Kenneth Joynson Flecknoe joined the Ballarat School of Mines Council in 1979 becoming its 11th President in 1981. He joined the Ballarat Courier newspaper in 1953 as company secretary, becoming General Manager in 1966. Flecknoe joined the board of directors in 1968 and was managing director from 1969 until his retirement in 1987. Flecknoe was chairman of the Ballarat Broadcasters Pty Ltd (3BA), of the gateway Publishing Company which published newspapers in Ararat and Stawell and of the Ballarat Publishing Company which published Ballarat News, and was formerly deputy chairman of associated Broadcasting Services Ltd (BTV6 Ballarat and GMV Shepparton). He was also Chairman of the advisory board of Ballarat's St John of God Hospital. Flecknoe's contribution to the Royal South Street Society, of which he was a past president, and a committee member since 1961, was rewarded with life membership. He was also a life member of the Ballarat Historical Park Association (Sovereign Hill). The Ballarat School of Mines building in Albert Street was named "Flecknoe" in 1991, three years after Flecknoe's death.Three photographs showing a Ballarat School of Mines building on Albert Street. .1) Ballarat School of Mines Building, Albert Street .2) View of Carpentry Building looking towards Albert Street .3) Building on the Ballarat School of Mines Building (Possibly the former caretaker's cottage), near Albert Streetballarat school of mines, albert street, flecknoe, carpentry, vocational skills, ken flecknoe, flecknoe building

Kenneth Joynson Flecknoe joined the Ballarat School of Mines Council in 1979 becoming its 11th President in 1981. He joined the Ballarat Courier newspaper in 1953 as company secretary, becoming General Manager in 1966. Flecknoe joined the board of directors in 1968 and was managing director from 1969 until his retirement in 1987. Flecknoe was chairman of the Ballarat Broadcasters Pty Ltd (3BA), of the gateway Publishing Company which published newspapers in Ararat and Stawell and of the Ballarat Publishing Company which published Ballarat News, and was formerly deputy chairman of associated Broadcasting Services Ltd (BTV6 Ballarat and GMV Shepparton). He was also Chairman of the advisory board of Ballarat's St John of God Hospital. Flecknoe's contribution to the Royal South Street Society, of which he was a past president, and a committee member since 1961, was rewarded with life membership. He was also a life member of the Ballarat Historical Park Association (Sovereign Hill). The Ballarat School of Mines building in Albert Street was named "Flecknoe" in 1991, three years after Flecknoe's death.Photographic portraitken flecknoe, ballarat school of mines, ballarat school of mines council, ballarat courier

Negatives from Stawell Photographer. Discarded from Penna Print Ararat. Son contacted and gave approval for Stawell Historical Society to keep them. Only those of a non personal nature scanned. Ken German David Read Motors Graeme Healy Family Ann French Doug Cross Family Vikki & John Holcombe Family Kaye Ellen Family Jenkins Hand Heather Slorach & Rod Reading Pencker Family Pigeons Ian Bryant Linda Clarke & Hank Woldhuis Philip West Aerial Photos Mrs L Fielding 80th Show 1980 Lindsay Flowers Harrisons Wedding Cake Debbie Martin & Bob McGregor Rene Hall 80th Pool Game 1980 Mrs Coates 100th Ann Watson & Mike Farrell Glenda Smith & Geoff Lewin Nell Stewart & Liam Pickering SAAC 1980 Dadswells Stawell Brass Band Shuttleworth Dogs Helen Grace Cat Tina Walters Queens Scout Peel Family Trudy Harrison Grange Golf Slaughter House Suzanne Gercovitch & Gary Isbel Colour negatives of families, weddings and other. Nineteen Lever Arch Folders Mick Walsh 52 Patrick Street Stawellphotography

Negatives from Stawell Photographer. Discarded from Penna Print Ararat. Son contacted and gave approval for Stawell Historical Society to keep them. Only those of a non personal nature scanned. Currie & Pigeon O’Sullivan & Flowers Beryl Voight Cake John Monaghan Ordination photos taken in Stawell Town Hall upstairs. 6128-6 c.1975 Back Row Danny Rathgeber, Andrew Van Diesen, Bernard Rowe, - - - - - Fr Row Phil Monaghan, Shaun Allen, Aaron Dalziel, Liam Pickering, Simon Comitti, Simon Krause - Shaun Ashton. Susan Pyke & Garry Palmer Victree P/L Lynette McMullin Stawell Arts Council Glenorchy Golf Club Team 1981 West Twins Robson & Moller Snow 23/6/81 Maureen Carroll & Ross Nacy Elaine Aisbett & Neil Lamb Jenny Schunann & Greg Randall Robyn Whelan & Robert Hemley Kerryn Taylor & Ian Mitchell Mrs Wlliamsons Cooper Reunion Debbie Morton & James Evans Colour negatives of families, weddings and other. Nineteen Lever Arch Folders Mick Walsh 52 Patrick Street Stawellphotography

