Showing 214 items
matching lifestyles
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Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, Rafting on the river, 1998
Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up this area. Illustrated by Craig Charles[15 p.] : col. ill. ; 21 cm. + 2 sheets (double-sided)Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up this area. Illustrated by Craig Charleschildren, aboriginal australian -- juvenile literature. | readers (primary) | reading (primary) -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, Waiting for yabbies, 1998
The story in this book was based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... [It] gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area[16] p. : col. ill. ; 18 cm. + 2 sheets.The story in this book was based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... [It] gives an insight into the lifestyles and experiences of the Koorie children who grew up in this areachildren, aboriginal australian -- juvenile literature. | readers (primary) | reading (primary) -
Koorie Heritage Trust
Education Kit, Aboriginal and Torres Strait Islander Commission, Indigenous Australia, 1993
Booklets to introduce Aboriginal culture and lifestyles past and present throughout Australia. Extra copies in stackin stack12 booklets ; in folder, 31 cm.Booklets to introduce Aboriginal culture and lifestyles past and present throughout Australia. Extra copies in stackin stackaboriginal australians -- social life and customs. aboriginal australians -- social conditions. aboriginal australians -- history. arts, aboriginal australian. -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, Collecting firewood, 1998
The story in this book was based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... [It] gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Craig Charles.[15] p. : col. ill. ; 18 cm. + 2 sheets.The story in this book was based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... [It] gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Craig Charles.children, aboriginal australian -- juvenile literature. | readers (primary) | reading (primary) -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, Fishing, 1998
Yorta Yorta people's story of fishing and what they did with carp. The story in this book was based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... [It] gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Elaine Russell.[15] p. : col. ill. ; 18 cm. + 2 sheets.Yorta Yorta people's story of fishing and what they did with carp. The story in this book was based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... [It] gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Elaine Russell.children, aboriginal australian -- juvenile literature. | readers (primary) | reading (primary) -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, Bath time, 1998
The story in this book was based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... [It] gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Elaine Russell[15] p. : col. ill. ; 18 cm. + 2 sheets.The story in this book was based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... [It] gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Elaine Russellchildren, aboriginal australian -- juvenile literature. | readers (primary) | reading (primary) | yorta yorta -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, A mob of kangaroos, 1998
During the hot months more kangaroos are seen drinking at the river. The story in this book was based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... [It] gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Donna Leslie.[15] p. : col. ill. ; 18 cm. + 2 sheets.During the hot months more kangaroos are seen drinking at the river. The story in this book was based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... [It] gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Donna Leslie.children, aboriginal australian -- juvenile literature. | readers (primary) | reading (primary) -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, The Barmah bunyip, 1998
The story in this book was based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... [It] gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. llustrated by Karen Briggs[15] p. : col. ill. ; 18 cm. + 2 sheets.The story in this book was based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... [It] gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. llustrated by Karen Briggschildren, aboriginal australian -- juvenile literature. | readers (primary) | reading (primary) -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, Mmm Turtle!, 1998
How turtles were cooked traditional style. Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Shane Russell.[15] p. : col. ill. ; 21 cm. + 2 sheets (double-sided)How turtles were cooked traditional style. Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Shane Russell.children, aboriginal australian -- juvenile literature. | readers (primary) | reading (primary) | yorta yorta -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, Too many rabbits, 1998
