Vol. 8, No. 3, Jul-Aug 2003 CONTENTS Short Story by Christine Fontana 3 Corrina Taustche on Terri Bird 7 Barry Dickins on John Jenkins 10 Fiona Sievers on Jordie Albiston 11 Julian Chapple's tales from India 12 Justin Fitzpatrick on the Warrandyte Theatre 13 Sandy Jeffs' Poetry 16 Book Review - Barenboim and Said 19 CD Review by Betty Scarlett 20 Jenni Mitchell - 'To The Ice' 21 Scott Henley on Marion Borgelt Exhibition 22 'Wandering Whittlesea' 24 'Origin: Dunmoochin' at Montsalvat 25 Artin' About 26 Wining & Dining 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, art masters, thompsons amcal pharmacy, clemm christesen, christine fontana, corrina tauschke, terri bird, willy wonka's ice cream gourmet food, nillumbik art in public places award, eltham wiregrass gallery, wild dog hill recording and project studio, sushi wushi eltham, fiona sievers, julian chapple, warrandyte mechanics institute, montsalvat, eltham fullife pharmacy, warrandyte cafe, northcote pottery, smiths gully general store, jenni mitchell, scott henley, marion borgelt, zelij moroccan interiors, st andrews hotel, city of whittlesea heritage program, hawkestowe park, bundoora homestead, dunmoochin, il primo restaurant carlton, hurstbridge nursery, bulleen art & garden centre, eltham gourmet poultry & game, bahnhof cafe, manningham arts centre, manningham gallery, arts on burgundy, bendigo bank, hurstbridge & districts community bank branch, alan marshall short story award

A class photograph of Watsonia High School 1965 Form 3A. Students are named by donor: Row 1: Lyn Eyval, Gisella Begutter, Glynne Pietzsch, Stephen Meadows, Larry Gard, Lyn Guy, Colette Hion, Leonore Barter; Row 2: Marg Litster, Andrea Winton, Shirley Faulkner, Julia Buday, Barb Porteous, Sue Cope, Kathy Ball, Wendy Auty, Kerry Fitzmaurice; Row 3: Charlie Lopatko, Neville Harris, John Briggs, Robert Stevens, Stephen Riley, Shane Crowley, Colin Wallace, Graeme Wilson; 4th row: Wendy Simpson, Marion Wasley, Loraine Clay, Sue Day, Mr Macraw, Pam Cox, Elisabeth Craig, Glenys Norman, Christine MacDougal.This photograph is complete with names and class list.Black and white school photo with names of students and class timetable on separate pages. watsonia high school, glynne pietzsch, glynne cousins pietzsch

A class photograph of Watsonia High School 1966 Form 4A. Student names provided by donor: Row 1 (top): Lyn Eyval, Ken Smith, Charles Lopatko, Brian Nestor, Paul O'Brian, Colin Wallace, Tony Costelloe, Larry Gard, Stephen Meadows, Gisela Begutter; Row 2: Colette Hion, Marg Litster, Wendy Auty, Sue Cope, Shirley Faulkner, Wendy Simpson, Barbara Porteous, Julia Buday, Lyn Guy, Lenore Barter, Glynne Pietzsch; Row 3: Rod O'Donnell, John Briggs, Gary Perrow, Shane Crowley, David White, Robert Stevens, Stephen Riley, Tony Chambers, Geoff Chambers, Graeme Wilson; Front Row: Andrea Winton. Christine MacDougall, Marion Wasley, Pam cox, Sue Day, Mrs Burch, Liz Craig, Lorraine Clay, Glenys Norman, Kathy Bell, Kerry Fitzmaurice.Black and white school photo and names of students on grey card.watsonia high school, glynne pietzsch, glynne cousins pietzsch

Back Row L-R: Marion Yeoman, Lois Loftus-Hills, Doug Orford, Jo McCormick, Peter Bassett-Smith, Helen Harbeck, John Graves Front Row L-R: Blanche Shallard, Leslie Martin, Opal Smith, Mary Ryan, Joy Ness, Gwen BakerOpening ceremony of the new home of Eltham District Historical Society Colour photographeltham, main road, police residence, local history centre, eltham district historical society, opening day, peter bassett-smith, marion yeoman, lois loftus hills, doug orford, jo mccormick, helen harbeck, john graves, blanche shallard, leslie martin, opal smith, mary ryan, joy ness, gwen baker

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick, kinloch, jelbart

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick, boomerang house, laughing waters road

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick, boomerang house, laughing waters road

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick, boomerang house, laughing waters road

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick, diamond street, rocknall

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick, arthur street, jelbart property

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick, arthur street, jelbart property

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick, arthur street, jelbart property

[article in EDHS Newsletter No. 123, November 1998:] MUD BRICK HERITAGE EXCURSION AND THE FUTURE. A small group of members attended the excursion on 4th October. We visited a number of earth houses listed by the Eltham Heritage Study in a very pleasant day's outing. The first visit was to the home of Jenny and Brian Ellis in York Street, formerly the home of Jenny's father Professor William McMahon Ball. We were made very welcome with inspection of the inside and outside showing the various stages of construction. We then walked through the grounds of "Kinloch", the Jelbart property in Arthur Street where we saw their large mud brick house and barn. Lunch was at Marion and Russell Yeoman's house in Peter Street. This pise house was built by the Moore family in the early 1950's. In the afternoon we visited the home of artist Jenni Mitchell in Fordhams Road, one of the last examples of the work of Alistair Knox. Then we travelled to Laughing Waters Road where we saw two interesting houses owned and built by well known landscape gardener Gordon Ford. Along the way we stopped to view a number of other properties from the street.Colour photographactivities, eltham, heritage excursion, mud brick, main road

Royal Princess Theatre - A Sequel to Marjorie in Wonderland. Saturday, 1st September 1917. Australian Children's Pantomime. Price of Programme, One Penny. Matinee Performance. In aid of 'Fruit & Vegetables Fund For Our Soldiers In The Trenches.' Produced by Miss Girlie Mackay and Miss Norma Moorhead. Musical Director: Mr. Stanley Upton. Stage Manager: Mr. J Dunphy. Lighting Effects: Mr. W Wenborn. Hon. Sec.: Mr. Norman Howell. Inside cover Synopsis of Pantomime. The First act is Marjorie's Dream of Fairyland. The curtain rises showing Marjorie asleep in cot from which Brownies entice her away. The curtain is. . . . Sale of Sweets supervised by Miss Nita E Weller and Assistants Rose by Mrs. A T Mackay. Dresses designed and made by Mrs. McQuie, Misses Lena Weller, Norma Moorhead, Girlie Mackay, assisted by Mrs. Ralph Ross, Mrs. Robert Mackay, and the Misses May Germann, Carola Iser and Hilda Meurer. Programme. Songs sung throughout Performance. Overture-'Marjorie in Wonderland; Specially arranged by Mr. Upton. Overture Synopsis-This is descriptive of Marjorie's Dream of Fairyland; at first mystic and subdued, tending to convey the impression of the mysterious movements of the Spirits of the Night intermingled with the occasional calls of birds, a vision of Elfland; from that the music develops in an expression of the coming of morn, and the stirring of forest nature into the active life of day, with the distant sounds of the anvil and of bells; and as the day wears on, the chiming of the hours again denote the approach of eventide, the melody throughout being that of the song 'Marjorie Sunbeam.' Instrumental Soloists are Messrs. J Collins & H M Hall. Act 1. 'Moonstruck' Myrtle Glanville. 2 Moonboat, by the Fairies. 3 'Fairy Revel' by the Bunnies. 4 'Bunnies Adventure' by the Bunnies.5 'Catching Birds' by the Goblins. 7 'Fairyland' Ruthie Murphy. Act 2. 1 'Fairy Song'. 2 'Kookaburra Mel Wearne. 3 'Marjorie Sunbeam' the Brownies. 4 'Kangaroo' the brownies. 5 'Autumn Winds' 6 'As I went o'er the Paddocks' Jean Walker. 7 'Sea Serpent' Jim Walker & Jim Long. 8 Swing Song, The Playmates. 9 'Belle Bird' Jean & Jim Walker. 10 'Baby Bear' Stella Coghlan. 11 'Coo-ee' Myrtle Glanville & Marie Hamilton. 12 Butterfly Dance Sheila Shannon.13 'The Mushroom Affair' Ruthie Murphy & Jim Nabbs. 14 'Corroboree' by the Aboriginals. 15 'The Boomerang' Ken McQuie. 16 Chorus-Wattle. 17 'In Two's & Three's' Brownies & Goblins. 18 'Bull Frog & Coon Stella Cook & Sid Whitelaw. 19 In a Fairy Boat' Rose Murphy. 20 Chorus-'Good Night'. _God Bless Our Splendid Men_ Cast of Characters: Jean Walker, Myrtle Glanville, Marie Hamilton, Thelma Thomas, Stella Coghlan, Jim Long, Jim Walker, Enid Webster, Lily Brown, Una Grelis, Biddie Bulley, Ellie Colcough, Dorothy Fullerton, Maud Clark, Una Leggo, Sheila Shannon, Ken Skewes, Jack Long, Bruce Barnier, Roger Horbury, Douglas Pain, Tom Henderson, Ruthie Murphy, Jim Nabbs, Tom Green, Douglas McQuie, Mel Wearne, Laurence Skewes, Sid Whitelaw, Ken Moore, Alma Jorgenson, Geoff Schultz, Doris Reed, Nancy Cahill, Hugh Long, Edna Spencer, Don Walker, Jack Schultz, Ken McQuie, Jack Weddell, Berni and Allan Monaghan, Reg Trevean, Stella Cook, Joyce Ross, Margaret Long, Olive Thomas, Margaret Macqie, Rose Murphy, Molly Robertson, Lorna Weddell, Minnie Harley, Jean Moran, Merle Nagel, Decima Hotorf, Myra Greasley, Vera Arundel, Joyce Long, Elma Jordan, Gwen Morley, Emmie Arthur, Lorna Parker, Ziska Ross, Ena Wright, Mary Rymer, Cecil Gleeson, Thelma Cairns, Dorothy Batchelder, Maudie Ferguson, Marion Henderson, Lorna Cattran, Alice Murphy, Essie Whitelaw, Eileen Coghlin, Thelma Ross, Jean Miller, Mavis Tozer, Monnie Fattorini, Vivian Reed, Lily O'Connor, Alice Evans, Jean Barlow (Names of parts were included). Columbine Ballet: Alma Day, Kathleen Smithwick, Margery Greaves, Wilma Martin, Roma Cook, Dot Cravino, Alma Reardon, Jean Cairns.Cambridge Press, Print.program, theatre, royal princess theatre