The School of Mines was established in 1870 in Ballarat, making it Australia's third oldest tertiary institution. Redmond Barry was its first president, and he was involved in the creation of university degree level courses for the school. The School of Mines was divided into a tertiary division and a technical division. The tertiary division provided higher education courses such as mining engineering, geology, education and business studies, while the technical division provided such programs as wool classing, plumbing and bricklaying.It remained in that form until the 1967 when it was split into three institutions, Ballarat School of Industries, Ballarat Technical School, and Ballarat Institute of Advanced Education. They remained three entities until 1976. Ballarat Institute of Advanced Education merged into Ballarat College of Advanced Education. The Ballarat School of Industries and Ballarat Technical School merged into the School of Mines and Industries, Ballarat (SMB) in 1976. Several entities merged or had arrangements with SMB. In 1994, a memo of understanding (MOU) was signed between SMB and the Ararat Technical School, which was founded in 1969. Then, in 1998, SMB and the Horsham-based Wimmera Institute of TAFE (1984), dating back to 1882, merged into the University of Ballarat to create a larger University. Green woollen, mostly unlined (apart from the upper back and sleeves) blazer with embroidered emblem on breast pocket. The edges are bound including the three pockets and the sleeve cuff 9 cm from the edge. There are three green buttons at the front. The internal edges are overlocked and there is a panel stitched to the inside where the top of the side pockets are stitched. Embroidered patch on breast pocket.ballarat school of mines, blazer, coat of arms, costume, textiles

The School of Mines was established in 1870 in Ballarat, making it Australia's third oldest tertiary institution. Redmond Barry was its first president, and he was involved in the creation of university degree level courses for the school. The School of Mines was divided into a tertiary division and a technical division. The tertiary division provided higher education courses such as mining engineering, geology, education and business studies, while the technical division provided such programs as wool classing, plumbing and bricklaying.It remained in that form until the 1967 when it was split into three institutions, Ballarat School of Industries, Ballarat Technical School, and Ballarat Institute of Advanced Education. They remained three entities until 1976. Ballarat Institute of Advanced Education merged into Ballarat College of Advanced Education. The Ballarat School of Industries and Ballarat Technical School merged into the School of Mines and Industries, Ballarat (SMB) in 1976. Several entities merged or had arrangements with SMB. In 1994, a memo of understanding (MOU) was signed between SMB and the Ararat Technical School, which was founded in 1969. Then, in 1998, SMB and the Horsham-based Wimmera Institute of TAFE (1984), dating back to 1882, merged into the University of Ballarat to create a larger University. Green woollen, unlined blazer with embroidered emblem on breast pocket. The edges are bound including the three pockets and the sleeve cuff 9 cm from the edge. There are three green buttons at the front. The internal edges are bound and there is tape stitched to the inside where the top of the side and breast pockets are stitched. Embroidered patch on breast pocket. Makers woven tags.ballarat school of mines, blazer, coat of arms, school uniform, costume, textiles

The School of Mines was established in 1870 in Ballarat, making it Australia's third oldest tertiary institution. Redmond Barry was its first president, and he was involved in the creation of university degree level courses for the school. The School of Mines was divided into a tertiary division and a technical division. The tertiary division provided higher education courses such as mining engineering, geology, education and business studies, while the technical division provided such programs as wool classing, plumbing and bricklaying.It remained in that form until the 1967 when it was split into three institutions, Ballarat School of Industries, Ballarat Technical School, and Ballarat Institute of Advanced Education. They remained three entities until 1976. Ballarat Institute of Advanced Education merged into Ballarat College of Advanced Education. The Ballarat School of Industries and Ballarat Technical School merged into the School of Mines and Industries, Ballarat (SMB) in 1976. Several entities merged or had arrangements with SMB. In 1994, a memo of understanding (MOU) was signed between SMB and the Ararat Technical School, which was founded in 1969. Then, in 1998, SMB and the Horsham-based Wimmera Institute of TAFE (1984), dating back to 1882, merged into the University of Ballarat to create a larger University.Bottle green, size 18 poly cotton machine knit windcheater with yellow SMB name. It has knit rib fabric at the bottom, neck and cuffs.Printed in yellow - SMB, logo and School of Mines and Industries Ballaratwindcheater, costume, uniform, textiles

