This photograph is part of a series taken at the Willsmere (Kew) Mental Hospital. The photographs were gifted to the Kew Historical Society in 2018 by Rosemary Barnes. The photos had been in the possession of her former husband, Dr Fred Stamp, the last medical superintendent of the hospital. In 2019, the photographs were transferred to the State Archives as Permanent Government Records, as the Society is only entitled as a Class-B Place of Deposit to hold Temporary Government Records. The Society was permitted to keep and publish a digital copy of each photograph. Many of the photographs include information on the reverse about individuals or locations. Where this is the case, these have been published here as images that can be viewed in the picture carousel. Permission for third parties to reproduce this record must be granted by the Public Record Office Victoria.One of a series of photographs of the centenary celebrations at the Willsmere Mental Hospital in 1972. willsmere mental hospital, willsmere unit, kew mental hospital, kew lunatic asylum, willsmere hospital

This photograph is part of a series taken at the Willsmere (Kew) Mental Hospital. The photographs were gifted to the Kew Historical Society in 2018 by Rosemary Barnes. The photos had been in the possession of her former husband, Dr Fred Stamp, the last medical superintendent of the hospital. In 2019, the photographs were transferred to the State Archives as Permanent Government Records, as the Society is only entitled as a Class-B Place of Deposit to hold Temporary Government Records. The Society was permitted to keep and publish a digital copy of each photograph. Many of the photographs include information on the reverse about individuals or locations. Where this is the case, these have been published here as images that can be viewed in the picture carousel. Permission for third parties to reproduce this record must be granted by the Public Record Office Victoria.One of a series of photographs of the centenary celebrations at the Willsmere Mental Hospital in 1972. willsmere mental hospital, willsmere unit, kew mental hospital, kew lunatic asylum, willsmere hospital

This photograph is part of a series taken at the Willsmere (Kew) Mental Hospital. The photographs were gifted to the Kew Historical Society in 2018 by Rosemary Barnes. The photos had been in the possession of her former husband, Dr Fred Stamp, the last medical superintendent of the hospital. In 2019, the photographs were transferred to the State Archives as Permanent Government Records, as the Society is only entitled as a Class-B Place of Deposit to hold Temporary Government Records. The Society was permitted to keep and publish a digital copy of each photograph. Many of the photographs include information on the reverse about individuals or locations. Where this is the case, these have been published here as images that can be viewed in the picture carousel. Permission for third parties to reproduce this record must be granted by the Public Record Office Victoria.One of a series of photographs of the centenary celebrations at the Willsmere Mental Hospital in 1972. willsmere mental hospital, willsmere unit, kew mental hospital, kew lunatic asylum, willsmere hospital

This photograph is part of a series taken at the Willsmere (Kew) Mental Hospital. The photographs were gifted to the Kew Historical Society in 2018 by Rosemary Barnes. The photos had been in the possession of her former husband, Dr Fred Stamp, the last medical superintendent of the hospital. In 2019, the photographs were transferred to the State Archives as Permanent Government Records, as the Society is only entitled as a Class-B Place of Deposit to hold Temporary Government Records. The Society was permitted to keep and publish a digital copy of each photograph. Many of the photographs include information on the reverse about individuals or locations. Where this is the case, these have been published here as images that can be viewed in the picture carousel. Permission for third parties to reproduce this record must be granted by the Public Record Office Victoria.One of a series of photographs of the centenary celebrations at the Willsmere Mental Hospital in 1972. willsmere mental hospital, willsmere unit, kew mental hospital, kew lunatic asylum, willsmere hospital

This photograph is part of a series taken at the Willsmere (Kew) Mental Hospital. The photographs were gifted to the Kew Historical Society in 2018 by Rosemary Barnes. The photos had been in the possession of her former husband, Dr Fred Stamp, the last medical superintendent of the hospital. In 2019, the photographs were transferred to the State Archives as Permanent Government Records, as the Society is only entitled as a Class-B Place of Deposit to hold Temporary Government Records. The Society was permitted to keep and publish a digital copy of each photograph. Many of the photographs include information on the reverse about individuals or locations. Where this is the case, these have been published here as images that can be viewed in the picture carousel. Permission for third parties to reproduce this record must be granted by the Public Record Office Victoria.One of a series of photographs of the centenary celebrations at the Willsmere Mental Hospital in 1972. willsmere mental hospital, willsmere unit, kew mental hospital, kew lunatic asylum, willsmere hospital