This is a photograph of students at Orbost State School in 1915. Included in the photograph, as identified by Mary Gilbert' are Brian Harrison; ?; ? Whillance; Rupert Perry; ; Dolly Nixxon; Dot Stagg; Ella Cowell; Annie Macalaster; ? ?; ? Winchester; Rupert Bird; Mac Kerr; :; Clarrie Reynolds; D. Daly; Marion Watt; Audrey Cameron; Teen Dixon; Ethel Morris; ?; Toby Nixon; Charlie Winchester Miss Marie Haynes; Doris Smith; Alison Cameron; Ruby Morgan; Thida(?) Guy; Elsa Wehner; Gladys Boucher; Gloria Swanson; ? Lay; ? Rodwell Wally Simpson; ? Morgan; Reece Harrison; P. Summers; ?; Les Morgan; W. Lawless; ? Craker; A. Nish; P. Hocking Zenie Irvine; Essie Nixxon; Violet Gibbs; Adelaide Hardy; Verna Perry; Mary Gilbert; Margaret Irvine; Marge Henderson; Nellie Draffin; Roy Cameron The 19th of March 1886 proved an important day in the lives of many early settlers in the Orbost area, because on this day the Orbost State School opened. The fact that the school had first operated tem­porarily in a leased building, and on a half-time basis with SS2745 Jarrahmond, did not dampen the enthusiasm of the local inhabitants as they saw their offspring commence their education under the guidance of HT Campbell Mackay. However he remained in charge only until 12th of May 1886. The second HT, John Rowe, served until 1908. On 30th of June 1887, a portable room was provided; it being brought to the area by schooner. The school now had accommodation for 30 pupils; the teacher's welfare was considered because quarters of two rooms were attached. As the population increased so did the needs of the school. This was reflected in the provision of a larger classroom in 1898.This photograph is associated with the history of education in Orbost.A black / white photograph of a group of children and one female teacher in front of an open doorway of a wooden school building. agirl seated in the front row is holding a board with "Grades V V1 Orbost" hand-written in what appears to be white chalk on a blackboard. .A list of those in photograph is attached.on back - "Grades V V1 Teacher Miss Merle Haynes who is now married, graduated at Monash, Maisie Ross holding board. Mary Gilbert on her right in picture"education-orbost-state-school

This is a photograph of students of Orbost State School. Those in the photograph have been identified by Mary Gilbert. Back Row - Billy Nixon; ?; ?; ?; Albert Williams; Stan Porter; Stan Farmer; Bert Johnston; Betty Gilbert; Bernice Feltis; Olive Gall; Lorna Farquahar: Bessie Gibbs; Cora Morgan; Dorothy Broome ?: Jack Gargan; Bill Dreverman; Tom Stevenson; George French; ?; Jim Nixon; Dorothy Tipping; Lorna Sadler; Ivy Swan; ?; ?; Edie Gall; ? ?; ?; Ray Tyrell; ?; ?; Tom Rodwell; /; Una Perry; Perth Hardy; ?; Molly Pardew; Alice Hammill; Effie Hammill; Muriel Grose; Francie Robinson; Marion Gilbert Jim Tipping; Dave Murray; Arthur Simpson; ? Grose The 19th of March 1886 proved an important day in the lives of many early settlers in the Orbost area, because on this day the Orbost State School opened. The fact that the school had first operated tem­porarily in a leased building, and on a half-time basis with SS2745 Jarrahmond, did not dampen the enthusiasm of the local inhabitants as they saw their offspring commence their education under the guidance of HT Campbell Mackay. However he remained in charge only until 12th of May 1886. The second HT, John Rowe, served until 1908. On 30th of June 1887, a portable room was provided; it being brought to the area by schooner. The school now had accommodation for 30 pupils; the teacher's welfare was considered because quarters of two rooms were attached. As the population increased so did the needs of the school. This was reflected in the provision of a larger classroom in 1898. During 1910-11 the first approaches were made to the Department for the establishment of a HES in Orbost and this became a reality in 1912. Orbost HES supplied post-primary education in the district until a high school was built in 1948.This photograph is associated with the history of education in Orbost.A black / white photograph mounted on brown card. It shows a group of school children in front of an outside wallm of of a timber building. A boy in front is holding a board with "Grades 1V & V" written on it.A hand-written list of names is attached to the photograph. There is an arrow with "MARION" next to it. At top - BETT

This is a group of students of Orbost State School. A list of those in the photograph has been hand-written by Mary Gilbert. Back Row- ?; Alan Nixon; Amy Yandle; Rose Whillance; Una Perry; Nellie Cross; Hilda Coverdale; Ada Morgan; Lesley Gluth; Molly Macalaster; Mel Gluth; Allie Macalaster Marion Gilbert; Ettie Hammill; Gwen Simpson; Marge Daley; Edie Boucher; ?; ? Burns; Gladys Gall; Billy Momford; mary Kavagnah; Hugh Hawkless; Norman Burns Royce Andrews; Syd Hardy; ? Lowater; Jim Tipping; ?; ? Joiner; ?; Sinclair Mosley; ? Pleydell; Ian McDonald The 19th of March 1886 proved an important day in the lives of many early settlers in the Orbost area, because on this day the Orbost State School opened. The fact that the school had first operated tem­porarily in a leased building, and on a half-time basis with SS2745 Jarrahmond, did not dampen the enthusiasm of the local inhabitants as they saw their offspring commence their education under the guidance of HT Campbell Mackay. However he remained in charge only until 12th of May 1886. The second HT, John Rowe, served until 1908. On 30th of June 1887, a portable room was provided; it being brought to the area by schooner. The school now had accommodation for 30 pupils; the teacher's welfare was considered because quarters of two rooms were attached. As the population increased so did the needs of the school. This was reflected in the provision of a larger classroom in 1898. During 1910-11 the first approaches were made to the Department for the establishment of a HES in Orbost and this became a reality in 1912. Orbost HES supplied post-primary education in the district until a high school was built in 1948. This photograph is associated with the history of education in Orbost.A black / white photograph mounted on grey card. It shows a group of school children posed in rows in front of an outside wall of a wooden building. A boy in the front row is holding a sign with "GRADE " written on it. The sign appears to be in white chalk on a blackboard.There is a handwritten list of names attached to the bottom of the photograph.education-orbost-state-school

