This is an example of Melbourne Legacy promotional material. It was used in newspaper advertising and also printed on milk cartons. The slogan "Lest YOU forget" was used with an image of the statue of Simpson and his donkey rather than a personality. The newspaper advertising varied slightly, from 'Buy a badge on Friday 7th September' to 'Legacy Says Thank You' when it was published on 14 September. It was in a folder with marketing material from the 1990s also see item 01250. The slogan "Lest YOU forget" was used with an image of the statue of Simpson and his donkey rather than a personality. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers. Examples of the use of a promotional image for Legacy Week in 1990, featuring the statue of Simpson and his donkey.legacy promotion, badge appeal, legacy week

This is an example of Melbourne Legacy promotional material. It is possibly prepared for the 1990 campaign. It was in a folder with marketing material from the 1990s. It is a draft from a graphic designer of a logo and the photo that the image was based on. The image was from a postcard and white-out was used to masque the background. It was a manual process before computer design software was commonplace. The slogan "Lest YOU forget" was used with an image of the statue of Simpson and his donkey rather than a personality in 1990 (recycling the slogan from 1989). Possibly to bring the focus back onto the service given to Australia by service men and women. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers. This draft shows a method of producing marketing material by graphic designers at a time when design software was a niche program that few people had access to.Colour draft of a promotional image for Legacy Week, featuring the statue of Simpson and his donkey.legacy promotion, badge appeal, legacy week

This is an example of Melbourne Legacy promotional material, it uses the phrase. 'Lest YOU Forget'. This advertisement with an image of a family, with a shadow behind them, may have been used to focus the public on the missing father who lost his life in service. The slogan was used again in 1990 with an image of the statue of Simpson and his donkey rather than a personality. Possibly to bring the focus back onto the service given to Australia by service men and women. It is possibly from 1989 as it was in a folder with marketing material from about that time. For several years in the 1990s a "personality of the year" was used to promote the Badge appeal. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers. Black and white draft of a promotional photo for Legacy Week, featuring a family.legacy promotion, badge appeal, legacy week, marketing, advertisements

This is an example of Melbourne Legacy promotional material. Legacy invited the leading guitarists, Phil and Tony Emmanuel to be Personality of the Year in 1995. They helped to promote Legacy, especially during Badge Week (see 00838). They were chosen as their father had served in the Air Force in New Guinea. When he died Legacy helped support their mother and her 6 children. They were releasing a new album in 1995, 'Terra Firma' and Legacy was given a special mention at each concert in Australia. Their album also featured a song called "The Last Post" which was dedicated to the men and women who gave their lives in times of war to keep Australia free. The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994?). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers.Colour A4 promotional leaflet with a photo of Phil and Tony Emmanuel, a one page press release and an article from The Answer.Press release is titled 'The Emmanuels remember Legacy'.legacy promotion, badge appeal, legacy week, answer, press release

Four newspaper articles that were published on the 15 September 1956 when Legacy launched their first Appeal. Two of the articles were reprinted for Legacy to use as promotional material (see 01266 and 01267). One shows a line drawing of the new building that was acquired to replace the premises at 342 Swanston St that was purchased with funds from an American donation in memory of David H Dureau. The Special Appeal in 1956 was to raise £90,000 to go towards refurbishing the building at 289-299 Swanston St. They were in folder of documents about the history of Legacy. Appears to have been mostly compiled by Legatee Cyril Smith as he has many hand written notes on miscellaneous pieces of paper (some are envelopes addressed to him). The notes were typed up into a summary of the History of Legacy. Also documents relating to the first time Legacy approached the public for donations in September 1956, including newspaper articles that were reprinted, a schedule of information that was approved to be released to the press, and a list of potential donors that was circulated to Legatees in the hope they could contact the ones they knew personally or professionally. The call for public donations was partially due to the purchase of the Dureau building and the need to modify the building for Legacy's needs. The documents from this folder have been added in separate records (see 01262 to 01281). The folder was part of an attempt to capture history of Legacy, generally from the 1950s.The documents provide an insight into the working of Legacy, especially in the 1950s when they launched their first appeal to the public for donations. Legatee Cyril Smith and others were detailing their experiences and knowledge for the future.Four newspaper articles about Legacy and it's appeal for the new building, slightly irregular shapes.legacy appeal, properties, dureau house

