25cm x 20 cm black and white photograph mounted on board. The photograph is taken at an angle so you can see multiple buildings on the western side of Sydney Street including: Trainor's Steam Flour Mill, Parnells Boot Shop, Quinn Solicitor, Youngs Bakery and Post Office and Royal Oak Hotel in the distance.Written on the back: #10 Trainor's Steam Flour Mill, Parnell's Bootshop, Quinn Solicitor, Young's Bakery + Post Office #3.#5.10/86-38A Copy of Sydney St. Kilmore 1860 Trainors Mill (opposite present Mill St) Royal Oak Hotel in distance.post office, flour mill, bakery, bootmaker

Ballarat Teachers’ College commenced at Ballarat East Library in 1926 and stayed at that location until temporary closure in December 1931. In 1926 Sixty one students enrolled, and the staff consisted of Mr W.H. Ellwood, Miss A. Bouchier, Mr A.B. Jones. (The Flag, Nov 1997; The Flag, Nov 1996; BTC Handbook 1965)Blue soft cover booklet with gold titles relating to the Ballarat Teachers College, 62 pages with illustrations and advertisements. Includes information on current and ex students. Staff and student activities throughout the year.On the first page written in red pencil "M Miller" [Monica Miller]btc, ballarat teachers college, j weir, v bellingham, em smith, c cox, g rosehain, cm hall, m ocallaghan, m giles, d roscoe, o hateley, c inglis, a curtis, g bolster, joyce thomas, c cummins, j conway, r row, w augustini, n prendergast, d carroll, n larkan, m fogarty, m murray, a vickers, e forster, c mccullough, k curley, m bainbridge, t stuart, mollie quinn, mildred graham, hazel henderson, norman cocks, george carey, colin hall, jessie higgins, r bowman, a coto, v mckenzie, g dunstan, thomas alexander maclean, j mckerbery, r warriner, edna jones, ina dickman, wi young, jh mcnaughton, re moosman, f hickey, q kerby, r watson, c goltz, ab jones, ballarat east library, physical culture

This is a portrait of Allan Quinn, taken during a visit to New York, U.S.A, in September of 1948, when he was 20 years old. This is one of the few portraits of Allan, professional or otherwise, in the collection.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white portrait photograph of Allan Quinn as a young man. It is mounted on a cream cardboard frame, with a pale blue ornate border around the image. The photograph is held in place with clear and coloured tape. The top edge of the cardboard has been roughly cut, and the bottom edge has been cut with a wave design.Front, right hand bottom corner: NEW YORK / SEPTEMBER / 1948 handwritten in faded blue/black ink. On the reverse is tape printed with the Knox Studio logo.allan-quinn, photograph, portrait, new-york, 1948

The entire passbook is written in Swedish. It was used between the 31st of December 1945 and the 18th of April, 1946 and seems to record Allan Quinn's wages. Allan visited Sweden many times, and eventually learnt the language.This passbook belonged to Allan Charles Quinn and is part of a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A small book with thin pale blue covers. There are six pages in the book, held together with two staples in the spine.Cover: printed in black ink MOTBOK / FOR handwritten in black ink ALLAN QUINN / FORTSATTN In the top right hand corner is a paragraph written in Swedish. Reverse: printed in black ink PRINTED IN U.S.A U92260allan-quinn, motbok, passbook, wages, sweden, 1945, 1946

The entire passbook is written in Swedish. It was used between the 28 of Febuary 1945 and the 30th of November 1945 and seems to record Allan Quinn's wages. Allan visited Sweden many times, and eventually learnt the language.This is a passbook belonged to Allan Quinn, and is part of a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A small book with pale blue covers, stained with dark blue ink. There are six pages held together with two staples.Cover: STARBOARD BOAT NO P. (typed) / MOTBOK / FOR (printed) / JUNGNAN (handwritten)/ UPPASARE (crossed out) ALLAN CHARLES QUINN (typed). In the top right hand corner is a paragraph of writing in Swedish. Reverse: PRINTED IN U.S.A U92260 printed in black ink.motbok, passbook, wages, sweden, 1945, allan charles quinn (1928-1990)

