personnel in the production, sketches and photographs and acknowledgements. The pages are stapled.Front Cover: ‘My Fair Lady’warrnambool theatre company, warrnambool, program, my fair lady

This is a programme for the 1997 Warrnambool Theatre Company production of ‘Into the Woods’. Warrnambool has had many drama and theatrical groups throughout its history, with the present day Warrnambool Theatre Company evolving from the Warrnambool Theatre Group which was founded in 1948. Plays and musicals have been produced each year since, with most productions being staged at the Warrnambool Town Hall/Performing Arts Centre/Lighthouse Theatre. This programme is of interest as an example of the productions staged by the Warrnambool Theatre Company. This is a booklet of 16 pages with a white cover. On the front cover is an illustration of a wooded forest in black and white tonings with the lettering in black and white. The back cover has an advertisement in black and white. The booklet contains advertisements, information on the play and the theatrical performers and producers and black and white photographs. The booklet is bound with metal staples. warrnambool theatre company, history of warrnambool

This is a booklet of 47 pages. It has a grey cover with green linen binding and metal staples with black printing on the front cover. It has a postal stamp on the back. The pages contain black typed printingnon-fictionThis document contains the minutes of the 1946 Australian Primary Producers Union first conference .australian farmers' union, 1946 australian primary producers union, warrnambool.

The card relates to the Official Centenary Ball held in the Warrnambool Town Hall in March 1947 to celebrate the city's Centenary in 1947. Warrnambool was founded as a port settlement to service the farming interests in the area, with the first land sales held in Melbourne in July 1847. The leaflet is a programme of the Civic Memorial Service held in the Botanic Gardens in Warrnambool in February1952 on the occasion of the death of King George VI of England. Both items came from memorabilia held by the Bamford family of 8 Monash Avenue Warrnambool and it is presumed that one or more members of that family attended the events.These items are of social significance as mementos of events in Warrnambool in the mid 20th century..1 A white card with black printing and a logo .2 A sheet of white paper folded to make four pages with black printing and a photograph of King George VI of Englandwarrnambool memorabilia, warrnambool centenary, warrnambool centenary 1947, official centenary ball.

This is a program of a concert organized by the Soldiers’ Christmas Comforts Group and the Red Cross in Warrnambool to raise funds for the soldiers on active service in World War One. The concert was held in the Warrnambool Town Hall in September 1916 and featured a Melbourne artist, Horace Wood, who gave several violin solos and the local Warrnambool orchestra of Miss Gertrude Rooney. The Rooneys were early settlers in the Dennington area and had the property, ‘White Rock’ in Dennington and a produce store in Warrnambool. Miss Gertrude Rooney was an accomplished musician and was prominent in musical circles in Warrnambool during the first half of the 20th century. This program is of interest as an example of the fund raising activities in Warrnambool during World War One and of the type of entertainment offered at concerts at that time. There are many well-known names listed among the orchestra members at the back of the program. This is a sheet of buff-coloured paper folded in two to make four pages. The front page has an ornate red edging and there is dark blue printing on the front and back pages. The front page has a large Red Cross emblem The inside two pages have the printed program of concert items in black print. There are also advertisements for local Warrnambool businesses. The edges of the program are torn and ragged. world war one, warrnambool in world war one, gertrude rooney, musical entertainments in early 20th century, warrnambool

Paperback Background is dark green with sepia photo in bronze coloured frame. Precis on back cover is printed in white lettering. 132 pages.non-fictionBiography of early Warrnambool settler, John Hyland.warrnambool, john hyland, james nicholas, warrnambool mayors

This is a booklet with a buff-coloured cover with black binding covering metal staples.The cover has images of the Warrnambool Exhibition buildings, local scenes, aboriginals and bush scenes surrounded by scroll patterns. The booklet contains many pages of advertising, black and white photographs of scenes of Warrnambool and district and printed text.non-fictionsouvenir booklet of 1896-7 Warrnambool Industrial and Art Exhibitionwarrnambool industrial and art exhibition, joseph jordan