Sarah ANDERSON (1984- ) Born Ararat, Victoria Sarah Anderson is a ceramic artist currently completing her tertiary education at Federation University, and upon completion intends to study for a post-graduate teaching qualification. Influences on Sarah’s work range greatly, from historical Mexican tilework to delicate pinched porcelain sculpture. Barbara Hepworth, Constantin Brancusi and Jun Kaneko continue to be great sources of inspiration for Sarah’s final year of studies, for their challenging looks at shape, form and colour in their ceramic work. Sarah’s current ceramic practice involves exploring organic shapes in brightly coloured finishes. At once the shapes are earthy and vaguely figurative, an exploration of three dimensional shape and how our minds seek to align them with familiar forms. Her colour treatments are designed to create a dichotomy between shape and colour, inviting the viewer to apply their own meaning to the works. In future, Sarah hopes to combine her love for art history and education with her art practice in a fulfilling career. Sarah Anderson completed a Bachelor Visual Arts (Ceramics) at the Federation University Arts Acadamy in 2017. Three earthernware sculptures with mid-fired underglaze treatment. An airplant is attached to one of the items. This work won the 2017 Federation University 3D Art Acquisition award.On each base 'Sarah Anderson'sarah anderson, ceramics, sculpture, alumni, art acquisition award, available

Nessa Jenkins was born at Ararat in 1980. She was a student of the University of Ballarat. At the 2002 Manchester Commonwealth Games Nessa Jenkins won the Women's Trap Pairs and was 5th in the Shooting Women's Trap. "At the 2002 Manchester Commonwealth Games Nessa Jenkins and Diane Reeves took gold from England by one point. The National Shooting Centre in Bisley provided the scene for some thrilling entertainment the Australian pair of Nessa Jenkins and Diane Reeves completed a hat trick of victories in world-class shooting events. Jenkins said: “I’m wrapped – the hardest thing is that you are trying to shoot your own score, but you’re still thinking about what your partner’s shooting, and I could hear Di calling for her targets. Sometimes you can hear the buzzer if someone misses and I didn’t hear it so I thought things were okay.” “We’ve had a lot of competition practice before coming to the Commonwealth Games – we’ve been to the World Cup and the World Championship so it’s been a big build up, but this just topped it off today.”(http://m2002.thecgf.com/Sports/Shooting/News/default.asp?id=579&folder=Shooting, accessed 07/08/2014) Colour photograph of Nessa Jenkins.jessa jenkins, commonwealth games, manchester, trap shooting

Negatives from Stawell Photographer. Discarded from Penna Print Ararat. Son contacted and gave approval for Stawell Historical Society to keep them. Only those of a non personal nature scanned. Norm McIntosh Family Seppelts Santa 1982 Lucinda Perkins & David Margetson Tom Williams Family Reunion 28/11/82 Jennifer Parry Merian McMullins & Colin Dennis Jean & Geoff Pickering Wedding Anniversary Moloney Shearing Shed Mini World 1982 Grange Golf Wendy Simpson Family Brian Russell Family High School Reunion Committee 16/10/1982 Jean Woods Colleen Bates Family Maldon – Nell Stewart Copies – Great Western Hotel 25th Celebration Town of Stawell Lou de Clifford Train & Koalas Lyall Family Jennie McIntosh & Steven Warren Melbourne Cup 1948 Emery & Cameron Carol Frencham Heather & Col Fielding Wedding Longmore Trucks Sue Marsden & Peter Robb Meryl Clarke & Max Metcalfe Stawell Bowling Ladies Dr A Gray & Family Glen Comp Claim Dianne McAdie & Brian Jones Landsborough Crowlands Schools 82 Colour negatives of families, weddings and other. Nineteen Lever Arch Folders Mick Walsh 52 Patrick Street Stawellphotography