Alice Henty (1852-1932) was the third daughter of Francis and Mary Ann Henty. her father was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living with his wife following his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Alice Henty’s wedding dress, made in 1876 for her marriage to John Hindson was remodelled in 1943 for the wedding of her granddaughter, Alice Henty Hindson to Norman Lithgow Tait at Holy Trinity, Kew. It was worn again by Margaret Henty Hindson (1918-2000) at her marriage to Dougald Webster Matheson at St Paul's Church, Henty in 1944. The two piece dress has a low décolletage shaped with a collar from which two curved panels drop. The fastenings for the bodice are buttons covered with the same fabric. The bodice is completed with two full length sleeves. The full skirt is slightly flattened at the front with a long train. In contrast, the ivory silk, silk faille and satin bodice with long tails remained unaltered. The front closure of the jacket has handmade embroidered buttonholes and covered buttons. The pleated collar and sleeves are decorated with gathered silk tulle. The jacket features long tails. alice frances (henty) hindson, women's clothing, wedding dresses, margaret henty hindson

Leoda ATKINSON "A few years ago Leoda Atkinson had never painted but now she works around the clock to keep up with the demand for her work. Leoda, a student in Koorie Art and Design at the School of Mines and Industries, Ballarat, was separated from her family as a child and wanted to learn more about her culture. ... (The Age, September 9, 1997) This work was commissioned by the University for the Aboriginal Education Centre's wall. It was designed and painted by Leoda Atkinson, a graduate of the University of Ballarat Koorie Art and Design course. With the assistance of Tom Clark and two third year students the painting of the mural was completed in two weeks. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A brightly coloured work featuring themes of reconciliation and the University's campuses and learning. The use of the platypus reminded the artist of many different animals, represented the coming together of cultures at the University. art, artwork, leoda atkinson, aboriginal, alumni

Albino PAGANETTI (1915-1974) Born Victoria. This work won Albino Elvezio (Albert) Paganetti won third place in the Department of Agriculture’s poster competition for their official journal in 1937. The previous year, he took home several prizes at the Wiltshire Poster Contest, including first for ‘Bryant and May’; first for ‘Healing’s Batteries’, and second for the Royal Melbourne Show. A MacRobertson prize-winner, when Paganetti, completed his commercial art course at the Ballarat Technical Art School, he accepted a design position at Morshead and Co., Ballarat. Albert’s farming family lived at Italian Hill, near Daylesford, where his father was a vigneron. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.commercial artFramed original poster, gouache on paper, c1935 In the 1936 Ballarat School of Mines Annual Report it was stated: "It is my pleasure to report a most successful year in the Technical Art School. I the Annual Poster Competition for Technical Schools, organised by Wiltshires Pty Limited, 16 prized valued at 33 pounds 8 shillings - out of 23 prizes valued at 56 pounds - were won by our students.art, artwork, paganetti, poster, ballarat technical art school, farmer, jourmal

Employment is a key area that blind or vision impaired people are under-represented. These photographs were taken to demonstrate and provide examples of how blind and visually impaired workers can undertake skilled positions as switchboard operators. In the first image, a man wearing a headset sits behind a small switchboard and on the desk is a sign that reads "Please buzz for attention. Our receptionist/telephonist is blind". In a second image, two people sit at a desk. The woman uses a device to locate a key on the switchboard whilst wearing a headset. Beside her a man points to the key and holds a telephone receiver to his ear. In the third image, a seated man reaches forward to find a socket in the switchboard, with an audio jack attached to his finger. Beside the switchboard a man stands and holds his wrist, possibly guiding him.employment, royal victorian institute for the blind

