Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph, portrait of Miss Eva Carmichael. Reverse has gold maker’s print and a white adhesive label with hand writing on it.Reverse of photograph shows 3 signatures in script on bottom right corner., Printed text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / - - - - - TARY” plus white label, hand written “F- Ph 56/2 – 74” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph miss eva carmichael, loch ard shipwreck, loch ard survivor

Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of Miss Eva Carmichaels Cave at Loch Ard Gorge where the survivors found shelter. Reverse has four areas of torn surface, perhaps were photo had been mounted. Hand written text in pencil and in ink.Reverse of photograph Hand written in pencil “ … refuge … which he … offer words … Miss Carmichael. He then … on the …“ Hand written in ink “Loch Ard Gorge / Miss Carmichael’s cave” and “ Mr J Swinton / Warrnambool / March 1895” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, loch ard shipwreck, 1878 shipwreck, loch ard gorge, miss eva carmichael

Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of Loch Ard Gorge graves on hillside, including the Carmichael family, Reginald Jones and Arthur Mitchell Reverse has hand writing in pen and ink, part of details are lost due to photo being trimmed. Also has four areas of torn surface, perhaps were photo had been mounted. Reverse has hand writing “ … Loch Ard Gorge / Graves of / the Carmichael family / Mr. Reginald Jones / Mr Arthur Mitchell “ and “Mr J Swinton / March 1895”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, loch ard shipwreck, carmichael family, arthur mitchell, reginald jones, loch ard gorge graves

Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of rocks of Loch Ard Gorge in background, a man is sitting on small rock in the foreground. Reverse has hand writing in pen and inkReverse hand writing “The Loch Ard Gorge / showing the rock / on which Miss Carmichael / was clinging when Pearce / first saw her” and “Mr J Swinton / Warrnambool / March 1895”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, photograph

Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of Miss Eva Carmichael holding a book seated at a desk. Oval gilt framed portrait in a green container edged with gilt. Reverse has piece of tape centre left and right. Also has printed maker’s information. Printed by the Photographic Society of Victoria, Melbourne.Printed brown text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / SECRETARY” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, loch ard shipwreck, miss eva carmichael, loch ard survivor

This is a programme of 16 pages. The cover has a colour image of a seascape and a ship and black printing. The pages contain printed text, black and white sketches and photographs and advertisements. The pages have been stapled but the staples have been removed.non-fictionThis is a programme of the opera performance of the Wreck of the Loch Ard wreck of the loch ard, warrnambool theatre company

This book The Poetical Works of Thomas Hood was awarded to Margaret Jane McGowan as second prize for Latin and Class work. Margaret was one of the first enrolments to Clarendon Ladies' College at the age of 12. Margaret's father, Samuel, and mother, were personal friends of the Reverand Robert and Mrs. Kennedy. Margaret attended school in the same class as the Kennedy's eldest son Tom who was 11 at the time. Margaret's sister Edith was the 2nd enrolment to the college. Margaret resided at 15 Royal Terrace Webster Street, Ballarat. Her parents were employed as Carrier and forwarding agents. Margaret's married name became Steele. Archives also hold a second book prize awarded to Margaret (000126). Socially significant due to connection with first prize-giving ceremony for Clarendon Ladies' College. Blue and gold decorative cloth cover, corners and edges rubbed, page edges gilt, gold lettering on front cover and spine; embossed border on back cover; two black and white plates; 414 p. Book plate inside front cover: CLARENDON LADIES' COLLEGE/BALLARAT/Second PRIZE/ Latin and Class work/AWARDED TO/J McGowan/R KENNEDY PRINCIPAL/18TH December, 1879 Hand-written inscription on flyleaf: This book was a Prize/at the first Prize-giving/of the College/The College having been/ established/in 1878. margaret-j-mcgowan, elizabeth-kennedy, robert-kennedy, tom-kennedy, clarendon-ladies-college, latin-and-class-work, book-prize

Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Black and White photograph of Thomas Pearce. Taken on July 22nd 1878 by the Photographic Society of Victoria. Registered copyright July 24th 1878. Reverse has printed maker’s information.Printed green text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / SECRETARY” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, thomas pearce, loch ard, photographic society of victoria

Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Black and White photoghrap of Thomas Pearce. Taken by the Photographic Society of Victoria. Registered copyright July 24th 1878. Reverse has printed maker’s information and a white adhesive label with hand writing on it.Label has hand writing “F-Ph 55/2-74” Printed green text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / SECRETARY” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, photoghrap, thomas pearce, photographic society of victoria, loch ard shipwreck

