Louis Robert JAMES (22 September 1920-1997) Born Adelaide, South Australia Died Sydney, New South Wales Louis James worked as a draughtsman in Adelaide. Although he had no formal art training, he started painting after World War Two quickly acquiring a wide reputation in Australia and London. Known as a printmaker he worked in England between 1949 to 1964. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed black and white lithographart, artwork, louis james, printmaking, shopping, available

Louis Barelli born 16th March 1888 in Ringwood and died 30th April 1956 in Mitcham. The photo was taken about the time of his marriage to Lenore Walker in 1917.Black and white digital copy of Louis Barelli wearing a sash over a formal suit.louis barelli, approx 1917

The Ballarat School of Mines was the first School of Mines in Australia and was established in 1870. 22 page booklet titles 'The Ballarat School of Mines: A Statement of the Objects and Resources of the School.' The book has a number of illustrations including the interior of the Ballarat School of Mines Laboratory, and the former Ballarat Circuit Court House. It includes a statement of the formation, progress, and present position of the School of Mines, Ballaarat. The image of the Ballarat School Mines Assay Room shows assay furnaces, crucibles, chimney, and teacher Joseph Flude on the far right. This room is now is a building known as the 'Old Chemistry Building'. Plan and elevation of the new Metallurgical Laboratory and Proposed Chemical Laboratory is depicted.On front cover "Recorded in M-A" "1873"ballarat school of mines, assay, courthouse, joseph flude, crucible, furnace, flude, warrington rogers, brough smyth, harrie wood, wood, james bickett, bickett, redmond barry, somerville learmonth, metallurgy, chemistry, laboratory, examinations, mining engineer, assayer, inorganic chemistry, underground managers, captains of shift, engieners, enginedrivers, louis balhausen, james campbell, l.s. christie, j.j. casey, alexander dempster, g. higinbotham, james martin, alexander millan, malcolm morrison, band of hope and albion, city of ballarat mining company, city of canterbury gold mining company, egerton mining company, el dorado gold mining company, golden reef gold mining company, happy valley company, hope quartz mining company, long tunnel gold mining company walhalla, hopewell quartz mining company, imperial quartz mining company, student numbers, fees, magdala quartz mining company stawell, mariners and sloane's quartz mining company, new north clunes company, park company, temperence quartz company, tookey quartz company new zealand, walhalla gold mining company, matthew seal, harrie woodmuseum, duke of cornwall claim, john lynch, robert m. sergeant, engineers, f.w. niven, william henry barnard, ballarat school of mines museum, museum, ballarat school of mines library, donations of specimens, mining

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the Canadian Schooner "Louis Theriault" being towed past Cowes Jetty by the tug "James Patterson" 1/02/1919local history, photography, photographs, maritime technology, boats, schooner "louis theriault", black & white photograph, sailing ships, shipping, schooner louis theriault, tug james patterson, john jenner, bryant west

Contents: • The Carnival is Over….well just about! By Jim Connor • Society Christmas Function • 50 Years ago…..1967 by Liz Pidgeon • Our 50th Anniversary Celebration Dinner • Eltham 1950 s– Childhood Reminiscences – Part 1 by Ann Constable • A Squatter’s Life on the Plenty River at ‘Wanstead’: The 1837 Diary of James Louis Willis by Anne Paul • 80th Anniversary of Rob Roy Hill Climb • Montsalvat • Our Sponsors • Contacts for the Eltham District Historical SocietyThe Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

James Moore and Sons had a timber and saw mill at City Rd., South Melbourne. They employed over 600 men with a wide range of skills, turning out milled timber for building, household items and other cabinetry, the wooden bodies of trams and even what is believed to be the first commercially produced airplane propeller. The site also included a nail making factory. These goods were sold throughout the state before the company went into voluntary liquidation in 1935. James Louis Moore was born in Ireland 12/8/1843 and died in London 3/2/1913 before his body was returned to Melbourne for burial in the family vault in April 1913. The business continued under his sons Walter, Louis and Arthur. Another son, William had disappeared in 1906.James Moore and Sons Timber Yard and Saw Mills Price List for September 1922 and April 1924 listing prices for floorings; Oregon; building hardwood; galvanised iron; linings etc. Four pages.history, bendigo, abbott collection, james moore and sons