Maori's Idol (Ike Frost Imp P 2.2.8 - Maori Miss Vic P 2.14.8 Tr 2.10.6 (Grand Monarch)) Bay Horse. Foaled 1972 (5th Foal). Breeder/Owner: R McD Healy & Co Pty Ltd. Trainer R McD Healy. Maori's Idol raced from 1976 (3yo) through to 1982 (9yo). Career: 40 wins 3 seconds 1 third 46 starts $98,820.50 1.59.3 Winning Driver: BR Healy (40). Won on 11 Tracks: Moonee Valley (16) Globe Derby SA (4) Albion Park Qld (2) Kilmore (5) Cranbourne (5) Bendigo (3) Stawell (1) Ballarat (1) Maryborough (1) Hamilton (1) Geelong (1)1978 Australian Harness Horse of the Year won by Maori's Idol. Season 1978 record 22 wins 1 second 1 third 24 starts $64,087 1.59.3 Two Heats Interdominion Championship / Two Heats Qld Sir Clive Uhr Championship / VL Dullard Cup / Freestone Cup / Cranbourne Trotting Club Flying Mile / Geelong All Star FFA.Two Handled Globe shaped trophy on a Wooden BaseAustralian Harness Racing Award / Australian Harness Horse of the Year Trophy / Maori's Idol / Australian Trotting Counciltrophy, australian harness racing award, maoris idol, australian harness horse of the year, harness horse, australian trotting council, bryan healy, br healy, ric healy, r healy, b healy, r mcd healy

This shirt was owned by Matthew Calvitto. Matthew moved to Woodend with his family at the age of one. He commenced his career in the 56th Battalion Army Reserve unit. In 1999 or early 2000 he volunteered to join the regular Army. He was posted to the 6th Royal Australian Army Regiment, D company. His initial training was at either Shaulwater Bay or Conundra. After his training he served for 6 months in Timor, in either the second or third rotation. Matthew and the other members of the D Company received battle honours. yellow D company 6th royal australian regiment Matthews. This lanyard would have been worn by a member of the military police or a service personel in the infantry or the 4th battalion. blue 1 royal victorian regiment.Red lanyard

Maori's Idol (Ike Frost Imp P 2.2.8 - Maori Miss Vic P 2.14.8 Tr 2.10.6 (Grand Monarch)) Bay Horse. Foaled 1972 (5th Foal). Breeder/Owner: R McD Healy & Co Pty Ltd. Trainer R McD Healy. Maori's Idol raced from 1976 (3yo) through to 1982 (9yo). Career: 40 wins 3 seconds 1 third 46 starts $98,820.20 1.59.3 Winning Driver: BR Healy (40). Won on 11 Tracks: Moonee Valley (16) Globe Derby SA (4) Albion Park Qld (2) Kilmore (5) Cranbourne (5) Bendigo (3) Stawell (1) Ballarat (1) Maryborough (1) Hamilton (1) Geelong (1)Maori's Idol won the 1978 Cranbourne Trotting Club Flying Mile at Cranbourne over 1 mile at a mile rate of 2.03.9. Driven by BR Healy. Defeating Hilton Adios 2nd and Touch Merchant 3rd.Silver Trophy on a Wooden BaseKevin Harrison Motors / Trophy / Cranbourne Trotters Flying Mile / 1978maoris idol, cranbourne, 1978, cranbourne trotting club flying mile, bryan healy, ric healy, r healy, br healy, b healy, r mcd healy

Widows beside trading tables of craft items and food at Legacy House. It could have been an annual fete run by the widows. Names unknown except for Elaine Ward who is seated in a red jacket in the third photo. There is a laundry basket as a hamper, perhaps for a raffle prize. The baked items have as sign "With compliments of Ferguson Plarre Bakehouse" so the items may have been donated for sale. A poster on the wall is of Daryl Somers and says "Hey Hey its Legacy Day" so it was either 1996 or 1997 when Legacy invited Daryl Somers to be Personality of the Year in 1996 and again in 1997. He participated in many events to promote Legacy, including a parachute jump, a car raffle, lunches and compering a concert, 'A Night to Remember' (see 00853, 00854, 00997, 00056).A record of the type of activities Legacy provided as a social outlet for widows. Colour photo x 3 of trading tables of craft and baked items at Legacy house.All on Kodak Paper with the same Kodak logowidows, fundraising