These are two programmes of the Civic and Memorial Official Service held in the Warrnambool Town Hall on 26th May 1918. The service was held for two purposes. One was to celebrate the gazetting of Warrnambool as a city, two days earlier, on 24th May 1918. The other was to offer prayers and remember those on active service in World War One and those who had died in the war and to pray for the war to end. (World War One came to an end in the November of 1918). The service on 26th May in Warrnambool was conducted by the ministers of churches in Warrnambool and attended by the Mayor and Councillors and Council workers. A collection was taken up at the service for the British Red Cross Society. The Mayor at the time was William Swinton.This program is of considerable interest as it brings to our attention two events of importance in our history – Warrnambool becoming a city in 1918 and the city’s involvement in World War One and the long-term effects of this war on all settlements in Australia. It also highlights the importance at the time of the Christian religions in Australia.These are two copies of the programme of the 1918 Warrnambool Civic and Memorial Service. The programme is one sheet of buff-coloured paper folded in two to make four pages. There is blue printed material on three of the pages. The front page has the crest of the City of Warrnambool with blue edging and some ornamental scrolls. One programme is tattered at the edges. The two programmes have been glued together at the bottom left corner and have been partly mounted on a piece of white card. warrnambool city council, program civic memorial service 1918

Dame Nellie Melba, born Helen Porter Mitchell (1861-1931), was the first Australian to gain international fame as an opera singer and one of the best-known singers in late Victorian times. She took the name ‘Melba’ from her home town, Melbourne. She sang in Warrnambool on at least two occasions, staying at local homes, including ‘Summer Hill’, belonging to the Murray family and ‘Lyndoch’ as the guest of Florence Lake. In 1927 she sang at the Warrnambool Town Hall with three other assisting artists and this programme records that event. The Warnambool and District Historical Society has an evening bag that was given by Nellie Melba to Miss O’Donnell, a maid at ‘Lyndoch’ at that time. This programme is of considerable significance as it is a memento of the occasion in 1927 when the famous Australian opera singer sang at the Warrnambool Town Hall during her farewell tour. This is a cream-coloured sheet of paper folded into two to make four pages. The front cover has a decorative border and blue printing and a Warrnambool & District Historical Society stamp and the back cover has an advertisement. The middle pages contain blue printing. The folds are torn in parts.Dame Nellie Melba's Farewell Tourdame nellie melba, history of warrnambool, lyndoch, melba farewell tour

This is a ticket for a complimentary concert to the Victorian soprano, Miss Mollie Hayres, in the Warrnambool Town Hall in 1926. Inez Mary (Mollie) Hayres (1897-1980) was born in Port Fairy and received her early musical training from the Good Samaritan Sisters in Port Fairy. She received local funding to enable her to study at the Melbourne Conservatorium of Music under Madame Weiderman and toured the Western District in 1926, supported by the pianist May Broderick and the violinist Cecil Parkes, in a series of complimentary concerts to give her funding to study in Europe. She became a well-known singer and singing teacher in Melbourne, featuring in radio programs and concerts. This ticket is of interest as a memento of Mollie Hayres, a noted singer in Victoria in the first half of the 20th century.This is a small white card with black edging and printing. Grand Complimentary Concert to Miss Mollie Hayresmollie hayres soprano, good samaritan sisters port fairy

This is a supplement issued by the Weekly Times newspaper in 1896 to commemorate the opening of the Warrnambool Industrial ad Art Exhibition in November 1896. The exhibition ran for three months in the Warrnambool Town Hall/Mechanics Institute area with some temporary buildings. The attendance was recorded as 70,000, making it one of the biggest events ever held in Warrnambool. There were displays, competitions, concerts and operas and sporting and cultural events. The exhibition was historically important as being the time and place when the earliest surviving sound recordings made in Australia were produced by Tommy Rome on an Edison phonograph. The supplement came from the estate of Bruce Morris, the editor of the Warrnambool Standard from 1946 to 1968 and an important Warrnambool historian.This paper, although tattered is a most important souvenir of the Warrnambool Industrial and Art Exhibition of 1896-7, a significant event in Warrnambool’s history. The supplement is also a valuable record of businesses and people of the late 19th century in Warrnambool.This is a supplement to an 1896 newspaper. It has 20 pages but is incomplete. It has printed material and black and white and sepia photographs. Most of the pages are loose and are tattered. warrnambool industrial and art exhibition 1896-7, bruce morris, warrnambool, thomas rome, warrnambool

