Clear blue tinted glass rectangular shaped bottle with angled corners and text embossed on one side and the base.'F. W. ANDREW St KILDA' on the side. 'M' on the base.

TROVE : Jewish Herald (Vic. : 1879 - 1920) Friday 14 March 1913 p 10 Advertising. Mr. Frank Newman desires to intimate that he has purchased the old-established business of the late MR. W. A. STOKES, recently carried on by Mr. P. J. Winch, and hopes by giving; his personal attention to the Pharmacy to merit your support. 181 CARLISLE ST.. BALACLAVA. Tel. Windsor 30. TROVE : The Age (Melbourne, Vic. : 1854 - 1954) Tuesday 13 December 1887 p 5 Article " ROUGH ON RATS" POISON.' . PROSECUTION UNDER THE POISONS ACT. At the St. Kilda police court, on Friday, W, A. Stokes, chemist, Carlisle-street, Balaclava, was prosecuted under the Poisons Statute on the charge of selling to one Mrs. Hannah Charlton a poison without having made and signed the entry required by the act. A second charge of selling to Mrs, Hannah Charlton a poison without having obtained the signature of the purchaser to an entry as required by the act was also preferred against the defendant. Both cases were taken together. Mr, Donovan appeared to prosecute, and Mr. Cole for the defence. Senior-constable Connell deposed that he knew the defendant. On the 24th of October last an inquest was held at East St. Kilda relative to the cause of the death of a man named Charlton. A packet bearing the label " Rough on Rats," which was found. in the deceased's bedroom, was produced at the inqiry, and afterwards handed over to Mr. Blackett, Government analytical chemist for analysis. The verdict of the jury was that the deceased died from the effects of arsenical poisoning. Hannah Charlton, a widow, residing in South Yarra, said in September last she purchased a packet of "Rough on Rats" from the defendant's assistant. Witness was not asked her name, place of abode, occupation or for what purpose the poison was required; neither did she observe the assistant make any entry in a book, She did not attach her signature to any document, and was not asked to do so. The packet was purchased for the purpose of poisoning rats. Cuthbert Robert Blackett, Government analytical chemist, stated that Constable Ballantyne handed him the packet produced. Witness made an analysis of the contents, and found it composed of arsenic, slightly coloured with a carbonaceous matter. The mayor announced that there was a doubt in the minds of the magistrates as to whether the defendant could be held guilty under the law, but they thought the prosecution had attained its object by making known the fact that "Rough on Rats" is a poison. They thought that such preparations should be entered by the sellers, but in that case they were inclined to give the defendant the benefit of the doubt and dismiss the case.Rectangular clear light green tinted glass bottle with embossed text and numerals on side and base.'W. A. STOKES CHEMIST EAST ST.KILDA' on side. 'K6232' on base.chemist, poison, arsenic

Letter of acknowledgement from Curator of The Industrial and Technological Museum (re Basil Watson aircraft items), addressed to J. I. Watson, Esq, St Kilda St, Elsternwick, dated 29th October, 1919. Relics of Basil Watson's ill fated bi-plane that crashed into the Bay at Point Cook. Acknowledges receipt of 50 HP Gnome rotary aeroplane engine; spare parts, aeroplane propeller 'and other parts' .person, individual, basil watson

There has been a fair amount of confusion about this object as the paperwork states that a 'greenstone' gavel with a maori head carving and plaque mounted on green nephrite stone' was gifted when in fact the gavel is made of wood with a silver plaque. There has been no suggestion made as to what happened to the greenstone gavel. We can assume that it was lost or stolen and replaced with a plain wooden one that we now hold at ANZCA. From the attached plaque the Gavel was gifted to the Faculty of Anaesthetists by the New Zealand Fellows of the Faculty in 1965. Plain highly polished wooden pestle sits on a central walnut block on a flat wooden board, a silver plaque is attached on a piece of nephrite stone to one side of the board.[silver plaque] PRESENTED BY THE / NEW ZEALAND FELLOWS / 1965 [in black ink on back of stand] 1992/9aotearoa, new zealand, wood, nephrite, corporate gift