Official guide to the 2009 Australian Boys’ & Girls’ Amateur Championships, and Australian Boys’ & Girls’ Interstate teams matches. Played at Alice Springs Golf Club, N.T. 8-21 April 2009. Victorian boys' team Manager Bruce Harding, assistant manager Mark Bamford, Coach David Capaldo. The Team: Geoff Drakeford, Nathan Holman, Anthony Houston, William Hume, Sean Ong, Travis Sharpe. This team finished third in Championships at Alice Springs Golf Club. Accompanied by a memo for team managers, conditions of play, a course guide for Alice Springs GC, 2 blank Alice Springs GC score cards, draw sheets, results sheets, reports by Bruce Harding, a media release. Grace Lennon (HGC) played for Victoria in the Girls’ Team event. Former HGC President Bruce Harding was involved with Victoria's Junior teams from 2000-2010.Booklet 28 p., black text, illus. (some col.). Includes photographs of players. 2 copies. Score cards tri fold, colour. Course guide: 19p., colour maps.bruce harding, australian junior amateur championships, junior golf

Links to another image in the collection previously unidentified now known as at 2018 to be the children of a seafaring family of Captain and Mrs Aviss. In 1918 the family was re-united with Mrs Aviss' parents after a dangerous journey by sea the first time that the children met their grandparents, Captain and Mrs Frampton also seafarers . Mrs Aviss gave birth to her third child in August 1918 on board the ship. She contracted the "Spanish flu" probably in St John, New Brunswick and died, at the age of 28, on the 3 November 1918 after a week in hospital, leaving her husband with two toddlers and a 3 month old baby. The story demonstrates the respect and support of the Mission for two remarkable families of seafarers and the dangers of the influenza epidemic post WW1.An example of lives and tribulations of a seafarer family who survived the Great War but who also had to deal with the Spanish flu pandemic of 1918-1919.Large engraved brass plaque mounted onto brick wall commemorating wife of sea captain. To the Glory of God / and in memory of Catherine Florence/ the beloved wife of Captain Herbert Aviss/ (Barque Inverneill) who died at St John. N.B./ Nov 3rd 1918.brass, plaque, great war, memorial, commemorate, catherine florence aviss, florence catherine nee frampton, wwi, first world war, barque, inverneill, herbert aviss, st peter the mariner chapel, mission to seafarers, flinders street, 1919, st john, new brunswick, influenza, spanish flu, pandemic, 1918

EDHS Newsletter No. 274 February 2024 Our EDHS member Irene Kearsey is forever searching, researching and at times discovering hidden historical gems. One such discovery is finding details about the life and career of “Senior Constable Dungey – Eltham’s third policeman” and what he and his wife had in the Eltham police house; now our Local History Centre at 728 Main Road, Eltham. At our meeting on Wednesday 14th February 2024, Irene with talk about the career of Arthur Eggleston Dungey leading him to Eltham and then describe what was in the house. We now know how he and wife Louisa furnished the house in 1890, down to the number of teaspoons. If you had ancestors in 19th century Victoria, Irene has a suggestion for your research that might reveal such details1:02:35 duration Digital MP3 file; 21.4MBaudio recording, eltham district historical society, meeting, society meeting, eltham, guest speaker, eltham police station, irene kearsey, snr constable arthur eggleston dungey, eltham police residence

A companion photograph which shows the older pupils in the same year is Registration number 315. The same dog is in both these photographs. Dating the photograph: This copy of the photograph (Registration no. 2015-12) was donated in 2014 by Peter Stapleton, who understood it was taken in 1919. However, a very damaged copy of the companion photograph (which has not been catalogued into the collection) is dated in an inscription "October 1918". Second Row L-R: 5-Jack Stapleton. Third Row L-R: 9-Marie Fletcher (Stapleton). Note: Other copies of this photograph have more complete sets of names to go with them. See list with Registration no. 621, or the copy of the photograph in the "Linton State School - Photos" file, or list in "Index of Photographs (Numerical Order)" folder, entry no. "LTN 947".Copy of a black and white photograph of pupils thought to have been taken outside the Linton School in 1918 or 1919. Some pupils are identified on the back of the photograph. A second copy of this photograph is Registration no. 621.jack gordon stapleton, marie victoria fletcher, marie victoria stapleton, linton state school, state school no. 880

This medal is the Liverpool Shipwreck and Humane Society’s “Bramley-Moore medal for saving life at sea 1872”. The Society was formed in 1839. In 1872 Mr John Bramley-Moore donated £500 on condition that the medal have the specific inscription above on its reverse. The Bramley Morre medal was first awarded in 1874 and records show that since that time only one gold medal has been awarded, twenty-two silver medals and seventeen bronze medals, the last being in 1945. This Bromley-Moore medal was awarded to Peter Carmody for his bravery in saving lives on the Newfield shipwreck. The Newfield was a three-masted iron and steel barque, built in Dundee, Scotland, in 1889 by Alexander Stephen and Sons. It was owned by the Newfield Ship Company in 1890 and later that year It was registered in Liverpool to owners Brownells and Co. The Newfield left Sharpness, Scotland, on 28th May 1892 with a crew of 25 under the command of Captain George Scott and on 1st June left Liverpool. She was bound for Brisbane, Australia, with a cargo of 1850 tons of fine rock salt, the main export product of Sharpness. At about 9pm on 28th August 1892, in heavy weather, Captain Scott sighted, between heavy squalls, the Cape Otway light on the mainland of Victoria but, due to a navigational error (the ship’s chronometers were wrong), he assumed it to be the Cape Wickham light on King Island, some 40 miles south. He altered his course to the north, expecting to enter Bass Strait. The ship was now heading straight for the south west Victorian coast. At about 1:30am the Newfield ran aground on a reef about 100 yards from shore and one mile east of Curdie’s Inlet, Peterborough. The ship struck heavily three times before grounding on an inner shoal with 6 feet of water in the holds. Rough sea made the job of launching lifeboats very difficult. The first two lifeboats launched by the crew were smashed against the side of the ship and some men were crushed or swept away. The third lifeboat brought eight men to shore. It capsized when the crew tried to return it to the ship for further rescue The rescue was a difficult operation. The Port Campbell Rocket Crew arrived and fired four rocket lines, none of which connected with the ship. Peter Carmody, a local man, volunteered to swim about one mile off shore to the ship with a line to guide the fourth and final lifeboat safely to shore. He was assisted by James McKenzie and Gerard Irvine. Seventeen men survived the shipwreck but the captain and eight of his crew perished. The Newfield remained upright on the reef with sails set for a considerable time as the wind slowly ripped the canvas to shreds and the sea battered the hull to pieces. The Marine Board inquiry found the wreck was caused by a "one man style of navigation" and that the Captain had not heeded the advice of his crew. According to Jack Loney ‘… when the drama was over . . the Newfield was deserted except for the Captain’s dog and two pigs.’ Peter Carmody was awarded the Bramley-Moore medal by the Liverpool Shipwreck and Humane Society for Saving Life at Ssea, which he received by mail on January 21st 1893. The medal and a letter of congratulations were donated to Flagstaff Hill Maritime Museum by Peter Carmody’s grand-daughter Norma Bracken and her son Stuart Bracken on 25th May 2006. The Medal and Letter of Congratulations join other items in the Newfield collection.The Carmody Medal recognises the bravery of Peter Carmody in risking his life to rescue crew members of the Barque Newfield when it was wrecked near Curdies Inlet in August 1892. The ‘Bramley-Moore medal for saving life at sea, 1872’ was presented by the Liverpool Shipwreck and Humane Society. The medal and accompanying letter have local and international historic significance as they demonstrate both the difficulties associated with navigation and the dangers of shipping along the South West Coast of Victoria in the 19th century and the medal’s association with the Liverpool Shipwreck and Humane Society and John Bramley-Moore, who provided £500 to found the Bramley-Moore medal. The medal is socially significant. It emphasises the importance of Peter Carmody in rescuing victims of shipwrecks with little thought for his own safety. The medal reminds us of the importance of local people to Victoria’s maritime history. The Carmody Medal and Humane Society letter were in the Carmody family until they were presented to Flagstaff Hill Maritime Village, by the grand-daughter and great-grandson of Peter Carmody, on the 25th May 2006. The medal is significant for its complete provenance recorded in the donation documentation. The medal is in very good condition and relatively rare with only 22 silver medals awarded between 1874 and 1945. The Carmody Medal and letter add a human element to the story of the shipwrecks. They give life and significance to the Newfield, its victims and its artefacts. Bramley-Moore medal from the Liverpool Shipwreck and Humane Society, awarded to Peter Carmody. The round,silver medal is attached to a looped blue ribbon by a decorative, swivelling silver connector. The top of the ribbon has a silver pin bar threaded through it. The obverse of the medal has a design of a man kneeling on a floating part of a wreck. He is rescuing a child from the sea. There is a manned boat in the distance rescuing someone from the sea. In the far background there is a sailing ship. The top third of the medal has an inscription around it. The reverse shows a long-legged hen cormorant with extended wings holding an olive branch in its beak. The bird is surrounded by a wreath of oak leaves made from two branches. There is an inscription between the design and the rim that goes all the way around the circumference. There is a name engraved around the edge of the medal. The medal in embedded in a purple velvet panel that rests inside a brown, leather-covered case. The lid of the case has a gold embossed emblem in the cemtre. Both the lid and base have a rectangular gold border. The lid is attached to the base with two brass hinges. The base has a brass push-button catch. The box is lined with padded cream silk. The lining inside the lid has a gold emblem in the centre.The obverse has the words "LORD, SAVE US, WE PERISH". The reverse has the words "BRAMLEY-MOORE MEDAL FOR SAVING LIFE AT SEA" and "1872". Around the edge of the medal are the words "PETER CARMODY, FOR HAVING BEEN MAINLY INSTRUMENTAL IN RESCUING THE CREW OF THE BARQUE NEWFIELD, AUG 29 1892" The pin bar has the words “LIVERPOOL SHIPWRECK & HUMANE SOCIETY” written across it. The gold embossed emblem on the lid of the box has the words in the centre "SHIPWRECK AND …. …. ….FOUNDED 1839" The gold emblem on the cream silk lining has the words “BY APPOINTMENT ELKINGTON & CO” printed on it.medal, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, shipwreck coast, warrnambool, peter, peter carmody, carmody, bramley moore, newfield, liverpool shipwreck and humane society, 1892, 28 august 1892, august 1892, port campbell, bravery, shipwreck, rescue, nineteenth century, ship, curdie s river, victorian shipwrecks, barque, stuart bracken, norma bracken, gerard irvine, james mckenzie

The Album was compiled by Nancy McHaffie late 1990's, with the assistance of Edith Jeffery's, with her book "Garden of Memories" and extensive knowledge of Phillip Island. The Cemetery lies back from the road and is surrounded by Manna Gums, rare Peppermint Gums, Blackwoods and other native trees. In all 25 acres of land were set aside as Crown Land in the land settlement of 1868. There are 6.2 acres of wetlands near the cemetery entrance.466-25: William and Alice Richardson: Alice Barnard married William Richardson at Hawthorn, April 1887. Alice's father Fredrick was a Model Maker employed at the Melbourne Museum. Alice died in childbirth having her third child, Joseph in 1892. Baby Joseph died in April 1893, eight months later at Rhyll. 466-26: The Forrest Family: The Forrest family were amongst our early settlers. The Forrest Caves are named after them. Matthew Forrest arrived by dray from Tarradale on 9th November 1869. He died in 1916 at the age of 75. His Grandson, Peter Forrest Sr. has recorded that Matthew was the first to plant Marum Grass on the Island to prevent erosion.phillip island cemetery, nancy mchaffie, edith jeffery

Bendigo Advertiser ''the way we were'' from 2002. School photo: pupils of Strathfieldsaye Primary school in 1942. Front row: John Holland, Brian Mannes, Eddie Cooper, George Morris, Bobbie Robinson, Lyle Makeham, Tommy Langstaff and Stan Somerville. Second row: Joyce Osborne, Marj Somerville, Marie Turner, Marj Cooper, Minnie Cooper, Dorothy Cooper, Jean Magee, Cletus Mannes and Joy Robinson. Third row: Verna Magee, Inez Somerville, Hazel Somerville, Thelma Loader, Madge Magee, Eileen Mannes, Moira Rafferty and Olive Gould. Back row: Ken Gould, Vin Turner, Cliff Magee, Tommy McCleen and Geoff Somerville. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Black and white photograph mounted on card, Golden Square State School Choir, Grade VI Runners up school committee shield, Bendigo Competitiond 1931.Paper on back with some names. Fourth row from left: Unknown, Bill Shipp, Steve Hocking, Stan Miller, Roger Wishand, ? Hocking, Ron ?, Laurie Wills. Third row: Norm Pinch, Alan Chisholm, Bessie Millar, Unknown, Unknown, Unknown, Lorna Martin, Unknown. Second row: Edna Allans, Unknown, Eunice Nichols, Esma Tanner, Joan Hargravas, Kate Avenal, Unknown, Beryl Wingrave. Front row: Ivy Tar, Unknown, Unknown, Miss Hamilton, Mr. Newman, Sylv Nieman, Dot Banfeild, Polly Anstee.Kalmabendigo, education, golden square primary school

Bendigo Advertiser "The way we were" from Saturday, April 3, 2004. Power brokers: this photo of members of the 1960 Bendigo Junior Chamber of Commerce was taken at the City Club Hotel (now Fountain Court). Pictured are from left back row: John Hulls. Third row: Neville Stllwell, Tim Webb, Wal Gillard, Alan Johnson, Bill Edgar, Ron Angus, Peter Huthnance. Second row: Lindsay Mann, Ken Birch, Frank Sumner, Greg Hunter, Brian Armstrong, Ian Jenkins, Corvan Townsed. Front row (seated): Brian Eskdale, Jack Burns, Ken Lewis, Stan Biggs, Peter Bird (president) Lin Jackman, Graeme Norris, Frank Maher, Dal Martin.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Tuesday, April 20, 2004. Lolly water: workers from Reed Bros. cordial factory in Bridge Street circa 1946. Pictured here are, back row from left: Bill Rowe, Ray Borwell, Pat Walsh, Ern Young, Kevin O'Farrell, Phil Marshead, Bob Pysiny. Second back row: Jim Walsh, Harry Marshall, Tom Ingham, Jim Marshead, Leo Riodden, Jack Marshead, Jim Scott. Third row: Mick McCormick, Jack Murley, Jim Beech, Clarry Berryman, Len Read. Front row: Estelle Krewin, Joyce Richardson, Peggy O'Keefe, Perc Reed, Rod Fitzgerald, Amy McCormick and Dorothy Vlaeminck.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Thursday, June 10, 2004. Memories: this photograph was taken at St Mary's College Bendigo, on July 24, 1942. Pictured are front row from left: Anne Denton, Clare Murphy,, Margaret Carringan,, Lena Hurley, Pat McEnroe and Pat Ryan. Second row: Mary Flynn, Margaret Esler, Joan Burgess, Margaret Owens, Margaret Reardon, Joan Barrett, Aileen Jeffrey. Third row: Norma ?, Mary Cooper, Ruth Betteridge, Miriam Edwards, Elaine Delaney, Susan Ricketts, Una Manning, Pat Black, Elizabeth Doherty. Fourth row: Valda ?, Betty Peters, Margarety Meade, Jean Esler, Betty Cowling, Pat Delaney and Margaret Fanthan.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Tuesday, July 13, 2004. In uniform: the H.Q.Section soldiers line up for a photo, date unknown. Back row from left: Spr Tredinnick, Spr Williams, Spr Hedger,, Cpl Henderson, Spr Wolman, L. Cpl Hunt. Third row: Spr Sea, Spr Burridge, Spr Esposito, Spr McKenzie, Spr Waller, L. Cpl McKean, Sgt Nabbs. Second row: Sgt Barfoot, Spr Sanderson, Spr Lane, Cpl Simonds, Spr McPherson, Spr Duffield, Spr Walls, Cpl Skinner. Front row: Cpl Mumford, Sgt Knight, WO Taylor, Lieut Garwand, Sgt Chisholm, Cpl Guard.newspaper, bendigo advertiser, the way we were