When there were lots of rabbits along the river, rabbits were the only source of fresh meat for the Yorta Yorta people. Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Karen Briggs.[15] p. : col. ill. ; 21 cm. + 2 sheets (double-sided)When there were lots of rabbits along the river, rabbits were the only source of fresh meat for the Yorta Yorta people. Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Karen Briggs.children, aboriginal australian -- juvenile literature. | reading (primary) | readers (primary) | rabbits, | yorta yorta -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, Last winter, 1998
Many hours were spent on the river by the Yorta Yorta children using whatever materials that could be found to amuse themselves. Based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Shane Russell.[15] p. : col. ill. ; 21 cm. + 2 sheets (double-sided)Many hours were spent on the river by the Yorta Yorta children using whatever materials that could be found to amuse themselves. Based on the lifestyle of the Yorta Yorta people of the Murray River, near Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Shane Russell.children, aboriginal australian -- juvenile literature. | readers -- animals -- infancy. | readers (primary) -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, Possums on the roof, 1998
Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Elaine Russell.[15] p. : col. ill. ; 21 cm. + 2 sheets (double-sided)Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Elaine Russell.children, aboriginal australian -- juvenile literature. | reading (primary) | readers (primary) | yorta yorta -
Koorie Heritage Trust
Book, Briggs-Pattison, Sue et al, Damper, 1998
How Yorta Yorta people made damper when they had no money for bread. Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Donna Leslie.[15] p. : ill. ; 21 cm. + 2 sheets (double-sided)How Yorta Yorta people made damper when they had no money for bread. Based on the lifestyle of the Yorta Yorta people of the Murray River, bear Barmah. ... Gives an insight into the lifestyles and experiences of the Koorie children who grew up in this area. Illustrated by Donna Leslie.reading (primary) | readers (primary) | children, aboriginal australian -- juvenile literature | yorta yorta -
Koorie Heritage Trust
Book, Beveridge, Peter, The Aborigines of Victoria and Riverina, 1889
The author arrived in Victoria at the age of 10 years in 1839. His family gave their name to the Victorian town. He and his brother settled at 'Tyntynder' outside Swan Hill in 1845. His brother was killed by Aborigines. Brought into daily contact with the Aborigines of the area he gradually acquired their language and was permitted to learn much denied to other whites. By 1883 he had amassed a large amount of information which he put into the form of a Paper, read before the Royal Society of New South Wales. This paper may be regarded as the skeleton of the volume now publishjed. Victoria -- RiverinaAboriginals, Victoria -Swan Hill region. Lifestyle; customs and beliefs. Tyntynder(Vic)Aboriginals - Murray River tribes; language; magic; religion and practices.191p.; vocab. list; The author arrived in Victoria at the age of 10 years in 1839. His family gave their name to the Victorian town. He and his brother settled at 'Tyntynder' outside Swan Hill in 1845. His brother was killed by Aborigines. Brought into daily contact with the Aborigines of the area he gradually acquired their language and was permitted to learn much denied to other whites. By 1883 he had amassed a large amount of information which he put into the form of a Paper, read before the Royal Society of New South Wales. This paper may be regarded as the skeleton of the volume now publishjed. Victoria -- RiverinaAboriginals, Victoria -Swan Hill region. Lifestyle; customs and beliefs. Tyntynder(Vic)Aboriginals - Murray River tribes; language; magic; religion and practices.aboriginal australians -- victoria. | aboriginal australians -- murray river valley (n.s.w.-s.a.) -
Koorie Heritage Trust
Booklet, Baxter, Bruce [et al.]. (Aboriginal History Program), Matakupat : the Aboriginal history of the Swan Hill area, 1990
Traditional Aboriginal Society was an oral culture so that the history, stories, and songs and knowledge of Spirituality, Laws, Customs and Values were communicated verbally for thousands of years.The invasion of Europeans caused destruction of tribal groups by disease and killings. It limited the use of language, exchange of stories, land use and the important performance of rituals and ceremonies. Europeans used their world view as a mirror and through their observations, documents, diaries, reports and stories were full of racist comments and ignorant opinions of a lifestyle and culture of which they had little understanding.This book was the result of many months of research by a group of Swan Hill Aboriginal Educators. It is an attempt to present limited information about the history and lifestyles of the Wemba Wemba and Wathi Wathi people, the Tribes of the Swan Hill and Lake Boga areas.20 p. : ill., map ; 21 cm.Traditional Aboriginal Society was an oral culture so that the history, stories, and songs and knowledge of Spirituality, Laws, Customs and Values were communicated verbally for thousands of years.The invasion of Europeans caused destruction of tribal groups by disease and killings. It limited the use of language, exchange of stories, land use and the important performance of rituals and ceremonies. Europeans used their world view as a mirror and through their observations, documents, diaries, reports and stories were full of racist comments and ignorant opinions of a lifestyle and culture of which they had little understanding.This book was the result of many months of research by a group of Swan Hill Aboriginal Educators. It is an attempt to present limited information about the history and lifestyles of the Wemba Wemba and Wathi Wathi people, the Tribes of the Swan Hill and Lake Boga areas.1. aborigines, australian -- victoria -- swan hill -- history -- juvenile literature. 