Booklet - for the Greyhound Racing event to raise funds for Sylvia Mitchell, held at Broadway Park on 15/7/1944. Has a photo of Sylvia on the front cover. Gives the programme for the 9 race event. Has a number of advertisements throughout, including Rowlands Table Waters on the back cover. Has pencil marks, including names of dogs for the final event. Advertisers are: G H Hauser Fruit and Vegetables, A F Witham auctioneer, Bucks Head Hotel, Gear's Pharmacies, George Hotel, Haymes Paints, Gold Top Taxis, Keith's Fruit store, Harry Davies, F M Thieseen business agents, The Regent Theatre, A H Joiner furniture, F C Heath fuel merchant, City Hall Pharmacy, Quayle cycles, Clarke's Cough mixture, and Bill Valpied Fruiter.Demonstrates work to support the Red Cross Prisoner of War fund raising.Sixteen page booklet, printed centre stapled with a red ribbon on the cover.most popular conductress, sylvia mitchell, tramways, red cross, events, broadway park, greyhound racing, advertisements

This honour board was created in the International Year of the Volunteer 2001, to recognise volunteers who have completed 15 years of voluntary service and have received their Tilly Aston bronze medallion award. It was displayed at the Geelong/Illawarra office until refurbishment and the merger of VAF into Vision Australia. 1990: Joan Backwell, Margaret Belleville, Louise Carnegie, Elsie Clutterbuck, Lou Hayden, Jenny Heath, Dorothy MacRobert, Brenda McDermott, Daphne Smith, Beryl Whiteside, Maria Zoppolato. 1991: Audrey Anderson, Elsie Barkley, Ellen Bell, Hilary Blakiston, Bobbie Bowen, Sydney Brown, Beatrice Carpenter, Joyce Carr, Helen Carter, Bobby Clarke, Janette Cohen, Sheila David, Betty Dunk, Betty Fulton, Marjorie Gray, Margaret Hambling, Patricia Heath, Mary Honman, Lorna Humphreys, Agnes Hutchins, Phyllis Leach, Sue Leggatt, Marcelle Loughnan, Marjorie Nall, Gwenda Nielson, Marjorie Opie, Anne Prosser, Dorothy Ruxton, Fay Schmidt, Ann Stewart, Jo Swinburn, Lou Walley. 1992: Beth Hunter, Roma Vanrenan. 1993: Mary Dobson, Betty Hamilton, Dorothy Hirst, Trudi Johnston, Doreen Long, Rhoda Lovett, Joan Slade. 1995: Judy Britton, Eleanor McDonald, Leila Shinners, Joy McMillan. 1996: Judith Kelso, Barbara Shone. 1997: Dorothy Marriner, Anne Cahn, Molly Grove. 1998: Poss Collins, Pam Hodgson, Peg Hook. 2000: Mardi McCann, Barbara Carr, Kate Whitworth, Joan Walsh. 2001: Dawn McFarlane, Joyce McRae. 2002: Marion Duell, Bev Hussey. 2003: Alison Lawson, Joan Livingston, Barbara McKane 2004: Alice O'Brien 2005: Judi Idle, Margaret Coulson, Patricia Ryan International Year of the Volunteer 2001Wooden board with names of volunteers who completed 15 years of service at the Geelong officeassociation for the blind, vision australia foundation

The North Kew Centre was the third established at North Kew. It followed a lease of a house at 50 Willsmere Road. The Peel Street building was designed by Mr Chipperfield. Messrs McIntosh and Taylor were the successful tenderers, the price being 1,240 pounds. The North Kew Baby Health Centre was finally opened on 18 June 1930 in the presence of the mayor, councillors and citizens of Kew, and representatives of the Infant Welfare Council. A report in The Age of 19 June described the opening in detail as well as the features of the new Centre. These included: "The rooms ... filled with flowers, pink and mauve hydrangeas and native heath, and the walls are adorned, with a charming frieze, representing windmills, flocks and a fairy tale goose girl. On the walls are hygiene editions of the funniest of Belloc's "Cautionary Tales" revised as posters, Outside there is promise of a gay garden, and a lovely view of green fields sloping to a shining bend of the river." Early photographic record of the opening of an early baby health centre in Kew.[Badly damaged] black and white photograph of the opening of the North Kew Baby Health Centre in Peel Street. The photo is mounted on card, and shows mothers and their children on the veranda, and officials at right. The latter includes the Mayoress and probably Vera Scantlebury. All mothers wear hats as do most of the children. [When the photograph was presented to the Society in 1979, it was described in the first Acquisitions Register as framed. Some time after that it was removed from its frame and badly broken. A separate photocopy of the original photograph is also held in the collection.]Earliest inscription: "Peel Street Health Centre / Official Opening 1930 / donated by Sr Costello and Sr Bewish [sic] 1979 / Copy purchased by ..... for Centre". Old Accession number in Texta: "KH-133 Kew Historical Society". Separate later label: "Opening North Kew Baby Health centre 1930". north kew baby health centre, peel street (kew), baby health centres - kew (vic)