B&W photo showing a 10-strong bullock team pulling a wagon laden with timber. William Hermon Snr, dressed in a loose dark three-piece suit, pale shirt and dark hat, is standing to the right of the image. He carries a long bullocky's whip over his right shoulder. Another man in waistcoat and shirtsleeves and a pale, wide-brimmed hat stands beside him. A third man in suit and hat stands behind the team. There is a post and rail fence which then becomes a picket fence in front of a treed area, and then a large weatherboard building which is apparently the Centre Hotel (now Middle Hotel?) in Upper Ferntree Gully. The photo is mounted in a fancy frame. Dated 1913.

Yields information about the correspondence that was sent to various parties about the opening of tram tracks for underground services in Ballarat.Letter on SECV letterhead, "Ballarat Electricity Supply and Tramways", not dated, gives phone number, address, duplicated in blue ink, titled "Crossing Under Tramway Tracks", consisting of two foolscap sheets and one quarto sheet, pinned together in the top left hand corner. Would have been written as a base letter to go various bodies, has a Mr. Hornabrook's signature printed on it. Outlines the processes that have to be undertaken in order to install pipelines under tram tracks. Allows for Emergency installations, gives depths and installation requirements. The third sheet is an application form to install the service. See Reg Item 4946 for Bendigo, possibly used as a model for this document, given Reg Item 4943 correspondence.trams, tramways, letters, sec, tram track

Page with copies of five black and white photos and the back of a postcard. Four of the photos are of a lady and a man dressed in clowns costumes and the fifth is a group of eight. Photo one is Charlie Smith and Beat Bennett; The second is Elsie Fraser and Alf Bennett, The third is Elsie Wandell and Herb Pain, the fourth is the group - Elsie Wandell, Charlie Smith, May Bennett, Alf Bennett, Else Fraser, Bill Holden, Beat Bennett and Arthur Wylie. The fifth is Arthur Wylie and May Bennett. At the bottom of the page is a copy of the back of the postcard - Printed on the back is: The Lockwood Photo Card, Studio Geelong. Written on the back is (Nolting), Fancy Dress', E Fraser A.B.C., Geelong, 1914. Age 23 written in the stamp place.The Lockwood Photo Cardphoto, group, people in costume, peter ellis collection, charlie smith, beat bennett, elsie fraser, alf bennett, elsie wandell, herb pain, may bennett, arthur wylie, bill holden, the lockwood photo card

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.When the old Kew Golf Links was subdivided in the mid 1920s, the developers were able to break the sale into sections. The third section included eighty lots. The lots faced Kilby Road, Kodak Avenue, Belford Road, Baker Avenue, Mathers Avenue, and White Avenue. [Kodak Avenue was renamed Page Avenue at a later date].The ‘Kew Conservation Study (1988) notes that ‘On the subdivision plan, Kodak’s involvement is commemorated by the naming of the streets after Company directors, and their decision to not proceed with the construction of the factory is explained as a response to the increase in the value of the land. This explanation may have been Estate Agent’s hyperbole, as the Kodak Company records suggest that the land, with its wide creek gully, was unsuitable and too small for its purposes.subdivision plans - kew, old kew golf links estate - third section