This is a programme of a concert called ‘Grand Symphonic Concert and Irish Ballad Night’ staged by the Warrnambool Orchestral Society at the Warrnambool Town Hall on July 10th 1902. The conductor was Louis Bayer (1857-1907). Born in Germany, Bayer came to Warrnambool in 1891 and, with his wife, Eleanor, taught piano. violin, orchestration and singing and established the Warrnambool Orchestral Society. In 1896-7 Bayer was the musical director of the Warrnambool Industrial and Art exhibition, composing the Cantata for the opening ceremony and directing over 60 musical performances, including 22 operas and many concerts. Bayer was a composer and wrote several operas, including one called ‘Federation’. Bayer’s wife was an accompaniste at this symphonic concert and two of his sons played the horn and the drums. The soloists at this symphonic concert included Minnie Sloane, Lucy Meares and J. Robertson. This programme is of great significance as it features a concert conducted by Louis Bayer, one of the most important musicians in Warrnambool’s history. This is a yellow-coloured piece of paper folded in two to make four pages. The pages have details of the concert programme, a list of members of the orchestra, one advertisement and a front page with the concert headings in a fancy border. The pages are somewhat torn at the folds and there is heavy staining, especially on the back page. warrnambool orchestral society, louis bayer, history of warrnambool

This is a programme of a concert called ‘The All Nations Night’ staged by the Warrnambool Orchestral Society and held in the Warrnambool Town Hall on Show Night, November 13th 1902. The conductor was Louis Bayer (1857-1907). Born in Germany, Bayer came to Warrnambool in 1891 and with his wife taught piano, violin, orchestration and singing and established the Warrnambool Orchestral Society. In 1896-7 Louis Bayer was the musical director at the Warrnambool Industrial and Art Exhibition, writing the Cantata for the opening ceremony and directing over 60 performances, including 22 operas and many concerts. Bayer was a composer and wrote several operas including one called ‘Federation’. Bayer’s wife was an accompaniste at this ‘All Nations Night’ concert and his son, Otto was the horn player. The concert featured the soloists, Nellie McClelland, Lucy Meares, W.D. Thomson and D. Williams. The concert may have been sponsored by Youngers Stores. This large department store was established in 1888 and closed in the 1980s. This programme is of great significance as it featured a 1902 concert conducted by Louis Bayer, one of the most important musical identities in Warrnambool’s history. These are two sheets of green-coloured paper folded in two to make eight pages. The printed material is in black type. The pages include the concert programme, a list of members of the orchestra and several advertisements for Youngers Stores. The front page has the concert title (‘The All Nations Night’) in a text box bordered by a floral pattern. The pages are a little torn at the edges. younger & co, warrnambool, history of warrnambool, louis bayer

This is the programme of a concert staged by the Warrnambool Orchestral Society, probably in 1904, in the Warrnambool Town Hall. As well as the Warrnambool Orchestra conducted by Louis Bayer, the concert featured Watkin Mills, Eduard Parlovitz and the Western District Orchestra. Louis Bayer (1857-1907) was born in Germany and came to Warrnambool in 1891. With his wife he taught piano, violin, orchestration and singing and established the Warrnambool Orchestral Society. Bayer was the Musical Director of the 1896-7 Warrnambool Industrial and Art Exhibition, composing the Cantata for the opening ceremony and directing over 60 musical performances, including 22 operas and many concerts. Bayer was a composer and produced many operas, including one called ‘Federation’. Robert Watkin-Mills (1849-1930) was the leading English bass baritone concert performer of his time. He was successful in Britain, U.S.A. and Canada and moved to Canada in 1914. He toured Australia in 1904 and again in 1905. Eduard Parlovitz was a distinguished Polish pianist. This programme is of great significance as an example of a 1904 concert produced under the direction of Louis Bayer, one of the most important musicians in Warrnambool’s history. The concert also featured two internationally-known artists, demonstrating that in 1904 Warrnambool was a venue for the top musicians of the day. These are two sheets of paper folded to make one cover and four pages of printed material. The cover is pink with borders, some ornamental, forming the text boxes that separate the concert information from advertisements for two Warrnambool businesses. The programme details are printed on the white paper inside the cover and include two advertisements. The programme has been stapled but the metal staple has been removed. The programme is slightly torn on the cover edges. warrnambool orchestral society, louis bayer, robert watkin-mills, eduard parlovitz

This is a glass cup which has been painted and etched at the Warrnambool Industrial and Art Exhibition of 1896-7. This exhibition lasted three months and was staged at the Liebig/Timor Streets intersection at the Warrnambool Town Hall and Council buildings with some temporary buildings added for the occasion. It was reported that 70,000 people visited the displays, attended the concerts and entered the competitions. John Villiers, a Warrnambool painter and decorator with a glassware and chinaware shop in Liebig Street, had a stall at the Exhibition. He brought from Melbourne a glass etcher who etched glass souvenirs such as this one for patrons of the Exhibition. It was the first time that glass etching had been done in Warrnambool. Alice McConnell was born in 1885 in Warrnambool to Robert McConnell and Matilda Russell so she was about 11 or 12 at the time of the Exhibition. She died at the age of 17 in Warrnambool. Her father was possibly the proprietor of the R. and J. McConnell livery stables which later became a transport company in Warrnambool.This glass is most significant because it is one of the few surviving souvenirs of the important Warrnambool Industrial and Art Exhibition of 1896-7. It is also a memento of Alice McConnell, the owner of the glass, who died at the young age of 17. The item comes from the estate of Ken Wooles who was a descendant of the Wooles family prominent in Warrnambool as monumental masons. He was also related to the McConnell family on his mother’s side of the familyThis is a glass cup with a handle. It has a curved shape and has a painting of a young girl with brown hair in a white decorative setting. The glass is etched with the name of Alice McConnell and this was done in 1897 at the Warrnambool Industrial and Art Exhibition of 1896-7. There is a crack near the handle.‘Warrnambool Exhibition, Alice McConnell, 1897’warrnambool industrial and art exhibition 1896-7, alice mcconnell

The design of this set of four lightweight chairs is based on Thonet’s bentwood designs, which are still some of the best-selling designs for café and restaurant owners. It is elegant, sophisticated and durable. Some of these chairs still have their original seat, under which the letters “TH” or “RSL” are hand written. Flagstaff Hill has several bentwood chairs with these letters on them, in either chalk, black paint, or both. It is believed that the chairs were used in the original Warrnambool Town Hall, and later the RSL. The Town Hall was completed in 1891, built on the corners of Timor and Liebig Streets. (In 1977 the Town Hall was declared unsafe and was later replaced by the Warrnambool Performing Arts Centre.) Some of the chairs have marks, paper labels and symbols on them that show that the maker was Josef Jaworek, who had a small furniture factory in east Sinensia, which was at that time in Austria, from 1907 - 1914. Bentwood chairs are made by a process of wetting wood in water, bending it into curved shapes, then allowing it to dry so that the shape becomes permanent. This process originated by Michael Thonet, who had been given the right to bend wood into desired curves by the Austrian Courts in 1842. In 1856 he was granted a 13 year patent to manufacture chairs and table legs of bent wood treated by steam or boiling water. In 1859 his company Gebruder Thonet produced his original design. Thonet’s early designs also featured hand carved or laminated wooden seats. His Model No. 14 was produced in the 1850’s and his most popular design. After Michael’s death in 1871 the family went on designing and producing chairs. These bentwood chairs are believed to be associated with the original Warrnambool Town Hall. The Warrnambool Town Hall played a significant role in the both the local government and the social events of local and district areas. It was a place for Council meetings, community events and entertainment, theatrical and musical.Bentwood chair (4 of 4), painted black, inner back is curled loop, seat has leather cover attached with studs, ventilation holes under seat, legs are splayed and have a bracing ring. Marks: under seat, handwritten and stamped into wood.Marked with handwritten "TH", in both black paint & white chalk. Under rim is label printed "65" Stamped into wood on rim under chair "95".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bentwood chair, café chair, restaurant chair, josef jaworek, austrian chairs, furniture

The design of this set of four lightweight chairs is based on Thonet’s bentwood designs, which are still some of the best-selling designs for café and restaurant owners. It is elegant, sophisticated and durable. Some of these chairs still have their original seat, under which the letters “TH” or “RSL” are hand written. Flagstaff Hill has several bentwood chairs with these letters on them, in either chalk, black paint, or both. It is believed that the chairs were used in the original Warrnambool Town Hall, and later the RSL. The Town Hall was completed in 1891, built on the corners of Timor and Liebig Streets. (In 1977 the Town Hall was declared unsafe and was later replaced by the Warrnambool Performing Arts Centre.) Some of the chairs have marks, paper labels and symbols on them that show that the maker was Josef Jaworek, who had a small furniture factory in east Sinensia, which was at that time in Austria, from 1907 - 1914. Bentwood chairs are made by a process of wetting wood in water, bending it into curved shapes, then allowing it to dry so that the shape becomes permanent. This process originated by Michael Thonet, who had been given the right to bend wood into desired curves by the Austrian Courts in 1842. In 1856 he was granted a 13 year patent to manufacture chairs and table legs of bent wood treated by steam or boiling water. In 1859 his company Gebruder Thonet produced his original design. Thonet’s early designs also featured hand carved or laminated wooden seats. His Model No. 14 was produced in the 1850’s and his most popular design. After Michael’s death in 1871 the family went on designing and producing chairs. These bentwood chairs are believed to be associated with the original Warrnambool Town Hall. The Warrnambool Town Hall played a significant role in the both the local government and the social events of local and district areas. It was a place for Council meetings, community events and entertainment, theatrical and musical.Bentwood chair (1 of 4), painted black, inner back is curled loop. Seat is padded leather, attached by studs. Splayed legs. Patterned ventilation holes under seat. Under seat are various Marks; hand painted, printed on small piece of paper, stamped in wood.Under seat are various Marks; hand painted in black "TH", printed on small piece of paper "400", stamped in wood "400" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bentwood chair, café chair, restaurant chair, josef jaworek, austrian chairs

Australia became a Federation on January 1st, 1901, uniting Australia's six British colonies - New South Wales, Victoria, Queensland, South Australia, Western Australia and Tasmania – into States of the Commonwealth of Australia. The Government of Victoria invited 12,000 guests to attend the official celebrations for the Opening of the Federal Parliament by His Royal Highness, the Duke of Cornwall and York (later King George V). The historic occasion was held at noon on May 9th, 1901, at Melbourne's Royal Exhibition Building, the only building large enough for that number of guests. The guests represented all six states of Australia with varied connections and interests, including politics, business and industry, the arts, religion, education, and public service. In Melbourne, the occasion was followed by two weeks of celebrations. The decorative, elaborate design of the certificate-size invitation represents Australia’s colonial history and its transition to the Federated Commonwealth of Australia. The National Gallery of Australia attributes the artwork of this invitation to Australian artists Norman Lindsay (1879–1969) and John Longstaff (1861–1941) and its printing to Sands & McDougall Limited, Melbourne. The invitation has no date or location details. This invitation has the label “Mr. C Swinburne” added over an original, handwritten name. Perhaps it was a spelling correction, or a late change, with Swinburne attending in the place of another citizen. The book “Our Invited Guests An Official Directory, Melbourne, Victoria, 1901” lists all the guests, but not one has the surname SWINBURNE. There are five Warrnambool listings, eight people in all: - - MoCOBMICK, G. D., Esq., P.M., Warrnambool. - O’DOWD, The Ven. Monsignor, Warrnambool. - OPIE, C. N. T., Esq. (and Lady), Warrnambool. - OSBORNE, Hy. Wm., Esq., Shire Secretary (and Lady), Town Hall, Warrnambool. - STEVENS, Mrs. F. P., Mia Mia, Warrnambool. CHARLES GRANT SWINBURNE (1864-1934): - Charles Grant Swinburne, known as Chas.., was a prominent Warrnambool figure: a member of Toc H., the Progress Association and several other local clubs and societies. He purchased Warrnambool’s Tattersall’s Hotel in 1911 and had a booth at the 1914 Warrnambool Show. In 1891, he married Susan Jane Granter (1867-19 June 1935), daughter of Joseph Granter (1832-1879) and Ann (born Holley). Joseph had arrived in Melbourne on the famous tall ship Marco Polo in February 1856. In 1868, he was a shareholder of the Warrnambool Steam Packet Co., trading along the coast of Victoria. His portrait is among those recognised on the historic Warrnambool Pioneers Board. The invitation is nationally significant for its connection with the first Federal Parliament in May 1901, where the first federal parliamentarians were sworn in, and where the Duke and Duchess of Cornwall and York attended, representing the continued link with Britain. The invitation also unites a local Warrnambool businessman, Mr C Swinburne, with the 12,000 guests representing their towns and states that in 1901 became the Commonwealth of Australia. Swinburn was also married to the daughter of Joseph Granter, an early pioneer recognised on Warrnambool’s Pioneer Board. Invitation: certificate size, colour lithograph on cream card with gilt highlights. The Victorian Government invited Mr C Swinburne to celebrate the Opening of Federal Parliament by HRH the Duke of Cornwall and York, held in Melbourne. The invitation has printed drawings of figures, decorations, heraldic symbols, and gilt accents behind the central figure, on the capital letters of the message, and the Advance Australia Arms. Inscribed with a handwritten label that covers handwritten text. [The event was held at Noon, 9th May 1901, Royal Exhibition Building, Melbourne.] Inscription, handwritten on a label: "Mr. C. Swinburne" Left image: [figure of Britannia holding a blue shield with three crossing red bands, standing below an oak tree] Central image, in front of a gilt circle : [symbolic female royal future with Orbe and Sceptre seated on throne, four stars around her] Right image: [young female figure representing Australia holding a scroll, standing below a flowering gum] "THE CONSTITUTION OF THE COMMONWEALTH OF AUSTRALIA" Bottom left: Combined Arms: "[Duke of Cornwall and York, Prince George Frederick Ernest Albert, Princess Alexandra, his Duchess]" Bottom centre: [six symbols representing the Coat of Arms for each state of Australia] Bottom right: Advance Australia Arms "[Shield with six symbols, between Kangaroo and Emu, and below Rising Sun'] ADVANCE AUSTRALIA"flagstaff hill maritime museum and village, flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, shipwreck coast, invitation, certificate, mr c swinburne, government of victoria, opening of federal parliament, hrh the duke of cornwall and york, c swinburne, susan jane granter, susan jane swinburne, federal parliament, 1901, australian federation, ceremonies, politics, royal exhibition building, invited guest, britannia, orb, sceptre, advance australia arms, constitution of the commonwealth of australia, norman lindsay, john longstaff, sands & mcdougall, federation, british colonies, commonwealth of australia, charles grant swinburne, chas swinburne, c g swinburne, opening of the federal parliament, duke of cornwall and york, may 9th, tattersall’s hotel, marco polo, warrnambool steam packet co, warrnambool pioneers board, joseph granter, ann granter