3160.1 - front row right - Bet Gilbert P. Richardson. 3160.4 - back - Alice Hammill; Marion Nixon; Bel Kerr; ?; Annie Malcolm; E Gall front - Marion Gilbert; Pen Gilbert; Elsie Pardew; Jean Frewin 1923 These photographs are of students of Orbost Elementary High School. . During 1910-11 the first approaches were made to the Department for the establishment of a HES in Orbost and this became a reality in 1912. Orbost HES supplied post-primary education in the district until a high school was built in 1948. Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. These photographs are representative of its history.They are also associated with sport in Orbost in the first half of the 20th century.Four black / white photographs. 3160.1 is of three rows of young girls in uniforms - possibly sports uniforms. In the back row standing second left is an older woman - a teacher. 3160.2 is of two rows of girls in uniforms. Each girl in the front row is holding a hockey stick. A small square has been cut out - the head of the girl in the middle of front row. 3160.3 and 3160.4 show two rows of girls - the front row sitting and the back standing. There is a trophy on the ground middle front. all photographs have been taken outside.3160.3 - on back - Pen 6 Mary 4 Marion Gilberts 4 14 @ 5/- day sport-orbost recreation-hockey orbost-elementary-high

A black and white postcard from Kerami Guest House in Marysville. The original Kerami Guesthouse was built in 1907.A black and white postcard from Kerami Guest House in Marysville. The original Kerami Guesthouse was built in 1907.To Dear Edna/ Wishing you/ "many happy returns of the/ day" from your loving/ Dada X.marysville, victoria, australia, kerami guesthouse, sister elizabeth glover, wood's point road, kerami house, pack road, murchison street, marysville & district tourist & progress association, sister helena brayshay, marion bethia curdie, sister margaret vincent thomas, sister elsie rose beatrice bolam mbe, lesley archibald elinor macgowan, postcard, souvenir