256 p., [8] leaves of plates : ill. ; 19 cm.non-fictionJuvenile Fiction held in Reference Section. Illustrated by J. Macfarlane. lillian pyke, country life -- queensland -- juvenile fiction., railroads -- construction -- juvenile fiction., children's stories., railroad construction workers -- queensland -- juvenile fiction., railroads -- design and construction -- juvenile fiction., australia -- social life and customs -- juvenile fiction., target audience, book

These ledgers are administrative records of the Warrnambool Friendly Societies Park Trust. One contains Minutes of meetings from 1931 to 1947 and the other is an Accounts Book with records of payments for salaries, insurance, rentals, ground improvements etc. from 1908 to 1947. Some inserts in the ledgers date back to the early days of the Trust. In 1871 the Friendly Societies of Warrnambool (benefit societies which mainly offered members heath cover, including the Oddfellows, Foresters, Hibernians,, Rechabites, Sons of Temperance, Druids and Protestant Alliance) established a sports ground in Warrnambool. This included facilities for cricket, football and Athletics Carnivals and other public demonstrations and meetings and was administered by a Trust with members representing each of the Friendly Societies. Today the area is a major sports facility and still has the name Friendly Societies Park but it is now administered by the Warrnambool City Council. These items are of considerable historical interest as they contain much detail about the early history of the Friendly Societies Park Trust and give researchers valuable information on the work of benefit societies in the late 19th and early 20th centuries in Warrnambool and also on a major sports facility still existing in Warrnambool. .1 Ledger of 380 pages with a black cover and beige leather spine and corners. The edges of the pages are marbled and the pages have printed red and blue lines. The handwritten entries are in ink. There are some loose inserts in this ledger. .2 Ledger of 510 pages with a black cover and beige leather spine and corners. The pages have an alphabetical index at the front and have red and blue printed lines. The handwritten entries are in ink. friendly societies park warrnambool, friendly societies in warrnambool

A report in the Ballarat Star on 8 May 1901 recorded that: "THE CONVERSAZIONE. A GREAT SUCCESS. The conversazion given by the Government of Victoria at the Exhibition was very largely patronised. the guests includ ing the Prime Minister and a goodly proportion of the distinguished personages now in Melbourne. A programme of high-class music was gone through, and refreshments were served during the evening. Australian wines were very prominent."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items issued to James Maitland Campbell (and his wife). Campbell was three times mayor of Kew in the second half of the 19th Century and the owner of Ramornie in Pakington Street, one of the significant extant mansions in Kew.Colour lithograph mounted on card to an evening event, a conversazione, held in the Exhibition Building on the evening of Tuesday 7th May 1901, as part of the Australian Commonwealth Celebrations. The recipients of the invitation were Mr and Mrs James Maitland Campbell of Kew. The Government of Victoria hosted the event. The invitation shows an etching of the Exhibition Building, surrounded by an ornate border of heraldic shields, portraits of the Duke and Duchess, views of Perth, Adelaide, Melbourne, Sydney, Brisbane and Hobart, and native flora (including wattle, waratah, pink heath, Sturt’s desert pea, and flannel flower), and native fauna (kookaburra, possum, lyre bird, cockatoo and koala). The royal crest ‘Dieu et mon droit’ and the Australian crest, ‘Advance Australia’ are also included.Printed: UNITED AUSTRALIA 1901 / ONE FLAG / ONE HOPE / ONE DESTINY; AUSTRALIAN COMMONWEALTH CELEBRATIONS / THE GOVERNMENT OF VICTORIA requests the honour of the presence of / / at a Conversazione in the Exhibition Building on the Evening of Tuesday 7th May 1901 at 8 P.M. Handwritten: Mr & Mrs J. M. Campbell.sands & mcdougall ltd, documents - invitations, first commonwealth parliament 1901, james maitland campbell (1847-1930), ramornie, ramornie - pakington street

People in ancient civilisations smoked pipes during various healing and religious ceremonies. By the end of the 15th century, after tobacco was discovered in America, smoking had become a common pastime for everyday people. From that time, tobacco pipes were fashioned from many materials ranging from gold and silver to corn cobs and clay. A popular material was meerschaum, an expensive, soft, white stone from Turkey. In the 1820s, French craftsmen carved pipes out of the wood from the growth on the root of a Mediterranean White Heath. This material became increasingly popular due to its durable, heat-resistant qualities. The growth was called ‘bruyere’, now anglicised to ‘briar’ wood. Bakelite was the first plastic made from synthetic components. It was developed by Leo Baekeland of New York in 1907. The material was heat-resistant and could be moulded into any shape and hardened to keep its shape. This invention greatly impacted the industrial world and the products available to the domestic market, making more objects available at reduced cost.This smoker's tobacco pipe symbolises one of the leisure activities of the early 20th century that has continued into modern times. The shape and materials of the pipe represent a point in time in the evolution of tobacco pipes, including the revolutionary impact that the 1900s invention of Bakelite had on objects available in the domestic and industrial markets.Smoker's tobacco pipe; a round brown wooden pipe bowl joined to a dark brown mouthpiece. The French pipe's bowl is made from briar wood, and its mouthpiece is Bakelite. There is an inscription on the pipe."French Briar Pipe"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, smoker's pipe, tobacco pipe, briar wood pipe, wooden pipe, smoking, french pipe, bakelite, smoker's equipment