Copy of an article from the Bendigo Weekly 9/6/2000 titled The Mine Flooding Crisis - New Pumping Technology Suggested by James Lerk. Louis August Samuels was born in Germany. Samuels was involved in the mining industry in Australia and he had mining experience in West Africa. He had knowledge of the mines at the southern end of the field. He was president of the Mine Managers' Association. He believed the flooding was caused by the lack of baling and pumping operations. Earlier he had visited a coal mine in Bohemia to see a Riedler pump at work. It was a new design, very effective, simple in design and reliable. He watched it work. It was 500 metres underground and pushed the water to the surface in a single column. He suggested this type of pump could be adapted to use on the New Chum Reef. Even this suggestion was not the latest technical innovation, but it would be more efficient and less costly than baling. No one took him seriously and continued to remove water by the traditional means. Article is accompanied by a photo of Samuels.bendigo, history, long gully history group, the long gully history group - the mine flooding crisis - new pumping technology suggested, bendigo weekly 9/6/2000, james lerk, louis august samuels, origin of the bendigo saddle reefs and the cause of their golden wealth 1893, bendigo mine managers' association, victoria proprietary company, victoria quartz mine, new chum drainage association, riedler pump, riedler zwangschluss valve, technical school at aix-la-chapelle (achen)

Entry No. 621 on page 856. Entry is a list of the Catherine Reef United Claimholders Gold Mining Company Shareholders with their address and the number of shares they hold. Manager was Thomas Eyre and the Company Office was at Peg Leg Gully, Eaglehawk. Names of Shareholders are: John Abern, Simon Albert, James Allen, William Allen, Alexander Anderson, William Anderson,Harry Leigh Atkinson, William Bannerman, Adolphus Barnett, Adolphus Robert Barnett, Alexander Bayne, Adam Beattie, Robert Bell, Gottfried Bermann, William Boncher, James Branagan, Carl Brecht, Frederick William Brinkmeyer, William Ruthford Brown, Joseph Burgoine, Thomas Burgoine, Thomas Burrows, Joseph Butler, John Thomas Caldwell, Philip Carr, Mary Jane Chantler, James Cobb, Edward Cook, Edward F Cooper, James Crameri, George Cudden, Jacob Ludwig Culmsec, Gustav Damkohler, Ellen Dithmer, William Dixon, William Doig, Robert Campbell Dow, Adam George Dunlop, Andrew McBride Dunlop, Hugh Ellis, Thomas Eyre, Richard Philip Eyre, William Farnsworth, Matthew Fawcett, Frederick John Fleming, John Forrest, Andrew Frei, Robert Gilmour, James Gray, Fordinand Gremelsbecher, Robert Grieve, John Grieve, William Grose, George Hagger, Andrew Hamilton,Hans Truchen Hansen, Thomas Harding, Abraham Harkness, Alexander Hay, Joseph A C Helm, John Hoole, George Hoole, Edward Hunt, Thomas Huston, Henry Jackson, Samuel Jackson, Eli James, Robert Jeffrey, Carl Heinrich Jensen, George Foster Johnson, Richard Kevern, William Kimber, Martin Kircher, Hay Kirkwood, Henry Koch, John Lamperd, Mary Anne Lawley, Charles Letheby, Joseph Lowery, Ninjan Mailor, William Marshall, Robert Marshall, Henry Adolphus Medlicott, John Mitchell, William Moore, Susan Murray, Andrew McGrigor, John Steele McNair, Thomas McCormack, Peter Nielson, William Parry Nicholls, Henry Boyns Nicholas, George Nicholson, John Noble, Daniel Noonan, John O'Keeffe, David Purves, William Rea, William Usher Reavely, Francis Robinson Reay, John Bellew Richards, Samuel Richardson, William Robinson, Henry John Rowe, Thomas Ruberg, John Rule, Thomas Rule, Joseph Rutherford, Edward B Ryal, John Snaith Rymer, Philip Seeber, Ferdinand Sahlberg, John Thomas Sanders, Edward Saunders, Charles Selwyn Savage, Charles Sayer, John Scanlon, William Schafer, James Sherson, William Simpson, Antony Smith, Samuel Snowdon, Peter Sorensen, Anders Neilsen Sorensen, Frederick Stahl, David Chaplin Sterry, James Steward, Louis Straub, Robert Suggett, George Suggett, John Talbot, Marion Taylor, John Thomas, Joseph Thomson, Thomas Treloar, William Trimble, George Turner, Alfred Wainwright, Charles Wallin, John Watson, Joseph Watson, Richard John Webb, Frederick Whitaker, John William Williams, Henry Williams, Robert Wills, Christian Weiss, John Wilson, William Winter, George Wisemann, Joseph Wood, James William Wood, Edward Wrixon, Thomas Young and Henry Young. Witness to Signature was J D Crofts.mining, business, shareholders, catherine reef united claimholders gold mining company shareholders, thomas eyre, mining partnerships limited liability act 1860, john abern, simon albert, james allen, william allen, alexander anderson, william anderson, harry leigh atkinson, william bannerman, adolphus barnett, adolphus robert barnett, alexander bayne, adam beattie, robert bell, gottfried bermann, william boncher, james branagan, carl brecht, frederick william brinkmeyer, william ruthford brown, joseph burgoine, thomas burgoine, thomas burrows, joseph butler, john thomas caldwell, philip carr, mary jane chantler, james cobb, edward cook, edward f cooper, james crameri, george cudden, jacob ludwig culmsec, gustav damkohler, ellen dithmer, william dixon, william doig, robert campbell dow, adam george dunlop, andrew mcbride dunlop, hugh ellis, thomas eyre, richard philip eyre, william farnsworth, matthew fawcett, frederick john fleming, john forrest, andrew frei, robert gilmour, james gray, fordinand gremelsbecher, robert grieve, john grieve, william grose, george hagger, andrew hamilton, hans truchen hansen, thomas harding, abraham harkness, alexander hay, joseph a c helm, john hoole, george hoole, edward hunt, thomas huston, henry jackson, samuel jackson, eli james, robert jeffrey, carl heinrich jensen, george foster johnson, richard kevern, william kimber, martin kircher, hay kirkwood, henry koch, john lamperd, mary anne lawley, charles letheby, joseph lowery, ninjan mailor, william marshall, robert marshall, henry adolphus medlicott, john mitchell, william moore, susan murray, andrew mcgrigor, john steele mcnair, thomas mccormack, peter nielson, william parry nicholls, henry boyns nicholas, george nicholson, john noble, daniel noonan, john o'keeffe, david purves, william rea, william usher reavely, francis robinson reay, john bellew richards, samuel richardson, william robinson, henry john rowe, thomas ruberg, john rule, thomas rule, joseph rutherford, edward b ryal, john snaith rymer, philip seeber, ferdinand sahlberg, john thomas sanders, edward saunders, charles selwyn savage, charles sayer, john scanlon, william schafer, james sherson, william simpson, antony smith, samuel snowdon, peter sorensen, anders neilsen sorensen, frederick stahl, david chaplin sterry, james steward, louis straub, robert suggett, george suggett, john talbot, marion taylor, john thomas, joseph thomson, thomas treloar, william trimble, george turner, alfred wainwright, charles wallin, john watson, joseph watson, richard john webb, frederick whitaker, john william williams, henry williams, robert wills, christian weiss, john wilson, william winter, george wisemann, joseph wood, james william wood, edward wrixon, thomas young, henry young, j d crofts