Published: The Age, Sat 14 October 1933 Published title: A Royal Portrait Published caption: "Seen at his studio, Alphington, Mr. W. B. Mclnnes's portrait of the Duke of York, which he painted recently on commission from the trustees of the Castlemaine Gallery, at St. John’s Wood, London, impresses as a vital record of one whose natural habitat is a palace, and whose place in life is one of near relationship to the throne of England. The Duke is painted in the uniform of the admiral of the fleet, a highly ornate vesture entailing much elaboration of gold and numerous medals, in dealing with which the artist has not failed to centre his attention on the head, and has succeeded in producing what is undoubtedly a soundly painted portrait and a good likeness. During the five fittings Mr. Mclnnes, apart from the ordinary social amenities, found his Royal sitter little inclined to talk, though he spoke feelingly of his trip to Australia and the pleasure it had given him: but with the Duchess the tendency to be sociable was much more clearly pronounced. She took, and expressed, a keen interest in the social and political matters of the day with a special concern for the supremacy of England and Australia in all questions relating to sport, such as cricket, tennis and golf. She spoke well of her portrait painted by Quinn, and regretted that she would not see the two hung side by side at the Castlemaine Gallery." Description: An unframed painting of a standing, middle-aged man dressed in the uniform of a Royal Navy admiral of the Fleet with medals, sash, ornate belt, cuffs and epaulettes. His left hand rests on the handle of a sword in its scabbard and his bicorn hat and white gloves are on a table beside him. To his right is a globe of the world showing Australia. Research by project volunteer, Fiona Collyer: In 1933, Castlemaine Art Gallery trustees commissioned artist W.B. McInnes (1889-1939) to paint a portrait of Prince Albert, Duke of York as a companion piece to the portrait of his wife, the Duchess of York, that the gallery had commissioned Australian official war artist James Quinn (1869-1951) to paint in 1930. During the First World War, the Duchess’s childhood home, Glamis Castle in Scotland was used as a makeshift military hospital and convalescence home for wounded soldiers. Many servicemen from the Castlemaine area recuperated there and had fond memories of the kindness of the teenage Lady Elizabeth Bowes-Lyon (1900-2002, later Duchess of York) who spent the war years running errands and aiding in the welfare and morale of the patients. In 1927, the Duke and Duchess of York (later King George VI and Queen Elizabeth) came to Australia to formally open the newly built Parliament House in Canberra and to tour the country. While visiting Victoria in April, they embarked on a whistle-stop train journey to Bendigo, stopping at Kyneton for ten minutes and Castlemaine for 15 minutes. At Kyneton, an excited crowd of 10,000 people welcomed the couple with “three cheers and three cheers for Baby Betty” before the Duchess was presented with a bouquet of locally grown roses and the Duke a bound album of photographs of noted beauty spots of the district. Next the Royal Couple stopped at Castlemaine to the cheers of 15,000 people. There the couple were presented with a basket of prime quality Harcourt apples and a pair of cot blankets, manufactured at Castlemaine Woollen Mills, a birthday gift for baby Princess Betty. The Duchess recognised Colonel W.E. James, of the Seventh Battalion, who had convalesced at Glamis Castle in 1917, and they chatted before the train departed, while the Duke shook hands with returned soldiers. Last stop was the town of Bendigo which was colourfully decorated with bunting and flags, arches and flowers. 3000 pigeons were released on their arrival and the liberated birds circled overhead for several minutes as if to welcome the Royal Couple. A crowd of 50,000 cheering people lined the streets in bright sunshine as the couple drove by. From an arch over Hargreaves Street, pretty girls showered the pair with rose petals. The Duke was presented with a gold nugget and an album, handsomely bound in morocco, of a history of the Bendigo mining industry, while the Duchess received a bouquet of prize winning white chrysanthemums. After 75 minutes in Bendigo they journeyed back to Melbourne for a State reception. While the couple were in Melbourne, the Duke often played lawn tennis at the Government House courts with three times Grand Slam champion Norman Brookes, who declared that while he considered the Duke a second class player whose serve lacked sting, he had a fine backhand and with time and practice he could become a first class player. The federal Parliament had previously been situated in Melbourne, but Canberra was chosen as the location for Australia’s capital as a compromise between fierce rival states, Victoria and NSW. It is written in the Constitution that the federal capital would be in “the State of NSW... distant not less than one hundred miles from Sydney.” The word Canberra is thought to derive from the local Ngunnawal word “Kanbarra” meaning “meeting place”. The Provisional Parliament House was a large, white, three storey building facetiously dubbed “The Wedding Cake”, plonked down in a bare, former sheep paddock. It was decorated for the event with Union Jacks and Australian red ensign flags. On 9 May, the day of the opening, the expectant crowd assembled in front of the building. Only two of the spectators were Aboriginal. One was Jimmy Clements (1847-1927, aka Nangar or Yangar, but popularly known as “King Billy”), accompanied by his three dogs. (The title “King” or “Queen” was often given by white settlers to Aborigines who were seen as allies and could maintain good relations between First Nations groups and the colonists. Some were given inscribed brass breastplates or gorgets to wear.) Jimmy was an excellent horse breaker and expert tracker for the police. He was also the nephew of “Queen” Nellie Hamilton (1842-1897) of the Canberra-Queanbeyan region, home of the Ngambri and Ngunnawal people. Nellie was the oldest surviving full-blooded Aboriginal woman in the district. The other was George John Noble (1840s-1928, aka Ooloogan, also “Marvellous” due to his regular use of the word). Both were initiated Wiradjuri walamira elders: “clever men” believed to have the ability to heal physical and spiritual ailments. They were also travelling showmen, skilled at boomerang and spear throwing and often performed at country agricultural shows and football matches. They had walked barefoot for three days from the Brungle Mission, near Gundagai. 11 May 1927, The Argus reported that “King Billy... claims sovereign rights to the Federal Territory” which the National Archives of Australia describes as “possibly the first recorded instance of Aboriginal protest at Parliament House in Canberra.” 10 May 1927, The Argus reported on Jimmy Clements: “During the wait great interest was taken in the appearance near the east stand of an aborigine, a member of the Gundagai tribe, and a well known character in the district. He was very old and grey and ruggedly picturesque. He was determined to go his own way in spite of the arguments of two inspectors and one sergeant of police. Immediately and instinctively the crowd in the stands rallied to his side. There were choruses of advice and encouragement for him to do as he pleased. A well-known clergyman stood up and called out that the aborigine had a better right than any man present to a place on the steps of the House of Parliament and in the Senate during the ceremony. The old man’s persistence and the sympathy of the crowd won him an excellent position and also a shower of small change that must have amounted to 30/ or 40/ [shillings].” At 10.30 am, Australia’s eighth Prime Minister, Mr Stanley Bruce (1923-1929) welcomed the Royal couple onto the crimson carpeted portico. Unfortunately, Dame Nellie Melba’s rendition of “God Save the King” and the greater part of the Duke’s reply was drowned out by the roar of squadrons of aeroplanes circling overhead. A brief religious service followed, conducted by leaders of the Methodist, Presbyterian and Anglican churches. Interestingly, there was no Roman Catholic representation at the ceremony even though around one quarter of Australians were Catholic at the time. The Duke unlocked the front doors with a golden key, then unveiled a statue of his father King George V by sculptor Sir Bertram Mackennal in the King’s Hall. Then the official party, Senators, members of the House of Representatives and invited guests entered the Senate chamber where the Duke read a message from the King, establishing Canberra as the seat of the Federal Government, watched on by Australia’s elite. The conclusion of the ceremony was announced by a gay fanfare of trumpets from the entrance of Parliament House and a 21 gun salute and answered by cheers from the crowd. The dignitaries then feasted on a luncheon of turtle soup, poached schnapper, fillets of beef, roast chicken and ham, straw potatoes, green peas, Canberra Pudding (a pudding made with dripping, dried fruit and jam), fruit, ices, coffee and cheese. They toasted the King with non-alcoholic fruit punch as the Federal Capital Territory (later ACT) was a “dry” area and no speeches were made. The diary entry that day of Ethel Baird, Lady Stonehaven, the wife of the Governor-General, is brief and to the point: “To P.H. & waited for Yorks. Ceremony went off without a hitch. Ghastly Banquet Lunch.” Later that day, the Duke mounted a coal black mare, police horse Number 303 which had been hastily re-named “Black Bess” for the occasion, to receive the final salute from the assembled troops and returned soldiers dressed in mufti. The RAAF squadron were flying overhead in “V” formations when suddenly, one of the planes, piloted by Flying Officer Francis Charles Ewen, left the formation, nose-diving 900 metres from Parliament House and landing behind the Y.W.C.A. refreshment marquee. Francis, aged only 28, tragically died of his wounds later that day. The Federal Capital Commission contracted Sargent’s Pies of Sydney to supply 5000 meals for the event. They supplied pies, sausage rolls, scones and sandwiches with the agreed price of 3 shillings a head. Only 1200 meals were served and the uneaten remainder dumped, with the Commission bearing the cost of the unsold food. An estimated crowd of 20,000 attended the opening, far fewer than the expected 100,000. Many visitors travelled long distances, bringing their own hampers of food and camping in tents as there was very limited accommodation available. Thousands of people around Australia listened to the ceremony broadcast on the wireless, with receiving sets installed in schools, public halls and workplaces and it was also filmed for posterity. The next morning, the Royal couple, along with Prime Minister Bruce and Mrs Bruce held an informal public reception on the steps of Parliament House where early settlers, residents and visitors to Canberra filed past them. The Press widely reported Jimmy Clements’ encounter with the Duke and Duchess. The Sun-Pictorial reported 11 May 1927: "MET THE DUKE. ABORIGINE KING HE APPROVED Sugarbag: Sports Suit. John Clements, otherwise King Billy, a full blooded aborigine king, aged 86, was among the 2000 who filed past the Duke and the Duchess at the public reception at Canberra to day. “How you likem Duke and Duchess Billy?” he was asked afterwards. “I think they are both very nice.” he replied in good English. King Billy was a very bedraggled figure, with tangled locks and a beard which almost hid his wrinkled and black face. He wore an old sports suit and carried a sugarbag. Passing the Duke and Duchess he turned full towards them. The crowd cheered, and the Duke and Duchess smiled. The Duke was particularly amused.” The Canberra Times reported 13 May 1927: "A REAL AUSTRALIAN. A quaint but pathetic figure stood in broad relief in the