This bowl was presented to ANZCA during the 35th Malaysia Singapore Congress of MedicinePewter bowl on raised round base with silver plated decorated inlay in an ornate flowery scroll pattern. The gift details are engraved on the one side of the bowl.[front] Presented to / Australian & New Zealand College of Anaesthestists / in Conjunction With / 35th Malaysia - Singapore Congress of Medicine / August 2001 [base, maker's mark] ROYAL / SELANGOR / PEWTERcorporate gift, selangor pewter, malaysia-singapore congress

Dr John Hains, presented these two shakers to Dr Neville Davis, President of ANZCA (1995 to 1996). Dr Hains expressed in his letter to Dr. Davis, how these two shakers are made from a red cedar branch which had fallen on his property in Queensland. A pair of hand crafted red cedar salt and pepper shakers, each with a thin gold band above the base.dr john hains, red cedar, hand crafted

This vase was gifted to ANZCA during a visit to the college by fifteen members of the Chinese Society of Anesthesiology (CSA). This visit signified an exchange of education, research and friendship. A Memorandum of Understanding (MOU) was signed between the ANZCA President, David A Scott, and the President of the CSA to signify the spirit of collaboration. Medium sized, round shaped vase, glazed red, possibly lacquerware, decorated with raised relief creme coloured dragons among scrolling clouds. Attached to a square brown plinth. Vase came with a perspex cover and presented in a red, fabric box decorated with gold flowers.lacquerware, wood, corporate collection

This object was donated by Dr Susan Kelly in memory of Dr Loraine Hibbard (1916-2002) Emeritus Consultant, St George Hospital, Kogarah, NSW. The maker and date of this object is unverified due to lack of supporting evidence. It is unknown as to the significance of the engraved Phoenix. Antique Sheffield electroplated silver, copper basket with swing handle. The bowl of the basket is octagonal with incised geometric and circular pattern along the perimeter. Engraved in the bowl of the basket is an image of a phoenix including a smaller image of a phoenix engraved on the swing handle. The silver has worn in some places in particular around the image of the phoenix in the bowl of the basket.electroplated silver, loraine hibbard, st george hospital, phoenix, susan kelly

Small pewter vase with a round base and fluted stem.[hallmark] SELANGOR / PEWTERselangor pewter, corporate gift

Gift to the corporate collectionGlass vase with fluted lipglass, corporate collection

Gifted to ANZCA during the ANZCA ASM 2017, held in Brisbane.Pewter plate of medium size, with embossed central image of modern day Malaysia city landscape. Presented in manufacturer blue cardboard boxFront: [MALAYSIA] Reverse: [ROYAL / SELANGOR / PEWTER]asm, brisbane, royal selangor

In 1940 doctors started experimenting with curare for use with electric shock therapy. Electric shock therapy regularly caused broken bones, including vertebrae, and all sorts of dislocations. The intensity of convulsions was high and couldn’t be controlled. During the 19th Century curare was unsuccessfully used to treat rabies, tetanus and epilepsy. By 1935, Harold King had isolated tubocurarine, curare’s active ingredient. In 1942, Harold Griffith successfully used standardised curare (Intocostrin) with cyclopropane. Within five years synthesised muscle relaxants were available. Intocostrin, combined with an anaesthetic agent, was a break-through for this treatment.Solid wooden box with three separate sections inside box. First section contains electrical lead for attaching unit to mains power. Second section contains ECT unit and controls. Third sections contains electrical lead ending in plugs for holding in hands. Sections cannot be separated out, they form one unit.Etched on to the face of the internal unit: PROPERTY OF / THE ROYAL WOMEN'S HOSPITAL Label tape affixed to top of the lid: E.C.T. UNIT OP. THEATRES R.W.H.anaesthesia, muscle relaxants, electroconvulsive shock therapy, women