The entire passbook is written in Swedish. It was used in 1946 and 1947, while Allan Quinn was working on the Ariston. Allan visited Sweden many times, and eventually learnt the language.This passbook belonged to Allan Charles Quinn and is part of a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A small blue book, containing six pages held together with six staples in the spine. Some of the pages have pale green pages of information glued on them.Front: (indecipherable) 13 (handwritten in blue ink) / MOTBOK / FOR (printed) / (indecipherable) ALLAN QUINN (handwritten in blue ink) / GOTEBORG / ALBERTZ BOKTRYCKERI / 1938 (printed). Diagonally across the cover ANVAND DRAGSEDEL is printed in red. In the top right hand corner is a paragraph of writing in Swedish.allan-quinn, motbok, passbook, wages, sweden, 1946, 1947, ariston

The entire passbook is written in Swedish. It was used between the 30th of April 1946 and the 20th of November, 1946 and seems to record Allan Quinn's wages. Allan visited Sweden many times, and eventually learnt the language.This passbook belonged to Allan Charles Quinn and is part of a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A small blue book containing six pages, held together with two staples in the spine.Front: MOTBOK / FOR (printed) / (indecipherable) QUINN (handwritten) / GOTENBORG / ALBERTS BOKTRYCKERI / 1916 (printed). Diagonally across the cover ANVAND DRAGSEDEL is printed in red. In the top right hand corner is a paragrapg of writing in Swedish.allan-quinn, motbok, passbook, wages, sweden, 1946, allan charles quinn (1928-1990)

This passport was issued to Allan Quinn in 1949, by the Australian Consulate General, in New York, U.S.A. It expired on the 14th of September 1954. The passport contains information about Allan, such as his date of birth in N.S.W, his hair colour as brown and eye colour as blue. Several of the pages have been stamped.This passport belonged to Allan Charles Quinn and is part of a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II. It details the places Allan visited in the fifteen years it was valid.A black covered Australian passport with sixteen pages, issued in 1949. The top left hand corner of the back cover has been cut off. Front: AUSTRALIAN / PASSPORT printed in faded gold/yellow ink. Below this is the Australian coat of arms, printed in the same colour.allan-quinn, passport, 1949-1954, quinn collection, allan charles quinn, seamen, seafarers, sailors

Allan Charles Quinn and his motherAllan Charles Quinn letters and photographs to his mother during his seafaring life.ChronologicalLetters, enveloppes and photographsallan charles quinn (1928-1990), barbara quinn, asbetos, seaman, photographer, gary wright, asbestos, seafaring, travelsallan charles quinn (1928-1990), barbara quinn, asbetos, seaman, photographer, gary wright, asbestos, seafaring, travels

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Articles written by students of their first three semesters at Ballarat University College. They were Intake 14 of the Graduate Diploma in Occupational Hazard Management. The collection was called "Three out of Four Ain't Bad". Many references made about individual students and lecturers. Lecturers mentioned were Steve Cowley, Dennis Else, Eric Wigglesworth and Derek Viner. Students were Peter Adams, Marcus Baker, Andrew Batterson, Jim Bonder, Sean Boyle, Jan Chipchase, Hok Ch'ng, Ray Clifford, Natalie Comrie, Doug Cunningham, Lee Davidson, Brett Deale, Kathleen Fysh, Geoff Hurst, Jenny Jackson, Mark Lewis, Anne Lord, Werner Lushington, Joy Monckton, Clint Morton, Susan Pilkington, Corey Quinn, Richard Ridout, Alan Ryan, Chris Sanders, David Skegg, Gary Thompson, Andrea Tidey, Doug Wait, Brent Walton, Susan Watt, Susan Whiteley, Rohanne Young, John Zivanovic. Thirty-eight A4 sheets, pale grey, printed.Names of students and lecturers. Page numbers written by hand, bottom right corner.viosh, victorian institute of occupational safety and health, ballarat university college, graduate diploma in occupational hazard management, steve cowley, dennis else, eric wigglesworth, derek viner, three out of four ain't bad, peter adams, marcus baker, andrew batterson, jim bonder, sean boyle, jan chipchase, hok ch'ng, ray clifford, natalie comrie, doug cunningham, lee davidson, brett deale, kathleen fysh, geoffrey hurst, jenny jackson, mark lewis, anne lord, werner lushington, joy monckton, clint morton, susan pilkington, corey quinn, richard ridout, alan ryan, chris sanders, david skegg, gary thompson, andrea tidey, doug wait, brent walton, susan watt, susan whiteley, rohanne young, jon zivanovic

This is one photograph from the Allan Charles Quinn collection. Allan worked on the Goonawarra during 1946 working between Sydney, Melbourne, Palmyro Island, San Francisco, Los Angeles, Panama Canal, Falmouth, Le Havre and Goteborg.The Allan Charles Quinn collection is a collection of photographs and letters that provide a very intimate portrait of life at sea for a young man in the period following World War II.Sepia toned photograph of bow view of Goonawarra including anchor ropes and nets hanging from the side.Black ink on reverse: Bow view of Goonawarra/ in Melbourne/ discharging oil from/ Long Beach/ 13 Jan 1946allan-charles-quinn, goonawarra, sydney, melbourne, palmyro-island, san-francisco, los-angeles, panama-canal, falmouth, le-havre, goteborg

This photograph is taken from the deck of the Goonawarra and belongs with the Allan Charles Quinn collection. Allan worked on the Goonawarra during 1946. The Goonawarra worked between Sydney, Melbourne, Palmyro Island, San Francisco, Los Angeles, Panama Canal, Le Havre and Goteborg.This is a photograph from the Allan Charles Quinn collection which is a collection of photographs and letters that depict the life of a young man who has gone to sea to work in the era immediately following World War II.Black and white photograph looking forward from the deck of the GoonawarraBlack ink on reverse: Monkey Island looking/ forward on Goonawarra/ at Melbourne/ 13 Jan 1946goonawarra, sydney, melbourne, falmouth, goteborg, le havre, france, allan charles quinn, panama canal, los angeles, san francisco, palmyro island

This photograph depicts the ritual of "crossing the line" which marks the point at which a sailor first crosses the equator. Allan worked aboard the M.T. Ariston during 1946 and worked between Sweden, Central America, North West Indies and South America.This photograph is from the Allan Charles Quinn collection which is a collection of letters and photographs depicting life at sea for a young man in the period immediately following World War II.Black and white photograph of the "crossing the line" ceremony aboard the Ariston.Black ink on reverse: Crossing the equator on Ariston/ 10.9.46allan-charles-quinn, crossing-the-line, sweden, central-america, north-west-indies, south-america, equator, ariston

"Crossing the line" ceremonies were routinely conducted when a crew member made their first crossing of the equator. This photograph depicts aspects of that ceremony and, as Allan Charles Quinn is the photographer, it is obviously not his first crossing. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This photograph is from the Allan Charles Quinn collection which is a collection of letters and photographs depicting aspects of the life of a young man who went to sea in the period immediately following World War II.Black and white photograph depicting aspect of the "crossing the line" ceremony performed at sea on the Ariston. This ceremony was performed to mark a person's first crossing of the equator.Black ink on reverse: Crossing the equator 10.9.46allan-charles-quinn, crossing-the-line, sweden, central-america, north-west-indies, south-america, equator, ariston, letters-from-abroad

"Crossing the line" was an important maritime ritual and denoted the first crossing of the equator by a sailor. This photograph has been taken by Allan Charles Quinn and obviously is not his first crossing but depicts aspects of the ceremony, in particular the way in which crew members would dress up to represent King and Queen Neptune. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of the "crossing the line" ceremony aboard the Ariston in 1946. Crew members are dressed as King and Queen Neptune.Black ink on reverse: Crossing the equator/ 10.9.46allan-charles-quinn, crossing-the-line, sweden, central-america, north-west-indies, south-america, equator, ariston, letters-from-abroad