queue of ranks at the reception. Where his dusky forbears have gathered in native ceremonial for centuries past, a lone representative of a fast vanishing race saluted visiting Royalty. Despite the grotesque garb and untamed mane the aborigine comported himself not without dignity. With his three faithful dogs, he made an immediate target for a battery of cameras.” "The Argus reported 11 May 1927: "...an ancient aborigine who calls himself King Billy and who claims sovereign rights to the federal Territory walked slowly forward alone and saluted the Duke and Duchess. They cheerily acknowledged his greeting. The old aborigine, with his long, matted beard and nondescript clothing, is a popular identity of Canberra, and must be one of the most extraordinary figures who has received a Royal salute.” The Sun (Sydney) reported 10 May 1927: “Suddenly, in the midst of the forest of green and white colored hats of women, appeared a head with a shaggy leonine mane and a patriarchal beard. Jacky, the aboriginal, an identity of the district, who is also known as the King of Canberra, had arrived to testify to his loyalty. He saluted the Duke with an excellent dash, and shambled past with his faithful sheep dog aide-de-camp at his heels. The Duke and Duchess were highly amused at this quaint figure moving along with a sort of bodyguard of shrieking young boys and girls.” The Sydney Morning Herald 11 May 1927 mistook Jimmy for his friend “Marvellous”: “...the appearance of an aged aboriginal widely known in the district as “Marvellous, the uncrowned king of Queanbeyan." His beaming black countenance was almost hidden beneath a shock of hair and beard. Bare-footed and carrying a sugar bag in one hand and a tiny Australian flag in the other, he at first mistook a policeman at the foot of the steps for the Duke. To his great embarrassment and to the vast amusement of the onlookers, the policeman became the object of a hearty salutation. However, "Marvellous" was quickly shepherded back to a position in the procession and as he passed along brought his hand up to an approved military salute for the benefit of their Royal Highnesses. The Duke returned it with a special wave.” The Labor Daily 11 May 1927 irreverently reported on the scene: "People March Past. Some 400 people, old identities of Canberra marched past. They were mostly aged ladies with memories faithfully preserving the traditions of other days and curtsied reverently. The younger generations, who speedily joined the procession, behaved differently however. Surely it was the most motley collection that ever passed before Royalty. Men without collars jostled others well dressed. Fat women, young women, children of all heights and ages were there. The oldest inhabitants, in the persons of the abo, "Marbly", and his companion were present. The poor old fellows evidently were keen to get closer to the Duke than the procession dared go, but they were overawed by the stern glances of military men.” The Canberra Times reported 13 May 1927: "...and towards the end of the procession, a full-blooded aboriginal, bareheaded and barefooted, and carrying an old swag on his back, made a picturesque figure as he several times saluted the Royal couple, his old eyes beaming inexpressible delight.” The Register reported 11 May 1927: "PUBLIC MARCH PAST. Old “Jacky”, an aboriginal identity of the district, who has been following the proceedings of the various ceremonies with apparently great interest, appeared in the march past. He halted in front of the steps and raised his hand to his shaggy grey locks in an attempt at a salute. Smiling, the Duke returned the salute, and the Duchess bestowed a charming smile on the figure of mingled pathos and comedy.” Tweed Daily reported 12 May 1927: “King Billy” WAS THERE. Appropriately enough, the inevitable “King Billy” with his refreshing impression of possum and gum-leaves, was present at the dedication of the Federal capital at Canberra. Bare-footed, in a dingy old suit and battered felt hat, he wandered on to the empty stand after the illustrious assemblage had passed into Parliament House. A desolate figure in all that he stood for, he proved, an amiable representative of the dispossessed race. He cheerfully waved a Union Jack for the camera man, and grinned into the very eye of a movie man’s camera without flinching.” Footage of Jimmy filmed that day features in the film “The Birth Of White Australia” produced in 1928 and shows him enthusiastically waving a small Union Jack flag in front of Parliament House with his three dogs at his feet. The caption reads " "King Billy" calls for cheers for the son of the great white King across the seas. “Mine tinkit that pfellers father budgeree King liket me” supposedly says Jimmy." Jimmy told the Daily Telegraph, 13 May 1927 “I have opened your Parliament House on my own ground, now you can go and look at it." Jimmy died on 28 August 1927, aged 80. The Herald newspaper on 30 August 1927, published an illustration depicting Jimmy’s dog standing on his grave, his customary chimney pot hat leaning on his headstone. The caption reads: “The Dead King — His Only Mourner. Drawn by Will Dyson (King Billy, last of the Canberra aborigines, lived just long enough to see the Duke of York open Australia’s capital on the site where his tribe once roamed. He died in the Queanbeyan Hospital yesterday morning.)” A letter published in the Sydney Morning Herald, 19 September 1927 reported: "Old King Billy... Sir, ...I would like to mention... the passing away of one, if not the last remaining aboriginal chieftains. He may be called “Old King Billy,” and his death occurred here in Queanbeyan a few weeks ago. The removal of this well-known black has left another big gap in all that remains distinctively Australian in character. He was one of the last remaining tribe of the Monaro district, and one of the most predominant personalities throughout the Commonwealth. ...he had lived through 80 years all told. He was on many occasions sought by artists for his splendid physique and personality as a model, and many a journey he has had to make to Sydney on that account. A more striking and pronounced type could not be found. ...A very fine cast in lifelike form is to be seen in the Australian Museum, Sydney ...his last important appearance in public was at the Commonwealth celebrations at Canberra, to which territory he partly belonged. ...we have no aborigine statue chiselled to the memory of their race, a more fitting and lasting memorial could not be undertaken than to have one modelled from this fine figure and erected to the memory of his race at Canberra... It would be a fitting adornment if planted with the Australian gumtrees for any avenue or garden. [King Billy] ...a very intelligent fellow, responding readily to kindness and common sense. Hoping yet to see a befitting testimonial and a lasting memorial to a race that is rapidly and I may say, unfortunately, disappearing, I am etc., SYDNEY R.OAKLEY, Queanbeyan." The “lifelike form” referred to by the correspondent was a sculpture that Jimmy Clements had posed for: “The Wunderlich Aboriginal Group” for The Australian Museum in Sydney. In 1925, Mr Ernest Wunderlich, director of Wunderlich Limited, manufacturer of building materials and President of the Board of Trustees at The Australian Museum, commissioned renowned sculptor George Rayner Hoff (sculptor of the Anzac Memorial in Hyde Park, Sydney, National War Memorial in Adelaide, and “Lion” the original Holden Motor Company car emblem) to sculpt a life sized Aboriginal family group diorama as a gift to the Museum. There was much concern at this time that the Aboriginal population and especially the “full blooded” were fading into oblivion so fast that they may soon become extinct. Three “full blooded” Aborigines were chosen for models. An article in The Australian Museum magazine, July/September 1926 about The Wunderlich Aboriginal Group explained “...it will not be many years before the aborigine, in New South Wales and Victoria at least, will be an entity of the past. Every year sees a shrinkage in their number, and the coastal tribes that once roamed the Sydney district are, unfortunately, no longer with us. ...the man, who is hurling a boomerang, is Yangar, or “Jimmy Clements,” son of Gayan-Bleuet-Galoom, the late “King of Orange,” western New South Wales. “Jimmy” is an old man, but well preserved. He has a very retentive memory and recollects the various tribal customs and initiation ceremonies, but regarding these he is extremely reticent and will not communicate his “honoured secrets.” The female figure is “Nellie Walker,” a daughter of Geri-Bungel, and a native of Bombala, Monaro district, southern New South Wales. The boy is Harold Marsh, aged nine years, who was born at Kinchela, Macleay River, northern New South Wales. He is now living at the Brewarrina settlement... In the selection of aborigines great care had to be taken to ensure that the individuals were pure bloods, and to the Aborigines’ Protection Board and the Police Department of this State thanks are due for the valuable assistance rendered by them.” Ngarigo woman, Nellie Bungil Walker (1867-1932) had five children, two died as babies and her remaining children were taken from her. She worked as a domestic and was living at La Perouse Aboriginal Community, Sydney at the time of her sculpture’s creation. In the years after the sculpture was made, Nellie and Rayner remained friends. Yaegl boy Harold “Harry” Marsh was from the Kinchela Aboriginal Training Home for boys near Kempsey, (1924-1970), an agricultural training institution under the jurisdiction of the Aboriginal Protection Board to house Aboriginal boys forcibly removed from their families “in the interest of the moral or physical welfare” of the boys. The boys at Kinchela were aged 5-15 years old and referred to as numbers, not names and any connection to Aboriginal culture or language was forbidden. Brutal and cruel physical punishment and sexual assaults were rampant. Survivors recall being flogged and chained naked to a huge Morton Bay fig tree overnight or “sent down the line” where every boy was ordered to punch the “wrong doer” as hard as possible for fear that they would be next. The Kinchela children are acknowledged as part of the Stolen Generation. In 1925, Rayner Hoff created a terracotta bust “Harry Marsh” which is in the collection of the Art Gallery of New South Wales. The figures of the trio were modelled in clay before being cast in plaster and hand-coloured by Museum artist Miss Ethel A. King. The finished figures were completed with wigs and fur pelts and with Jimmy hurling a boomerang and Nellie holding a dilly-bag. They were placed in a glass cabinet in the Australian Ethnology Gallery. The subjects were not named. The Sydney Morning Herald 1 July 1926 critiqued the sculptures. "A GROUP OF STATUARY. MUSEUM’S ACQUISITION. Artistically the group is very fine, for the sculptor has caught his subjects in attitudes that reveal all the stalwart athletic lines of their bodies... The man, who is depicted as about 60 years of age, is bearded, immense, and savagely primitive-is throwing a boomerang, and beside him a boy, aged about 11 years is following beneath a shading hand, the flight of birds at which the hunter aims. Behind them, patient, obedient, stand(s) the woman waiting with her dilly bag to gather the spoils.” In 1996, Nellie’s daughter, Victoria Kempsey née Walker, happened to visit The Australian Museum and saw the sculpture of her mother, displayed semi-naked in a glass cabinet, alongside glass cabinets of taxidermied animals. She had last seen her mother 62 years previously when Nellie was dying from tuberculosis. Greatly distressed, Victoria wrote to the Museum requesting that they remove the sculpture, which they did. In 2023, a documentary was produced called “Her Name Is Nanny Nellie” which follows the journey of Nellie Walker’s great-granddaughter Auntie Irene Ridgeway discovering Nellie’s