2. aborigines, australian -- victoria -- swan hill -- social life and customs -- juvenile literature. i. baxter, bruce. ii. title., other: wemba wemba tribe -- wathi wathi tribe -- aboriginal educators. -
Koorie Heritage Trust
Book, Brown, Anne, Wotjobaluk Dreaming: a case study of the Wotjobaluk People and their Country, 2001
This study examines a number of Aboriginal and Natural Places listed on the Natioonal Estate Register for the Wimmera and Southern Mallee Districts of Victoria. These are the traditional lands of the Wotjobaluk people. Their descendantssee these sites as a vital partof their culltural heritage and along with government agencies are actively involved in preservation and management issues.i-xii-Pp 253; illus; appendices; figs.; maps; 30 cm.This study examines a number of Aboriginal and Natural Places listed on the Natioonal Estate Register for the Wimmera and Southern Mallee Districts of Victoria. These are the traditional lands of the Wotjobaluk people. Their descendantssee these sites as a vital partof their culltural heritage and along with government agencies are actively involved in preservation and management issues.wotjobaluk people history - lifestyle -, wimmera-aboriginal sites, southern mallee - aboriginal sites, ebenezer mission - history, aboriginal protection board - parliamentary reports, native title-wotjobaluk people. -
Chiltern Athenaeum Trust
Domestic object - Spoon belonging to W.C.Busse
Wilfred Clarence Busse, born in Chiltern in 1898, His family moved to the region during the gold rush and continued to reside in the area, purchasing land adjacent the Murray River. Busse completed his secondary education at Wesley College in Melbourne then studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. He worked most of his life in Chiltern as a Barrister and Solicitor and gained the unofficial title of historian of Chiltern, leaving behind several manuscript histories and a scrap book. Busse was an avid fictional writer and in 1930 he published two novels. Time spent on a Victorian station in his early twenties, as well as careful documentary research, informed the writing of his historical novels of bush life. "The Blue Beyond; A Romance of the Early Days in South Eastern Australia” and "The Golden Plague: A Romance of the Early Fifties." "The Golden Plague” won the T. E. Role gold medal for the best historical novel which went on to become a best seller. Busse often drew inspiration for his novels from his younger years living Chiltern. His passion for the region lead him to write “The History of Chiltern” which was published in a serial form in the Chiltern Federal Standard from 1922-1923. Wilfred Clarence Busse was a member of Chiltern Athenaeum (where this object is now held) up until his death in 1960, he is buried in the Barnawartha Cemetery. The floral motif on this particular spoon appears to be stylised in the decorative arts and craft style favoured in Europe between 1880-1920 and less representational than examples of Australiana flora captured in silversmithing from the 1850's onwards produced in Australia. It is likely that those producing silverware at the time would be drawing on the decorative arts movement while incorporating elements of the natural beauty in the flora of their newfound environment into the silverware they produced. This spoon seems more likely to have been produced in Europe and imported to the colony. The hallmarks on the handle DON and BP indicate it may have been produced from English electroplating silver which is a more cost effective product than solid silver, most likely produced by Cooper Brothers, Don Plate Works, established in Sheffield in 1866 who distributed silverware in Europe, America and the colonies well into the 1950's.Wilfred Clarence Busse was of social significance to Chiltern, he helped to document the cultural story of the area in his published works "The Golden Plague" and "The Beyond Blue" by recounting his own upbringing in a bush lifestyle. He was a respected Barrister and was the unofficial historian of the Chiltern Athenaeum for many years. This spoon represents a window into the domestic life of this person who was well loved in the area, and it continues its relationship to Busse as well as Chiltern by being held within the very collection he helped to maintain in his life. Domestic objects tell us the story about how people lived, objects of daily use hold particular meaning in that they can tell us the story of an individual, we feel closer to their life and habits, it humanises and connects us across time. Wilfred Busse ate food and he did it from a beautiful silver floral detailed spoon.A silver tablespoon with floral embossed head and hallmarks embossed on reverse handleDON/ BP/silverware, wilfred clarence busse, busse, chiltern, chiltern athenaeum, federal standard, t. e. role, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, gold rush, murray river, “the history of chiltern”, silversmithing, spoon, decorative arts, floral, flora, australiana, australian flora, arts and craft movement, australian silver, cussen -
Chiltern Athenaeum Trust
Domestic object - Spoon belonging to W.C.Busse
Wilfred Clarence Busse, born in Chiltern in 1898, His family moved to the region during the gold rush and continued to reside in the area, purchasing land adjacent the Murray River. Busse completed his secondary education at Wesley College in Melbourne then studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. He worked most of his life in Chiltern as a Barrister and Solicitor and gained the unofficial title of historian of Chiltern, leaving behind several manuscript histories and a scrap book. Busse was an avid fictional writer and in 1930 he published two novels. Time spent on a Victorian station in his early twenties, as well as careful documentary research, informed the writing of his historical novels of bush life. "The Blue Beyond; A Romance of the Early Days in South Eastern Australia” and "The Golden Plague: A Romance of the Early Fifties." "The Golden Plague” won the T. E. Role gold medal for the best historical novel which went on to become a best seller. Busse often drew inspiration for his novels from his younger years living Chiltern. His passion for the region lead him to write “The History of Chiltern” which was published in a serial form in the Chiltern Federal Standard from 1922-1923. Wilfred Clarence Busse was a member of Chiltern Athenaeum (where this object is now held) up until his death in 1960, he is buried in the Barnawartha Cemetery. The leaf shaped motif of this particular spoon appears to be stylised in a simple form of decorative arts and craft or even Art Nouveau style favoured in Europe between 1880-1920 and less representational than examples of Australiana flora captured in silversmithing from the 1850's onwards. According to Christine Erratt, due to the goldrush in the 1850's, there was increased wealth in the colony and an influx of immigrants from Europe to Australia who brought with them silversmithing skills which began ‘the golden age’ of Australian silver', Erratt says that 'Australia's unique flora has been portrayed in the decorative arts since the early colonial times of the last decade of the 18th century. The use of Australian flora to decorate silverware is of particular interest and diversity'. It is likely that those producing silverware at the time would be drawing on the decorative arts movement while incorporating elements of the natural beauty in the flora of their newfound environment into the silverware they produced. There are no discerning maker hallmarks to place where it was produced or ascertain the material accurately.Wilfred Clarence Busse was of social significance to Chiltern, he helped to document the cultural story of the area in his published works "The Golden Plague" and "The Beyond Blue" by recounting his own upbringing in a bush lifestyle. He was a respected Barrister and was the unofficial historian of the Chiltern Athenaeum for many years. This spoon represents a window into the domestic life of this person who was well loved in the area, and it continues its relationship to Busse as well as Chiltern by being held within the very collection he helped to maintain in his life. Domestic objects tell us the story about how people lived, objects of daily use hold particular meaning in that they can tell us the story of an individual, we feel closer to their life and habits, it humanises and connects us across time. A tarnished small silver teaspoon with leaf-shaped head and slim handlesilverware, wilfred clarence busse, busse, chiltern, chiltern athenaeum, federal standard, t. e. role, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, gold rush, murray river, “the history of chiltern”, silversmithing, spoon, decorative arts, floral, flora, australiana, australian flora, arts and craft movement, australian silver, cussen -
Chiltern Athenaeum Trust
Domestic object - Butter knife belonging to W.C.Busse
Wilfred Clarence Busse, born in Chiltern in 1898, His family moved to the region during the gold rush and continued to reside in the area, purchasing land adjacent the Murray River. Busse completed his secondary education at Wesley College in Melbourne then studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. He worked most of his life in Chiltern as a Barrister and Solicitor and gained the unofficial title of historian of Chiltern, leaving behind several manuscript histories and a scrap book. Busse was an avid fictional writer and in 1930 he published two novels. Time spent on a Victorian station in his early twenties, as well as careful documentary research, informed the writing of his historical novels of bush life. "The Blue Beyond; A Romance of the Early Days in South Eastern Australia” and "The Golden Plague: A Romance of the Early Fifties." "The Golden Plague” won the T. E. Role gold medal for the best