H. Bellamy Gardner, an anaesthetist at the Charing Cross Hospital, was the first to use open ether in England and was responsible for popularizing the technique. Bellamy Gardner's mask consists of a wire frame which was covered with layers of gauze. He recommended constructing a face-pad consisting of several layers of gauze which were rolled together and tied to make an oval. This was applied to the face and the mask rested on the top. Ether was then administered directly on to the mask.Oval chrome-plated steel wire frame designed to fit around a face. The wire-framed dome has both vertical and horizontal wire components to sit over a patient's nose and mouth. Ether was applied to a gauze pad which was held securely in place by a hinged wire lid. This is a modified version of Bellamy Gardner's original mask.Etched on clasp: BELLAMY / GARDNER'S / ETHER MASKether, gauze

This photograph was taken of the debutantes and their partners presented at the annual debutante ball held at St Kilda Town Hall. This photograph is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.Black and white photograph (vintage) with cream frame under glass. Has a cream card mount which provides details of the ball and names the people in the photograph.Front of card title top centre: 'The Young Chinese League Annual Ball at St Kilda Town Hall, 1947'. Bottom centre: DEBUTANTES Back Row: Alex Chun Tie, Vernon Ah Mouy, Maurice Lee, Robert Kwong. Third Row: Harold Chin, Alan Lim Joon, Lennie Quon, Eric Moy, Edward Chin. Second Row: June Lee Gow, Evelyn Law, Annamae Young, Mrs L.M.Wang, June O'Hoy, Rose lee, Audrey Lau. Front Row: Jean Wing Dann, Marjorie Kwong, Connie Ham.'young chinese league, debutante balls, st kilda, melbourne

Mounted watercolour, ink and pencil on paper.Signed and dated on right image (LR): "Pali Schwarz 1943" UL image: Reinigungdienst [Cleaning Squad] CL image: Auskunftei des Orientierungsdienstes B.V. [Information and Orientation Booth- Magdeburger Barracks] Other Inscriptions: LL image: Eigene Aufwarmekuche in L124 [Private kitchen for warming up food in L124] Image on right: CIII. Frauen-Kaserne/Hamburger/Haupteingang: Allabendlicher Abscheid: Wenn's 20 Uhr Wird [CIII. Women's Barracks/Hamburger/ Main entrance: Nightly farewells at 8 pm] holocaust, second world war, 1939-1945, czech republic, jewish history & people

Mounted watercolour and pencil on paper.Handwritten (LL): "Pali Schwarz 1944 Terezin" On reverse, handwritten in pencil: "Theresienstadt: Im Schatten des Kastanien" [Under the Shade of the Chestnut Tree]second world war, 1939-1945, jewish history & people, holocaust, czech republic

Mounted ink and wash on paper.Handwritten (LR): Löwit Other Inscriptions: Center, inscribed on a wall: "Ich habe mehere Nächte darüber nachgedacht - und bin nun endlich auf eine hervorragende Idee gekommen - das Problem der imme anwachsenden Insassenanzahl im Ghetto zu lösen es wird notwending sein: (1) die Insassen schichtenweise quer uber einander zu legen, was bei einer durchschnittlichen Hohe der Raume von etwa 3m ganz besonders günstig sein durfte --- und (2) schlage ich vor, während der Winter monate alle Boden in heizbare Raume zu verlegen" [I have pondered for many nights and have finally come up with a great idea for the problem of the ever-increasing population of the ghetto. It will be necessary: (1) to stack the inmates at right angles on top of each other which should prove particularly useful in rooms approximately three meters high, and (2) I suggest that during the winter months all attics be made into rooms that can be heated] Center, inscribed on a selection of files: "GHETTO AUFBAU ROBERT MUNORY" [Ghetto Construction, Robert Munory] second world war, 1939-1945, jewish history & people, holocaust, czech republic

Mounted watercolour and ink on card.Handwritten in Czech on a globe of the world: "Emigration to the whole world from Theresienstadt"second world war, 1939-1945, jewish history & people, holocaust, czech republic

Mounted watercolour and pencil on paper.Signed and dated (LR): "Lowit15/VI 43"second world war, 1939-1945, jewish history & people, holocaust, czech republic

This chess set was carved from local wood with bases made from halved cotton reels. The chess pieces take the shape of Australian animals, and Aboriginal men and women. The set was presented to Mr. Benzion Patkin, Honorary Secretary of the Zionist Federation of Australia, by Tatura internees in recognition of his assistance, in particular, his assistance in facilitating the emigration to Palestine. According to Mr. Patkin, he received the chess set in a wooden box inscribed, "With our sincerest thanks from your Zionist friends - Tatura, on the way to Eretz Israel, per Leonhard Levin, 20.11.1942.".Written in pencil UR corner, upside down: (22) Printed in black ink: "B. & H. PATKIN Flat (printed 2 corrected in pen and ink 4) 313a Dandenong Road Windsor 3181 Victoria Australia Tel: Home 51 - 5671 Bus 63 - 8959"dunera, wwii, internees, jewish history & people

At the end of August 1940 the Hired Military Transport Dunera, a boat carrying around 2,500 European male internees, the majority of which were Jewish, arrived on Australian shores after two arduous months at sea. Although many had made England their home, their German or Austrian background caused these men to be classified as ‘enemy aliens’ by the British Government and sent to Australia without their families. The ‘Dunera Boys’ were interned in camps at Tatura and Hay. Although some internees were released after two years because they possessed specific industry skills which would aid the nation, others were interned for the entire duration of the war. This collection brings together objects, personal effects and documents relating to the journey, internment and subsequent military service in the 8th regiment experienced by the ‘Dunera Boys’. Also included are artworks and poems created by the internees during their interment, which express the thoughts and feelings of the men and document the daily life in the camps. Velvet, silk, silk embroidery thread, cotton thread, silk cord, leather, cotton and wood

This diary was handwritten by Alfred Broch over the course of four months in 1940. It was kept while Alfred Broch was travelling on the HMT Dunera and then during his detainment in the Hay internment camp.Bound with cotton and handwritten in pencil. Bound with cotton and handwritten in pencil.[selected passage translation from German, further translation available] : “Dunera” 10.VII – 6.IX.1940 First impression very depressing. Fears. Confusion with prisoners of war. Never mind. Corrected. Continuing further bad treatment. Boarding the ship assisted by rifle butts. Robbed as soon as we reached the deck. Impression of a death ship. Complete helplessness. No sleeping facilities. All sleep on the floor, on tables etc. Intended accommodation taken up by luggage cases. (barbed wire). Food good but only spoons. Next day: robbery from the cases. Own people steal. Purloined objects even include toothbrushes and toothpaste. Much to eat. Small convoy with one cruiser. In the same convoy a women’s transport which soon leaves us as it is bound for Canada and we are quite surprised. The English soldiers and officers have another side. While in the danger zone they only had a webbing belt and slippers. In case of torpedoes – expecting certain death. Bad air as all vents are closed. Other Inscriptions: Front page, upper right, underlined: "Alfred Broch" Front page, upper, underlined: "Notitz Buch" Front page, centre, underlined: "Hay 1941" Page 1, upper right: "Mittwoch 10. VII." Page 3, upper right: "10. VII. - 6. IX. 1940 Page 4, centre: "[...] ARANDORA STAR" Page 11, upper, underlined: "Von Liverpool Nach Hay / Mittwoch 10 VII" dunera, wwii, internment, jewish history & people

Georg Chodziesner made this chanukiah in Hay Camp in 1940. It was made to celebrate the Jewish festival of Chanukah. Georg was born in 1900 in Berlin to a prominent Jewish advocate Justizrat, Ludwig and wife Elise. Fearing arrest at the outbreak of war, Georg fled Germany to the United Kingdom. His wife, Dorothea, and son, Wolfgang Benno, emigrated to Chile. Like many German Jewish men, Georg found himself on board the HMT Dunera, bound for interment at Tatura. On release, Georg joined the Australian Army 8th Employment Company in which he served for the remainder of the war. Georg sought permission for his son to join him in Australia, and the pair were reunited in Melbourne in May 1945. Dorothea had passed away from illness in 1943. After settling in Australia, Georg worked as a Patent Attorney and remained working at the same firm until his death in 1981.This Chanukiah was cut from a kerosene tin using nail scissors and mounted on a wood block base. Medium: Wood, tin and ink The Chanukiah is embossed with a Magen David, the Star of David, and the wooden base has a poker work inscription: "Hay 5701 / 1940".dunera, wwii, internment, jewish history & people