The word ashtray came into use around the 1920 and is a receptacle for ash from cigarettes and cigars and are typically made of fire retardant material such as glass, heat resistant plastic, pottery, metal, or stone. The most common ashtray design is a shallow cylinder with a flat base, designed to rest on a table. Other ashtrays, particularly in public places, are either wall or floor mounted. While simple, utilitarian forms of ashtrays existed long before the 19th century, it was during the start of the 20th century that the design, aesthetics and their popularity took off. As more women began to smoke. in the early 1900s, the ashtray went closer to being an art form as many women avoided the use of the traditional ashtray as it failed to reflect their feminine values, regarded as an item rather basic in design the general societal through of the time was that smoking was an activity exclusive to men. What emerged were detailed, often very fancy ashtrays acceptable to women depicting either pastoral scenes or vibrantly coloured landscapes. As time went on, and the onset of women smoking both cigars and cigarettes became less of a departure from the average person, ashtrays saw a decline in design and aesthetics beginning more of a shift towards practicality. The subject item is a primitive form of ashtray used in public spaces any time from the 1920-1960s and is not associated with an historic person or event. However the item could have come from the Warrnambool Town Hall given the inscription on the base of the item.Ash tray-large rectangular floor model with cement sheet lining. Made from a wooden box covered with textured metal on the outsideThe metal has a relief design embossed at the top back "smokers" and "Town Hall" printed on bottom.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ash tray, town hall, cigarette tray, smoker's ash tray

The design of this pair (RN 758 & 759) is based on Thonet’s No. 18 chair, which was originally produced in 1876 by Thonet, and is still one of the best-selling designs for café and restaurant owners. It is elegant, sophisticated and durable. The label notes the design as “AUS MASSIV GEBOGENEM HOLZE vorm” which translates to “solid curved sandals shape”, a good description for the back of the chair. The chairs have marks, paper labels and symbols on them that show that the maker was Harnisch & Co., Neuschler (also called Banská Bystrica) Furniture Factory in Neuschol (Beszterczebanya), Hungary, privileged makers for the Imperial and Royal Austrian-Hungarian Empire 1867 – 1918. Bentwood chairs are made by a process of wetting wood in water, bending it into curved shapes, then allowing it to dry so that the shape becomes permanent. This process originated by Michael Thonet, who had been given the right to bend wood into desired curves by the Austrian Courts in 1842. In 1856 he was granted a 13 year patent to manufacture chairs and table legs of bent wood treated by steam or boiling water. In 1859 his company Gebruder Thonet produced his original design. Thonet’s early designs also featured hand carved or laminated wooden seats. His Model No. 14 produced in the 1850’s, was his most popular design. After Michael’s death in 1871 the family went on designing and producing chairs. The No. 18 chair was produced in 1876, one of a group of chars with back inserts consisting of curves and loops of bentwood. These bentwood chairs are believed to be associated with the either the original Warrnambool Town Hall or the Toc H Group in Warrnambool. The Warrnambool Town Hall played a significant role in the both the local government and the social events of local and district areas. It was a place for Council meetings, community events and entertainment, theatrical and musical.Chair, bentwood, 'French Bistro Chair' with a floral pattern carved in seat. Backrest has inverted U shape inside that extends to the seat. Supports on either side of backrest's base join to back of seat. Legs have a wooded bracing ring. Marks are embossed into rim under seat. Paper label, cream with black print, on rim; Right side of label has the symbol of Heraldic Shield. Text on label. Made by NEUSOHLER FABRIK FUR MOBEL, AUS MASSIV GEBOGENEM HOLZE, vorm. HARNISCH & Co, NEUSOHL (BESZTERCaZEBANYA) UNGARN ' Hand written under seat "T H" in black paint, "T H " in white chalk.Marks; pressed into rim under seat is "3", and "Crown [over] (N)", Paper label, cream with black print, on rim; Left side has Mark “N inside circle under crown”. Right side has symbol of Heraldic Shield. Text on label “Trade – K.u.K.- Mark / NEUSOHLER FABRIK FUR MOBEL/ AUS MASSIV GEBOGENEM HOLZE, vorm. HARNISCH&Co / NEUSOHL (BESZTERCaZEBANYA) UNGARN ' Hand written under seat "T H" in black paint, "T H " in white chalk. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bentwood chair, café chair, restaurant chair, thonet design chair, neusohler fabrik fur nobel, k.u.k. approved manufacturer, hungry, harnisch & co, k.u.k., public hall chair, toc h