This is an example of Melbourne Legacy promotional material that was issued to inform the public on the work of Legacy. Some of the text includes sections on How is Legacy special?; Legacy and the young; Legacy and the Aged. "Legacy and the young. Legacy is committed to the nurturing of its young members, known as Junior Legatees. Legacy helps to make sure stye get the education their fathers would have wished for them and to ensure their families enjoy a normal lifestyle. In addition to the 3,000 Junior Legatees throughout Australia, Legacy also cares for the handicapped dependants of its "family". Recreational outings and educational programs are arranged on a monthly basis. These activities aim to develop self-dependence and once a year, a two-week holiday camp is held - a highlight of the year - and lifelong friendship are often made. / For all its young members, healthy outdoor activities are arranged, financial aid, counselling, tutoring and guidance are given to ensure they are able to make the most of the opportunities open to them. Legacy and the Aged. Nowadays, the Australian population has a large proportion of elderly. The majority of Legacy widows had husbands who served in the World Wars. And so Legacy's emphasis has shifted to the needs of the ageing widows. . . Legacy widows meet for a wide range of activities, including cards, crafts, indoor bowls and theatre excursions. . . This represents a valuable social network and complements the volunteer care given by Legatees." Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material issued by Legacy in the 1990s. It was in a collection of marketing material from the 1990s to 2000s.Colour brochure promoting Legacy folded into 8 pages.legacy promotion, fundraising

Between 1992 and 1998 Snuff Puppets was housed on the third floor directly above the Melbourne Museum of Printing at the old Bradmill Cotton Mills building on Moreland St in Footscray. Museum proprietor Michael Isaacson was keen to share his resources and gave Snuff Puppets carte blanche to use his Museum. Nearly all the promotional posters and materials from this time were printed in limited edition runs at the Museum using scrounged paper, odds and ends of ink, lead type, wooden type, lino cuts and an old press.A4 hand printed linocut on thin cream card in 3 colours; blue black, yellow, red. Depicts a pensive skeleton sitting on a small hill with a lowered flag with the initials SP, partly concealed by a giant yellow worm. The print also features the iconic fish skeleton logo. lino cut prints, skeletons, snuff puppets, puppetry, andy freer, melbourne museum of printing, footscray, michael isaacson

Between 1992 and 1998 Snuff Puppets was housed on the third floor directly above the Melbourne Museum of Printing at the old Bradmill Cotton Mills building on Moreland St in Footscray. Museum proprietor Michael Isaacsen was keen to share his resources and gave Snuff Puppets carte blanche to use his Museum. Nearly all the promotional posters and materials from this time were printed in limited edition runs at the Museum using scrounged paper, odds and ends of ink, lead type, wooden type, lino cuts and an old press. A4 linocut print in two colours. Black background. Right side of page has a skeleton walking on hill waving his left hand and holding a red flag with letters "SP". The iconic fish skeleton logo in top right corner. art, flag, print, snuff puppets, lino cut, puppetry, andy freer, melbourne museum of printing, puppets, footscray, theatre, performing arts, promotional book, skeleton

"Melton has a long and celebrated history of horse breeding and racing. Draught horses were a crucial aspect of life in the early days of European settlement, and were heavily depended upon for both transport and agricultural labour. Peppercorn trees at the corner of Station and Brooklyn roads have been associated with a horse trough installed there to provide a drink to workhorses carting produce to the chaff mills and railway station south of Melton.20 Breeders, trainers and harness drivers in the area later became such an influential force in the equine industry that this came to be a defining aspect of the district’s identity and reputation.Pioneer of the Victorian horse racing industry and early Rockbank squatter William Cross Yuille was one of the earliest importers of stud racehorses in the district in the 1850s. A leading sports editor and writer, Yuille established bloodstock auctioning agency W. C. Yuille & Co. and was involved in the compilation of the first Australian Stud Book, which ensures the integrity of thoroughbred breeding in Australia. According to early Melton chronicler Alexander Cameron, horse races were first organised in the area by Rockbank farmer William Keating. Keating owned racehorses of his own, and many brought horses from Melbourne for the events, which ‘drew large gatherings’.22 Melton Racing Club meetings were held on the Exford Estate with the permission of H. W. Staughton, who built a small wooden grandstand in 1882. Other early races and sports meetings are said to have been held in the vicinity of the current-day Melton golf course.23 An 1884 article reported that Melton’s ‘race programme … equals any put forth by country towns of far greater size’. Ernest Clarke was another important figure in the early horse racing industry in Melton. He established the Melton Stud in 1902, which bred numerous successful racehorses. Perhaps most notably The Welkin, one of the most famous stallions in Australian horse racing in the early twentieth century. The Welkin sired Gloaming, bred by Clarke at the Melton stud in 1915 and one of Australia’s greatest champion racehorses. During a long and prestigious career in both Australia and New Zealand, Gloaming achieved a triumphant 57 wins out of 67 starts and won a record amount of prize money. Ken Cox purchased the Stockwell Stud in Diggers Rest in 1957 and developed it into one of the largest and most renowned thoroughbred breeders in Australia. With its top-class facilities, international design standards and scientific methods, Stockwell became ‘the flagship of the Victorian breeding industry’.26 As well as racing studs, numerous trotting tracks were established on the flat plains around Melton in the 1960s.27 Other studs to play a leading role in the development of Melton as thoroughbred country were Cornwall Park and Merrywood at Toolern Vale, St John’s Lane Stud at Diggers Rest and Birchwood, Teppo Park and Dreelburn in the far north-east of the shire, near Sunbury. By 1985, thoroughbred horse breeding was such big business in Melton that the shire council adopted the slogan ‘The Heart of Thoroughbred Country’, which was used throughout its promotional material.29 But the slogan contained deeper meaning and was not just about Melton’s great equine industry and thoroughbred champions, the council explained: ‘“Thoroughbred Country” should be seen as a new concept of Melton, as a place where people can achieve the “Thoroughbred” ideal, excellence in all aspects of life’. The aim of the council in promoting ‘The Heart of Thoroughbred Country’, was ‘to instil in present and future residents the feeling that this is a place that is better than others. A place to be proud of’. In 1988, Melton’s champion reinsman Gavin Lang won his 176th race of the season, claiming the national harness racing record for the most wins in a single season.The following year, the first Melton Plate was held at Moonee Valley Racecourse, cementing the district’s importance in the harness racing industry. The inaugural winner was Victorys Phil, owned by local Danny Mullan. By the 1990s, Melton had earned the title of the ‘Home of Harness Racing in Victoria’. State-of-the-art, world-class harness racing facility and entertainment complex Tabcorp Park opened in Melton in 2009. In 2011, the Shire of Melton was home to over 140 registered trainers and over 1,200 horses. The municipality’s continuing leadership and influence in the industry today is a testament to the skills, talents and leadership of the local community over its history".Shire of Melton pamphlet of a map and information of the equine industry in Meltoncouncil

This book was written and produced by Edward Vidler, Born in England, Edward Vider, a writer, publisher, journalist and editor, was in Geelong in the 1880s where he produce a commemorative volume of that city. In Warrnambool in the early 1900s Vidler was Secretary of the Warrnambool Chamber of Commerce and Manufactures and of the Warrnambool and District Progress League. In 1907 he produced ‘Warrnambool Past and Present’ to celebrate the 60th anniversary of the founding of Warrnambool. In 1907 he also organized the project that produced the Warrnambool Pioneer Honour Board. Later Vidler lived in Melbourne where he edited magazines and published his own and other writings. He was interested in the promotion of the arts and was a keen naturalist. He was a foundation member of the group that established the Maranoa Native Gardens in Balwyn.These books are of the utmost significance as ‘Warrnambool Past and Present’ is a seminal work in the history of the Warrnambool – second only in importance to Richard Osburne’s History of Warrnambool published in 1887. ‘Warrnambool Past and Present’ is noted for the accuracy of Vidler’s research, its complementary value to Osborne’s history and its presentation of historically valuable material that might otherwise be lost. The photographs in the book are of excellent quality and of great historical value and continue to be scanned and copied today. Intact original copies of this book are very rare today.These are five copies of ‘Warrnambool Past and Present – 88 pages, text by Edward Vidler, 120 black and white photographs and illustrations, local advertisements, original soft cover is missing in all copies. .1 Full original text with letter insert from donor and blue cardboard cover with plastic overlay and black binding .2 Full original copy with added index and soft cover with plastic overlay and red binding .3 Original text to page 76 with added photocopied pages and blue cardboard cover .4 Original text to page 72 and added photocopied pages and no cover with staple binding and some adhesive tape, tattered first and last pages .5 Original text to page 80, added photocopied pages and no cover and no binding .1 Letter from Margaret Wright, Queenscliffe Historical Society .3. ‘S. Wickham’ history of warrnambool, edward vidler, pioneer honour board

This packaging formed part of a container holding Sungold Milk in 1978. Sungold Dairies were based in Kepler Street Warrnambool before moving to Verdon Street. In 1988 the site in Verdon Street was sold to Macdonalds fast food business and later to Guyetts funeral business. Sungold milk is now produced at the Warrnambool Cheese and Butter Factory at Allansford and today is the chief local supplier of fresh milk. This packaging, produced when the business was located in Verdon Street, was made to mark the centenary of the wreck of the Loch Ard. This ship, wrecked in 1878 near Port Campbell, attracted much attention, not only because of the loss of over 50 lives, but also because the story of the two survivors has become part of local folklore. This packaging is of minor interest as a reminder of the promotional material produced at the time of the centenary of the wreck of the Loch Ard in 1978.This is the cut-down piece of packaging that contained fresh milk. It is one piece of light card folded to make a rectangular-shaped container. The sides have a white background with green and white printing and images of gold suns and ships and a sketch of a coastline. Sungold Milk Full Cream Pasteurised Milk One Litrewarrnambool, sungold, sungold dairies allansford, milk carton

This is a promotional DVD issued by the Warrnambool City Council. The emphasis is on the coastal areas around Warrnambool and active recreational pursuits for the visitor – whale watching at Logans Beach, swimming at the Lady Bay beach, cycling on the coastal promenade etc. This is of minor interest as an example of the promotional material issued by the Warrnambool City Council in the second decade of the 21st century..1 A lightweight cardboard older with six sides, one containing a DVD and five containing images of Warrnambool. .2 A DVD with black and white printing on one side. warrnambool city council, tourism in warrnambool, history of warrnambool

Materials relating to Evesham Ladies’ Primary School, 11 Rothschild Street, Glen Huntly, including: a promotional flier (177mm x 224mm) a photograph of the Watts family standing in front of the school with accompanying envelope (90mm x 127mm) A hand-written note about the familyelsternwick martin street haselor, watts ruth, elsternwick, evesham ladies’ primary school, watts thomas, glen huntly rothschild street 11, watts louisa isabella, kavanagh mrs, phillips w. a. rev., watts isabella, nash mrs, clarke a. e. mrs., watts amy, glen huntly, howden mrs., watson – gray miss, glen huntly heather brae, glen huntly bealiba, watts henry charles salter, independent schools, schools, primary schools

Promotional poster style invitation to University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating student "Designers' Dinner '04". Styled to look like letterpress. The NOVEMBER 9 type likely to have been originally provided by Sovereign Hill, as they are acknowledged on related materials. The magnet front matches the limited edition badges produced by students this same year. (29172). This square format poster used a multiple choice quiz to provide details of the event. Invitees met at the Wharf opposite door 1 at the Melbourne Exhibition Centre (at 5.45pm) and were literally ferried to the dinner, returned at 11pm. Dress was "Smart Casual". Two colour (red and black), two-sided folded poster, magnet originally attached within. (probably with double sided tape). Magnet consists of a 'badge' style front, made with faculty badge maker, and magnet attached to reverse.university of ballarat, federation university, graphic design, multimedia

This set of magazines is a vital tool for those researching the early days and later development of ATCV and CVA. It was modelled loosely on the magazine "Conserver" of the British Trust for Conservation Volunteers (BTCV). Issues become more sophisticated in format over time and each includes news, project reports, lists of upcoming projects, and stories. The editor for 62 issues was Mr Alf Bailey (staff 1987-current (2010)who edited the Conservator from Mar 1987 to mid-2006.Alf was a former high school principal and set a high standard. Since 2006 a more compact and economical newsletter "Conservation Volunteer" has been mailed to CVA and CVNZ members and is also downloadable from the CVA website.This set of magazines is significant because it is the most comprehensive record of all aspects of the establishment, growth, expansion, and nature of ATCV/CVA and its activities. It reveals the change from a local charity to a nation-wide corporate structure engaging thousands of volunteers tackling hundreds of projects a year in Australia and New Zealand in the present day.This was the final issue of a magazine produced by ATCV/CVA from 1982-2006 (c. 90 issues). This issue was a high quality, profusely illustrated colour magazine, representing a quantum leap in professionalism from the earliest photocopied editions. magazine, conservator, conservation, volunteer, promotion, alf, bailey

Found in the G. W. Duncan collection donated to the Mission to Seafarers in 2017 see also comments on manufacturing history. This particular company was associated with the use of asbestos.Mariner Duncan had a particular regard for the Mission to Seafarers. A plate for display on a commissioned new table at the MTSV chapel acknowledges his bequest and the material donated. Collectively the G W Duncan material includes: photographs, professional data memorabilia and written and commercially printed resources. The memorabilia relates to his career at sea and in particular the role of an engineer, including a handwritten manual of notes and references relating to the mechanical and engineering aspects and areas of responsibility for maintenance. White cover multipage commercially printed promotional brochure or booklet with ochre line graphic and black printing on white ground. Features small logo integrated with lettering between Jointless and Firebrick. There is a typed name and address of recipient / owner in lower left corner.Typed address: G.W. Duncan esq / Fifth Mechanical Engineer / ...Docks / Liverpoolplibrico, firebricks, coal fired engines, george winfield duncan (1922-2017), ship engineer, s.s. athenic, liverpool

Found amongst the collection of material donated by Mr G W Duncan. This book dates approx to period 1960s-70s. Mariner Duncan had a particular regard for the Mission to Seafarers. This plate for display in the MTSV chapel acknowledges his bequest and the material donated. Collectively the G W Duncan material includes: photographs, professional data memorabilia and written and commercially printed resources. The memorabilia relates to his career at sea and in particular the role of an engineer, including a handwritten manual of notes and references relating to the mechanical and engineering aspects and areas of responsibility for maintenance. Commercially printed light blue centre stapled soft cover bookletpromotional description down right side of front cover and diagrams of the turbine engines, white outline, on back blue covergas turbines, manual, ruston, george winfield duncan (1922-2017), ship engineer, s.s. athenic

This tea towel was manufactured in 1978 in Ireland and shipped to Australia. This was in a period when the C.W.A. was the major women's organisation which had the greatest influence amongst rural women (especially in isolated areas). This was a period when broad based communications were mainly by radio,women orientated magazines and the telephone. The relay of television to "remote" rural areas was not yet established. The CWA was therefore a very important organisation that catered exclusively to women's needs. The C.W.A. motto "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women." The atmosphere was one of "sisterhood" and covered nearly all the needs of rural based women. This one organisation incorporated knowledge and learning targeting women who physically may be isolated but not mentally. On the tea towel are portrayed all the activities that would be beneficial to rural women.This tea towel with its respective motifs is very significant to the Kiewa Valley as it related especially to women who felt the limitations of social interactions within a rural area. This tea towel represents a era where communications was relatively based on radio, magazines, books and limited telephone access. Within these restrictive interactive communication levels, the isolation of a "back o' Bourke" location applied tremendous mental fatigue on women more than on men.This CWA Victoria Golden Jubilee (1928-1978) tea towel is made from Irish flax at the Blackstaff Flax Spinning and Weaving factory. It is therefore of high quality and very durable. The major colours projecting from a light blue background are red, yellow, green, orange and black. The motives portrayed the activities of the CWA in 1978. These activities are embroidery, crocheting, dress making, knitting, cooking, art, macrame, drama, music, patchwork, toy making and community relief, pennies for friendship, emergency relief and welfare, residential club flats, the thanks giving and Papua New Guinea.The main or central theme of this tea towel is presented in the central area within three rings. "1928" on the left and "1978" on the right. On the top part "GOLDEN JUBILEE" and at the bottom "COUNTRY WOMEN'S ASSOCIATION OF VICTORIA" There are various shapes representing the activities listed above.cwa promotional material, cwa golden jubilee, women only organisations, country women's association