Diary kept during Prof. Rainer Radok's internment in Australia, following his arrival by ship on the HMT Dunera.At the end of August 1940 the Hired Military Transport Dunera, a boat carrying around 2,500 European male internees, the majority of which were Jewish, arrived on Australian shores after two arduous months at sea. Although many had made England their home, their German or Austrian background caused these men to be classified as ‘enemy aliens’ by the British Government and sent to Australia without their families. The ‘Dunera Boys’ were interned in camps at Tatura and Hay. Although some internees were released after two years because they possessed specific industry skills which would aid the nation, others were interned for the entire duration of the war. This collection brings together objects, personal effects and documents relating to the journey, internment and subsequent military service in the 8th regiment experienced by the ‘Dunera Boys’. Also included are artworks and poems created by the internees during their interment, which express the thoughts and feelings of the men and document the daily life in the camps.This is an A5 size notebook of 90 pages, all handwritten in German. Pages are numbered on the upper corners and each entry is dated. Back cover is titled: "Arithmetical Tables" and "Multiplication Table". The blue cover is attached with yellow adhesive tape and is very loose from the inner pages. There are a few drawings throughout.Handwritten in ink on the front cover is the inscription "Radok 1940-1941." Written below in pencil is the address "16 Grove St. Passaie N.J."

Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape.jewellery, judaica

To celebrate Rosh Hashanah (Jewish New Year), Jews eat foods like honey cake and apple dipped in honey. Along with a special prayer, this is a way of asking God for a sweet and happy year ahead. Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape. judaica, ceramics, jewish new year

Artist's statement: I chose to make these afikoman pouches even though they may not be familiar to or used by all Jewish families. In these little pouches, a small piece of matzah would be placed in the pouch and then hidden in the house for the children to find during the Passover meal. On finding it, a gift is given. The story of Passover and Judaism in general have been kept alive over the centuries. I wanted to honour the passing down of the Torah through the generations, and, in particular, the role of children in its transmission. I have used the Australian desert as a metaphor for the great wilderness crossed by the People of Israel. A recent trip to Broken Hill and beyond inspired me to work with the subtle colours and textures of that landscape and I have incorporated into the work found objects, stones and beads collected there. (2007, New Under the Sun: Australian Contemporary Design in Jewish Ceremony III)machine embroidered

This menorah has 7 candle holders joined in a horizontal row, on thin rod stands. The circular holders sit on two flat silver strips that are attached to silver rectangles on either side of the holders, creating a shield-like form on either side of the holder. The stand on which this construction is propped up, is made up of rods that stand vertically on either side of the holders and behind the shields. The rods are intersected by other rod 'lines' that visually weave horizontally across the top half of the stand. Each point of intersection of lines and rod stands is marked by a circular shape. Artist's statement: In terms of the Jewish diaspora, the variety and flexibility of approaches within Judaism has enabled the culture to endure and nurture ever stronger connections despite physical distance. This notion of an enriched connectedness was one of the two central ideas which contributed to the development of this piece. The second was the idea of light and its cultural significance. Light is about both practical illumination and spiritual expression. While revealing and manipulating material and form, light has also come to stand for the triumph of goodness over evil for many cultures, Of utmost importance in Jewish ritual, light and its media are also recognised symbols of connection and interaction for Jewish people throughout the world. (1999, Blessed Be the Work, Australian Contemporary Design in Jewish Ceremony II)

A kippah, also called a yarmulke or skull cap, is a head cover worn by religious Jewish men for many reasons, one being that it is a sign of one's respect for God.This crochet kippah was made in Melbourne, Australia. This kippah is made of cotton. It is navy blue and decorated with decorative bands, mauve rose buds, blue leaves and yellow flowers.