Four studio portraits of members of the Partington and Price family: 1] Grandma Gibbs of Kew who was the Grandma of Sarah Jane Gibbs (William Partington's first wife) who in turn was the Grandmother of Eva Partington. 2] Grandma Ellen Partington. Ellen was one of 7 children of Benjamin and Sarah Whatmough. She married Charles Partington and they migrated to Australia in 1857, living at Point Lookout, the Watsonia Toll Gates and Willis Vale. Their children include Prudence, Maria, Charles [Junior]; Ben, Tom, Joe, and Will. 3] Archibald Price of Williamstown and Doris and Ivy Partington. [The Funeral notice for Archibald Price appears in the Williamstown Chronicle Saturday 22 January 1876, page 2]Copy of 4 photographs, sepia studio portraits.partington family, ellen partington, archibald price

In 1958 the Ballarat Teachers' College moved to a new site in Gillies Street. The 1958 Students' Representative Council were M. Hines, B. Rickard, D. Eldridge, N. Turnball, B. English, K. O'Neill, P. Burgess, M. Almeida, ed Doney, J. Rae, P. Wise, W. Crocker. The 1958 staff were J. Bourke, A. Linton, Ed Doney, S. McKaskill, Howard Pattenden, D. Chandler, A. Stafford, Bob Croft, Arch Cuthbertson, R. Reed, A. Sonsee, J. Lacy, F. Ryan, C. Rodger, Mary Egan, J. Hill, Tom Turner, Mavis Canty, J. Blair, E. Walpole, Monica MillerSoft covered booklet of 48 pages. Articles include: Teaching Rounds, Art and Craft, Victoria Street Hostel, Gillies Street Hostel, Grampians Trip, Camp St Hostel Beaufort House, Spring is Spring, A Windy Night, What are Sculptors? Photographs include: Aerial photograph of the new college in Gillies Street, Students' Representative Council, staff photo, class photosSigned on frank cover 'Margaret Brown'. Signed in back 'Verna Rogers Natimuk' "Lorna G. Anderson Gold House Riddells B.T.C. 1958" "E. Joan Bates Lakeside Murtoa Vic"ballarat teachers' college, kevin o'neill, barry withers, v. la franchi, john teschendorr, victoria street hostel, student residences, gillies street hostel, beaufort house, sturt street hostel, camp street hostel, lois hayne, verna rogers, joan bates, lorna anderson, margaret brown, gillies street campus, tom turner, p.r. burgess, bob croft, howard pattenden, alan sonsee, mavis canty, mary egan, jack roach, w.h. ellwood prize, michael long, kevin o'neil, grampians excursion

The City of Warrnambool Rowing Club (CoWRC) received a grant from the Warrnambool City Council Community Development Fund for the project: to hold a public event to install a plaque – dedicated to members and ex members who enlisted in WW1. The original honor roll had been lost to history. The date chosen was August 7 as this was 100 years since the death of a particular member, Major Thomas (Tom) Redford. Process: the Club wrote a book about its 140 year history and learnt of the honor roll. Every effort to find it was exhausted. The Club applied for funds to produce a replacement plaque and have a public event to unveil it. Outcome: There is now a permanent plaque in the rowing ‘prescient’ on the Hopkins River. one meter high stone with brass plaque‘Lest we Forget’ Honour Roll of Warrnambool Rowing Club Members and ex-Members who enlisted for the First World War. Archibald W. Artso E. Baillie T. Battarbee M. Beeching J. Beeching W. Brown J. Brown S. Butler G. Chapman R. Chew A. Collins A. Cordner J.A. Curtis J.P. Davidson W.J.S. Dickson J.R. Dwyer T. Fary G. Fisher C. Fisher R. Flett C. Flett F. Flett V. Foote E. Gartlan L. Granter J. Harris H. Hope W. Humphreys C. Jackway W.R. King C. Lee R. Levy J. London D. MacKinlay W. MacKnight C.C. Manson A. Marfell W.L. McDougall K. McGee W. McKay M. McKay R. McKenzie W. McLennan W. McMeekin W. Mitchell S. Murphy R.S. O'Donnell J. Parsons L. Redford T. Richter F. Roper H. Robinson C.F. Robinson G. Ryan P. Sarll W. Spotswood D. Thompson A. Thompson H.G.(J) Tinker E. Titford R.A. MC Webb W. Williamson C. Every Club member of military age enlisted. A Norfolk Island Pine was planted in November 1916 to perpetuate the memory of former member, Major Thomas Redford, who died at Gallipoli. The tree is believed to be beside the Hopkins River in EJ King Park. Honour Roll rededicated by the City of Warrnambool Rowing Club and Warrnambool City Council, August 7 2016. city of warrnambool rowing club, warrnambool, warrnambool rowing club, hopkins river, hopkins river warrnambool, world war one, first world war, rowing, rowers