George Reed was a draftsman who lived in Bentleigh , City of Moorabbin in mid 20th C and used this pencil for his work. Eversharp is an American brand of writing implements founded by Charles Rood Keeran in 1913 and marketed by Keeran & Co., based in Chicago. Keeran commercialised Eversharp mechanical pencils (manufactured by two companies, Heath and Wahl) then expanding to fountain pens when the company was acquired by the Wahl Adding Machine Co. in 1916 and it was named "Wahl-Eversharp". In 1941 the company renamed itself, this time as Eversharp. The company continued until 1957 when it was acquired by Parker Pen, which continued to use the Eversharp brand for a time. In 1993 Parker was purchased by the Gillette Company, which already owned the 'Paper Mate' brand - the best-selling disposable ballpoint pen. In 2000 Gillette sold its writing instruments division to the company Newell Rubbermaid, USA, and In 2011 the Parker factory at Newhaven, East Sussex, England, was closed, and its production transferred to Nantes, France.An 'Eversharp' propelling pencil manufactured prior to to the development of the ball point penA gold plated propelling pencil c1941engraved : G. . Reed Made in Eversharpwriting implements, pencils, pens , propelling pencil, fountain pen, biro, ballpoint pen, keeran & company chicago, parker pen pty ltd, gillette pty ltd, eversharp, paper mate, bic pty ltd,

A Rifle Association was formed in Bacchus Marsh in April 1868. In 1882 this Association was reformed as the Bacchus Marsh Rifle Club and given the number 4. This photograph was taken at the first range used by the club which was near the old Woolpack Inn on the Melbourne to Ballarat Road. Rifle Club members in this image are known to include, W. H. McFarlane, F. Lewin, W. Marshall, T. Heath, E. A. Jones, W. Meikle, J. Dodemaide, D. Murray, W. H. McFarlane Jnr., J. Young, W. Mahoney, W, Rae. The Bacchus Marsh Express newspaper of 6 October 1883 reported that this image was taken during a married versus single match on the 3rd October, 1883. The match was interrupted to allow the photograph to be taken. This resulted in the match finishing in the dusk with the win going to the married team. This image is one of a series of photographs taken by Melbourne based photographers Stevenson and McNicoll who visited Bacchus Marsh and its nearby districts between September and November 1883. Black and white photographic print copy of original sepia 'carte de visite' style unframed photograph on card with gold border framing photograph. Part of the original inscription can be seen on the front left side of the photograph, which is one of a set of images taken in and around Bacchus Marsh in 1883 by the photographers Stevenson and McNicoll. The image shows a group of nineteen men holding rifles standing on either side of a white target board, the central bullseye showing a number of hits. All are posed against a backdrop of hills.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, bacchus marsh rifle club, rifle clubs

The Album was compiled by Nancy McHaffie late 1990's, with the assistance of Edith Jeffery's, with her book "Garden of Memories" and extensive knowledge of Phillip Island. The Cemetery lies back from the road and is surrounded by Manna Gums, rare Peppermint Gums, Blackwoods and other native trees. In all 25 acres of land were set aside as Crown Land in the land settlement of 1868. There are 6.2 acres of wetlands near the cemetery entrance.466-23: Joseph Richardson came to Australia in 1837 from Liverpool, England. Sarah Arbuckle and her two sisters arrived in 1850. Sarah and Joseph were married when gold was discovered in Victoria. They went to the diggings and had some success. Joseph bought land on Phillip Island when it was open to freehold selection in 1868. The family moved to Phillip Island shortly afterwards, to a house they built on a hill west of Cowes. They called their home "Everton" after a Liverpool suburb. The house still stands in Church Street, known as "Tallawalla". 466-24: The McIlwraith family came from Melton, Victoria to Heath Hill, Rhyll in 1869. They played an important part in the early history of Phillip Island. James was a foundation member of the Trust, John and Alan played their part in the local scene. John was President and Alan Secretary of the Cemetery Trust for many years.phillip island cemetery, nancy mchaffie, edith jeffery

1. National Trust 2005 calendar titled 'Early Images of Central Victoria' . 2. A4 sized Deidre Chesney correspondence to Jim Evans thanking him for inclusion of two BHS donated photographs. 3. Order Form. Calendar images in consecutive order 1. Bicycle Race Bendigo c1930. [BHS] 2. First Locomotive leaving Thompson's Foundry Castlemaine. 3. Portrait of Five Sisters. 4. Hanging Rock Races 1890. 5. Heath's Grocery Store. 6. Bendigo Women's Sewing Circle for the Boer War held in Fortuna Villa. 7. The Corner 'Ballarat first Mining Exchange'. 8. Clunes Children in Fancy Dress. 9. Walking Group ,Trentham Falls 1920. 10. Motorcyclists outside the Dunn & Allan store Ararat 1920. 12. Daylesford Lacrosse Team, 1910.bendigo, history, early images