Page 2223 titled Contracts Accepted - (Series 1860). Contracts accepted are for Raising and removing sunken ship Marilla; Removal of Toll-gate from Mount Alexander Road and re-erection of same at Middle Gully; Erection of toll-house on Melbourne/Ballarat Road near Ballan; Erection of toll-house on Bendigo Road at Kangaroo Flat; Castlemaine to Ballarat - Erection of toll-house at Campbell's Creek; Construction of 2870 chains of Lower Western Road, west of Camperdown; Erection of two bridges and other improvements on the Clunes to Amherst Road; Erection of timber bridge, & c., over Two-mile Creek - Beechworth to Bowman Forest; Formation of roadway at head of Buckland Gap - Beechworth to Bowman Forest; Construction of culvert, & c., Rowe's Creek - Beechworth to Bowman Forest; Ararat and South-western sea-board road - erection of bridge over Dennicull Creek and other improvements. Land Sales - 4 Lots - Elsternwick, parish of Prahran, County of Bourke; 2 Lots - Dandenong, County of Bourke; 20 Lots - Lillydale, Parish of Yering, County of Evelyn, 1 suburban Lot - County of Evelyn, Parish of Yering; 1 Allotment - Romsey, County of Bourke, Parish of Lancefield; 5 Lots - County of Mornington, Parish of Langwarrin, and 2 Lots - County of Mornington, Parish of Fingal. Lots to be sold at the Auction Rooms of Mr. William Perry, Great Collins Street, Melbourne. A F A Greaves, President, Office of the Board of Land and Works, Melbourne.bridge, construction, timber bridges, board of works, melbourne - contracts accepted & land sales, 'marilla', f m pingree, jno r bailey, robert heron, john gray, donald ross, hector mclean, c j glynn and co, john nicholls and co, michael cleary, thomas cairncross, brown and gibson, queen victoria, mr william perry, mr de castella, willoughby, barker, a f a greeves, board of land and works melbourne

