This item is one of several tools believed to have belonged to the Warrnambool carpenter and businessman, Henry Phillips. English-born Henry Phillips (1821-1896) came to Australia with his wife Elizabeth in 1849. They lived for some time in Port Fairy. In 1865 Henry formed a partnership with Christopher Beattie and established the Warrnambool undertaking business of Beattie and Phillips. This business continued on after the deaths of the founders and lasted until the year 2000. In Warrnambool Henry Phillips was involved in the management of the Mechanics Institute.This tool is of interest as an example of a vintage tool and as a memento of the Warrnambool carpenter and businessman, Henry Phillips.This is a rectangular wood plane, possibly home made. The inserted wood handle may have once been the handle of a saw. A metal blade inserted at the top emerges at the base to form a planning mechanism and rests against a piece of wood.vintage tools, henry phillips

This tool is one of a collection of tools which are believed to have belonged to the Warrnambool carpenter and businessman, Henry Phillips. English-born Henry Phillips (1821-1896) came to Australia with his wife Elizabeth in 1849. They lived for some time in Port Fairy and in 1865 Henry Phillips formed a partnership with Christopher Beattie and established the Warrnambool undertaking business of Beattie and Phillips. This business continued on after the deaths of the founders and lasted until the year 2000. In Warrnambool Henry Phillips was involved in the management of the Mechanics’ Institute.This tool is of interest as a good example of a vintage tool and as a memento of the Warrnambool carpenter and businessman, Henry Phillips. This is a small plane tool with a rectangular body which is slightly curved. A metal blade resting on a piece of wood has been inserted at the top and protrudes at the base to form a planing blade. vintage tools, henry phillips, warrnambool, history of warrnambool

This tool is part of a large collection of vintage tools and they are believed to have belonged to a Warrnambool businessman, Henry Phillips. English-born carpenter, Henry Phillips (1821-1896), with his wife, Elizabeth, came to Australia in 1849 and lived in Port Fairy for some time. In 1865 he formed a partnership with Christopher Beattie and established the undertaking firm of Beattie and Phillips. The funeral business continued on after the deaths of the two founders and lasted until the year 2000. In Warrnambool Henry Phillips was involved with the management of the Mechanics’ Institute.This tool is of interest as an example of a vintage tool and also as a memento of the 19th century Warrnambool businessman, Henry Phillips.This is a large rectangular-shaped wooden plane tool. It has a curved wooden handle with a flattened top and this is inserted into the top of the body of the tool. The middle section of the top of the tool had been gouged out and a metal blade inserted at an angle and this blade partly protrudes at the base to make a planing tool. The metal blade is held in place by a covering piece of wood and a metal screw holds both the inserted wood and the blade in place.vintage tools, henry phillips,, history of warrnambool

Owned at the time by architect, Ian Jelbart, the property had been in the Jelbart family since the 1940s; a 5560sqm secluded hilltop parcel in Eltham. When the manor house and its barn were built, Eltham was a rural community; Jelbart’s grandfather Ronald was a businessman whose poultry farm formed part of the family’s original 100ha holding. A portion would later be subdivided into residential lots to make way for new homes that would form the basis of the Woodridge Estate in the early 1970s. This is a view of the Barn from the main manor house.Digital file only; created from scan undertaken by EDHSarthur street, eltham, houses, jelbart barn, jelbart property, kinloch gardens

These medals were issued by the Town of Warrnambool in 1897 to commemorate the 60th anniversary of the reign of Queen Victoria of England. Walter John Hickford, the Mayor Warrnambool at that time, has his name on the medal. Walter Hickford (1855-1928) was a Warrnambool businessman, setting up a shop in Liebig Street in 1880, supplying the paint materials for householders, contactors, painters and artists. He also carried out decorative work in private homes, businesses and churches. Hickford was active in civic life in Warrnambool, serving as a Councillor from 1890 to 1903 and he was Mayor from 1895 to 1897.These medals are of considerable importance as they were produced for the Town of Warrnambool in 1897 to celebrate Queen Victoria’s Jubilee. They have both a local and a wider national significance.,1These two circular bronze medals have profiles of Queen Victoria as a young woman and as a crowned monarch on the reverse and the Warrnambool Coat of Arms on the obverse. Both have a punched hole with a metal ring on the top. .2 As above .3 These five circular medals, four of which are bronze and one brass are identical with those described above..1Queen Victoria 60th year of reign 1837 to 1897 obverse Town of Warrnambool W. J. Hickford Mayor .BY THESE WE FLOURISH Reverse .2 As above .3 As for .3 above Note one of the bronze ones has a fabric cord attached through a hole at the top.medals, queen victoria 60th anniversarry, warrnambool, mayor john hickford