This four-postcard group is the ninth in a series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. C Company of the 57th was composed of men drawn from Echuca, Eaglehawk and Bendigo. The postcards are from his personal album, and many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P 1. From left, lower: Ross, Angus John William 4584 Wilkinson, Albert James 4627 Wheaton, Stanley 4631 Shearer, Robert John Lesley 2896 Macken, Charles Anthony 2007 Howard, Ray Septimus 3556 Rogers, Ernest 1764 Harris, Alfred George 1959 Cockram, Louis 955 Short, Stanley 2684 Rex King (number not traced) 2. Unidentified group of sergeants, 57th Battalion 3. A Company sergeants, 57th Battalion 4. B company sergeants, 57th Battalion 1. Names on verso 2. "Yours sincerely, J.W. Brown Sgt, 57th Battalion, A.I.F pt address Etonia, Coorigil Road Murrumbeena Victoria" 3. "These are the sergeants of A company of our battalion" 4. "This is B company sergeants of our battalion. The three in front came over on the boat with me" postcards, 57th battalion, edgar dawson dcm

Famous Swiss landcape painter Louis Buvelot came to Melbourne in 1864 and set up a portrait photography studio which he operated for one year only in 1865. This photograph is believed to be the oldest photo in the Shillinglaw Family Album collection. It is believed that the subject is a young Phillip Shillinglaw, without beard, at age 22 or 23. Phillip Shillinglaw was born Melbourne, August 7, 1842. He married Sarah Ann Kidd in Heidelberg, Victoria, February 28, 1872. In 1881 Phillip and Sarah and their small family moved to Eltham and made home in what was later to become known as Shillinglaw Cottage but which Phillip named 'Wattle Brae'. Shillinglaw Cottage is significant to Eltham’s local history. It is one of the earliest known buildings still in existence. Records suggest that the cottage was built circa 1859 by a man named Cochrane, believed to be Thomas Cochrane, in conjunction with George Stebbings though it is not known what Stebbings’s contribution was. It is believed Stebbings owned the cottage between 1874 and 1888. According to Margaret Ball’s (2017) book Shillinglaw Family of Eltham 1660-2007, Thomas Cochrane and family lived there from 1867 to 1874 however this is contrary to the records of assessable rates levied by the Eltham District Road Board, established in 1858, which shows Cochrane was the owner occupier (in Little Eltham) of approximately 25 acres of cultivated land and 25 acres of pastureland upon which a hut was sited in 1860. It is suspected that George Stebbings may have acquired the property from Cochrane in 1874 as it is noted that he had a tenant for a period, James Rossiter, who was the editor for the Evelyn Observer in Kangaroo Ground in 1874 (LATE SHIRE OFFICE AT KANGAROO GROUND (1934, February 16). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 5. Retrieved February 25, 2022, from http://nla.gov.au/nla.news-article56743657). In 1881 Phillip Shillinglaw became the ratepayer for the cottage though Stebbings retained ownership until 1888 at which time it was transferred to Shillinglaw. Photographer: Louis Buvelot Swiss landscape painter and portrait photographer, settled in Melbourne in 1864, admired by the artists from the Heidelberg area such as Tom Roberts and Arthur Streeton who bestowed him with the accolade of 'Father of Australian painting’. In the 1870s, his work increasingly drew elements from Australian landscape such as the bush land in works like Lilydale (1878) and Bush Track. "Louis Buvelot :: biography at :: at Design and Art Australia Online." Daao https://www.daao.org.au/bio/louis-buvelot/biography/. Accessed 9 Mar. 2023. On arriving in Melbourne in February 1865 Buvelot bought a photographer's studio at 92 Bourke Street East and took portraits for a year. In 1866 he moved to 88 La Trobe Street East and resumed his painting while Caroline-Julie gave French lessons to help Buvelot to establish himself as an artist in Melbourne. "Biography - Abram-Louis Buvelot." Australian Dictionary of Biography https://adb.anu.edu.au/biography/buvelot-abramlouis-3132. Accessed 2 Dec. 2022. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1865, l. buvelot photographer, louis buvelot, phillip shillinglaw (1842-1914), unknown

Vol. 4, No. 3, May-Jun 1999 CONTENTS HEIDELBERG SCHOOL REVISITED Artist's Trail extended 5 FROM JACKEROO TO ARTIST Geoffrey Dance interviewed 8 VCE TOPCATS 10 'ARTIN ABOUT 13 FERGUSON'S PADDOCK, HOME TO CHALLENGING NEW SCULPTURE 15 LA MAMA & THE COMEDY FESTIVAL 17 THE POETRY OF HISTORY The Hanging of Jean Lee 18 MUSEUM OF MODERN ART exhibitions and future plans 34 SHORT STORY High Voltage 22 DINING OUT WITH SIGMUND JORGENSEN 24 CD REVIEWS 26 BOOK REVIEWS 30 CAFE & RESTAURANT LISTINGS 32,33 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, arthur boyd, know & grow, heidelberg artists' trail, carlucci's, geoffrey dance, vce art, kasimir burgess, clare james, andrew kelly, jason harris, nichaud fitzgibbon, noella clohesy, willy wonka's ice cream gourmet food, natalie troubnicova, ellen mileo, fergusons paddock, cathy smith, la piazza restaurant bar & cafe, la mama theatre, comedy festival, anne delaney, jordie albiston, dymocks booksellers, dynamic vegies, alison lonsdale, montsalvat, sigmund jorgensen, jacques reymond's restaurant, yarra valley country club, leslie avril, caitlin ogden, geoff achison, neil adam, judy turner, wild hill dog, louis mcmanus, adams of north riding, lovegroves of cottles bridge, artspeak studio gallery, peter sculthorpe, elizabeth scarlett, carmel bird, michelle lonsdale, museum of modern art at heide, st andrews hotel, volumes

Prize awarded to Linda Whittle (DoB 26/5/1972; entered Ballarat College Girls' School 1887), for excellence in arithmetic; daughter of James Whittle, Chemist, 131 Sturt St, sister of Letitia(Kate), Louis Clarendon, Henry John, Samuel Unsworth, Arthur Walter; sisters Elsie Eleanor and Lilian May possibly attended Clarendon Ladies College. Letitia and Annie attended Ballarat College Girls School (names are embroidered on tablecloth) ; Linda died of tuberculosis, aged 23 and is buried in Geelong Cemetery. The school holds extensive family history records. Full calf binding with raised bands and Ballarat College crest and borders embossed in gold on cover and spine; marbel endpages; page edges have gold leaf; bookplate fixed inside front coverBookplate: Ballarat College crest / Arithmetic / Sixth Form / First Prize / Awarded to / Linda Whittle / Christmas [date obliterated]

Prize awarded to Linda Whittle (DoB 26/5/1972; entered Ballarat College Girls' School 1887), for excellence in arithmetic; daughter of James Whittle, Chemist, 131 Sturt St, sister of Letitia(Kate), Louis Clarendon, Henry John, Samuel Unsworth, Arthur Walter; sisters Elsie Eleanor and Lilian May possibly attended Clarendon Ladies College. Letitia and Annie attended Ballarat College Girls School (names are embroidered on tablecloth) ; Linda died of tuberculosis, aged 23 and is buried in Geelong Cemetery. The school holds extensive family history records.Full calf binding with raised bands and Ballarat College crest and borders embossed in gold on cover and spine; marbel endpages; page edges have gold leaf; bookplate fixed inside front coverBookplate: Ballarat College crest / Arithmetic / Sixth Form / First Prize / Awarded to / Linda Whittle / Christmas [date obliterated]

Prize awarded to Kate (Letitia) Whittle (DoB 6/12/1863; entered Ballarat College Girls' School 1881), for excellence in french; daughter of James Whittle, Chemist, 131 Sturt St, sister of Annie Louise, Louis Clarendon, Henry John, Samuel Unsworth, Arthur Walter; sisters Elsie Eleanor and Lilian May possibly attended Clarendon Ladies College. Letitia and Annie attended Ballarat College Girls School (names are embroidered on tablecloth) ; The school holds extensive family history records.Full calf binding in light brown with raised bands and Ballarat College crest and borders embossed in gold on cover and spine; marbel endpages; page edges have gold leaf; bookplate fixed inside front coverBookplate: Ballarat College crest / French / First Prize / Upper Third Form / Awarded to / Kate Whittle / Christmas [date obliterated]

Prize awarded to Kate (Letitia) Whittle (DoB 6/12/1863; entered Ballarat College Girls' School 1881), for excellence in English; daughter of James Whittle, Chemist, 131 Sturt St, sister of Annie Louise, Louis Clarendon, Henry John, Samuel Unsworth, Arthur Walter; sisters Elsie Eleanor and Lilian May possibly attended Clarendon Ladies College. Letitia and Annie attended Ballarat College Girls School (names are embroidered on tablecloth) ; The school holds extensive family history records.Full calf binding in mid-brown with raised bands and Ballarat College crest and borders embossed in gold on cover and spine; marbel endpages; page edges have gold leaf; bookplate fixed inside front cover; decorative bookmark includedBookplate: Ballarat College crest / English/ First Prize / Fourth Form / Awarded to / Kate Whittle / Christmas [date obliterated]

Prize awarded to Kate (Letitia) Whittle (DoB 6/12/1863; entered Ballarat College Girls' School 1881), for excellence in french; daughter of James Whittle, Chemist, 131 Sturt St, sister of Annie Louise, Louis Clarendon, Henry John, Samuel Unsworth, Arthur Walter; sisters Elsie Eleanor and Lilian May possibly attended Clarendon Ladies College. Letitia and Annie attended Ballarat College Girls School (names are embroidered on tablecloth) ; The school holds extensive family history records.Full calf binding in mid-brown with raised bands and Ballarat College crest and borders embossed in gold on cover and spine; marbel endpages; page edges have gold leaf; bookplate fixed inside front coverBookplate: Ballarat College crest / Geography / First Prize / Third Form / Awarded to / Kate Whittle / Christmas [date obliterated]

Grey covered journal including a review on the book "The History of the School of Mines and Industries, Ballarat". Contents * The Bicentenary 1988: A Celebration or An Apology (Ken Baker and John B. Reid) * Methodist Missionary in the Pacifice (Keith B. Mather) * Policemen on Bucycles (Robert Haldine) * Thanksgiving at St Paul's (James Grant) * Western and Chinese Medicine (Morag Loh)non-fictionJournal of the Royal Historical Association of Victoria Incorporated. warren perry, ballarat school of mines history, ballarat school of mines, methodist misionaries, police, st paul's, medicine, isaac rooney, western medicine, chinese medicine, louis roller, ah sue, lo kwoi sang, yee quock ping, william ah ket

This meticulously hand crafted ship model is one of the most intricate and challenging projects for a ship modeller to create. Jim Williams took up the challenge, choosing to make all of the components by hand, following a plan of the ship rather than purchasing a pre-made kit. He even made his own tools specifically for working with this model. The “Sovereign of the Seas” 1637-1697 - The magnificent ship “Sovereign of the Seas” was ordered by Charles I of England, who desired a giant Great Ship to be built. It was built by Peter Pett under the guidance of his father Phineas, the King's master shipwright, and launched with 102-guns at Woolwich Dockyard on 13th October 1637, as the Navy’s second three-decker first-rate ship. It was the most extravagantly decorated warship in the Royal Navy, bought with the help of a special 'Ship Money' tax imposed by the King. Soon afterwards the ship was remodelled and cut down to a safer and faster ship. Over the ship’s lifetime it was renamed “Commonwealth”, then in 1650 it became simply “Sovereign” then again after a rebuild in 1660 it was named “Royal Sovereign”. By 1642 the ship’s armament had been reduced to 90 guns. In 1651 Sovereign was made more manoeuvrable by reducing the upper works. It served throughout the wars of the Commonwealth and became the flagship of General Robert Blake. It was involved in all of the great English naval conflicts fought against the United Provinces and France and was referred to as 'The Golden Devil' by the Dutch. By 1660 the armament was changed attain to 100 guns. After the English Restoration, it was rebuilt as a first-rate ship of the line, with flatter gun decks and 100 guns, and most of the carvings were removed. During the First Anglo-Dutch War, in a secret session on 21 October 1652, the States-General of the Netherlands announced reward money for the crews of fire ships that succeeded in destroying enemy vessels; the Sovereign was singled out with an extra prize of 3000 guilders to sink or ruin it. Although repeatedly occupied by the Dutch, the Sovereign was retaken every time by the British and remained in service for nearly sixty years as the best ship in the English fleet. The Sovereign was in regular service during the three Anglo-Dutch Wars, surviving the Raid on the Medway in 1667. After a second rebuild in 1685 the Sovereign was relaunched as a first-rate ship of 100 guns, before taking part in the outset of the War of the Grand Alliance against Louis XIV of France, venturing into the Irish Sea, and later participating in the Battle of Beachy Head in 1690 and the Battle of La Hougue. At this time she was more than fifty years old. It was the first ship in history to fly ‘royals’ above the topgallant sails and a top gallant sail on the jigger-mast. The Sovereign eventually became leaky and defective with age and was laid up at Chatham when, on 27th January 1697, the famous ship caught fire, burning to the waterline. Jim Williams, the model’s maker - Jim (James Bernard) Williams was born in 1888 at The Forth in Scotland. He lived in Tasmania for some time and enlisted to fight in France in WW1. After the war he moved to Warrnambool, Victoria, where he worked at the Cramond & Dickson clothing store until the Great Depression in the 1930’s. He was later employed at Fletcher Jones Menswear, where he worked for 27 years until just before his death in 1959. Jim was a passionate ship model builder. He worked on his model ships between 1930 and 1955, including The Endeavour and The Sovereign of the Seas, which was one of the most intricate historic ship models to build. He had a table set up in a bay window and worked on them on and off using a jeweller's eye glass on the finer pieces. Jim’s long-time employer, Fletcher Jones, knew of Jim’s hobby and skill as a ship model builder and requested Jim to describe the model, Sovereign of the Seas, with the view of putting it on display. When the model was finished there was a full article and photo in The Standard newspaper. Jim described his work on the ship mode “Sovereign of the Seas” in correspondence to his then employer, Fletcher Jones. The document gives us an insight into his skill, patience, and regard for replicating the details of the original ship. Some of the details are: "In making the model the time taken to make certain items might be of interest. For instance "The Great Lantern" on the stern, four weeks, a similar time for the figurehead of St George & the Dragon. "The lower shrouds three to each side about six weeks & the rigging as whole several months. There are nearly 300 blocks and pulleys ranging from nearly 1 / 16 inch in diameter. Dead eyes were bored with 3 to 5 holes. To do this needles of different sizes, set in handles & ground to wedge ends were used. Glass cut and ground to shape were used windows. All gun-port covers (74) hinged. "All guns and anchors made of wood. Nothing for the model was purchased ready-made; everything hand made." Jim’s family donated the ship model along with many associated tools, accessories and papers. The model represents the Sovereign of the Seas. The Royal Navy ship of the line launched in 1637 has a significant British maritime heritage. These days the Sovereign of the Seas still remains one of the most intricate historic ship models to build, representing to the model enthusiast a true challenge to the art of model shipbuilding. The model of Sovereign of the Seas in Flagstaff Hill's collection is an exemplary example of a ship model built and hand crafted from a plan with the making of every item on the model, not a model kit with prefabricated parts. It was made by a local Warrnambool man Jim Williams as a leisure activity in the mid 20th century. The hobby and craft of ship model making has resulted in visual representations of the changes in maritime technology and advances in world-wide navigation. Ship model of HMS Sovereign of the Seas, a 17th century British warship. The handmade model is in wooden framed, airtight glass case. All components were hand crafted. Many of the tools used were made by the model maker, Jim Williams. An inscribed plaque is within the case. Inscribed on plaque "SOVEREIGN OF THE SEAS / 102 GUNS - 1634"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, model ship, vessel sovereign of the seas, jim williams, james bernard williams, the forth tasmania, freda williams, heather williams, phyllis bowditch, fletcher jones staff 1936, 17th century sailing ship, cramond and dickson, sovereign of the seas, royal sovereign, sovereign, charles 1

This journal provides the reader with glimpses of the adventures and hardships of a seaman's life. Many of the stories are of sailing ships.Contributes to our knowledge of the importance of shipping and places on record those stories of the sea which would otherwise be lost.Contents Foreword - Commander R. S. .Veale, C.M.G. V.R.D. - 5 Editorial - - 7 Light Houses - N. S. Smith - 11 On Passing for Second Mate - R. Thiele - 18 Passenger Steamers on the Tasman Sea - I. Mackay - 22 Dune Ship - Dr. Philip Martin - 37 The Rum Runners - S. A. E. Strom - 38 To Australia Amongst Emigrants - S. Duncan - 43 The Persian Gulf or "Hells Kitchen" - K. Bull - 49 Monkey Business - Captn. James Gaby - 51 Anchor Hardy - Capt. R. G. Edwards - 52 Light Houses - C. E. Bonwick - 58 The Forlorn Hope - N. S. Smith - 59 Robert Louis Stevenson in The South Seas - Captn. Fred Klebingat - 68 Eastward-Ho! - Charles E. Howlett, B.A, LL.B. - 73 Commonwealth Government Rewards for School Boys - I. Wilson, M.P., Minister for Home Affairs - 78 Protection of Historic Wrecks off Queensland Coast - I. Wilson, M.P. - 79 The s.s. New Texas --Elder Dempster Line - Captn. L. Gibson - 83 Carmichael's Golden Fleece Line - L. Holmes - 89 Passing the Buck - - 95 Ice Barrier - D. M. Fyfe - 96 A Dream Come True - W. P. Shemmeld - 97 Homeward Bound - R. W. Rudd - 105 More of the Wreck of The City of York - A. T. Wreford and E. M. Christie - 110 A Fortunate Rescue - Captn. J. Gaby - 112 More About Sail - Capt. W. J. Cowling - 113 Book Reviews - 120sailing ships, steamships, shipping, seafaring life, shiplovers' society of victoria, dog watch

This book contains poems written by Richard Lawson and Emile Louis Meyrat when they were fellow teachers at the Warrnambool College/Academy early in the 20th century. Dr Richard Lawson (1875-1971) was born in Warrnambool, the fifth child of Thomas and Susan Lawson (shopkeepers in Timor Street). He attended primary schools in Warrnambool and Cobden and then went to Stanley’s Warrnambool Grammar School where he won a scholarship to attend Melbourne University. In 1899 he returned to Warrnambool and in partnership with William Oakley ran a school, the Warrnambool Academy. They were firstly established in Koroit Street and then at ‘Upton’ in Canterbury Road. They bought out the school formed by the amalgamation of Scott’s School and Stanley’s Grammar (Warrnambool College) and the school was then known as the Warrnambool College/Academy. This school closed in 1911 and Lawson became a teacher at the Warrnambool High School. He later became a lecturer at Melbourne Teachers’ College and gained a Doctorate with a thesis on literary translations. With James Elijah Lawson produced four volumes of ‘The National Grammar’ and two English Literature text books. In 1924 he became Professor of Education at the University of Otago, New Zealand. While in Warrnambool Lawson was an active sportsman, enjoying games of tennis and cricket. Emile Louis Meyrat, a South Australia born about 188, was educated at Way College and was a teacher at Lawson’s school. He and his wife, Annie Hawkins, had a daughter, Pauline Marie Louise, born in Hawthorn in 1909, but the couple divorced in 1914. In 1912 Meyrat was in Switzerland and published a poem called ‘Eurydicean’. Meyrat dedicated his poems in ‘Poems By Two Friends’ to his father’s memory. The date of the book, ‘Poems By Two Friends’ is printed in the Preface of the book – ‘May 20, 1909, Warrnambool College’. This book is of great significance as it is an original copy of the poems produced by two people, Emile Louis Meyrat and Richard Lawson, teachers at the Warrnambool College/Academy in 1909. This school is important in the history of education in Warrnambool and Richard Lawson is a key figure in this history. He also later had a distinguished career in education in both Australia and New Zealand. This book is rare and one of the few early 20th century books surviving that was written by local Warrnambool people and produced in Warrnambool. It is also of literary interest as an example of the type of poems produced by well-educated people early in the 20th century – classical and florid in style. This is a soft cover book of 100 pages. The cover is dark green with the title of the book in green print inside an ornamental pattern of lines. There is a Latin quotation inside the front page and some of the poems have French or Latin sub-titles. The book has an Index listing the 61 poems and a Preface. The book is bound with staples, glue and some stitching using string. Front cover and inside first page: Stamp of Warrnambool & District Historical Societyemile louis meyrat, richard lawson, warnambool college/academy, history of warrnambool

Victoria Police Transport Branch (Motor Police) Drivers and Staff taken in Russell Street yard circa 1931transport branch; wireless patrol; motor police branch; motor traffic section; thomson, leo; watson, reginald; downie, malcolm; smythe, albert; jury, james; hodgson, jack; guy, stanely; sievewright, ronald; mason, oliver; adams, walter; mason, herbert; arnot, william; mills, william; shaw, andrew; haag, gustav (harry); mallon, nicholas; o'brien, henry charles; williams, george; guest, sydney; hague, albert; shebler, louis

Written on backing sheet, "James Handforth, father of Katherine, wife of Louis Herry, formerly of Walhalla and Cheshire, England".