The University of Ballarat department of Graphic Design / Multimedia Classification, "This year is yet to be classified", Advanced Screening. Promotional catalogue of University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) student work, 2001 or 2002. Each student has contributed a movie-poster style graphic, incorporating their email address. Portrait spiral bound book, pages are four colour process offset printed onto transparent acetate, white card back and fold to read each page. 28 Students: Alex Gillet, Andrea Read, Peta Wallace, Michelle Allen, Matt Avent, Andrew Isaac, Reuben Barnett, Fiona Woolley, e sawyers, Andrew Wapling, Hamish McDougall, Tim Allan, Jacqueline Orr, Lucy Brisbane, Leigh Scholten, L Webb, Ange Nastos, Marc Oswin, Simone Carras-Kerr, Michelle Berry, Heath McGregor, Naomi Craig, Amanda Brizzi, Anthony Boulton, Jess Steinke, Belinda Garth, Sonya Zwolinski, Danielle Harris. Promotional catalogue University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) student work, 2001 or 2002. Portrait spiral bound book, pages are four colour process offset printed onto transparent acetate, white card back and fold to read each page.alex gillet, andrea read, peta wallace, michelle allen, matt avent, andrew isaac, reuben barnett, fiona woolley, e sawyers, andrew wapling, hamish mcdougall, tim allan, jacqueline orr, lucy brisbane, leigh scholten, l webb, ange nastos, marc oswin, simone carras-kerr, michelle berry, heath mcgregor, naomi craig, amanda brizzi, anthony boulton, jess steinke, belinda garth, sonya zwolinski, danielle harris, university of ballarat, federation university, graphic design, multimedia, helmut stenzel, stephen roberts, elizabeth farlie, elise whetter

The booklet provides information for prospective students, styled around a passport and travel guide. Page 24 features quotes regarding the forthcoming move from Mt Helen Campus to the Camp Street Campus at the end of 2001, early 2022. Pages 28 and 29 feature small quotes from GD/MM alumni, as well as naming contacts and connections. Co-production of students and staff. Initiated by lecturer Helmut Stenzel, concept by student Anthony Boulton. Design, direction, copy and production by Elise Whetter. Student works contributed by: Tim Allan, Michelle Allen, Matthew Avent, Reuben Barnett, Michelle Berry, Anthony Boulton, Lucy Brisbane, Amanda Brizzi, Simone Carras-Kerr, Naomi Craig, Belinda Garth, Alex Gillett, Danielle Harris, Andrew Isaac, Hamish McDougall, Heath McGregor, Ange Nastos, Jackie Orr, Marc Oswin, Andrea Read, Ed Sawyers, Leigh Scholten, Jessica Steinke, Peta Wallace, Andrew Wapling, Leigh Webb, Fiona Woolley, Sony Zwolinski. The cover stock is Reaction, Night Offshore Blue, 310gsm, produced by the Gmund paper company, Germany. Its reverse is matt black.Promotional brochure for prospective students of the Bachelor of Visual Arts (Graphic Design/Multimedia). 32pp text (full colour throughout) plus 4pp cover (on blue Reaction specialty stock) debossing and laser cut holes. Saddlestitched with matching blue staples. Booklet contained in a plastic sleeve with clear front.university of ballarat, federation university, graphic design, multimedia, bachelor, degree, tim allan, michelle allen, matthew avent, reuben barnett, michelle berry, anthony boulton, lucy brisbane, amanda brizzi, simone carras-kerr, naomi craig, belinda garth, alex gillett, danielle harris, andrew isaac, hamish mcdougall, heath mcgregor, ange nastos, jackie orr, marc oswin, andrea read, ed sawyers, leigh scholten, jessica steinke, peta wallace, andrew wapling, leigh webb, fiona woolley, sony zwolinski, elise whetter, helmut stenzel

From Roger Skien Collection. Back Row: Mark White, Anthony Bright, Stephen Hayes, Danny Scollo, Steve Sammut, Shayne Jackson (Deputy Vice Captain), Sylvester Cafiso, Mathew Bouw, Paul Pezzin. Middle Row: Dean Tagliariol, Lou Ciabottie, Mark Stepien, Mark Aiello, Darren Anderson (Vice Captain), Craig Callec, Grant Ronaldson, Daniel Stones, Julian Shanks (Captain), Darren Veldhuizen Front Row: Chris Heverin (Development Officer), Warren Cruse, Justin Randell, Mathew Hall, Trevor Keogh (coach), Andrew Ryan, Greg Mighall, Heath Mathews, Roger Skien (Manager). Contains full record of squad match against Richmond. Bert Deacon Squad 3-3-21, 4-5-29,9-7-61, 13-11-89. defeated Michael Roach Squad 1-1-7, 6-2-38, 7-3-45, 9-4-58. Goalkickers: G. Mighall - 9, S. Jackson - 1, D. Anderson - 1, M. Aiello - 1, M. Hall - 1. CFC Past Players Trophy G. Mighall. Includes team lineup and best playersColour photograph mounted on cardboard