This ledger was used initially by H. James & Co., Shipping and General Commission agents in Orbost in the late 19th century and early 20th century. Henry James (1860-1932) was a well-known identity in the Orbost district.He was a stock agent and auctioneer. H. James proved a very keen businessman and did well. He eventually formed agencies, conducted an auctioneering business and controlled the bean market. He also helped to establish the seed bean industry in Orbost and was the second secretary of the Snowy River Shipping Co. as well as a shire councillor and prominent member of MUIOOF.Henry James (1860-1932) was a well-known identity in the Orbost district.He was a stock agent and auctioneer who helped to establish the seed bean industry in Orbost. He was the second secretary of the Snowy River Shipping Co. as well as a shire councillor and prominent member of MUIOOF.A heavy ledger. Covers are heavy cardboadr coloured green It has a brown leather spine. the bottom right hand corners have been cut off. It contains records of auction sales and lists goods sold on assignment.on spine : LEDGER On the first 3-4 pages in pencil are O's and 's gamesjames-harry shipping-orbost auctioneer

Souvenir publication promoting Bolton Brothers and Bendigo. Includes full page information about Local Sights Worth Seeing, Accommodation and Country Trips from Bendigo as well as large photographs of the local industries and attractions, noting that it is pre automobile days as there are mostly horse and carts in the photographs. The Bolton family founded a printing business in Bendigo in 1885. Benjamin Bolton was a prominent businessman and on this death in 1901 William Bolton (Mayor 1936 -37) and his brothers took over the business. Bolton's remains a well known office and printing suppliers in Bendigo today.Fifty six page album style publication produced by local printers Bolton Brothers as both promotion for their business and to encourage tourism. Two colour printed front and back cover on brown card. Inside contains high quality black and white, full and half page photographs of local businesses, prominent buildings and attractions including Bartlett Brothers Photographers, Favaloro's Caterers and Cafe and Myers. Bendigo / for / Sunshine / Business / & Pleasure / Under the Seal of the Bendigo City Council / Published by Bolton Bros. Pty. Ltd., Centreway, Bendigo.city of greater bendigo commerce, city of greater bendigo tourism, city of bendigo mayor, mayor bolton, making a nation exhibition, bolton brothers printers

This item is one of several in a collection of tools that are believed to have been owned by the Warrnambool carpenter and businessman, Henry Phillips. The needles are bag needles, used with leather or string to sew up and enclose hessian bags etc. English-born Henry Phillips (1821-1896) came to Australia with his wife Elizabeth in 1849. They lived for some time in Port Fairy. In 1865 Henry formed a partnership with Christopher Beattie to establish the Warrnambool undertaking business of Beattie and Phillips. This business continued on after the deaths of the founders and lasted until the year 2000. In Warrnambool Henry Phillips was involved in the management of the Mechanics Institute.This is a wooden case, elliptical in shape, with a detachable lid. The case is pointed at both ends. The lid is bound at one end with several strands of string. The case contains twelve metal needles of varying lengths and eye hole sizes. Two of the needles have curved ends and several have flattened middle sections. The needles are much rusted and the case is stained.Made in Englandvintage tools, henry phillips

Commemorative trowel from Wesley Church St Kilda, 22 October 1857. Alexander Fraser (1802-1888), businessman and politician. Fraser lived at St Kilda and in 1857 was elected to its first Municipal Council; in 1859 he became chairman and mayor in 1864-65. An active churchman, he held most important offices in the Wesleyan Church and for thirty years was treasurer of the supernumerary fund, which he helped Rev. Daniel Draper to found. Dour and pious, Fraser was conscientious in fulfilling his political duties. He presided at numerous meetings and laid countless foundation stones.Silver trowel with polished wooden handle. Trowel decorated around the edges and with an inscription.Presented to Alexander Fraser Esq J.P. on laying the foundation stone of the Wesley Church St Kilda 22nd October 1857. Rev. J. Harding Superintendent of the church. Rev. D.J. Draper Chairman of the District. Rev. J.A. Manton President of the Conference.wesleyan church st kilda, fraser, alexander, draper, daniel

This gold locket was presented to Thomas Edward Bostock on his retirement as Secretary of the Warrnambool Cricket Club on 1st August 1884. Thomas Bostock was a member of the Bostock family who had come from Tasmania to the Warrnambool district in the late 1840s. The Bostock brothers were prominent in the history of the area as pastoralists, shopkeepers, flour millers and Bond Store operators. They were all enthusiastic local cricketers. Thomas worked for the Bank of Australasia in the 1880s and was a keen footballer and cricketer. He moved to Geelong where he made his mark as a Councillor, Mayor and businessman, with several buildings and a street named after him. This item is of very high significance because:- 1. It is an attractive and valuable gold locket from Victorian times 2. It has strong local significance as it was presented in 1884 to a prominent Warrnambool man, Thomas Edward Bostock 3. It has considerable social significance, demonstrating the customs of the time of a man carrying a locket containing miniatures of personal interest to the bearer and of the presentation of such an object by a sporting club. This is a gold locket with a monogram of T.E. Bostock on the front and an inscription on the back. The locket has a small ring at the top so that it could be attached to a watch chain. The locket opens to reveal two oval inserts (one with a blue background) suitable for small photographs or miniatures.Monogram - T.E.B. Inscription: ‘Presented to T.E. Bostock by the Warrnambool Cricket Club on retiring from Secretaryship, Aug 1st 1884’ bostock, thomas edward bostock, warrnambool cricket club 1884, bostock brothers warrnambool, bostock locket

These badges were produced in the 1950s to raise funds for the Lyndoch Old Folks Home in Warrnambool. This aged care facility at the mouth of the Hopkins River was opened in 1952 when the property known as Lyndoch was purchased. Lyndoch had been established in the 1880s by the Melbourne businessman George Rolfe who bought up a considerable amount of land in the Warrnambool district in the late 19th century. After George Rolfe died his step-daughter, Florence Lake built the bungalow known as Lyndoch and this building was the basis for the development of the property into an aged care facility. Today the facility has been considerably expanded and is known as Lyndoch Living. These badges are retained as mementoes of the type of fund-raising ventures conducted in the 1950s to raise funds for local charities in Warrnambool – in this case ‘Lyndoch’ Old Folks Home..1 A metal badge with green lettering on a cream-coloured background. The rusted back has a metal clip and the name of the maker is printed around the edge of the badge. .2 As above except that the lettering is very faded and the clip at the back does not work. In aid of “Lyndoch” Old Folks Home A.W.Patrick N. Fitzroy Vict. lyndoch living aged care facility, history of warrnambool

The Baranduda and District School Sports Association held its first interschool sporting competition in 1936. Schools included in this association were Allan’s Flat, Bonegilla, Baranduda, Leneva, Mitta Junction, Staghorn Flat and Wodonga West. This commemorative trophy, The Thomas Chubb Shield, was donated to the Sports Association by Mr. Albert John Chubb, in memory of his father. Mr. Thomas Chubb was a successful businessman in Albury and an active supporter of many institutions and community organisations in the Albury Wodonga area. Mr. Albert Chubb actively supported school sports carnivals across the district, including being the official starter at many events.This trophy has local social and cultural significance as it provides evidence of sporting and social interaction between the small schools in the Wodonga and surrounding communities,A wooden shield presented to recognise winners of the Baranduda and District School Sports Association from 1936 to 1949. A metal hanger is attached to the top.On top metal banner "THE THOMAS CHUBB SHIELD" . On central shield "BARANDUDA /AND/DISTRICT/ SCHOOLS/ SPORTS ASSN. On small shields from top to bottom, "LENEVA 1936/ BONEGILLA 1939/ LENEVA 1941/ LENEVA 1949/ LENEVA 1948/ LENEVA 1947/ ALLANS FLAT 1940/ MITTA JUNCTION 1937"baranduda sports association, school sports, wodonga district, thomas chubb