The crossing the ceremony was an important part of maritime lore and marked a sailor's first crossing of the equator. This photograph was taken by Allan Charles Quinn and therefore it is presumably not his first crossing but the photograph does depict aspects of the ceremony.This photograph is from the Allan Charles Quinn collection which is a collection of letters and photographs depicting life at sea for a young man in the period immediately after World War II.Black and white photograph of various members of the crew of the Ariston participating in the "crossing the line" ceremony in 1946.Black ink on reverse: Crossing the equator/ on Ariston/ 10.9.46allan-charles-quinn, crossing-the-line, sweden, central-america, north-west-indies, south-america, equator, ariston

The photograph is part of a series of five, depicting the Ariston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows the front and side of the ship while in the dry dock.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Ariston in dry dock, in Hoboken, New Jersey.Handwritten in black ink on reverse: ARISTON IN DRY SOCK / 26.8.47 / D (handwritten in pencil). There is also a small mark in blue ink in the bottom right hand corner.allan-quinn, photograph, dry-docks, hoboken, new-jersey, ariston

The photograph is part of a series of five, depicting the Ariston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows the propeller screws of the ship.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph showing one of the propeller screws of the Ariston while in dry dock.Handwritten in black ink on the reverse: SCREWS OF ARISTON / 26.8.47 / D (handwritten in pencil). There is also a small blue ink mark in the bottom right hand corner.allan-quinn, photograph, dry-docks, hoboken, new-jersey, propeller-screws, ariston

The photograph is part of a series of five, depicting the Ariston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows the front of the ship while in the dry dock.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Ariston in dry dock.Handwritten on reverse in black ink: ARISTON IN DRY DOCK / 26.8.47 / D (in pencil). There is also a small mark in blue ink in the left hand bottom corner.allan-quinn, photograph, dry-docks, hoboken, new-jersey, ariston

The photograph is part of a series of five, depicting the Aniston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows the front of the ship while in the dry dock.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of the Aniston in dry dock, in Hoboken, New Jersey.Handwritten in black ink on reverse: ANISTON IN DRY DOCK / HOBOKEN NEW JERSEY / 26.8.47 / D (in pencil). There is also a small blue mark in the bottom left hand corner.allan-quinn, photograph, aniston, dry-docks, hoboken, new-jersey

The photograph is part of a series of five, depicting the Aniston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows workers painting the "bootopping"of the ship.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of workers painting the "bootopping"of the Aniston, while in dry dock.Handwritten in black ink on reverse: WORKERS PAINTING / BOOTOPPING IN DOCK / 26.8.47 / D (in pencil). There is also a small mark in blue ink in the bottom left hand corner.allan-quinn, photograph, aniston, dry-docks, hoboken, new-jersey, bootopping

This photograph is part of series of four, the only colour photographs taken by Allan Quinn while docked in Rio De Janeiro on-board the M/S Fenris. The photographs are mentioned in one of Allan Quinn's leters to his mother (Object 0150).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Colour photograph of Copacabana Beach in Rio De Janeiro. The photograph has been mounted on a 7.4x9.8 white card.Date on verso: 25-12-48allan-quinn, colour-photograph, fenris, rio-de-janeiro, copacabana

This photograph is part of series of four, the only colour photographs taken by Allan Quinn while docked in Brazil on-board the M/S Fenris. The photographs are mentioned in a letter Allan Quinn wrote to his mother (Object 0150).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A colour photograph of the M/S Fenris , docked in Paranague , Brazil, and being loaded with coffee. The photograph is mounted in a 7.5x9.7 white card.Date on verso: 29-12-48allan-quinn, colour-photograph, fenris, paranaque, brazil, coffee