story, honouring her life and restoring her sculpture. Irene told Refinery29 Australia that “It was about reclaiming her life, reclaiming her history and who she really was as a real person. She was not a naked and unnamed lady standing in a museum. It's giving them back their families, they weren't just there to be looked at as flora and fauna or as 'natives'." The documentary was written and directed by Irene’s son Daniel King and premiered at the 2023 Adelaide Film Festival and broadcast on NITV. The restored sculpture of Nellie, dressed in 1920s style clothing was displayed at The Australian Museum, Sydney in The Bayala Nura Gallery in 2023. Irene wanted Nellie to be depicted in the way she actually was when she posed for the sculpture in 1925. The other two sculptures were not displayed due to ongoing conversations with family members and the fragility of the sculptures. It is anticipated that they may be displayed in the future. Melbourne born William Beckwith (Bill) McInnes (1889-1939) studied drawing at National Gallery School in Melbourne from the age of 14 under the tuition of artist Frederick McCubbin before succeeding his former teacher as Master of Drawing at the School from 1916-1934. He was acting Director of the NGV and Head of the National Gallery School from 1934. In 1927, Bill and official war artist H. Septimus Power were commissioned to paint the opening of the new federal Parliament House in Canberra. Septimus painted the general scene of the arrival of the Royal entourage in front of Parliament House, while Bill depicted the ceremony inside the Senate chamber. Bill was widely acclaimed for his landscapes and lauded as the heir to great Australian landscape artist Arthur Streeton. He won the Archibald Prize seven times (including the inaugural, a portrait of architect Desbrowe Annear) which made him a highly sought after portrait painter and he earned kudos for his commission to paint the Duke of York. During the breaks in painting the portrait, the pair chatted and Bill was surprised by the Duke’s wide knowledge of Australian affairs. The Duke was particularly interested to hear how the rabbit crisis was being handled. Bill’s work is held in major Australian galleries including the NGV, which has 12 of his paintings in their collection. Bill was married to fellow artist Violet McInnes and they lived at “The Poplars” in Alphington with their six children. Violet painted still life of flowers and portraits. In 1941, she entered her portrait of fellow artist Sybil Craig into the Archibald Prize and in 1945 Violet was appointed an official war artist. Defending his traditional style Bill said “...we in Australia have not been bitten by Cubism or Futurism or other of the “isms”...and I am glad of it”. References: THE DUCHESS OF YORK. (1931, December 7). The Argus (Melbourne, Vic. : 1848 - 1957), p. 8. Retrieved April 3, 2025, from http://nla.gov.au/nla.news-article4427568 WAR NURSE (1930, March 11). The Sun (Sydney, NSW : 1910 - 1954), p. 1. Retrieved April 3, 2025, from http://nla.gov.au/nla.news-article223714728 The Royal Visit. (1927, April 29). The Age (Melbourne, Vic. : 1854 - 1954), p. 9. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article205813465 Canberra. (1927, April 30). Advocate (Burnie, Tas. : 1890 - 1954), p. 5. Retrieved January 10, 2025, from http://nla.gov.au/nla.news-article68233606 Australian Dictionary of Biography, Nangar, https://adb.anu.edu.au/biography/nangar-33736 Australian Dictionary of Biography, Jimmy Clements, https://en.wikipedia.org/wiki/Jimmy_Clements Wikipedia, George John Noble, https://en.wikipedia.org/wiki/George_John_Noble PARLIAMENT AT CANBERRA. (1927, May 14). The Australasian (Melbourne, Vic. : 1864 - 1946), p. 37 (METROPOLITAN EDITION). Retrieved December 25, 2024, from http://nla.gov.au/nla.news-article140733921 CANBERRA CEREMONY (1927, May 10). The Argus (Melbourne, Vic. : 1848 - 1957), p. 19. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article3853643 CANBERRA. (1927, May 11). The Argus (Melbourne, Vic. : 1848 - 1957), p. 20. Retrieved November 24, 2024, from http://nla.gov.au/nla.news-article3853897 THE FINAL SCENES (1927, May 11). The Labor Daily (Sydney, NSW : 1924 - 1938), p. 5. Retrieved January 10, 2025, from http://nla.gov.au/nla.news-article236614453 TWIN SONS (1927, May 10). The Sun (Sydney, NSW : 1910 - 1954), p. 11. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article223616143 National Archives of Australia, Aboriginal [Jimmy Clements, a Wiradjuri elder] on steps of Parliament House (King Billy), https://recordsearch.naa.gov.au/SearchNRetrieve/Interface/ViewImage.aspx?B=3050026 Sydney Morning Herald, The chant of Jimmy Clements: I’ll do the honours on my ground, thanks, https://www.smh.com.au/national/the-chant-of-jimmy-clements-i-ll-do-the-honours-on-my-ground-thanks-20241023-p5kkt5.html MET THE DUKE (1927, May 11). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 14. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article275177101 PUBLIC MARCH PAST. (1927, May 11). The Register (Adelaide, SA : 1901 - 1929), p. 11. Retrieved April 2, 2025, from http://nla.gov.au/nla.news-article54271512 A REAL AUSTRALIAN (1927, May 13). The Canberra Times (ACT : 1926 - 1995), p. 12. Retrieved December 18, 2024, from http://nla.gov.au/nla.news-article1213124 THE PEOPLE'S DAY (1927, May 13). The Canberra Times (ACT : 1926 - 1995), p. 3. Retrieved April 3, 2025, from http://nla.gov.au/nla.news-article1213105 KING BILLY" WAS THERE. (1927, May 12). Tweed Daily (Murwillumbah, NSW : 1914 - 1949), p. 2. Retrieved November 27, 2024, from http://nla.gov.au/nla.news-article190193273 A BUSY DAY. (1927, May 11). The Sydney Morning Herald (NSW : 1842 - 1954), p. 15. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article16374845 Nothing Wrong With Canberra Opening, Says "King Billy" (1927, May 13). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 2. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article245750627 THIS IS MARVELLOUS! (1927, May 11). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 16. Retrieved December 9, 2024, from http://nla.gov.au/nla.news-article275177155 Mildenhall's Canberra, Royal Visit, May 1927. Canberra citizens passing the Royal Party on the front steps of Parliament House at the Civic Reception 1927 [photograph], https://mildenhall.moadoph.gov.au/rephoto/62 Australian Dictionary of Biography, 1927 - Jimmy Clements, John Noble, and the Opening of Parliament House, https://adb.anu.edu.au/the-quest-for-indigenous-recognition/jimmy-clements YouTube, The Birth of White Australia (1928), amateurish racism on the big screen [Jimmy Clements at 11.12 minutes in], https://www.youtube.com/watch?v=OByX4iPsTgo YouTube, We Were Just Little Boys, https://m.youtube.com/watch?v=u4Hw9d91k2E WASTE AT CANBERRA. (1927, May 20). The South Eastern Times (Millicent, SA : 1906 - 1954), p. 1. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article200058308 YouTube, Museum of Australian Democracy at Old Parliament House, Whispers in the Corridors-An Aboriginal Presence, https://www.youtube.com/watch?v=fwifXP61M5Y History Snoop, Air Fatality in Canberra Scars an Historic Day in Australia, https://www.historysnoop.com/air-fatality-in-canberra/ YouTube, NFSA Films, The Opening Of Canberra, Australia's Capital City, https://www.youtube.com/watch?v=pOA8llA0iE0 Pauline Conolly, Pudding & Pies at Parliament House, https://paulineconolly.com/2022/pudding-and-pies-at-parliament-house/ THE MENU (1927, May 5). The Sun (Sydney, NSW : 1910 - 1954), p. 13 (FINAL EXTRA). Retrieved April 2, 2025, from http://nla.gov.au/nla.news-article223623278 PROMISING (1927, May 7). The Sun (Sydney, NSW : 1910 - 1954), p. 2. Retrieved December 15, 2024, from http://nla.gov.au/nla.news-article223616208 The Dead King -- His Only Mourner (1927, August 30). The Herald (Melbourne, Vic. : 1861 - 1954), p. 6. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article244196114 The VOICE of the CITY (1927, August 31). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 4. Retrieved December 26, 2024, from http://nla.gov.au/nla.news-article246406061 THE LAST OF HIS TRIBE. (1927, September 2). Bairnsdale Advertiser and Tambo and Omeo Chronicle (Vic. : 1882 - 1946), p. 6. Retrieved December 24, 2024, from http://nla.gov.au/nla.news-article269318935 GONE WEST. (1927, September 17). The Irwin Index (Mingenew, WA : 1926 - 1956), p. 1. Retrieved December 23, 2024, from http://nla.gov.au/nla.news-article251554113 King Billy Dead. (1927, September 10). The Port Macquarie News and Hastings River Advocate (NSW : 1882 - 1950), p. 5. Retrieved December 1, 2024, from http://nla.gov.au/nla.news-article112534982 DEATH OF KING BILLY OF CANBERRA. (1927, September 16). Huon Times (Franklin, Tas. : 1910 - 1933), p. 5. Retrieved December 23, 2024, from http://nla.gov.au/nla.news-article136428435 OLD KING BILLY. (1927, September 19). The Sydney Morning Herald (NSW : 1842 - 1954), p. 5. Retrieved November 19, 2024, from http://nla.gov.au/nla.news-article16404722 "Marvellous" is Dead. (1928, March 30). The Gundagai Times and Tumut, Adelong and Murrumbidgee District Advertiser (NSW : 1868 - 1931), p. 2. Retrieved December 8, 2024, from http://nla.gov.au/nla.news-article122748136 LAST OF LACHLAN RIVER TRIBE (1926, May 3). Evening News (Sydney, NSW : 1869 - 1931), p. 7. Retrieved December 18, 2024, from http://nla.gov.au/nla.news-article117289515 Coal Strike Effects (1926, June 11). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 14. Retrieved November 30, 2024, from http://nla.gov.au/nla.news-article245759732 SBS On Demand, Her name is Nanny Nellie, https://www.sbs.com.au/ondemand/movie/her-name-is-nanny-nellie/2300137539512 The Australian Museum Magazine, Vol. 2, No. 11, July-Sept 1926, The Wunderlich Aboriginal Group, https://shorturl.at/uViTe ABC News, King Billy and Marvellous were not invited to the 1927 opening of Parliament House — but that didn't stop their fight for sovereignty, https://shorturl.at/HGpjC Museum of Australian Democracy at Old Parliament House, The thieving diva: behind the scenes of the opening ceremony at Parliament House, https://www.moadoph.gov.au/explore/stories/heritage/the-thieving-diva-behind-the-scenes-of-the-opening-ceremony-at-parliament Refinery29, Beyond a museum glass case: one First Nations woman's quest to reclaim her ancestors' story, https://www.refinery29.com/en-au/my-name-is-nelly-documentary-irene-ridgeway-interview Sydney Morning Herald, Why it took 100 years to restore the dignity of Nanny Nellie, https://www.smh.com.au/national/why-it-took-100-years-to-restore-the-dignity-of-nanny-nellie-20230719-p5dpjo.html Australian Museum, Meeting Nanny Nellie, https://australian.museum/publications/explore_summer2024/nanny-nellie/ ABORIGINES. (1926, July 1). The Sydney Morning Herald (NSW : 1842 - 1954), p. 14. Retrieved November 29, 2024, from http://nla.gov.au/nla.news-article16302447 Wikipedia, Kinchela Aboriginal Boys Training Home, https://en.wikipedia.org/wiki/Kinchela_Aboriginal_Boys%27_Training_Home Art Gallery NSW, Harry Marsh by Rayner Hoff, https://www.artgallery.nsw.gov.au/collection/works/59.2000/ Art Gallery of South Australia, Lion (produced for the Holden Motor Company) by Rayner Hoff, https://www.agsa.sa.gov.au/collection-publications/collection/works/lion-produced-for-the-holden-motor-company/27253/ Wikipedia, William Beckwith McInnes, https://en.wikipedia.org/wiki/William_Beckwith_McInnes DUKE OF YORK PORTRAIT UNIVEILED IN CASTLEMAINE GALLERY (1933, December 4). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 18. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article276125581 Castlemaine Art Museum, Portrait of His Royal Majesty the Duke of York, https://collection.castlemaineartmuseum.org.au/objects/181/portrait-of-his-royal-majesty-the-duke-of-yorkPhotographer notations on slide: "Portrait of Duke of York by W.B. McInnes 1933 B4".1930-1939, aboriginal culture, royal visits, openings (events), sculpture, land rights, museums, museum displays

Photograph Sunshine State School Grade 3 1928 Back Row L to R Ida Duncan Ruth Wood Alison Meyers Peggy Riley Jean Cawood Unknown Jean Whittingham Second Row L to R Vera Blackburn Gladys Jackson Edna Pontin Audrey Talintyre Unknown Beryl Brown Florrie McVitty Muriel Bentley Third Row L to R Unknown Unknown Pat Dalling Unknown Marion Clifton Norma Rogers Pearl Mitchell Dorothy McElhinney Annie McVitty Unknown Fourth Row L to R Unknown David Templeton Doug Robertson Unknown John Pengelly Bob Parsons Kevin Holman Unknown Unknown Gordon Duncan Walter Carruthers Unknown Fifth Row L to R Dick Whiting Charlie Gist Jack Duxon Unknown Unknown Unknown Evan Davidson Unknown Sixth Rown L to R Jim Scott Bill Smith Ian Perry Unknown Norm Pengelly Reg Hogan Bill Avery Bob James Des Goode|Photograph and list of names Sunshine State School Grade 2 1927 Back Row L to R Ida Duncan Unknown Edna Pritchard Unknown Unknown Unknown Beryl Brown Unknown Betty Lindsay Second Row L to R Unknown Mr Slater Alison Meyers Edna Harris Unknown Unknown Unknown Gladys Jackson Unknown Third Row L to R Gordon Duncan Unknown Dick Whiting Unknown Bill Smith Des Goode Bill Searle Unknown Bill Avery Unknown Fourth Row L to R Unknown Norm Pengelly Pat Dalling Jack Scobie Ian Perry Unknown Charlie Gist Jim Hogan Frank Scott Jim Gilson Front Row L to R Harry Curtin Evan Davidson Harry Holman Don Mayes Unknown Jim Scott Unknown Unknown Unknown Reg Hogan|Photograph and list of names Sunshine State School Grade 1 1927 Back Row L to R Unknown Beryl Styles Florence Bird Jessie Hoskins Unknown Unknown Edna Harris Unknown Unknown Unknown Unknown Second Row L to R Unknown Doris Adamson Unknown Unknown Edna Pontin Betty Barclay Unknown Unknown Pearl Mitchell Miss Fletcher Third Row L to R Unknown Unknown Jeff Richards Unknown David Templeton Joe Moiler Unknown Unknown Laurie Kittelty Willy Whaite Unknown Fourth Row L to R Unknown Frank Fletcher Des Goode Bert Johnson Unknown Unknown Unknown Mr Hogan Front Row L to R Unknown Unknown Ron Smith Harry Fraser Bill Nielsen Unknown Unknown Unknown Stan Jowett|Photograph and list of names Sunshine State School Grade 1 Back Row L to R Unknown Unknown Veronica Goodwin Phyl Mounsey Jaqui Haxby Miss Mayo Unknown Unknown Second Row L to R Unknown Unknown Miss Porter Evelyn Shilston Unknown Glen Taylor Mavis Thomson Unknown Merle Armour Unknown Unknown Unknown Edith Larcobe Third Row L to R Margaret Davies Norm Talintyre Unknown Unknown Unknown Unknown Unknown Unknown Unknown Unknown Unknown Unknown Unknown Front row L to R Max Brown Unknown Linton Learmonth Unknown Andy Kyle Unknown Unknown Unknown Unknown|Photograph and list of names Sunshine State School Grade Prep 1928 Back Row L to R Jean Haworth Kitty Marsh Ina Jackson Beryl Rohner Thelma Carruthers Merle Clark Thelma Carruthers Marjorie Sharp Vena Thompson Second Row L to R Maisie Pibbs Edna Clifton Eva Bromson Eula Barkly Betty Halliday Unknown Nancy Drennan Audrey Hibbert Lesley Barker Front Row L to R Jack Steward Bill Paton Max Hargreaves Syd Gill Arthur Jowett Jim Moiler Frank Paul Reg Barclay Clarrie Roberts Jack Blight|Photograph and list of names Sunshine State School Grade 4 1929 Back Row L to R Unknown Maisie King Norma Rogers Jean Cawood Dorothy McElhinney Beryl Brown Vera Blackburn Second Row L to R Sadie Stock Ida Duncan Unknown Unknown Unknown Gladys Jackson Marion Clifton Miss Keeble Front Row L to R Unkown Eunice McBean Muriel Bentley Unknown Ruth Wood Peggy Riley Annie McVitty Florrie McVitty|Photograph and list of names Sunshine State School Grade 2 1929 Back Row L to R Audrey Hibbert Marion Tribe Unknown Marjorie Sharp Unknown Miss Polkinghorn Unknown Thelma Carruthers Joyce Hogan Second Row L to R Betty Halliday Joan Barclay Evelyn Mayo Eva Bromson Gertie Roberts Iris Carr Jean Mounsey Valda Ormiston Unknown Ina Jackson Phyl Greenham Edna Clifton Doreen Johnson Margaret McPherson Third Row L to R Lois Carter Lesley Barker Beryl Rohner Ivy Huggins Nancy Drennan Mr Moiler Bill Paton Syd Gill Unknown Unknown Arthur Jowett Max Hargreaves Unknown Maria Johnson Four Row L to R Unknown Unknown Unknown Unknown Stan Oswin Phil Davey Unknown Clarrie Roberts Len Duxon Unknown Tom Tribe Front Row Unknown Unknown Reg Barclay Ivan Carland Mr Patrick Mr Davidson Jim Reynolds Mr Fowler|Photograph and list of names Sunshine State School Grade 4 1929 Back Row L to R John Pengelley Jim Patterson Dave McGregor Jim Singleton Doug Robertson Harry Curtin Howard Gill Reg Hogan Ron Pattin Walter Carruthers Jack Duxon Gordon Duncan Unknown Unknown Unknown Jack Pontin Don Mayes Third Row L to R Jim Gilson Jack Frazer Unknown Bob Parsons Charlie Gist Dick Darby Jim Lynch Norm Pengelley Unknown Les Mudford Pat Dalling Front Row L to R Ron Thompson Bill Searle Evan Perry David Templeton Dick Whiting Bill Avery Evan Davidson Des Goode Jim Scott|Photograph and list of names Sunshine State School Grade 5B 1932 Back Row L to R Reg Seymour Kevin Lorenz Leo Martin Cyril Antony Norm Carland Bill Perry P Moiler Lionel Barnes Graham Roberts Lloyd Clark Willie Scott Max Hargreaves Second Row L to R Lesley Barker Joyce Hogan Iris Carr Eula Barkla Ina Jackson Marjorie Styles Dorothy Dean Jeanette Robertson Marjorie Sharp Merle Clark Thelma Carruthers Rose Brock B Herweg Edna Krause Third Row L to R Marion Tribe Eileen Hutton Gertie Roberts Jean Peeler Irene Day Lesley Petherick Beth Perry Valda Ormiston Marie Johnson Valda Brown Millie Howard Front Row L to R Bill Paton Len Duxon W Mitchell Geoff Taylor Ron Ferrell Ron Scanlon Russell Learmonth Mr Moiler Unknown Mr Chalmers Norm Carlton A Stoneham Arch McGilvrey Mr Patrick Keith Davey Arthur Jowett|Photograph and list of names Sunshine State School Grade 5A 1932 Back Row L to R Clarrie Roberts Unknown Jim Reynolds W Wood Unknown Unknown Fergus Gray Mr Davidson Ron Skewes Sid Gill Mr Moiler Second Row L to R Lillian Scobie Faith Fraser Unknown Unknown Unknown Unknown B Steer Beryl Rohner Ivy Carlyle Joan Oswin Ethel Smith Margaret McPherson Melba Warren Vena Thompson Eunice Lindsay Heather Hyett Doreen Johnson Third Row L to R Valda Spuring Elsie Hewitt Jean Mousey Laura Booth Susan Davidson Peggy Johnson Sissie Picken Betty Halliday Eva Bromson Ann Slater Unknown Phyl Greenham Ivy Huggins Nancy Drennan Audrey Hibbert Maisie Hibbs Edna Clifton Front Row L to R Tom Tribe R Crompton Unknown Unknown Bill Evans Unknown Jack Blight Unknown Peter Challen|Photograph and list of names Sunshine State School Grade 5 1930 Back Row L to R Jack Pontin David Templeton Charlie Gist Dick Whiting Unknown Frank Scott Des Goode Harold Gill Jim Singleton Doug Robertson Second Row L to R Ian Perry Jim Scott Evan Davidson Harry Curtin Pat Dalling Ted Napier Norm Pengelley Jack Duxon Jim Gilson Unknown Third Row L to R Ron Paton Unknown Max Howie Dick Darby Bill Searle Bill Smith Jim Patterson Gordon Duncan Walter Carruthers Jim Lynch Front Row L to R Bob Parsons Jack Frazer Les Mudford Bob Barkla John Pengelley Unknown Unknown Reg Hogan Don Mayo Bill Avery|Photograph and list of names Sunshine State School Grade 3 1930 Back Row L to R W Wood Russell Learmonth Jack Steward Ron Farrell Fergus Gray Mr Davidson Norm Carland Cecil Antony Lionel Barnes Lloyd Clark Bill Paton Tom Tribe Unknown Unknown Clarrie Roberts Geoff Taylor Second Row L to R Nancy Drennan Ethel Smith Eunice Lindsay Dorothy Dean Eula Barkla Jeanette Robinson B Steer T Carlisle Beryl Rohner Vena Thompson Unknown Marjorie Styles Rose Brock Edna Clifton Third Row L to R Eva Bromson Lesley Petherick Unknown Ina Jackson Jean Haworth Lesley Barker Susan Davidson Audrey Hibbert Marion Tribe Lillian Scobie Eileen Hutton Fourth Row L to R Betty Halliday Beth Perry Jean Mounsey Elsie Hewitt Joyce Hogan Margaret McPherson Marie Johnson Heather Hyett Gwenda Pommeroy Marjorie Sharp Joan Barkla Gertie Roberts Ivy Huggins Front Row L to R Unknown Jack Blight Arthur Jowett Ivan Carland Len Duxon Ron Skewes Max Hargreaves Mr Fowler Phil Davey Reg Barclay|Photograph and list of names Sunshine State School Grade 6B 1933 Back Row L to R Leo Martin Graham Roberts Max Hargreaves Unknown Stan Oswin Lionel Barnes Clarrie Roberts Jack Steward Arthur Jowett Lloyd Clark Second Row L to R Audrey Hibbert Elsie Hewitt Ina Jackson Majorie Styles Jeanette Robinson Joan Oswin Unknown Merle Clark Thelma Carruthers B Steer Jean Peeler Iris Carr Third Row L to R Heather Hyett Valda Spurling Jean Mounsey Sissie Picken Dorothy Dean Eileen Went Gertie Roberts Joan Barkla Peggy Johnson Unknown Eva Bromson Joyce Hogan Ivy Huggins Marie Johnson Front Row L to R Norm Carlton Sid Gill Bill Evans Ivan Carland Jack Blight Unknown Ray Crompton A Stoneham Arthur Field Unknown Ron Ferrell Cecil Perkins Ron Scanlon Peter Challen Stan Jowett.|Photograph and list of names Sunshine State School Grade 6A 1933 Back Row L to R Unknown Ron Skewes Unknown Cecil Antony Norm Carland Unknown Mr Davidson Unknown Fergus Gray Kevin Lorenz Second Row L to R Gwenda Pommeroy Silvia Smith Eula Barkla Margaret McPherson Rose Brock Eunice Lindsay Beryl Rohner Ivy Carlyle Faith Fraser Ethel Smith Vena Thompson Phyl Greenham Marjorie Sharp Betty Herweg Millie Howard Third Row L to R Edna Clifton Marion Tribe Margot Peeler Annie Slater Doreen Johnson Lesley Petherick Lorna Booth Susan Davidson Eileen Hutton Beth Perry Valda Brown Front Row L to R Len Duxon W Mitchell Unknown Unknown W Wood Reg Barclay Russell Learmonth Bill Paton Tom Tribe Mr Patrick Mr Moiler Unknown|Letter by Dorothy MacNeil.sunshine state school, state school, hampshire road, sunshine, student photograph