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. Elaine Mann was married to David Mann, a successful Wodonga businessman and community leader who passed away in Wodonga in June 2012. David was a member of the Mann family who began their business in Wodonga in 1920. Elaine was a teacher in Wodonga for many years.This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.THE WATER TOWER is a major landmark of High Street, Wodonga. It began operation from January 1924 until it ceased operation in 1959. It stood unused for a decade until the lower section was modified and put to use as “ The Tower’s Cobbler’s Inn” in 1962. In 1972 Wodonga City Council proposed to demolish the Tower. Their suggestion received an unfavorable response from the city’s citizens, so the Tower still stands today. This image shows High Street and Hovell Street looking to the north The Civic Centre Theatre is on the right in Hovell Street. On the left in High Street is Tower Place on left. On the far left Repco which by 1998 became a Chinese restaurant and remains so in 2021.wodonga businesses, high st wodonga, water tower, hovell street wodonga, high street wodonga

Owned at the time by architect, Ian Jelbart, the property had been in the Jelbart family since the 1940s; a 5560sqm secluded hilltop parcel in Eltham. When the manor house and its barn were built, Eltham was a rural community; Jelbart’s grandfather Ronald was a businessman whose poultry farm formed part of the family’s original 100ha holding. A portion would later be subdivided into residential lots to make way for new homes that would form the basis of the Woodridge Estate in the early 1970s. The Barn was developed as a residence by Ian Jelbart in the late 1960;'s. Handmade mud bricks were used in its construction. This is a view from The Barn looking towards the Manor HouseDigital file only; created from scan undertaken by EDHSarthur street, eltham, houses, jelbart barn, jelbart property, kinloch gardens, verandah, mud bricks, enclosure

Built for William Wilmot Couche (1829-1890) probably in 1869. The architect was Lloyd Tayler (1830-1900) and it was designed in the polychromatic Lombardic style that had been introduced to Melbourne by the architect Joseph Reed (1822-1890). Couch was a prominent merchant and businessman. He founded the firm Couch Calder & Co, was director of several insurance companies and a member of the Melbourne Harbour Trust for many years. From about 1900 the house was renamed Wavenhoe. In the 1920s Wavenoe Avenue was constructed through its gardens and most of the land sold off including the blocks at the corner of Hotham Street and Alma Road. The house still stands opposite St Kilda cemetery.black and white photograph copy

James Young was a prominent businessman, land owner and public figure in the early colonial period of Bacchus Marsh. In February 1868 he offered for sale through the agent W. Anderson 38 blocks of land which ran from the Lerderderg RIver westwards beyond Gisborne Road in the vicinity of the present day Masons Land. The land for sale was described as, 'unsurpassed Agricultural Land, in the immediate vicinity of Bacchus Marsh, varying in size from 2 to 12 acres each'. The sale notice in the Bacchus Marsh Express of 1st February 1868 page 2, also noted that, ' Plans can be seen at Mr. Young's Border Mills Store, and at the Border Inn'. One of the largest and most important land sales in the early colonial period of Bacchus Marsh.A single page paper map showing 38 blocks of land for sale in 1868 in the vicinity of Masons Lane Bacchus Marsh. Scale 11 chains to 1 inch. The map is pasted into a bound volume containing 76 maps or plans in total. High resolution digital image stored on BMDHS computer network. land sales bacchus marsh, bacchus marsh victoria maps, james young 1816-1871, masons lane bacchus marsh land sales

This folder of text and photographic memorabilia relating to Robert Wilson Baxter (1935py) is a fascinating record of this former student's service and ultimate sacrifice for his country. Robert Baxter was awarded the George Medal on the 28th July 1942 for heroism in rescuing a fellow crewman from the burning wreck of their aircraft. The Medal was received by his family after Robert's death on 7th August 1942 as a result of an accident while taking off on operations. Robert Baxter's father, also Robert Wilson Baxter, was a Ballarat businessman who purchased the Ballarat Star Newspaper in 1897, selling it to the Courier in 1924. He was also part of Baxter and Stubbs Pty. Ltd. (Printers). Robert's mother attended Mrs Kennedy's School for Girls. Items in the folder have historical significance as they document the service and sacrifice of a RAAF sergeant during World War Two. Archival folder relating to Robert Wilson Baxter (05/03/1918 - 07/08/1942), including photographs of RWB in squadron uniform and receiving wings, visit of Robert Menzies to Squadron, gravestone at Selby, England; telegrams to parents re war injury and discharge from hospital; letters, newspaper clippings and extract from the London Gazette relating to his posthumous receipt of the George Medal; letters of condolence from his Wing Commander and His Majesty George VI; Obituaries and in memoriams; letter from his sister, Margaret Jamieson, re donation of items to BCC. raaf, royal australian air force, george medal, second world war, robert wilson baxter, world war two honour roll, margaret jamieson, robert menzies, 1935py

This is a trophy given to a Warrnambool Football Association by Harry Pritchard. He was a Warrnambool businessman who had the Warrnambool Sports Depot store in Kepler Street in the 1920s. The trophy was for the winner of the Warrnambool Wards Football Association. This was a Junior Association promoted by the Warrnambool Football Club and it existed from 1924 to 1930. It was proposed that the four Council Wards, Hopkins, Victoria, Albert and Merri each had a football team but it is not clear if all had teams and how many teams from other areas took part in the competition. The Pritchard Cup records that the Hopkins Ward Football Team won the trophy in 1926 and that Allansford, a team outside of the four wards, won in 1927. The records of the Allansford Football Club go back to the 1890s. This cup is of considerable interest, firstly as an attractive trophy in its own right and secondly as a memento of a football association connected with the Warrnambool Council Wards. Both the Council Wards structure and the Wards football association no longer exist. This is a silver cup with two ornamental handles, a slender stem and a silver base. The cup has a lid with a knob in the middle. The cup, lid and base are all heavily etched and patterned with scrolls, leaves and flowers. There is an inscription on one side of the cup. The cup sits on a circular brown wooden base which has a cloth or paste mixture affixed to the bottom. The wooden section has two silver plaques with inscriptions. There is a small piece of wood missing on the side of the top of the mount. ‘The Pritchard Cup presented to Warrnambool Ward’s (sic) Football Association by H. Pritchard.’ ‘Won by Hopkins Ward Football Club Season 1926’ ‘Won by Allansford Football Club Season 1927’ football in warrnambool district, harry pritchard, warrnambool 1920s, history of warrnambool

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.A panoramic photograph of the junction of High Street and Cotham Road. The photographer centres the point-of-view on the Kew Post Office and adjacent Court House. These were designed in the Queen Anne style by the Public Works Department's architect J Harvey and completed in 1888. The complex is important because it demonstrates a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. The earlier Jubilee Fountain in front of the Post Office was erected by the Kew Borough Council to commemorate the Golden Jubilee of Queen Victoria in 1887. It was created to a design of the architects Reed, Henderson and Smart. The fountain was later relocated to the Alexandra Gardens to make way for the Kew War Memorial. The tram tracks in High Street were used by the horse tram, which ran from the Victoria Street Bridge to the Boroondara General Cemetery. The tram was replaced by an electrified service in 1915.The Post Officekew post office, kew illustrated, kew where we live, photographic books, henry kellett

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In 1891, High Street was the centre of commercial activity in the Borough of Kew. It was unpaved and edged with deep bluestone gutters, which were designed to channel the significant flow of storm water down the hill to and beyond the Junction. On either side of the entrance to the shopping strip are two cast iron gas lamps that provided the only public street lighting before the Post Office was reached. Most shops, including the Nicholas Brothers’ Junction Store featured cast iron verandas. Further up the hill, Dougherty’s Greyhound Hotel was by this stage a local institution. Apart from the horse-drawn tram, the main form of personal and commercial transport in this period remained the horse, horse and cart, or buggy.The panoramic view predates the widening of High Street in the 20th century, and thus includes the original alignment of buildings on the south side. These included Henry Kellett’s shop.High Street, Kewkew illustrated, kew where we live, photographic books, henry kellett, high street - kew (vic)

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Before true aerial photography became possible, photographers such as J.F.C. Farquhar were compelled to shoot their images from the highest vantage point. Here, it is presumed to be the roof of Xavier College, from which the panoramic view extends west towards the rise of Studley Park. The houses in the foreground face the southern end of Gellibrand Street. Wellington Street is at an angle to the camera with the Queen Street intersection on the near right. The wooden building behind the large horse paddock on the other side of Gellibrand Street is the Kew Recreation Hall, built 1888, demolished 1960. It was reputed to have one of the finest dancing floors in or around Melbourne. The Bowling Green at the rear of the Hall belonged to the Kew Bowling Club. Further west is the Kew Railway Station on Denmark Street, opened to the public in 1887. At this period, much of Studley Park was locked up in large landholdings, dominated by large mansions such as ‘Byram’. Bird's Eye View Looking Westkew illustrated, kew where we live, photographic books, henry kellett, denmark street, kew recreation hall, kew bowling club, wellington street

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.This panoramic view was probably taken from the roof of Xavier College. It invites the viewer to look down on the buildings and streets of Kew, and across to the distant horizon. Mansions and solid bourgeois villas dominate the view of Charles and Wellington Streets. The imposing spires of the Presbyterian and Methodist Churches, built in one of the highest areas of Kew, can be seen in the distance. In the foreground, the photographer includes three significant mansions: Molina, Roxeth and Elsinore. Molina, in the foreground, and the group of weatherboard buildings in its yard was used at this stage for the privately operated ‘Kew High School’ (founded 1872). Roxeth, the home of Herbert Henty can be identified by its distinctive four-sided tower. All three buildings are now part of Trinity Grammar. Other built structures observable in the photograph include Wilton (now the Kew RSL), designed by Guyon Purchas for Dr William Walsh in 1886, and the only known image of the Prospect Hill Hotel prior to the renovation of 1935. Bird's Eye View Looking Northkew illustrated, kew where we live, photographic books, henry kellett

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Very few of the natural or built features in this panoramic photograph of Wellington Street remain. The open land between High Street South and Denmark Street, then known as O’Shannessy’s Paddock, was to become a residential subdivision at the beginning of the 20th Century. On the far side of Denmark Street, bordered by a picket fence, is the Kew Railway Station (demolished 1957). Further east, the large building with the flagpole is the Kew Recreation Hall (demolished 1960), which was the centre of civic life for almost a century. The building was used for dances, civic functions and exhibitions. A bowling green, tennis courts, and a cricket ground surrounded the Hall. The dominant building in the photograph is Xavier College, founded in 1872 by the Society of Jesus. The first classes for pupils were held in 1878. It is presumed that Farquhar used its roof for two of his bird’s eye views.Wellington Street from High Streetkew illustrated, kew where we live, photographic books, henry kellett

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In this view of Studley Park Road, looking northeast to the Junction, the photographer invites the viewer to participate in a point-of-view that emphasises the elevated, tranquil vantage point of the hill in contrast to the bustling commercial area in the distance. The view emphasises the exclusiveness of Studley Park, with its high fences behind which a number of significant Kew mansions were concealed. Contemporary advertisements for the sale of mansions in Studley Park Road often included fulsome descriptions of their elaborate formal gardens, as well as paddocks for grazing, stabling and dairies. None can be seen here. The use of high, protective wooden pickets to surround the newly planted avenue of elms on the south side of the road appears to be typical of the period. Similar examples can be seen in early photographs of Wellington and Princess Streets.The horse and carriage, selected as a central focus of the view, reinforces the residential, exclusive nature of this part of Kew in the early 1890s. Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.This is the earliest known photograph of the exterior of Byram (later Tara Hall). It shows the original red brick fence, its asymmetrical gate and gateposts, with a large terra cotta gargoyle surmounting the higher of the two. The architect, Edward Kilburn designed Byram in the Arts & Crafts style for the industrialist George Ramsden. Construction began in 1888 and was reputed to have lasted three years. The mansion had frontages to Studley Park Road and Stevenson Street, including gardens laid out with great taste, including pleasure grounds, tennis lawn, fruit and flower garden, and paddock. The size of many of the trees in the garden indicate that many survived from the garden of Clifton Villa, the previous single-storeyed house built on the site by the Stevenson brothers. Byram had views to Melbourne and Port Phillip Bay. The house was demolished in 1960, despite opposition from the National Trust (Victoria), and its gardens subdivided into residential allotments.A View in Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett, byram, tara hall, goathlands