historical novel which went on to become a best seller. Busse often drew inspiration for his novels from his younger years living Chiltern. His passion for the region lead him to write “The History of Chiltern” which was published in a serial form in the Chiltern Federal Standard from 1922-1923. Wilfred Clarence Busse was a member of Chiltern Athenaeum (where this object is now held) up until his death in 1960, he is buried in the Barnawartha Cemetery. Likely Silverplate due to the intensity of the tarnishing of the metal, with indecipherable hallmarks on the handle, the method of production and the maker mark are unclear. The delicate swirling fernlike motif on this particular butter knife appears to be stylised in either Art deco the decorative arts and craft style favoured in Europe between 1880-1930's and less representational than examples of Australiana flora captured in silversmithing from the 1850's onwards produced in Australia. It is likely that those producing silverware at the time would be drawing on the decorative arts movement while incorporating elements of the natural beauty in the flora of their newfound environment into the silverware they produced.Wilfred Clarence Busse was of social significance to Chiltern, he helped to document the cultural story of the area in his published works "The Golden Plague" and "The Beyond Blue" by recounting his own upbringing in a bush lifestyle. He was a respected Barrister and was the unofficial historian of the Chiltern Athenaeum for many years. This butter knife represents a window into the domestic life of this person who was well loved in the area, and it continues its relationship to Busse as well as Chiltern by being held within the very collection he helped to maintain in his life. Domestic objects tell us the story about how people lived, objects of daily use hold particular meaning in that they can tell us the story of an individual, we feel closer to their life and habits, it humanises and connects us across time. Wilfred Busse ate food, he buttered his bread and he did it with a wonderfully decorated silver butter knife.A tarnished metal butter knife with engraved and embossed spiral fern details on the knife and handlesilverware, wilfred clarence busse, busse, chiltern, chiltern athenaeum, federal standard, t. e. role, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, gold rush, murray river, “the history of chiltern”, silversmithing, decorative arts, floral, flora, australiana, australian flora, arts and craft movement, australian silver, cussen, cutlery, butter knife, knife, silverplate -
Port Fairy Historical Society Museum and Archives
Book, Gelding Street Press, Abalone pioneers : the Untold Stories of the Victorian Western Zone Divers, 2019
“Abalone Pioneers is the Australian story of the divers, deckhands, researchers and processors who established and developed the zone's abalone industry. The book chronicles the amateur fisherman of the 1950s and the hazy crazy tribe of ‘scruffy longhairs’, who were attracted by the hedonistic lifestyle and fantastic profits in the 1960s, to the professional enterprise of today. It charts the development of the Victorian Western Abalone Divers Association and it role managing and protecting the Victorian Western Zone’s resources, and explores the successful diver-led commercial processors. Illustrated with over 100 historical photographs and featuring over 50 interviews, Abalone Pioneers is an exuberant and fascinating account of the establishment of one of Australia’s valuable but little-known fisheries.”--Back cover.224 pages, 19 pages of plates : illustrations (chiefly colour), colour facsimiles, colour portraits ; 27 cm.non-fiction“Abalone Pioneers is the Australian story of the divers, deckhands, researchers and processors who established and developed the zone's abalone industry. The book chronicles the amateur fisherman of the 1950s and the hazy crazy tribe of ‘scruffy longhairs’, who were attracted by the hedonistic lifestyle and fantastic profits in the 1960s, to the professional enterprise of today. It charts the development of the Victorian Western Abalone Divers Association and it role managing and protecting the Victorian Western Zone’s resources, and explores the successful diver-led commercial processors. Illustrated with over 100 historical photographs and featuring over 50 interviews, Abalone Pioneers is an exuberant and fascinating account of the establishment of one of Australia’s valuable but little-known fisheries.”--Back cover.western abalone divers association (victoria) -- history., divers -- victoria, western -- biography., abalone fisheries -- victoria, western -- history., abalone industry -- victoria, fishers -- victoria, abalones., fisheries -- victoria., sports & active outdoor recreation., local history., abalones -- victoria, western., abalone industry -- australia., deep diving., fisheries -- australia -- victoria., victoria, victoria., australian, book -
National Wool Museum
Photo Album, 1930-1934