The University of Ballarat in 1998 comprised the Mt Helen Campus, SMB (Ballarat School of Mines) Campus and the Horsham Campus. It's current name is Federation University Australia. In 1998 Everyone@UB was a monthly staff newsletter edited by Peter Baird in consultation with Don Moconachie.A series of monthly bulletins covering all University of Ballarat campuses. .1) University merger, John Bailey, Michael Adermann, Vice-Chancellor, Jenny Nemeth, Katherine Birkin, Rowena Coutts, Ballarat Technology Park, Ron Wild .2) Chancellor appointment, Chancellor retirement, Geoffrey Blainey tribute, David Caro, Katherine Birkin, Arno Besse, George Murdoch, Bullarook, Stephen Kemmus, Neville French, ceramics, Tristan Smith, Horsham, Arnhem Land film, Ararat, Kerry Cox, anorexia, salary packages, University of Ballarat Brass Band, Natalie Radomski, becoming a university. Images: Geoffrey Blainey, David Caro, David James, Katherine Birkin, Arno Besse, George Murdoch, Geoffrey Blainey, Stephen Kemmis, Neville French, John Ackland, Richard Jardine, Glen Auld, Dennis Arne, Andrew Kotsonis, Kerry Cox, Suzanne McLaren, Marcia Pope, Rosemary Green, Leonie Otago, Natalie Rodomski .5) October 1998 - Carolyn Taylor, misogyny, Horsham campus building under construction, David Caro, Miranda Kerr, Martin Westbrook, Iain Reid, virtual monitors, teaching practice, Joanne Knight, John Pidgeon, Sally Buckland, arsenic, Ian Rae, Bob Allan, Patricia Cartwright, Matthew Baker, Sundru Sivamalai, Janine Smith, Pat Mann, International Student Market Research, Steve Mennen, Copyright, internet to the outback, Charters Towers, Engineering students, Darryl Dyason, Andrew McDougall, Dianne Jacono, Ross Morgan, Keith Boast, Cranbrook Academy of Art (Detroit), Helmut Stenzel, Mt Helen vegetation, Jan Bedggood, Ann-Maree Haintz, Kathleen Lakey, Adrienne Ryan, Fiona Schmidt. .11) Phil Candy, flexible learning, strategic planning. .12) diving, Reconciliation, Learning City, Student residence, Alex Rubinov, Graduate Centre, Ceramics, horse, Wimmera, tree regeneration, student poverty, UB museum, David Manterfeild, Heather Hatfeild. Redundancy, video conferencing Images: Steve Matthews, Craig Holloway, Peter Pilven, Sneha Kirubakaran, Phil Honeywood, Kerry Cox, David Manterfield, Martin Westbrooke, Ram Karan, Barry Jones, Gael Ramsay, Jenny Hargave, Heather Hatfield. .16) Jeff Kennett, Honorary Doctorate, Technology Park, Mary Atkinson, Ian Wright, Internet, Disability Action Plan, Robert Munt obituary, Sandra Stepcich obituary, Virginia Fenwlon, East Timor, Centre for Environmental Management, Wayne Jolly, 130th anniversary, Craig Hurley, Barry Wemyss, John Murray, Tori Power, Grant Curnow. Images: Vivienne Witwer, Claire Hetherington, Ian Wright, Virginia Fenelin .17) Broadband, AARNet, David James Retirement, wetlands, Debbie Eagles, Centre for Rural and Regional Health, numeracy, nursing, Sue Turale, Max Palmer, Camp Street, Arts Academy, library, SMB scholarship, Landcare, Mallee pipeline, Verna Barry, Alice Mills, Marian Brown, .18) Fiji, Texans, Greenhill, Robert Whitson, Ian Clark, Abororiginal history, Yuille St, Peter Baird, Martin Westrbrook, Robert Allen, Arts Academy, John McGrath, Phil Ruglen, 3BBB, John Ferrier .21) Beverley. Lassiter, Vice-ChAncellor appointment, Kerry Cox, Craig Hurley, Barry Wemyss, Ceramics, Bill Pryor, University Games, Olympics, Broken Hill, Alex Rubinov, Jonathan Halls, Dare to be different, Wayne Muir, Student Union Refit. Images: Wayne Muir, Alex Ruminov, Kerry Cox .22) December 2000 - nursing, David James, Phil Candy, John McLean, Debbie Eagles, brewery, brewing, Meredith Sussex, Lyn Faneco, TAFE,Joy Nunn, ARC, mosaics, Timor, Alfredo Pires, Centre for Rural and Regional Health, diabetes, kangaroos, Murray-Darling, Leagher Homestead, David Welch, Joy Nunn, Jill Blee, Maryanne Coutts, positive discrimination, Theresa Saunders, Imelda Crebbin .23) March 2001 - Nancy Lange, Paul Lambeth, Yvonne Button, Don Pennell, Natalie Radomski, Marcia Pope, McKinnon Walker, Marc Brodie, TAFE, WorldSkills, Horticulture, Ararat, Website, library, Leeanne Pitman, Liz Hartmann, nursing, Miranda Walker, Ciaran Pier, Anxiety Disorders, volcano, brewing, beer, Peter Aldred, Rob Greig, Jeremy Smith, Alice Mills, Geoff Burgess, .24) May 2001 - Graduations, Talia Venn, Stephen Carthew, Honory Doctorate, Steve Monaghetti, Heather Moore, Brendan O'Brien, Bill Pryr, Terry O'Brien, Carole Wilson, Carolyn Taylor, rape law reform, Federation at the Ballarat School of Mines, Work Skills, Debbie Eagles, Sue Purtle, Longerenong, Mohair, Early Childhood, Horsham, Kerry Cox, Willy Hobbs, David Firth, Kim Durban, BAPA, maryanne Coutts, Ewen McDonald, butterflys, Fukuoaka INstitute of Technology, Jane Wilkinson .25) Wayne Robinson, Neil McAdam retirement, Anne Beggs Sunter, nursing, Eileen Sellers, Hannelore Best, international nursing, Francis Adams, copyright, Roy Taylor, Wendy Bolger, unplugged, Horsham, Robert Irvine, Horsham graduations, Anxiety Clinic, Carole Wilson, Heart Mat, University of Ballarat Mission, Diabetes, Emelia Martinez-Brawley. Images include Wayne Robinson, Anne Beggs Sunter, Eileen Sellers, Hannelore Best, Phil Candy. Meg Tasker, Roy Taylor, Wendy Bolger, Robert Irvine, Angus McLachlan, Roger Castleman, Stephen Roberts, Philip Smith, Bob Allen, Rob Greig, Dennis Jeandet, Carole Wilson, Doug Lloyduniversity of ballarat, ballarat school of mines, wetland, broadband, david janes, smb, kennett, leadership, eagles, centre for rural and regional health, microwave, turale, arts academy, camp street, library, landcare, mallee, mallee pipeline, barry, verna barry, mills, brown, palmer, caro, geoffrey blainey, blainey, birkin, besse, kemmis, adermann, ackland, jardine, auld, mclaren, pope, green, otago, radomski, honorary doctorate, munt, stepcich, wemyss, rubinov, muir, everyone@ub, robinson, horsham, stawell, ararat, fukuoaka, taylor, moneghetti, coutt, hatfeild, westbrooke, karan, bailey, james, nemeth, wild, de bono, texas, sharpam, fiji, clark, ruyg, kropp, sugget, baird, allen, westbrook, rural health, stacpoole, mcgrath, ruglen, ferrier, manterfield, pilven, michael adermann, tafe, mount helen vegetation, dennis arne