Tourist brochures have been produced in Warrnambool since the 1890s and this one has been published by the Warrnambool Chamber of Commerce and Industry. Some of the photographs for this brochure come from the Warrnambool Standard newspaper and the information on the car tours was provided by the Warrnambool Tourist Information Centre. Tourism in the Warrnambool region has always been of major importance to the town/city and a local Chamber of Commerce or Tourists’ Association has been active in the area for over 100 years. Today the official tourist guides are produced by the Warrnambool City Council. This brochure is a good example of local tourism promotion in the 1970s and will also be useful for display. This is a small booklet (1975) containing 39 pages. It has local Warrnambool advertisements, maps, photographs, printed material and details of 9 tours that tourists could take by car around Warrnambool. The pages are stapled. The front cover has a blue-tinged image of a surf boat patrol and the back cover has a black and white photograph of Warrnambool’s beach. There is one loose page with a summary of the tourist spots in Warrnambool and a map. Front Cover: ‘For the Time of Your Life – Warrnambool’.tourism in warrnambool, warrnambool

The Arts Academy End of Year Exhibition is known as 'EYE'.A number of booklets, cards, posters and business cards. communication design, anthony kearle, dominic cavarsan, jason blood, jonathan lorimer, andrew o'hagan, jo-ann lawrence, allison clarke, joshua rowe, ashley young, etha currie, jayden rowland, darcee schulz dahlenburg, lesieli make, marni hines, george wilcox, georgina walsh, tristan stephens, timothy kirkham, philip budromo, end of year exhibition, anne kuijntjes, rachell thomas, eliza matheson, casey tosh, bec davies, sharee munn, dominic cavasan, eye, alumni

Herbert A Leighton was an actor and Elocution teacher, known widely in the Eastern states of Australia where he performed with his wife Tracy Hamilton. However all was not as it seemed. In 1903 he was arrested in Perth after suspicions were raised when he purchased expensive jewellery and clothes for his wife. Subsequently six thousand pounds in banknotes was found under his bed. Another fellow from his theatre group was also arrested and charged with bank robbery. Leighton was charged with receiving money knowing it was stolen. Investigations by the Perth police showed that Leighton was really Norman Campbell who had been born in Gippsland. He had worked as a clerk in the Victorian Savings Bank in Melbourne and then in the same role in the Sydney Savings Bank. During this time he had amassed large sums of money by forgery, a crime he spent seven years in prison for. He then emerged as the newly minted H. A. Leighton, actor and elocution teacher in Bendigo. .Large format scrapbook collated by D H Leighton. Contains photographs, flyers, programs, invitations, newspaper clippings, posters, promotional photos of performers between 1901 and 1936. The material includes items from theatrical performances and programs from Bendigo and other cities. Includes information about Amy Castles and other Bendigo performers including Alex J Hamilton. Includes information about a large number of performers who visited Bendigo. Many of the items overlap others. The scrapbook has a heavy pink cover with green tape binding on the spine and the corners with brown paper pages. Paper items have been glued onto the pages. leighton, hamilton, amy castles, theatres, performers, music

Herbert Allan Leighton was an actor and elocution teacher known widely in the eastern states of Australia where he performed with his wife Tracy Hamilton. But all was not as it seemed. In 1903 he was arrested in Perth after suspicions were raised when he bought expensive clothing and jewellery for his wife. Subsequently six thousand pounds in banknotes was found under his bed. Another fellow from his theatre group was also arrested and charged with Bank robbery. Leighton was charged with receiving money that he knew to be stolen. Investigations by Perth police showed that Leighton was really, Victorian born, Norman Campbell. He had worked as a clerk for Victorian Savings Bank in Melbourne and then in the same role at Sydney Savings Bank in NSW. During this time he had amassed large sums of money by forgery and embezzlement, a crime that he spent 7 years in prison for. He then emerged as the newly minted H. A. Leighton actor and elocution teacher in Bendigo.Large format scrapbook collated by H.A. Leighton. Contains photographs, flyers, programs, newspaper clippings, posters, promotional photos of performers between 1905 and 1909 The material includes items from theatrical performances. The scrapbook has a heavy blue cover with maroon tape binding on the spine and the corners with thick newsprint paper pages. Paper items have been glued onto the pages with several loose items. Mostly unnamed pictures from magazines. Includes a loose certificate as pictured. Includes two pages from a ledger connected with Prescott Jewellers Bendigo. theatres, performers, music