The railway extended through to Mont Albert in 1882, but it wasn't until 1890 that a station was built with funds raised by a syndicate of local landowners.The buildings on the south side of the railway were built in 1910-1911 in the Arts and Crafts style by architect, K W Hardy. The land occupied by the Hamilton Street shops was subdivided in the 1880s and the first purpose-built shop was 'Pope and Moran, Grocers'. This shop later became Tom Morris' Grocery. By 1930 shops stretched along both sides of Hamilton Street and part way along Churchill Street. The donor, the late Norman Carter held a significant collection of photos taken around Mont Albert and Surrey Hills, in particular subjects related to the Church of England.Black and white photo taken from the centre of the road in Churchill Street, Mont Albert. Mont Albert station is on the RHS fenced off by a post and rail fence. Shops can be seen at the intersection of Hamilton and Churchill Streets. There do not appear to be any shops in Churchill Street. There are newly planted street trees within paling guards on the LHS. There does not appear to be any curb and channelling at the side of the road.Rear in blue biro in Jocelyn Hall's handwriting "Mont Albert Station 1919".mont albert station, railways, hamilton street, churchill street, shops, arts and crafts style, norman carter

Photos of the 50th Anniversary Conference in 1973 which was held in Dallas Brooks Hall. Photos include some of the delegates, 01418.3 is President Handbury, Glen Correr and Jim Stewart, all from Melbourne. 01418.4 show Tom Yost and Goodie Ewence from Launceston and another man. 01418.5 from left, unknown, Graham Rhodes (Melbourne), Andrew Ireland (Wagga Wagga) and unknown. Photos came from an envelope marked 'P1 Federal Conference 1973 / 50 Year anniversary / 1983 Morwell / 1973 Legacy March ANZAC Day, 50 yr celebration, inclusion in ANZAC Day March authority of RSL'. See items 00451 to 00455, 00460 to 00464, 00391 and 01419. A record of a Legacy Conference in Melbourne during the Golden Jubilee year 1973.Black and white photo x 5 of the 50th Anniversary Legacy conference in 1973.All stamped "This Photograph is with the compliments of the Ministry of Tourism, Government of Victoria. Please acknowledge Michael Cheshire" in grey ink.golden jubilee, conference

1947 The SEC created an Arboretum and Nursery on the bank of the West Kiewa River. Householder could collect free plants, trees and topsoil for their gardens. It was not long before there was very keen competition amongst the families to create the best garden. 1948 A Mount Beauty Garden competition started with a first prize of 15 pounds, second 7 pounds and third 3 pounds. As the oldest garden in the competition was only 25 months old and most were younger a handicap system of 4 points per month was devised. Tom Mitchell MLA was the donor and judge. 1965 This sash was possibility worn by Jean McCullough in 1965 when the Mt Beauty & District Progress Association Auxiliary ran the completion.An example of the social life at Mt Beauty during the construction of the Kiewa Hydro Electric Scheme.Royal blue sateen sash with gold fringe. Mt. BEAUTY & DIST. PROGRESS ASSN. AUXILIARY/CHAMPION GARDEN/1965textiles, arboretum, mount beauty, garden competition, kiewa hydro electric scheme

Newspaper clipping from The Courier, Ballarat, dated Thursday 6/8/1971, titled "Council to count cost of saving some trams". Item reports on the request by the Ballarat Tramway Preservation Society (BTPS) to approve in principle, the operation of a working tramway museum in the Gardens Reserve and the use of Wendouree Parade. Notes which tramcars had been allocated to the BTPS by the SEC. Report from the tourism committee, Cr. J. A. Chisholm. Also noted work by Mr. Tom Evans MLA in Securing the SEC depot for temporary storage of the trams. One of large group of newspaper cuttings from John Bainbridge, 7/4/02. Item has been folded for inclusion within a scrap book. Has a piece of plain paper Secured to the back of the portion that was not Secured to the scrap book itself.btps, off site storage, sec depot, city of ballarat, wendouree parade

Sixteen page book, A4 portrait format, saddle stapled, titled "Light Rail Transit System - Inner Area North-South Link", published by the Metropolitan Transit Authority detailing the conversion of the former heavy electric suburban railway lines to St Kilda and Port Melbourne to electric trams or Light Rail. Has foreword by Tom Roper, Minister for Transport, Describes the proposed system, vehicles, development of articulated vehicles (2001, 2002), interchange with rail services, travel times and a map showing the proposed route, including a possible extension along Mitford St. and Broadway to Glenhuntly Road. Has a number of artists impressions of the vehicles at Station Pier and South Melbourne station. Includes colour photographs of the vehicles, conductors and photos of other light rail systems in Hanover and Amsterdam. Published c1986.trams, tramways, melbourne, light railways, mta, st kilda, port melbourne, articulated trams

Yields information about the view of letter writers about the proposal for a Ballarat Tourist based tramway in 2002.Set of three newspaper clippings about the return or revival of a tourist tramway in Ballarat. .1 - Cartoon by Inkcinct - The Courier Saturday 27 July 2002 - about Eureka Historians commenting on the tram route proposal. .2 - Newspaper clipping - six different letters - from The Courier, Saturday 27 July 2002, first letter titled "Trams were hard for many to board" - written by David Stabb, Doug Wiseman, Shane Canny, Peggy Nijam, M. Parr, Mary Glenane. .3 - Newspaper clipping - six different letters - from The Courier, Wednesday 17 July 2002, first letter titled "Trams are not the best investment", written by Bob Orr, Keith Vanstan, Walter Robson, Tom Evans, Brian Coffey and Pauline Shaw - re Peter Hiscock and the Bridge Mall. Each item has the date, source and page written in ink.ballarat revival, btm, city tramway, bridge st, bridge mall

Photocopy of an article titled - Cross Currents Music & Art in & around town - Diggings CD launch. The CD is titled 'Music of the Diggings', songs and tunes of the Central Victorian Goldfields - produced and recorded by residents of Mount Alexander Shire. Musician and singers on the disc are: Ken Mansell, Danny Spooner, Duncan Brown, Peter Ellis and the Emu Creek Bush Band. Also Des Skinner, Tom Walsh, Alby Hood, Keryn Randall, Judy Howell, Dave De Hugard, Martin Hungerford, Jan Wositzky, Maurie Gervasoni, Jack Heagney, Gordon Pratt, Randal Percy, Richard Leitch, Thompson's Foundry Band, Dave Barkla who used to play in Harry McQueen's Dance Band, CD's are available from the Castlemaine and Maldon Information Centres. Has a photo of Dave Barkla playing an accordion.entertainment, music, music and art, peter ellis collection, cross currents - music & art in & around town, cd-music of the diggings, central victorian goldfields, mount alexander shire, the friends of mount alexander diggings, parks victoria, ken mansell, peter maloney, danny spooner, duncan brown, peter ellis, emu creek bush band, des skinner, tom walsh, alby hood, keryn randall, judy howell, dave de hugard, martin hungerford, jan wositzky, maurie gervasoni, jack heagney, gordon pratt, randal percy, richard leitch, thompson's foundry band, dve barkla, harry mcqueen's dance band, castlemaine information centre, maldon information centre

BHS CollectionBendigo Advertiser ''The way we were'' from Wednesday, July 6, 2005. All dressed up: the debutante set at the Marist Brothers Band Ball in 1941. Back row: Franck Richards, Laurie Butler, Maurice Hobson, Tom Cairns, Max Dyet, Kevin Holland, Tony Byrne, Eric Polglaise, H. Fitzgerald, Leo Fitzgerald, Bill Gearon and Len Rainbow. Middle row: Len Conolan, Peg Hoff, Mary Kelly, Esrna Muir, Pat O'Shea, Eileen O'Halloran, Clare Tully, Nancy Flynn, Mary Gallagher and Dick Southby. Front row: Jim Lamers, Gwen Southcombe, DoreenReilly, Peg McLeish, Mrs J. Rowan, Mary Dunn, Julia Hunt, Irene Royal and K. Lalor. Front Cath Callaghan and Bernice Cavagnanewspaper, bendigo advertiser, the way we were

Series of seven The Connies Collectable Cards for 2017 Each card features a photograph with a story or details of the image or person on the reverse. Produced by The Connies, Melbourne, with a Leunig sketch on the rear and The Connies logo, with some having the MMTB and the Calcutta tramway company logo. The rear of the card gives the story behind the photograph. .1 - Paribesh Bandhu tram - Calcutta .2 - Tom's Tram - Fitzroy farm dog - featuring 1036 and a "mutt" .3 - Montage of a Calcutta tram 498 and Melbourne 980 side by side - Tramjatra .4 - Painted trams - Calcutta 649 - Sundari Sunrise Tram .5 - Montage of Melbourne 892 (route 78) and Calcutta 657 .6 - Lin Onus Tram - 829 - Transporting Art 1992 .7 - Norm Cross - with workshops and tram 1011 (image) - Darebin's Australian'strams, tramways, tickets, the connies, mmtb, conductors, cable trams, calcutta, preston workshops, tram 1036, tram 892

BHS CollectionBendigo Advertiser '' The way we were'' from Monday, June 2, 2003. Presented: the 1948 Laanecoorie CWA debutant ball. Back left to right: Allan Burrows, Les Pickering, Ted Addlem, Tom Dunning, Alf Holland, Brendan Lyon, Alex Smith and Ron Grimmett. Second row: Charles Bailey, Ernest Stone, Bill Trimmble and Graeme Rumbold.. Third row: Winsome Hawksley, Alma Grimmett, Jean Wicker, Margaret Davies, Audrey Stone, Mavis McLean, Shirley Cain, Audrey Gryllis and Shirley Kennedy. Front: Rita Neivandt, Mary Addlem, CWA group president Mrs Gant, chaperone Mrs H. Grylls and Laura McLean. Flower girl Jenette Grylls and page boy Daryl Monteith. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of 161 (Indep) Recce flight Officers, in a playful mood. Standing (L to R) Lt Ross Hutchinson (RW), Lt Kev Peacock (RW & FW), 2Lt Peter Garton (FW), 2Lt Don Trick (Operations), 2Lt Blair Weaver (RW), 2Lt Mike Meehan (RW), 2Lt Ross Goldspink (RW). 2Lt Dave McFerran (FW), Sitting (L to R) 2Lt Tom "Rockets" Guivarra MID (FW), Capt Bernie Forrest (Sect. Comd FW), Capt Phil Roberts (2IC), Maj George Constable (O.C.)(FW & RW)(Kia) Capt Peter Robinson (Engr. Officer) Capt John Coggin DFC (RW), 2Lt Adam Frisch (RW). Note (FW = Fixed Wing and RW = Rotary Wingphotograph, 161 recon flt, lt ross hutchinson, lt kev peacock, 2lt peter garton, 2lt don trick, 2lt blair weaver, 2lt mike meehan, 2lt ross goldspink, 2lt dave mcferran, 2lt tom "rockets" guivarra, capt bernie forrest, capt phil roberts, maj george constable, capt peter robinson, capt john coggin, 2lt adam frisch, gibbons collection catalogue, fight officers, denis gibbons

Two photographs of the students at the Ringwood State School in 1933 (grade 2) and 1935 (grade 4) 1935 Photograph (7002a) L to R Back Row - Norm Brown, Milton Blood, Ken Ward, Athol Tilson, Ken Hill, Doug Highland, Bob Green, Jack Reynolds, David Allen, Graeme Morcom. 3rd Row - , , Hazel Morgan, Betty Adolpherson, Lorna Hill, , Elvie Hansy, Betty Reed, Valma Bassett, ? Hancock, Betty Stoney. 2nd Row ? Kelly, , , , , Valerie Anderson, Bernice Dixon, Betty Broadbent, , . Front row - Eddie Jackson, , Nally Hazelwood, Ron Ansell, Tom Young, Rupert Shearer, Eddie Flynn, Frank Lloyd, Lloyd Home, John Silby 1933 Photograph (7002b) L to R Back Row - Eddie Jackson, , Bob Green, Ken Manning, David Allen, Ron Hansel. 4th Row - Ken Ward, Tom young, Wally Hazelwood, Ken Thomas, Jack Reynolds, , Eddie Flynn, Graeme Morcom, Frank Lloyd. 3rd Row - Betty Walters, , , Helen Bond, Hazel Morgan, , , Elvie Hansy. 2nd Row - Milton Blood, Betty Stoney, Valma Bissett, Bernice Dixon, Jean Wright, Valerie Anderson, , , Betty Adolpherson, Lorna Hill. Front Row - Ken Hill, Lloyd Home, , Norman Windsor, Alan Knopp, , , Athol Tilson. Note 2/1/2019: Jan Adolphson emailed "Just wanted to say that my Auntie Betty is in both these pictures, 1933 and 1935 but her name is incorrectly spelt. should be Betty Adolphson ". (Rear of photographs state name as Betty Adolpherson). Both photographs are in post card form, made by Kodak. One is addressed "David Allen, Canterbury Road, Ringwood", the donor of the photographs.