Graham Willey was a School of Mines Ballarat student from 1953-55. He was awarded the 1955 Honour Blazer. The School of Mines was established in 1870 in Ballarat, making it Australia's third oldest tertiary institution. Redmond Barry was its first president, and he was involved in the creation of university degree level courses for the school. The School of Mines was divided into a tertiary division and a technical division. The tertiary division provided higher education courses such as mining engineering, geology, education and business studies, while the technical division provided such programs as wool classing, plumbing and bricklaying.It remained in that form until the 1967 when it was split into three institutions, Ballarat School of Industries, Ballarat Technical School, and Ballarat Institute of Advanced Education. They remained three entities until 1976. Ballarat Institute of Advanced Education merged into Ballarat College of Advanced Education. The Ballarat School of Industries and Ballarat Technical School merged into the School of Mines and Industries, Ballarat (SMB) in 1976. Several entities merged or had arrangements with SMB. In 1994, a memo of understanding (MOU) was signed between SMB and the Ararat Technical School, which was founded in 1969. Then, in 1998, SMB and the Horsham-based Wimmera Institute of TAFE (1984), dating back to 1882, merged into the University of Ballarat to create a larger University.This three quarter lined, 3 buttoned, bottle green woolen blazer is edged in black twill piping and has a SMB badge on pocket "XVII ATH. XI Honor 1955 S.R.C." The 2 side pockets are also edged in the black twill and there is a trim of the twill 8.3cm from the sleeve cuff. The breast pocket has a top binding of yellow and green diagonal stripes. Cloth label - Messer & Opie Ballarat On embroidered badge "Incenio Effodore Opes", "XVII ATH XI Honor 1955 S.R.C."blazer, honor blazer, harold john hassell, smb, school of mines ballarat, graham willey, costume, textiles, coat of arms

The “Northrop” is an American copy of the “Zogling” which was designed in Germany in the 1920s as a training glider. Apparently, the Northrop primary glider takes its name from a Marvin Northrop of Minneapolis who imported a Zogling from Germany and from that glider had plans drawn and published in a magazine called Modern Mechanics in 1930. The Australia Gliding Museum’s Northrop was built over the period of 1970 to 1974. The project was conceived by a pioneer of Australian gliding, Ken Davies, about 1969, as a hobby project and to experience afresh gliding flight of the early years. By that time, few primary gliders, which performed a fundamental role for gliding clubs in the 1930s and 1940s, remained in Australia. Ken began construction and was helped to finish the project by two old time Gliding Club of Victoria members, Dave Darbyshire and Rudi Feil. The glider was test flown on 8 March 1975 at Benalla. The glider was stored at the Gliding Club of Victoria and flown on special occasions in the 1980s. Later it was damaged at the 1996 vintage glider rally at Ararat as a result of a heavy landing. Storage was then provided for the glider by the Victorian Motorless Flight Group at Bacchus Marsh until it was returned to Dave Darbyshire for restoration in 1998. Fully restored, the glider was donated by Iris Davies and Dave Darbyshire to the Australian Gliding Museum in April 2001. This exhibit is the type of machine that formed the basis of the sport of gliding from 1929 to about 1945. The glider consists of an open (uncovered) wooden framed fuselage (painted blue) with a brown vinyl covered seat, fabric covered wooden framed wings of constant chord (painted silver) with provision for attachment of semi-circular cane wing skids, and fabric covered wooden framed tailplane, elevators and rudder (painted silver). When assembled the airframe is wire braced.australian gliding, glider, northrop, zogling, davies, darbyshire, feil, gliding club of victoria, victorian motorless flight group

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Another Kyoto confection, a kind of sweetened rice paste, is simply but strikingly wrapped in a package marked with its name (uiro) in vigorously written characters. Simplicity could hardly be carried further, but, as seen in this ensemble of three separate packages, the effect is altogether engaging. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979. Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981An elegant wooden box, fashioned in the style of boxes used for gifts to the emperor some eight or nine centuries ago, is filled with a Kyoto confection called Gion Chigo Mochi. The Gion is one of Kyoto's entertainment districts, chigo are children dressed in ceremonial Buddhist costume for one of the city's numerous festivals, and mochi are cakes of steamed and pounded rice. The name of the confection derives from the style of the bamboo-sheath wrapping, which suggests the figure of a chigo. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving