Purchased by John Eric Wiles VX 16067, refer Cat No 5410P for his service details..1) 2/7th Bn Unit Association tie, green with 6 by bands across being the unit colours brown over red, centre has sewn on 2/7th BN, there colour patch brown over red rectangular shape. .2) small metal tie pin, dome top purple back ground with an RSL badge inset, small chain and clip on rear.ties, association, 2/7th, wiles

These are WW1 Australian soldiers, They have leather bandoliers, leather leggings and spurs. Most have slouch hats. Therefore they are probably drivers. The big officer in the middle has red tabs so it is assumed he would be Colonel or above. Seated on the ground, right side is a veteran. He has a colour patch with the letter "A" . There is a Lance Corporal with a colour patch. I would place this as c1916-1918.This is a small group portrait set into a cardboard frame. The photo is black and white. There are 3 ranks of soldiers in front of a timber weatherboard building.On the back written in texta is "Mrs O. Pell".photograph, ww1

Refer to 4967.2 Cat Small pocket size document - folds shut. Cover is brown buckram. Stamped on front is the Aust Coat of Arms, The words Australian Military Forces, Army Driving Licence. This is licence NR 85460. Army form AAF G11.V9520 Sgt Attwood John R. 4 Army troops RAE, Class 1 vehicles - 18 Dec 1941 (cars and vans).ww2, drivers licence

All photos relate to Francis William (Dinky) Dean BEM, VX 93960 2nd AIF, 3742 1 RAR 1943 - 1975. Refer Cat No 124.2 for his service history. Frank Dean is in all 4 photos.(.1) Photo, B & W showing 4 soldiers in a Jeep. (.2) Photo, B & W showing a soldier standing beside a sign . (.3) Photo, B &W showing 2 soldiers at a kitchen mess. (.4) Photo, B & W showing 5 soldiers sitting under a small tree.(.4) On rear in black pen. “John Peters, B Coy, Martin Winterburn HQ Coy, Self D Coy, Don Nurcombe C Coy and Stevo SP Coy, A Ech Korea 1954” Ech, (Echelon)photography, military, korea

This is a photograph of three men in a heavily laden boat. The boat is tied up to a stick inserted into the bank. There is a black cocker spaniel dog also in the boat. The man in the middle back is believed to be John Trestrail Freeman. The card has been addressed to his wife. Dolly Freeman née Dolly Dean. The other two men , Bot and Paddy cannot be identified. The men are obviously travelling up the river. There is a motor on the back of the boat. The luggage includes a Gladstone bag, suit cases and boxes, indicating they have been travelling a long distance.This photograph is significant because it shows the type of transport available in the 1920's. Also it shows the conditions the three men travelled in. The boat was small, heavily laden with a simple motor. River traffic in 1920 would have been sparse. Also a journey from Echuca to Mildura would have taken weeks to complete.A rectangular black and white postcard showing three men and a dog in a heavily laden boat, which is tied up to the bank.On the back is printed W. GRIMWOOD/ POSTCARD/CORRESPONDENCE/ ADDRESS ONLY/KODAK AUSTRALIA . Handwritten in ink on the back are the words "To Doll from Bot, Tress, Paddy, River Rovers on Trip to Mildura Feb. 1920." Written on the front of the card in green ball point ink are the words "River Rovers Bot Tress Paddy 1920". In the bottom right hand corner in green pen is written "Echuca to Mildura. Tress Freeman."freeman, john trestrail (jr.), mildura, murray river, river rovers, freeman, dolly

We Will Remember Them, AIF Epitaphs of World War I. From back cover: No consolidated list of epitaphs exists but John and Hazelle Laffin have been collecting them from the graves themselves for decades. These inscriptions, in their great variety, present a picture of Australians of the period.Soft cardboard cover. Black, white & gold print on front, spine & back. On front cover background is a sepia photo of a soldier in uniform with his wife & 2 children. Smaller colour photo in foreground of a headstone. On back cover is a small colour photo of John & Hazelle Laffin. 158 pages, cut, plain, white. Illustrated black & white photos & hand drawn maps. Hand written notes in grey lead pencil on numerous pages.books-military-history, epitaphs ww1

Item with the collection of Cyril John JOHNSON VX 36298 died as a POW of the Japanese. Refer 3144 for his service history.Badge, circular, Mothers & Widows, depicting a woman with wreath. Under via 2 small links is a clasp with 1 star depicting 1 son lost in the war.On front: FOR AUSTRALIA On rear: A17189 AMOR SYDNEYbadges, military, sacrifice

Cameron Highlanders was the 16th Infantry BN. John Lloyd, Brigadier John Lloyd 16th Bn 1939 - 1940, Honarary Colonel 16th Bn 1955 - 60, Patron of the Rats of Tobruk Assoc, 16th and 28th Bn’s, served WW1 & WW2. Peter Ball collection, refer Cat No 4704.Trophy tray rectangular shape, metal with handles each end, edge ink on other two sides, base is ornate with circles, centre has a small military badge, around that is inscribed into the metal, base under is wood, 4 small round legs screwed on each corner.Inscribed, “John Lloyd Trophy 1978 Pte P.C.Ball A Coy Geraldton 16 RWAR”. On small badge, “Cameron Highlanders Western Australia”.trays, trophy, accessory, 16th rwar

JOHN ALFRED HOLMES V246172. Enlisted 30.1.1942. Discharged 12.12.1945..1) & .2) Identify discs with a small hole, round, fibre, brown colour. .3) Identity disc with a small hole, 8 sided, fibre, whitish colour..1) & .2) “J A Holmes .0.4. V246172 .P.” .3) “J A Holmes .0.4. V246172 .P.”military history, identification discs, metalcraft, passchendaele barracks trust

The owner was John Conrad Brown NR 706 of the 38 Bn. He was severely wounded in action (GSW to face and left arm). He returned to Australia and was pensioned off. The owner had this artwork in his house at Goornong until a storm blew the roof off. It was important to him.This is a large black and white print depicting a scene in the Amiens battle. It shows Australian and German men fighting. A small stone bridge is near the centre of the work. High explosive blasts are depicted in the picture. It is finely detailed i.e. buttons on uniforms and dovetail joints in the ammunition box. It is set in a thick card mat. Under the image is the caption. The frame is a simple heavy timber type. The rear has a paper cover but is broken away.The artist was F. Matania. (Fortunino Matania)ww1, amiens, 9 brigade, framed print

This collection of 12 photos was most likely taken in 1980. The photos were most likely taken in Cartographic Squadron’s Ante Room, the Attic and small offices on the top floor of Fortuna Villa. The computer based Editwriter typesetting system was introduced in 1975 as a replacement to the aging Fotosetter machine. It was operated by a specialised technician, who generated a large variety of map type styles and sizes quickly and reliably, as well as text panels. CPL Richards performed this task for several years and in photo .1P and .2P is reading off a type order next to the computer monitor. Output on Copy proof adhesive backed stripping type film replaced messy wax and spray adhesives in 1978. The Editwriter capability supported all RASvy units and contractor type setting requirements. Scribing was the cartographic process of drafting features such as drainage, relief, vegetation, roads and culture on specially coated map reproduction material. The cartographic technician scribed out the map feature such as a contour to a specified line width on the map sheet, using a tool affixed with a sapphire tipped cutter. The quality control edit (Proving) stage of map production was the first opportunity to inspect a proof of the map independently and systematically. Proving tasks were carried out by technicians conversant of the map product specification and task requirement, however, was not involved in its production. Corrections were identified, marked up and sent to back to the correcting section or contractors. Terrain Embossing was a manual map production technique to produce hill shading on medium to small scale graphics and air charts. SPR John Martin is seen in photos .8P to.10P using a fine embossing metal stylus to push down on the drainage impression on a thin malleable opaque plastic material (AK Poligraphy). Ridge lines were then pushed down using the contour impression as a guide, on the opposing side of the AK Poligraphy to create a 3D plastic model terrain effect. The map impression was sprayed with white paint and photographed to create a contone tone hill shade. SPR Gina (Coore) Neilson is seen in photo .11P washing a contone positive of a land mass in a solution. The contone components were registered to the map sheet, as shown in photo .12P and masked using an air brush and a halftone negative was then created. The terrain embossing method of producing hill shading was more efficient to produce than previous specialised artistic methods such pencil/eraser and air brush. Furthermore, a more consistent enhancement of terrain on charts was achieved between technicians.This is a set of 12 photographs of Cartographic Squadron performing four map production tasks at the Army Survey Regiment, Fortuna, Bendigo c1980. The first ten photographs were on 35mm negative film and were scanned at 96 dpi. Photos .11P and .12P were on photographic paper and scanned at 300 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1980, Editwriter typesetter, CPL Paul Richards. .2) - Photo, black & white, c1980, Editwriter typesetter, CPL Paul Richards. .3) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Megan (McBurney) Reynolds. .4) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Megan (McBurney) Reynolds. .5) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Rod Skidmore. .6) - Photo, black & white, c1980, Scribing contours on a RAAF Chart, SPR Rod Skidmore. .7) - Photo, black & white, c1980, Formal quality control edit (Proving), CPL Ian Belmont. .8) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR John Martin. .9) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR John Martin. .10) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR John Martin. .11) - Photo, black & white, c1980, Hill Shade Terrain Embossing, SPR Gina (Coore) Neilson. .12) - Photo, black & white, c1980, Hill Shade Terrain Embossing, unidentified..1P to .10P No personnel are identified. .11P and .12P annotated ‘Terrain Embossing’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, carto

See Cats 2481.2 and 5556.2.Small booklet, brown cardboard cover, black ink printing. No 186058. Army form AAB87. inside are 26 plus pages of demob procedures, two pages are loose, some pages have the word "cancelled" stamped on them. They show trade skills, civvy education, qualifications etc. There is about 28 pages inside.Written in ink on front: VX79511 CFM McDonald John Alexander, 63 Green St, Windsor, Vic, signed by him. It has a rubber stamp dated 30 Dec (?) 1945.demobilisation, ww2

See Cat 2481.2 and 5556.2.Small sheet of white paper with black printing. C of A form W.G.3. This informs the recipient of his Gratuity from Govt, in this case "McDonald John A." VX79511, received 112 pounds, ten shillings for his service.Rubber stamp at bottom "Checking Staff - 308". The signature is written in black ink.ww2, gratuity

Rhyming poem written by LT. John Bartlett PERRY VX 25088 2nd Light Anti Aircraft regiment. Subject is his daily task of censoring his soldiers letters. 4 pages of lined paper containing a hand written Poe o 15 paragraphs each with 6 lines. Writing in pen black ink. Stapled together with a small sewing pin. Poem signed at end with “Copyright VX 25088 J.B. PERRY”poem, censoring

The Medallion commemorates the 60th anniversary of WW2 in 2005 to honor all service personal who served and were issued with. The large card was signed by the Prime Minister John Howard and De Anne Kelly Minister for Veterans Affairs. The Medallion was designed and manufactured by the Royal Australian Mint. This was issued to R.K. Mylonas 148274, refer Cat No 10531.6 for his service details..1) Medallion, gold colour has stylized map of Australia one side opposite has Australian Coat of Arms. .2) Box cardboard, black with gold lettering on front and inside front cover, black felt inset for the Medallion. .3) Small card folding with details, size and maker. .4) Card large folding with image of the Medallion, photos showing the 3 Services, inside has a coloured Coat of Arms and description of the reason for the Medallion. Size shown is the Medallion.60th, medallion

"Australia's involvement in war and peacekeeping operations has touched almost every town, large and small, in Victoria. This comprehensive survey of Victoria's memorial landscape will be an invaluable starting point for teachers and students who are exploring its impact in their community" John Taylor Chairman, Shrine of RemembranceHardcover book of 308 pagesISBN 978 1 74066 840 8war memorials, victoria, history, war memorials, victoria, history

The mid 1900's provided the start of "the body beautiful" revolution. The cosmetic industry, with the help of quasi scientific selling advertising slant targeted those "customers" that needed the "extra care" factor that only their product could offer. At this period in time their advertising power was based on in store, radio and newspaper media channels with saturation levels relatively low. In the later years of the 1900's saturation levels and a wider range of products and increased competition further increased the product saturation levels available to the buying residents. With the introduction of television the advertisements become more elaborate and "catchy" words, phrases and comedy type situations helped boost the advertising "pitch" and subliminal undertones to effective levels required for a highly competitive health related market place. 'sellingThis subliminally,"medically" endorsed product was one of many during the great "spin" revolution of product marketing and selling. This item is significant in that it demonstrates that greater infusion of product awareness throughout rural areas was highly successful through a greater variety of advertising media. It also demonstrates that in a highly competitive marketplace there are no physical boundaries that impinge upon the distribution of products and services. The rural sector is a highly lucrative region for any product that helps protect the body from all the "nasty's" that become more noticeable in a rural environment. This rectangular box which had contained cuticle soap is constructed from cardboard and reinforced by a black nylon impregnated sheeting. This impregnation was required to keep the box from soaking up any water from the user's hands. The top section of the box(lid) has and in large print "KELSEY'S" top line followed by "CUTICLE" off to the right and underneath and to the right "SOAP". Below this and in smaller print is "MEDICINALLY..." below this and in smaller print "EMOLLIENT AND REFRESHING, REDOLENT, CLEANSES, CURES, PRESERVES, PURIFIES." and last line underneath "SPECIALLY ADAPTED FOR TENDER SKIN" On each of the sides of the top lid are, side 1 "INVALUABLE FOR THE NURSERY." underneath in smaller print "JOHN M. KELSEY CO." to the left of this and on a green backed highlighter "No. 1744 - Guaranteed under Pure Food Act, 1908, N.S.W. by John M. Kelsey Co. - No. 1744. Melbourne, Victoria." On the right side and in large print "KELSEY'S CUTICLE SOAP" on the next side and also a similar sign on the opposite side "SPECIALLY ADAPTED FOR TENDER SKIN." below this "JOHN M. KELSEY CO." "Registered" and on the other long side in large print "SPECIALLY ADAPTED FOR TENDER SKIN" underneath in smaller print JOHN M. KELSEY CO. Registered"specialised soap, toilet requisites, nursery health., bathroom, domestic

This flexible measuring tape was used by the SEC Victoria in the mid to late 1900's. It was in a period before digital measuring instruments were in use. This is a 33ft long tape measure and would have been used by the construction workers when building the Kiewa Valley Hydro System. The warning details (embossed into the leather covering) was to warn users to be careful not to use the tape near live electricity terminals or linkages. This tape was produced mainly for wooden structures and not electricity conductive material. This was during the 1950's to 1960's.This imperial tape measure is very significant to the Kiewa Valley as it was used in the construction of the Kiewa Valley Hydro Scheme of the 1950's-1960's. It provides evidence that small measuring equipment used in the construction and the continuing maintenance of the scheme was of the imperial measure and used by construction workers who remained and settled in the town of Mount Beauty and Kiewa Valley long after the construction period. This flexible metallic measuring tape (33 ft in length) is contained in a round circular leather bound container. It has brass fittings (winder and tape guide) and is stitched with heavy grade twine. The tape measure is graduated in feet and inches on one side and yards on the other. Embossed in the leather casing"MADE IN ENGLAND" and around the inner circle "HOCKLEY ABBEY" and "JOHN RABONE & SONS"imperial tape measure, distance measures, imperial tools

This "first reader" for children in a Victorian Primary school was fashioned by the period that it was printed in (1951), and the associated educational principles was applied by the Victorian Educators. It defines the role play of young children, at this point, in their educational development and contained within the(1950's) "society's" mores and expectations. This book was widely used by state schools in Victoria including Mt Beauty and Tawonga Primary Schools.This reader is significant to the Kiewa Valley because it demonstrates that there was still a very marked "one book" fits all school environmental approach by State educators which the local schools were apart of. This book is one of the KVHS children's school book collection, which many were donated by local families whose children went to Mt Beauty Primary School. Therefore this reader represents a social history significance for the period from 1950's and 60's. The book is in good condition, consequently making it suitable for exhibitions, and highlighting schools in the Kiewa Valley along with what local children read in these schools. This primary school reader has an orange cover with "John and Betty" printed in green. Below this is the green outline of a young boy leading his dog(Scottish Terrier) on a lead. Behind him is the red outline of a young girl (bow tied waist belt) in front of a cat(tail up). A thick green line is situated below the figures. The cover is 180 gsm thick. Inside the book are colored sketches of a boy and a girl playing well defined "boy" and "girl" activities (gender specific for the period of print 1951) Below these activities are simple descriptive words for the above activities.On the front page "John and Betty" below this "The earliest Reader for the Little Ones". Below this "Illustrations by Marjorie Howden" Further down the page and in smaller print is "Education Department of Victoria 1951". Below this and under a fine line "A.C. Brookes, Government Printer, Melbourne"first grader reader, primary education 1950's style

This childhood sketchbook of the 1918 era details the emphasis placed upon a skill of brushwork that portrayed part of the students natural environment both in Tasmanian schools and Victorian schools, especially rural schools. The close bondage between students and their environment was a reflection on the early "hands on" approach in child education. Abstract art or teaching aids which could not be identified with physical properties available to students at this period in time were of lesser value. The ability of the student to identify the artistic value of local nature eg. local plants and flowers was especial important to rural based school children who had limited excursion opportunities available to visit town/city based botanical gardens and museums. This brushwork book is very significant to the Kiewa Valley as it demonstrates that childhood relocations from one State to another were not detrimental to the students overall scholastic development. The rural environment in Tasmania was not that far removed from the rural environment of the Kiewa Valley. The skills taught in both regions were still the same and the socio-economic factors and mores were also similar. This item demonstrates the relocation of one family from Tasmania to the Kiewa Valley. The expansion in population into the Kiewa valley was quite erratic and significant population growth only came after the increase in population brought into the area by the SEC Vic Hydro Scheme introduced to quench the demand for Victoria's electricity.This book has a brown cover with black print and designs on a 150 gsm cardboard. Each page is of the same thickness as the cover but is of paper.On the outside cover and contained within a thick boarder. "EDUCATION DEPARTMENT" and below this in smaller print "TASMANIA" below this "THE TASMANIAN BRUSHWORK BOOK". Below this "FOR CLASSES IV., V., AND VI" Below this "NAME" SCHOOL" At the bottom 2 1/2d1918's educational sketchbook, 1918 children's sketchbook

The subject of this portrait, Gus Ryberg (1911 - 2000), was a tireless promoter of local history and was pivotal in the establishment of the Nobelius Heritage Park and of the Emerald Museum. He was a prominent member of other community organisations including the Emerald Fire Brigade, the Emerald Arts Society and the Macclesfield Cemetery Trust. He received an Order of Australia medal for services to the local community in 1996. The artist, John Dudley, who donated this portrait to the Museum, was the President of the Emerald Arts Society. The painting was completed in 1991.Large oil painting of head and shoulders image of Gus Ryberg looking towards the side. Gilt frame.On bottom right of portrait handwritten: 'Dudley / '91' On bottom part of the frame small plaque: 'PORTRAIT OF GUS RYBERG / DONATED TO / NOBELIUS HERITAGE NURSERY / AND EMERALD MUSEUM / BY THE ARTIST / 1991'gus ryberg, nobelius heritage park, emerald museum

Images of Legal Documents and Map relative to action between M & D Morgan and R Woodward property adjacent to Belgrave-Genbrook Rd., Emerald 19844 images depicting legal instruments and maps relative to M & D Morgan and R Woodward 1984 for properties adjacent to Belgrave-Gembrook Rd., Emerald (3 further difficult to read small maps attached to main file

Image was taken just before the party set out in search for the Kelly Gang outlaws in the Strathbogie RangesSmall black and white photograph showing a group of ten men with rifles in a (staged) bushland setting. Eight are standing and two are crouched down on one leg.Supt Hares party (written on rear in pencil)search party, police search party, kelly gang, bushrangers, francis augustus hare, superintendent hare, thomas lawless, alfred john falkiner, joseph ladd mayes, john milne, thomas hewitt kirkham, william canny

Small black and white photograph showing seven armed men standing in a row. From right to left: Bany, Bracken, Phillips, Arthur, Kelly, Canny, Gascoignekelly gang, bushrangers, charles gascoigne, james murdoch arthur, daniel barry, hugh bracken, william cranny, john kelly, john phillips

The three cards are from 3 Brothers. Ernie is Ernest Stanley Webb enlisted No V325801 in the CMF with 26th M.G. Btn on 16.12.1941, discharged from the CMF on 19.12.1942 and join the AIF on 20.12.1942 No VX132668, served in Darwin with 19th M.G. Btn from 12.1.1942 to 1.2.1944, transfer to "Z" Special unit and serves in N.E.I and Borneo from 29.3.1945 - 17.12.1945, discharged from the AIF on 23.6.1946. Ron is Ronald Ormand Webb enlisted in the CMF No V26051 in the 26th M.G. Btn, discharged from the CMF on 28.6.1942 and joins the AIF No VX89115 on 29.6.1942. Served in Darwin with 19th M.G. Btn from 3.2.1942 - 23.3.1944, transfers to "Z" Special Unit and serves in Morotai and Borneo from 27.3.1945 to 17.12.1945, discharged from the AIF on 30.1.1946. Mervyn is Mervyn Herbert Webb, enlists in the CMF No V26035 on 7.11.1941 in 26th M.G. Btn, discharged from the CMF on 28.6.1942 and joins the AIF No VX134519, serves in Darwin with 19th M.G. Btn from 12.1.1942 - 24.5.1944, serves on Morotai with 16th Aust Inf Btn from 15.6.1945 - 25.12.1945, discharged from the Army on 9.1.1946. Due to illness Mervyn would most likely have gone with his brothers into "Z" Special Unit. Items in the collection re W.P. Fawcett, refer Cat No 9627. The brothers were related to Fawcett. White cream colour cards folded across to make two sheets. On cover at top is a triangle coloured red and blue. At bottom is a picture of a small hut next to a couple of palm trees (in army green) and in the middle is the unit identification "19th Australian M.G. Battalion", inside on page 3 is "Xmas 1942". Cards from different people but to same people.1. Message " To Grace, Percy and John with Kind Regards from Ernie". 2. "To Grace, Percy and John with love from Mervyn". 3. "To Carrie, Percy and John wishing you all the best from Ron".christmas cards, m. g. battalion, christmas card, fawcett 1

Front cover "While you were away/ A DIGEST/ OF/ HAPPENINGS/ IN AUSTRALIA/ 1940-1945" item in the collection of "William John SULLIVAN" VX57829. Review Cat No. 9523P for his service details.Soft cover. Cover - paper, with white and dark green colour print on front and back. Front background light green colour with small illustration of stars and map of Australia. Spine - metal staples. 95 pages - cut, plain, off white colour paper. Illustrated black and white colour photographs, sketches, maps and posters.books, army, ww2, william john sullivan

Item in the collection of "William John SULLIVAN" VX57829. Refer Cat No. 9523P for his service details. From front cover; "200 SHOTS AND THE AUSTRALIANS AT WAR IN NEW GUINEA" War photography - by Damien PARER and George SILK.Soft Cover book. Cover - cardboard, white, black and green print on front, spine and back. Front cover illustrated small green tones photograph of a soldier amongst jungle plants. general background, green and black jungle scene. 197 pages, cut, plain white paper. Pictorial book, illustrated black and white photographs, maps and sketches. Handwritten inscription on title page.Handwritten inscription - blue ink pen. "This book/ belongs to Pat Rae/ 2002".books, ww2, new guinea, william john sullivan

The photos relate to a collection re John Edwards VX3857 2nd AIF. Refer Cat No 536 for his service details.Group of 5 photos, B & W on a blue cardboard background with black edge. .1) Soldier standing in front of a house. .2) Soldier in shorts and tin hat. .3) Four soldiers wearing a variety of hats. .4) Large group of soldiers on parade. .5) Soldier standing in front of a small tent. .1) "Dec 1939" .2) "Palestine 1940" .4) "6th Div Australian Provost Corp prior to embarkation 11Jan 1940"photography - photgraphs, military history - army, palestine

The photos relate to a collection re John EDWARDS VX3857 2nd AIF. Refer Cat No 536 for his service details..1) Small orange cloured envelope for photos. Front has "20 Cairo & Pyramid snaps" from artistic photos. .2) - .21) 20 B&W photos of scenes of Cairo and pyramids. Each photo has on the back in print the name and place of each scene.photography-photographs, egypt

The photos relate to a collection re John EDWARDS VX3857 2nd AIF. Refer Cat No 536 for his service details..1) Small envelope for photos labelled as "12 views of Peta Tiqvah" with explanations. Enveloped faded from a blue to light brown. .2) Small brownish paper listing "12 views of Peta Tiqvah." .3) - .5) Photos with serrated edges, scenes in Middle East .6) - .24) Photos, scenes, Middle East, Palestine etc. All photos B&W.photography-photographs, middle east, eygpt