The Photo Album was created by Hans Beck, who interned with the donor's father (Wilhelm Eckels). The Photo Album depicts wool buying and sheep station related life between 1927-1939. Each photograph has been individually labelled.Straw coloured booklet with gold cursive writing on front cover spelling 'Photo Album'. Inside are 18 pages containing 63 photographs, each individually captioned. Internal pages show signs of age with discolouration, particularly in areas of previous adhesive application.Lettering, Front: Historic Interest Before WME arrived - 1930-1934 Wool & Sheep Photo Album Lettering, Internal by Page: Page 1 - Bottom Left Conner: Table from right:/ O. Hilbert sen. / WW. Richter, W. Ehrig/ Sampler: C. McCarthy/ at desk: E.S. Bottom Right Corner: 1927/ Wool Sample Room/ O. Hilbert/ Terranora Buildings/ Reiby Lane Page 2 - Bottom Middle: 1931/ Opening Sale/ Sydney Page 3 - Bottom Middle: 1934/ Opening Sale/ Sydney Page 4 - Bottom Middle: 1933/ Wool Auctions/ Brisbane Page 5 - Top Left Corner: 1930 Escapade/ Sydney to CAIRNS/ via Bourke, Central/ Queensland, Hinter-/ land & Atherton/ Table Lands Top Right Corner: Dubbo: Main Street/ (1st Night)/ 31.7.1930 Middle Right: 1st Night-"OUT"/ Stranded 11 miles/ from Bourke. (Red/ Dust in Carburettor Bottom Right Corner: Our "ERSKINE'/ hits Culvert &/ breaks both King-/pins. 1 1/2 miles from/ CUNNAMULLA SW-Q. Page 6 - Top Right Corner: "Rosevale Station"/ via Cunnamulla SWQ/ "Gidgi" country/ Gidgi Creak &/ Warrigo R. Middle Left: STAN HILL Page 7 - Middle Top: Blackhall/ Tattersall's Hotel/ Yarning at Cross-/roads. Middle Left: FO Wool Sales/ 22 Horse team Middle Right: Roadsign to:/ ISIS DOWNS &/ Homestead (Fart Page 8 - Middle Top: Muster: 3000 sheep/ Semi-circular/ Shearing shed/ ISIS DOWNS Page 9 - Middle Top: Shearer/ Water Tower/ Counting out/ pens Middle Bottom: Shearers Cook/ Hot Water & Soup/ Cake for Shearing/ Shed Charity Ball Page 10 - Middle Left: Isis Downs Home-/ stead with fire// flood Lookout./ Artesian Borewell Bottom Right: Manager: Moore/ & Alfred Loh-/ mann with kills/ Ducks & Emus Page 11 - Top Middle: PORTLAND DOWNS/ Muster: 10,000/ Sheep Bottom Left: Manager:/ Mr. Luck/ with A.L./Moore Page 12 - Middle Top: ROOKWOOD Station/ near/ HUGHENDEN/ Central NWQ Page 13 - Top Middle: 'HINTERLAND"/ Cattle country/ Spear Grass/ Tracks Bottom Middle: Crossings:/ Creeks: Quick/ Sand/ Rivers: rocky Page 14 - Middle Right: Lyndhurst stat/tion/ Head Stockman Middle Left: -Valley of la-/goons/ Station Bottom Right Corner: Master Atkinson/ saves/ Petrol shortage Page 15 - Top Middle: ATHERTON TABLELANDS/ LAKE BERRINE Middle Centre: Tropical Rainforest/ near/ Lake Berrine Page 16 - Top Middle: ATHERTON TABLELANDS/ Timber Country Bottom Middle Edge: CAIRNS/ Imperial Hotel Page 17 - Hans Beck with/ Betty Hilbert/ Lapstone Hill 1931 wool - transportation, wool sales, wool growing, wool growing agriculture farming, wool industry, wool sales - sydney, wool sales - brisbane, dubbo, 1930, bourke, cunnamulla, isis downs, shearing, shearing - lifestyle, portland downs, muster, hughenden, hinterland, lake berrine, cairns -
National Wool Museum
Trophy, 1927
Trophy presented by The Corio Freezing Works Cricket Club to the Geelong Industrial Cricket Association in 1927 for competition and won by the Excelsior Mills 'A' Cricket Club for the 1929-1930 season.Trophy has cricket stumps and two crossed bats forming handle on lid. Lid attaches to a large cup with thin handles protruding either side, cup also features inscription on front. Below the cup is a thin metal stand with which the handles meet. Stand expands to two circles feet, one on top increasing in size to the one below which meets the ground.Inscription, wording: 1927-28 Presented by The Corio Freezing Works Cricket Club To The GEELONG INDUSTIRAL CRICKET ASSOCIATION for competition Won By Excelsior Mills "A" Cricket Club. 1929-1930 Stand, Inscription, Image: fleur-de-lis Stand, Inscription, Writing: EPNStextile mills, textile mills - lifestyle -
Flagstaff Hill Maritime Museum and Village
Ceramic - Chamber Pot, 1912
In the 19th and early 20th centuries, J. & G. Meakin were important, large-scale producers of good quality, ironstone tableware (‘White Granite’ ware) that met a ready market in the United States, South America, Australia, and other traditional British markets. By the 1890s the company was one of the world’s largest earthenware manufacturers. Although export teaware and tableware was the factory’s staple commodity, Meakin also manufactured toilet ware, kitchen ware and a wide range of fancy earthenware. The company was amongst the first British pottery firms to experiment with modernist designs associated with the art deco period. The Moderne' range was introduced in 1929 consisting of an angular shape decorated design with geometric patterns and often highlighted with silver or gold. This range remained in production through the 1930s. Post 1945 the company introduced the streamlined Studio shape (1953) and Horizon shape (1955) both heavily influenced by the Russell Wright ‘American Modern’ tableware. In 1964 a new Studio shape was released with tall streamlined coffee pots used as the background for many contemporary patterns now associated with the 1950s and 1960s. Designs by Jessie Tate and Eve Midwinter, some originally found on Midwinter shapes, also appear on 1970s Studio ware. The Studio range was one of Meakin’s most successful and continued in production until the late-1970s. The enormous range of floral, geometric, and abstract designs make Studio Ware