Was part of the Sunshine Technical School CollectionThe Stabbing by Tracey Mills|Ghost Town by Marion Walker|PEPE The Pigeon Who Ruled Sunshine by Anthony Micallef|The Phone Call by Kaelene Knott|Calder Park Finals Drag Racing March 1986 by Michelle Chatzidimitriou|My Dog Corky by Nicolle Meyers|The Day We Went Motor Bike Riding by Shane Hynds|The Mystery by Donna Tatlow|Annual Camp by David Shilling|Forces Vengeance by Jeff Ward|Sunshine Tech Bombed by Claudia Rundel|Mystery 2 by Donna Tatlow|Amazon Jungle by Barry Howard|An Experience Of My Own by Rodger Greaves|Best Friends by Vicki Psomiadis|The Book And Me by Amanda Alldis|Deadley Mistake by Corey Havarc|The Gate Of Imagination by Rachel Masuglia|The Picnic by Dion Beasley|The Magic Seeds by Tracey McDonagh|The Drowing by Mark Herrick|The Day I Wagged School by Michael Sammut|The Magic Seeds by Tracey McDonagh|The Ghost That Never Spooked by Chris MacDonald|Amusement Park By Tracey McDonagh|Lost Treasure by Allen Carrick|Ghost Train by Nikkie Pottersunshine technical school, technical school

Genealogical Group Display Opening held at the Mechanic Hall showing Ian and Edith Bulmer and Jan Grant Lakes Entrance Victoria. Also two other colour photographs taken the same day numbers 04108.3 and 04108.4 size 10 x 15 cm, plus a black and white photograph of Marion Holding and Margo Kirby number 04108.5 size 8 x 11 cmColour photograph taken at the Genealogical Group Display Opening held at the Mechanic Hall showing Ian and Edith Bulmer and Jan Grant Lakes Entrance Victoriagenealogy, clubs

Page layout for Costume of Australia book, by Marion Fletcher.Page layout features sketch of twe 1870s , including bodice detail of the second dress: 1. Day Dress c.1873, from the National Gallery of Victoria; 2. Afternoon or Dinner Gown, 1877, from the National Trust of Australia (Victoria).Inscribed in blue pencil, bottom left: '64% in grey ink, bottom left: 'P2' in blue ink, bottom left: '<-----------------------164mm--------------------------->/ OUP 102[cricled]'; bottom left [running horizontally]: <---------------------187.5mm----------ink, paper