Wireless Patrol members with two cars, registration numbers KO-302 and KO-703, circa 1948Wireless Patrol 1948. Front: Phil Knight, Angus McVicar, ECC James, Jackson, Jack Murphy, Dave Whitton, Bill Phillips. Centre: Ernie Spinks, Leo Dent, Tom Williams, Sid Olsen, ?, Dave McEvoy, Miss Snell, Mal McGuiness?, Jim Barritt, Ernie May. Rear: Machesi, Don Witham, Durch Holland, Lyle Minns, George Earl, ?, Ron smith, Stan Hanlon, Bill Banks, Frank Murphy, Fred Wooster

Written on back of photograph, "Ringwood Municipal Band which also at about the 1930s was the 24th Batt. Band. Post card size original photo was taken at Park Orchards 1929. Back row left to right: Sam Brown, Jim Jamison, Jim Walters, Geo Burns, Stan Saunders, Bill Fitzell & ?? Centre Row: Jack Bramwell (Bandmaster), Harry Knobbs,??, Tom Peters, ??, & Bill Brown. Front Row: Two small boys, Norm Jamison, & ??".

Black and white photograph"Written on back of photograph" Back Row- L to R: Douglas Hume, Ian Sharp, ?, Alan Telfer, Tom Williams, John Munday, Ken Parnell, Bruce Fletcher, Ray Taylor. 2nd Row- L to R; Ann Whitehouse, Julie Sanders, Jill Pump, ?, Diane Dewer, Kathleen Lowe, Isabel Sykes, Wendy Anderson. Front Row- L to R: Brian Rothney, Douglas Mackie, John Willis, Frank Morris, Douglas Bangay. Teacher:

Lifeboat & rescue crews.Lifeboat Queenscliffe crew & sunken dinghyBlack & white photos of [a] 1986-158.1 B & W photo of sunken rescue dinghy and [b] the LB Queenscliffe heading out for practice.Reverse - " on 158.1 - L to R / Frank Ferrier, Ron Shapter, Tony Jergens, Tom Warren / sunken 14 ft dinghy used in rescue of wreck of Merlan / This sat on Lonsdale pier for a considerable time (2 years?) prior to rescue. When they put it in to rescue the dinghy commenced filling and rescue were carried out while bailing - 158.2 - Queenscliffe heading out for practice / man at stern (late Jack Ferrier) / "AKUNA' pilot vessel in background formerly German raider 'KOMET' ".historical references

One sepia and one black and white photograph "Attached to photograph" Back Row - L to R: David Young, ?, ?, ?, ?, ?, 2nd Row - L to R: ?, Margaret Blood, ?, ?, ?, Margaret Burnside, ?, Lois Crouch, Rosamund Pellow, Lynette Mathews. 3rd Row - L to R: ?, Margery Anderson, Janice Yobb, Beth Williams, Joyce Marshall, Agnes Young, Leah Kelly, ?, ?, ?. 4th Row, Kneeling - L to R: No names. Front Row - L to R: Neville Burns, ?, ?, Tom Hancy, Derek Duke, ?, ?, Bruce Caughey. Teacher:

The 8th Light Horse was initially raised from companies of the colonial Victorian Mounted Rifles located in North-east Victoria following Federation. In 1912 a major reorganisation of the Australian military forces resulted in the regiment being renumbered 16th Light Horse. The Regiment was disbanded in 1919 but soon after was re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, with the territorial title Indi Light Horse. The Indi Light Horse consisted of 3 squadrons. A squadron consisted of troops in Corryong, Walwa, Tallangatta, Eskdale and Wodonga. After an extensive recruiting campaign in January 1939 a new troop was raised in Bethanga, Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded.This photo represents a group of Bethanga men who committed to service during World War 2A framed Black and white photograph of Bethanga members of the Australian Light Horse in uniformBack row (left to right), Troopers Keith Cadman, Arthur "Friday" Dower, Bert Sommer, Norm Martin, Andy Mitchell, Tom Pearce; Middle row (left to right). Troop Leader Sergeant Edward "Ted"Davies, Troopers Jack Mortlock, Albert "Ab" Bohun, Aub Cadman, Les Freyer Front row (left to right), Troopers Henry Trenchard, A."Ed" Hertzog, Doug Dower, Nelson "Manny" Green, Eric Wheller, J. Parker.indi light horse, bethanga light horse troop, bethanga history