Digitised video (2.67GB). Duration: 58minutes. Recorded February, 2025 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)In this presentation, Ringwood and District Historical Society President Russ Haines provides a brief profile of Bob Croll, man of adventure, pioneer of amateur athletics in Victoria, a writer of collective note, an explorer of indigenous culture, as well as mixing with important artists, sculptors and authors of the pre-WW1 era. Bob shared his travels with eminent psychologist Stanley Porteus, the son of Ringwood Methodist David Porteus and his wife, Katherine, who attended Ringwood State School. Bob's walking adventures included following Canterbury Road up into the hills, through the Ringwood area of "heath" into the wonderful hamlets around Mount Dandenong.

A photo from a book compiled about the Legacy children's residence called Stanhope. This photo shows a reunion in 1959 featuring Matron Dorrie Vines with several past residents. Names on the reverse of the photo L to R: Doreen Devlin, Geraldine Grant, Rosemary Gale, Lee Henneberry, Rod McKinnon, Self, Kevin Heath, Betty Henderson. June Brook, Stephanie, Gordon, Elizabeth Brown, Anne Righetti. Jacky Parry. Stanhope was supervised by Matron Dorothy (Dorrie) Vines from the time it opened in 1946 until December 1966. It is likely she compiled this notebook as she is referred to as 'self' in one photo. Individual pages of photos or newspaper clippings have been added separately. Items 01817 to 01836. Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950) were residences run by Melbourne Legacy to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for further education. Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent. A record of a reunion at Stanhope. A great example of the impact the residence and care had on the lives of the junior legatees that they kept in touch with each other and the home.Black and white photo of a Stanhope reunion in 1959.residences, dorothy vines, stanhope

Rectangular wooden honour board with gold lettering and a decorative border and WHS logo centred at the top middle of the border. This border reads WANGARATTA HIGH SCHOOL DONATED BY W.H.S. PAST STUDENTS & TEACHERS ASSOCIATIONWANGARATTA HIGH SCHOOL HONOURING TEACHERS 15 & 20* YEARS+ SERVICE 1919 J.W. THOMAS 1941 *DAVE MORRIS 1944 CHRIS MORRIS 1952 BILL O'CALLAGHAN 1960 *MAX GEORGE, *CONSTANANCE RUSSELL, *MYRA BAXTER 1964 MAE OSMOTHERLY, *BRUCE REVELL 1966 *MARGARET MELGAARD 1967 AORIAN TWITT 1968 *JOY STAR, LEN CARTHRO 1969 *NOEL WILLIAMS, HARVEY DIKE 1970 LAURIE BUFFELO 1972 *DORATHY CALDWELL, GEOFF MOAR 1974 *ANNE GELL 1975 BRIAN MALLINDER 1976 *DOUG McGREGOR, *SUE SPILLER, *BLAKE MUDGE 1977 KATE OFER, *DOUG GRIFFITHS, *DOUG LANE 1979 *NEIL FOSTER 1981 *RAY PIKE 1982 *KEVIN McGENNAN, *JENNY SHEARER, *TERRY MAGREE 1984 *JOHN EVANS, CAROL MYLES, JANET HEATH 1985 SUE DAVIDSON, *PETER SMITH, *WARREN COLES, PAUL SCHOLES 1986 *JUDY ROSE, DON HEATH, *REX PIRIE, *PAUL THOMAS, *PAT BRUCE, *SANDY NEWMAN 1987 GEORGE MOHR, *COLIN PIKE, ANNETTE STARIKA, *ROB FINDLAY, *ANNE SCHULZE, KERRY SCHOLES 1988 *GLENN DREW, *ERIKA PIKE *GRAENE STRANG, *PEG CHIVERS, PETER BOYD 1989 DAVID ASHFIELD, *NEIL MORTON DONATED BY W.H.S. PAST STUDENTS & TEACHERS ASSOCIATION

Carlton Football Club Under 19 Team 1987. From Roger Skien Collection. Fifth Row (Standing): Frank Finn (Assistant Statistician), Doug Castledine (Training Assistant), Geoff Taylor (Runner), John Lamont (Trainer), Colin Jones (Statistician), Keith Leitch (Head Trainer), Tom McLeod (Trainer), Wayne Gilbert (Property Steward), Cameron Miller (Trainer). Fourth Row (Standing): Luke O'Sullivan, Haydn Draper, John D'Angelo, Peter Mark, Brendan Dixon, Fraser Brown, Mark Bowring, Ross Andrews, Craig Tough, Dean White, Mark Hughes. Third Row (Standing): Robert Miller, Michael Scicluna, Michael Dodorico, Paul McConville, Danny Noonan, Craig Symons, Roger Boxtell, Steven Symons, Heath Buck, Jamie Marra, Matt Rossin. Second Row (Seated): Geoff Walsh (Recruiting Co-ordinator), Roger Skien (Team Manager), Ashley Mathews, Nick Goodear (Deputy Vice Captain), Phil Poursanidis (Captain), Ross Henshaw (Coach), Justin Coburn (Vice Captain), Brendan Lowther, Andrew Cavedon, John Vincent (Committeeman), Simon Tori, Chris Heverin (Development Officer). Front Row (Seated): Greg Marra, Brad Langbourne, Craig Sadler, Tony Hamill, Andrew McKinnon, Darren Cope, Michael Gravina, Mark Bouw, Peter White, Paul Donohue Absent: Dr. Richard Ingram, Mark Rowe (P.E. Instructor)Colour team photograph mounted on cardboard