collectible in its own right. In the 1970s and 1980s as part of the Wedgwood Group Meakin produced contemporary products under the ‘Bull in a China Shop’ and ‘Creative Tableware’ names. ‘Sol’ (c.1912-1963), ‘Studio’ (1953 on) and ‘Royal Staffordshire’ (post 1968) were important J. & G. Meakin Ltd trade names. Meakin marks are numerous, but all include the J. & G. Meakin name. The significance of this item and pottery generally is that often earthenware is portrayed as being a landmark in the evolution of humanity. This is because these items are the few things from the past that have survived in a tangible form. Pottery is an important functional part of society and it has a critical role to play as it helps archaeologists to date other artefacts of the same time period. Also, the decorations on pottery have told much about the beliefs, lifestyles and lives of the people who bought them and used them. In other words it gives us today a snapshot of society from the past and how people used these items in their daily lives, their likes as well as societal and design trends. Earthenware white glazed ironstoneJ & G Meakin Hanley England stamped to base, with white flora designwarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pottery, earthenware, iron stone, alfred meakin, james meakin, george meakin, earthenware manufactures, chamber pot -
Flagstaff Hill Maritime Museum and Village
Ceramic - Chamber Pot, J & G Meakin, Early to mid 20th century
In the 19th and early 20th centuries, J. & G. Meakin were important, large-scale producers of good quality, ironstone tableware (‘White Granite’ ware) that met a ready market in the United States, South America, Australia, and other traditional British markets. By the 1890s the company was one of the world’s largest earthenware manufacturers. Although export teaware and tableware was the factory’s staple commodity, Meakin also manufactured toilet ware, kitchenware and a wide range of fancy earthenware. The company was amongst the first British pottery firms to experiment with modernist designs associated with the art deco period. The Moderne' range was introduced in 1929 consisting of an angular shape decorated design with geometric patterns and often highlighted with silver or gold. This range remained in production through the 1930s. Post 1945 the company introduced the streamlined Studio shape (1953) and Horizon shape (1955) both heavily influenced by the Russell Wright ‘American Modern’ tableware. In 1964 a new Studio shape was released with tall streamlined coffee pots used as the background for many contemporary patterns now associated with the 1950s and 1960s. Designs by Jessie Tate and Eve Midwinter, some originally found on Midwinter shapes, also appear on 1970s Studio ware. The Studio range was one of Meakin’s most successful and continued in production until the late-1970s. The enormous range of floral, geometric, and abstract designs make Studio Ware collectible in its own right. In the 1970s and 1980s as part of the Wedgwood Group Meakin produced contemporary products under the 'Bull in a China Shop' and 'Creative Tableware' names. 'Sol' (c.1912-1963), 'Studio' (1953 on) and 'Royal Staffordshire' (post-1968) were important J. & G. Meakin Ltd trade names. Meakin marks are numerous, but all include the J. & G. Meakin name. The significance of this item and pottery generally is that often earthenware is portrayed as being a landmark in the evolution of humanity. This is because these items are the few things from the past that have survived in a tangible form. Pottery is an important functional part of society and it has a critical role to play as it helps archaeologists to date other artefacts of the same time period. Also, the decorations on pottery have told much about the beliefs, lifestyles and lives of the people who bought them and used them. In other words it gives us today a snapshot of society from the past and how people used these items in their daily lives, their likes as well as societal and design trends. Chamber pot ceramic white with handle at side and decoration around top. Unclearwarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, champer pot, personal hygiene, personal item, ceramic pot, domestic object -
Phillip Island and District Historical Society Inc.
Photograph, Harvest Festival, Presbyterian Church, Cowes
St John's Presbyterian Church is in Chapel Street, Cowes. The time span of the photo appears to be 1920s-1940s.HistoricalLarge sepia photo, mounted on cardboard, of produce including pumpkins, apples and potatoes displayed surrounded with sheaths inside hall. There is a plaque on the wall behind, the heading of which reads " In memory of the Rev. Alexander Robb D.D."st john's presbyterian church, rev alexander robb, photograph, churches- phillip island, lifestyle -
Phillip Island and District Historical Society Inc.
Booklet, Henry Cleeland - a biography
Henry [Harry ] is the son of John Blake and Ethel May Cleeland. He farmed near Surf Beach estate and lived at Woolamai House.HistoricalPhotocopy of a 9 page booklet of writing and photos on Henry Cleeland and family by Jessica WalshHenry Cleeland a biography by Jessica Walshhenry cleeland, woolamai house, world war 2 lifestyle -
Phillip Island and District Historical Society Inc.