Naturally, we tend to take commonplace objects for granted, because they have always been there. Yet how many of you actually have thought “hey, where do forks come from?” Well, it takes one trip to China and a 3-year-old laughing at your face because of your desperate attempt to eat with chopsticks to finally appreciate something so ordinary such as a fork. So, where do forks come from? The early history of the fork is obscure. As a kitchen and dining utensil, it is believed to have originated in the Roman Empire, as proved by archaeological evidence. The personal table fork most likely originated in the Eastern Roman (or Byzantine) Empire. Its use spread to what is now the Middle East during the first millennium AD and then spread into Southern Europe during the second millennium. It did not become common in northern Europe until the 18th century and was not common in North America until the 19th century. Carving fork from 1640. Source: Wikipedia/Public Domain Carving Fork from 1640. Source: Wikipedia/Public Domain Some of the earliest known uses of forks with food occurred in Ancient Egypt, where large forks were used as cooking utensils. Bone forks had been found on the burial site of the Bronze Age Qijia culture (2400–1900 BC) as well as later Chinese dynasties’ tombs.The Ancient Greeks used the fork as a serving utensil. Read also: Steven Spielberg to Remake the Classic Musical ‘West Side Story’ In the Roman Empire, bronze and silver forks were used. The use varied according to local customs, social class and the nature of food, but forks of the earlier periods were mostly used as cooking and serving utensils. The personal table fork was most likely invented in the Eastern Roman (Byzantine) Empire, where they were in everyday use by the 4th century (its origin may even go back to Ancient Greece, before the Roman period). Records show that by the 9th century a similar utensil known as a barjyn was in limited use in Persia within some elite circles. By the 10th century, the table fork was in common use throughout the Middle East. Bronze forks made in Persia during the 8th or 9th century.Source: Wikipedia/Public Domain Bronze forks made in Persia during the 8th or 9th century.Source: Wikipedia/Public Domain The first recorded introduction of the fork to Western Europe, as recorded by the theologian and Cardinal Peter Damian, was by Theophano Sklereina the Byzantine wife of Holy Roman Emperor Otto II, who nonchalantly wielded one at an Imperial banquet in 972, astonishing her Western hosts.By the 11th century, the table fork had become increasingly prevalent in the Italian peninsula. It gained a following in Italy before any other Western European region because of historical ties with Byzantium and continued to get popularity due to the increasing presence of pasta in the Italian diet. At first, pasta was consumed using a long wooden spike, but this eventually evolved into three spikes, design better suited to gathering the noodles. In Italy, it became commonplace by the 14th century and was almost universally used by the merchant and upper classes by 1600. It was proper for a guest to arrive with his fork and spoon enclosed in a box called a cadena; this usage was introduced to the French court with Catherine de’ Medici’s entourage. In Portugal, forks were first used at the time of Infanta Beatrice, Duchess of Viseu, King Manuel I of Portugal’s mother around 1450. However, forks were not commonly used in Western Europe until the 16th century when they became part of Italian etiquette. The utensil had also gained some currency in Spain by this time, and its use gradually spread to France. Nevertheless, most of Europe did not adopt the use of the fork until the 18th century. Read also: The 8 Most Famous ‘Functioning Alcoholics’ in History Long after the personal table fork had become commonplace in France, at the supper celebrating the marriage of the Duc de Chartres to Louis XIV’s natural daughter in 1692, the seating was described in the court memoirs of Saint-Simon: “King James having his Queen on his right hand and the King on his left, and each with their cadenas.” In Perrault’s contemporaneous fairy tale of La Belle au bois dormant (1697), each of the fairies invited for the christening is presented with a splendid “fork holder”. The fork’s adoption in northern Europe was slower. Its use was first described in English by Thomas Coryat in a volume of writings on his Italian travels (1611), but for many years it was viewed as an unmanly Italian affectation. Some writers of the Roman Catholic Church expressly disapproved of its use, St. Peter Damian seeing it as “excessive delicacy.” It was not until the 18th century that the fork became commonly used in Great Britain, although some sources say that forks were common in France, England, and Sweden already by the early 17th century. Spaghetti fork By Lady alys - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=6414948 Spaghetti Fork By Lady alys – Own work, CC BY-SA 3.0, The fork did not become popular in North America until near the time of the American Revolution. The curved fork used in most parts of the world today was developed in Germany in the mid 18th century while the standard four-tine design became current in the early 19th century. The fork was important in Germany because they believed that eating with the fingers was rude and disrespectful. The fork led to family dinners and sit-down meals, which are important features of German culture. https://www.thevintagenews.com/2016/08/31/priority-fork-came-italy-european-country-pasta/?chrome=1Serving fork, two prongs, with a shaped wooden handle. Badly rusted.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, food, meat, carving