The dusky antechinus was first described in 1840 by English naturalist George Robert Waterhouse, making it the second species of antechinus to be formally recorded. It was named in honor of zoologist and artist William Swainson, with the holotype likely originating from the Tasman Peninsula in Tasmania, collected by Swainson’s associate, Thomas Lempriere. The dusky antechinus is distributed across southeastern Queensland to southwestern Victoria, as well as in Tasmania. It is most frequently found in mountainous areas, including Kosciuszko National Park and the Brindabella Ranges, where it inhabits alpine heath and tall open forests with dense understorey vegetation. While the species is not considered threatened, some local populations have declined due to habitat loss caused by controlled burning and the replacement of native forests with pine plantations. Additionally, predation by cats and red foxes is believed to negatively impact its numbers. This specimen was originally identified as a bandicoot and is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Small sized dusky antechinus with a pointy snout, small rounded eyes made of glass, a thin tail, small rounded ears, and sharp clawed legs. The fur in colouring is golden brown with streaks of dark brown, and is of medium length and fine.On wooden mount: BMM5896/ On Catalogue Tag (attached to left foreleg): Bandicoot Mou(...)/ Catalogue, Page. 45/ burke museum, taxidermy, taxidermy mount, fauna, animal, animalia, reynell eveleigh johns, bandicoot, marsupial, peramelemorphia, dusky antechinus, antechinus swainsonii, swainson's antechinus, dusky marsupial mouse

Black and white photograph mounted on grey frame. 25 mid age police officers in formal setting posing for photograph in 3 row structure [all seem to be influential personalities of Victoria Police - see Inscriptions bellow]. They are all in full 1950s Police uniform, apart from two men on the extremes of front row, who wear suits. They stand in terrace of what seems to be a large and wealthy building on the back, large windows and collums on varandah.Printed above photograph: POLICE COLLEGE << Course No.1 -- November, 1958 - June 1959 >> Printed bellow photograph: Left to Right, Back Row: Stn. Officer Mooney, Sgt. Sheather, Det-Sgt. Carter, Sgt. Poulter, Sgt. Mooring, Sgt. Pearson, Sgt. Comrie, Sgt. Sharkey, Det.Sgt. McKnight. Centre Row: Sgt. Scotney, Insp. Hynes, Sgt. Long, Sgt. Payne, Insp. Houghton, Sgt. Peach, Sgt. Moore, Sgt. Heath, Sgt. Rose. Front Row (Directing Staff): Mr. C. H. Smith, Det-Sgt. Warne, Insp. Quill, Insp. DeLany, Insp. Milner, Det-Sgt. Braybrook, Mr. R. Crowling.victoria police museum, police officers, police academy, police force, william, poulter, bill poulter, police college, tompkins, stuart, stn. officer mooney, sgt. sheather, det-sgt. carter, mr. r. crowling., det-sgt. braybrook, insp. milner, insp. delany, insp. quill, det-sgt. warne, mr. c. h. smith, sgt. rose, sgt. heath, sgt. moore, sgt. peach, insp. houghton, sgt. payne, sgt. long, insp. hynes, sgt. scotney, det.sgt. mcknight, sgt. sharkey, sgt. comrie, sgt. pearson, sgt. mooring, sgt. poulter

Black and white photograph mounted on grey frame. 17men pose for photograph in forma suits in 3 row structure (front ones hold hats on their laps). *Most of them wear Freemansonry waistcoast chain. Photograph was taken during King George time - VPRG They stand in terrace of open brick building (on the back), with large windows and some plants.Printed above photograph: POLICE COLLEGE << Course No.1 -- November, 1958 - June 1959 >> Printed bellow photograph: Left to Right, Back Row: Stn. Officer Mooney, Sgt. Sheather, Det-Sgt. Carter, Sgt. Poulter, Sgt. Mooring, Sgt. Pearson, Sgt. Comrie, Sgt. Sharkey, Det.Sgt. McKnight. Centre Row: Sgt. Scotney, Insp. Hynes, Sgt. Long, Sgt. Payne, Insp. Houghton, Sgt. Peach, Sgt. Moore, Sgt. Heath, Sgt. Rose. Front Row (Directing Staff): Mr. C. H. Smith, Det-Sgt. Warne, Insp. Quill, Insp. DeLany, Insp. Milner, Det-Sgt. Braybrook, Mr. R. Crowling.victoria police museum, police officers, police academy, police force, freemasonry, masons, free masons