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Completed in November 1890, the railway viaduct (now the Chandler Highway Bridge) linked Kew and Fairfield. The viaduct is significant as the most substantial extant engineering remnant of the Outer Circle Railway Line. Opened in March 1891, the viaduct crossed the Yarra River in a single span, atop three supporting brick pillars. Following the closure of the railway line in 1927, and the construction of the Chandler Highway in 1930, the bridge was used for vehicular traffic. In 1891 when this panoramic photograph was taken, the grounds of what was then the Kew Lunatic Asylum extended down to the River and eastward beyond the viaduct. The landscape surrounding the Asylum was planted with traditional exotic trees such as Oaks, Pines and Cedars, and landmark trees from northern Australia such as the Hoop Pine. Remnant indigenous trees such as the River Red Gum, Yellow Box and Lightwood were scattered around the site, including beside the Yarra River.Railway Bridge Over the Yarrakew illustrated, kew where we live, photographic books, henry kellett, railway viaduct - - kew (vic)

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.When the Kew Lunatic Asylum was opened in 1871, its extensive 340 acres of grounds were intended for farming, agriculture and recreation for the inmates. The point-of-view chosen by Farquhar for this panoramic photograph focuses on the ordered open fields, haystacks and remnant trees that extended from the foreground to the rear of the Asylum. The inmates are the absent players in this pastoral idyll. In 1891, The Argus reported on the Annual Asylum Picnic: “Wednesday saw the Kew picnic, the yearly festival of the mad folks and their keepers. Once a year the public subscribes for cakes and ale for all these mad folks, and their keepers, from superintendent to lowest wardsman, turn out, and use their best endeavours to make one day in the year sanely merry.” Regardless of such merriment, the Asylum’s development and ongoing status were frequently a source of disquiet to the residents of Kew, who regularly petitioned the State Government for its removal. Despite these views, the Asylum was to remain a functioning institution from 1871 to 1988. Kew Asylum & Groundskew illustrated, kew where we live, photographic books, henry kellett, kew lunatic asylum

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In Farquhar’s close-up portrait of the rat catcher and his dog, the photographer excludes any extraneous data that otherwise might have provided a spatial or motivational context. The contemporary or the present day viewer is required to construct a narrative to explore or understand what is occurring. The title of the picture might incline a viewer to believe that what they see is an exercise in vermin control, and that the rat concerned might be an introduced black or brown rodent. A more likely scenario is that the rat catcher is focussed on catching ‘rakali’, a native water-rat once widely trapped for its fur. The trapping of rakali for use in the manufacture of fashionable clothing accelerated as introduced furs such as musquash became more expensive. It was not until 1938 that rakali were granted protected status.Ratting on the Yarrakew illustrated, kew where we live, photographic books, henry kellett, yarra river

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Dight’s Falls in Studley Park is an artificial weir built on a natural rock bar across the Yarra. The weir was built in the 1840s to provide water to the ‘Ceres’ flour mill, one of the earliest industrial sites in Melbourne. The falls were later to be named after the owner of this mill. In 1888, William Guilfoyle, Director of the Melbourne Botanical Gardens had called for fresh water to be piped from above the weir to the Botanical Gardens, using a pumping station on the Kew side of the Falls, a holding reservoir in Walmer Street and a series of pipes from there to the Gardens. This system was opened in May 1891. Farquhar’s photograph of the man-made weir obscures the industrial activity on both sides of the Falls and focusses solely on the river and the surrounding natural vegetation. The photograph probably predates the disastrous flooding of the Yarra River in July 1891, the greatest to have occurred in the Colony since the foundation of Melbourne.Dight's Fallskew illustrated, kew where we live, photographic books, henry kellett, yarra river