This majestic peacock embodies the technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897) and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians loved majolica, and the large peacock would have been the ultimate home accessory as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became a famous pottery and porcelain manufacturer. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best-known work. Comolera kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today, some historians now believe that twelve were fired at the Minton factory; research is ongoing. These peacocks were so admired that Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, ensuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics and tiles, and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares, including the peacock, at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria, in calm foggy weather in June 1878 on the final leg of the ship's journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case, onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with a Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods, including this peacoc,k back into the sea. The two men found the peacock in its case ‘bobbing along in the water’ and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue, the head had broken from the body. This account was proven to be true in 1988, following the birds' display in Brisbane. This peacock began its life in Australia, not in the grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton & Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home at Malvern for many years and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Miss Florence Miller tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell her Loch Ard relic, it was displayed in the window of the old Argus newspaper office, which was at 76 Collins Street, Melbourne; the Argus had relocated to the corner of Elizabeth and La Trobe Streets in 1926. Between 1935 and 1939, the old Argus building was occupied by the Joshua N. McClelland Print Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing overseas to Captain Blain on November 30th, 1938, about the possibility of a sale, but this became no longer possible due to the outbreak of war. Recent information points to the Loch Ard peacock being owned by John S R Heath before its sale to Frank Ridley-Lee in May 1941. Research is ongoing, but it seems likely that John Samuel Robert Heath, a leading Melbourne dentist with a practice in Collins Street, and his wife, a dental mechanic, had purchased Miss Miller’s Loch Ard peacock before its sale in 1941. They were lovers of fine arts, music, wine and food. The peacock in the window of the old Argus building could have attracted their attention as they had already purchased the old stone Presbyterian Church on Warrigal Road, Oakleigh, in 1933 and had converted its interior. The home, renamed The Studio, even included Melbourne’s first all-electric kitchen. The peacock was perfect for display in the Studio’s entrance. A magazine article published after the conversion was completed included photographs of the interior. The picture of the ‘portico’ had a caption below that stated, “Some of her [Mrs Heath’s] finest pottery was salvaged from the Loch Ard Wreck”. In 2025, Heath’s two remaining sons remember running around in the entrance with the peacock standing there, oblivious to its value. Heath was an accomplished artist, studying under Max Meldrum. He painted and exhibited his works at The Studio and in a public exhibition, and he was a finalist eight times in the coveted Archibald Prize portrait competition, including the submission of his self-portrait that is now part of his grandson’s collection. The next owner of the Loch Ard Peacock was Frank Ridley-Lee. He displayed it at his home in Ivanhoe after buying it at an auction in May 1941. The peacock remained in the hands of the Ridley-Lee family until it was offered for sale by auction in 1975 as part of an art collection belonging to Mrs Ridley-Lee's estate. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to collect the necessary money through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half the cost. On 9 September 1975, the Loch Ard peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since then, it has only left Warrnambool twice. Firstly, in 1980, at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton Majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire, john samuel robert heath

A chronicle of officials of the G.C.C. during 1909. This honour board has an important place in the history of the Geelong Cycling Club and signifies the high esteem in which the community held cycling in the early part of the 20th century. Decorative wooden frame around individual photographs on oval ceramic plates and mounted on a wooden background. These are surrounded by pressed metal floral decorations. Inscriptions are in cursive script and painted in blue and white against the wood. There is a gold trim to the wooden frame. "Geelong Cycling Club/R McGann/T. Jenkins/H.H. Barclay/C. Hobbs/A. Beaming, Club Trainer/C. Hudgell/G.A. Martin, Vice Capt/H.G. Cartriss, Captain/E.Kitchen, ICCA Delegn/W.C McEwan/C. Bartlett/B. Freedman,Auditor/Eli Phillips, President/H. Groves, Handicapper/A. Hyatt/H.W. Heath/J. MacPhee/J.McMahon/C. Farrell/C.A.Betts, Hon. Secretary/O. Rowlands/M. O Donnell, Com/J.Kilmartin/C.E.Hewitt, Treasurer/E.Walsh, Com/N.James, Com/G. Martin/H.Mills/L.Redman/A.Palmer/W. Loone/H.L. Kelly/W. Shields/R.Hobbs/Presented/Mr. Charles A. Betts/A token of esteem for valuable services rendered as secretary/Nov 9, 1909” geelong cycling club; r mcgann; t. jenkins; h.h. barclay; c. hobbs; a. beaming; c. hudgell; g.a. martin; h.g. cartriss; e.kitchen; w.c mcewan; c. bartlett; b. freedman; eli phillips; h. groves; a. hyatt; h.w. heath; j. macphee; j.mcmahon; c. farrell; c.a.betts; o. rowlands; m. o donnell; j.kilmartin; c.e.hewitt; e.walsh; n.james; g. martin; h.mills; l.redman; a.palmer; w. loone; h.l. kelly; w. shields; r.hobbs; mr. charles a. betts;

Mullard Limited was a British manufacturer of electronic components. The Mullard Radio Valve Co. Ltd. of Southfields, London, was founded in 1920 by Captain Stanley R. Mullard, who had previously designed valves for the Admiralty before becoming managing director of the Z Electric Lamp Co. The company soon moved to Hammersmith, London and then in 1923 to Balham, London. The head office in later years was Mullard House in Torrington Place, Bloomsbury, now part of University College London. In 1923, in order to meet the technical demands of the newly formed BBC, Mullard formed a partnership with the Dutch manufacturer Philips. The valves (US vacuum tube) produced in this period were named with the prefix PM, for Philips-Mullard, beginning with the PM3 and PM4 in 1926. Mullard finally sold all its shares to Philips in 1927. In 1928 the company introduced the first pentode valve to the British market. Mullard opened a new manufacturing plant at Mitcham, Surrey in 1929 and in late 1930s Mullard opened a new plant in Blackburn, Lancashire. By 1949 Mullard had produced a number of television sets, such as the MTS-521 and MTS-684 and in 1951 Mullard was producing the LSD series of photographic flash tubes. In the early 1980s, Mullard manufactured the SAA5050, some of the earliest teletext decoding modules made in the UK. In 1957 Philips-Mullard helped to set up the Mullard Radio Astronomy Observatory (MRAO) at the University of Cambridge. Philips continued to use the brand name "Mullard" in the UK until 1988. Mullard Research Laboratories in Redhill, Surrey then became Philips Research Laboratories. As of 2007, the Mullard brand has been revived by Sovtek, producing a variant of the ECC83 and EL34. The Z Electric Lamp Co. continued business into the 1970s operating from premises in Thornton Heath, south London, manufacturing lamps of specialised design but it closed due to the recession in the mid 1970s. Sovtek is a brand of vacuum tube owned by Mike Matthews's New Sensor Corporation and manufactured in Saratov, Russia. They are often used in guitar amplificationA box with a 'Mullard' valve for a radioTop of box : MULLARD / ELECTRONIC VALVE / Side of box; GAURANTEED ELECTRONIC / VALVE / MULLARD ( in a shield) : mullard radio valve co. ltd., london, mullard captain stanley, electronic equipment, moorabbin, bentleigh, cheltenham, early settlers

Poster of the 2012 Essendon players and coachesColour poster of the 2012 Essendon players and coaches. Players are in sleeveless Essendon jumpers, black shorts and white boots; coaches are in grey short-sleeve shirts and black shorts. Players and coaches are standing and sitting in four rows; large "2012" in background, "Essendon Bombers" in large red text across top, Essendon logo in centre at bottom with premiership years on either side; names in small print at bottom of poster; Essendon, Melbourne Airport, Kia and True Value Solar logos in bottom corners. Reverse has printed names, numbers and signatures. > Back row: Sam Lonergan, Jake Melksham, Dyson Heppel, Anthony Long, Ariel Steinberg, David Myers, Tayte Pears, Nathan Lovett-Murray, Stewart Crameri, Michael Hibberd, Brent Prismall, Jason Winderlich. Third row: Mark Thompson, Simon Goodwin, Michael Ross, Ben Howlett, Kyle Hardingham, Jake Carlisle, Scott Gumbleton, Cale Hooker, David Hille, Thomas Bellchambers, Dustin Fletcher, Patrick Ryder, Luke Davis, Alex Browne, Kyle Reimers, Matthew Egan, Sean Wellman, Dean Robinson. Second row: Alwyn Davey, Leroy Jetta, Ricky Dyson, Angus Monfries, David Zaharakis, Brent Stanton, James Hird, Jobe Watson, Mark McVeigh, Heath Hocking, Michael Hurley, Courtney Dempsey, Henry Slattery. Front row: Elliott Kavanagh, Mark Baguley, Cory Dell'Olio, Brendan Lee, Hal Hunter, Jackson Merrett, Lauchlan Dalgleish, Nicholas O'Brien, Travis Colyer. essendon football club; sam lonergan; jake melksham; dyson heppell; anthony long; ariel steinberg; david myers; tayte pears; nathan lovett-murray; stewart crameri; michael hibberd; brent prismall; jason winderlich; mark thompson; simon goodwin; michael ross; ben howlett; kyle hardingham; jake carlisle; scott gumbleton; cale hooker; david hille; tom bellchambers; dustin fletcher; paddy ryder; luke davis; alex browne; kyle reimers; matthew egan; wellman, sean; robinson, dean; davey, alwyn "froggie"; leroy jetta; ricky dyson; angus monfries; david zaharakis; brent stanton; james hird; jobe watson; mark mcveigh; heath hocking; michael hurley; courtney dempsey; henry slattery; elliott kavanagh; mark baguley; cory dell'olio; brendan lee; hal hunter; jackson merrett; lauchlan dalgleish; nicholas o'brien; travis colyer