Document, Appointment of Solomon West as a Licensing Justice for the District of Griffith Point.1876
Solomon West and his brother John were pioneer settlers on Phillip Island. Solomon was also a local councillor.HistoricalFoolscap photocopy of a handwritten letter from The Crown Law Office to Solomom West Esq.stating his appointment as a Licensing Justice for Griffith Point. 5 Dec 1876Solomon West Esq Phillip Island.legal document, solomon west, lifestyle -
Phillip Island and District Historical Society Inc.
Document, Pioneering Days by George Everard
This is an extract from "The memories of an Itinerant worker [swaggie] by George Everard. Forward by Horace W. Gould MBE" This is a rare example of a diary of a swaggie. This extract is also called Pioneering Days : journal of G. Everard, Victoria 1977HistoricalFoolscap sized photocopy of a handwritten account of the life of George Everard when he arrived in Melbourne in 1851, describing the town and his employment and life on Phillip and French Islands working for the McHaffies. george everard, john david mchaffie, itinerant workers, french island, ballangiech ship, lifestyle -
Flagstaff Hill Maritime Museum and Village
Functional object - Hat Box, John Brush, Son & Co, 1920s
This sturdy, deep hat box has been carefully constructed to give the contents utmost protection in the roughest of travel conditions. At the same time, attention to detail and quality of materials makes the box an attractive, desirable and useful piece of luggage. The supports inside the hat box show that the hat’s brim dipped at the front and back in the popular 1920s Homburg or Derby style. The hat box was likely to have been purchased, complete with its fashionable hat and personalised with the initials ‘G.M.’. The five shipping labels on the hat box tell that the owner traveller overseas with it on more than one occasion. The owner had first travelled with the shipping line Peninsular & Orient Steam Navigation Company, and may have been one the first Australian passengers in 1932, as the remnant of label on the base reads Sydney. The owner later voyaged under the company’s new name of P & O. and travelled from at least one of the voyages from Melbourne to London The square label, with “P & O” and red printed “M” in centre of circle, refers to alphabetical organisation of baggage by surname, connecting the owner ‘G.M.’ to the owner’s voyage with P & O. The P & O shipping line’s early beginnings started with the partnership of London ship broker Brodie McGhie Willcox and Scottish sailor Arthur Anderson in 1822. The partnership was joined by Irish shipowner Captain Richard Bourne in 1835 and they began operation as the Peninsular & Orient Steam Navigation Company with a service between London- Spain - Portugal. In 1932 the company expanded to include Australia with its passenger services departing from Sydney; in 1840 the company was incorporated. After various take-overs of other shipping lines and businesses, it operated under the name P & O. JOHN BRUSH The hat box was made by Australian saddle designer and maker, John Brush, Sons & Co. Brush began his saddlery trade in Roma, Queensland, His designing process included consulting with the men who rode and worked the horses. He was described in the Sydney Morning Herald of December 15, 1897, as a leading Sydney saddler, well known and reliable, with every kind of English and Australian saddle on view. John Brush established his business in 1840, operating from 371 George Street Sydney. A catalogue from that era jointly advertises John Brush (371 George Sty Sydney) and Butlers & Brush (432-4 Queen Street Sydney), both under the name of Edward Butler & Co. Pty. Ltd. The catalogue included saddlery, harness equipment, riding wear and travel goods, and strongly promoted the Wienkek made saddles, which he distributed Australia wide. John Brush, So & co. advertised its ‘new’ address in 1887, as 403 George Street Sydney. In 1898 Brush made a side-saddle for a customer, a design popular with gentlewomen of the era. The business was still operating over 100 years later, producing a catalogue in the 1950s.This early 20th century hat box is significant for being one of a kind in our Collection. Its fitted design shows the shape of the hat, dating it from the 1920s men’s fashions. The hat box is significant for being a high quality hat box made in Sydney, Australia by prominent and successful early colonial saddler and leather goods business, John Brush, Son & Co. The labels on the outside of the hat box are also significant, representing the prosperous lifestyle of an Australian traveller who purchased quality goods and cared for them. The traveller was able to depart from firstly the Port of Sydney and later the Port of Melbourne. Hatbox, oval shape, brown leather, strong, sturdy construction, six pieces, and metal lock on base. Wide lid, then tapers to a narrower base that has a red leather trim. Brown velvet fabric lining inside and covers some accessories. Other internal accessories are trimmed with plain red paper and blue and white striped paper. The lid has two attached leather tabs and a leather handle and underneath it has a drawstring liner and oval, gold-lettered maker’s label. The internal oval box has a leather retention strap and brim support. Separate moulded brim support is included. A detached leather strap with catch is inside the base. Inscriptions are stamped on the lid, printed on the maker’s label, attached as printed paper labels to the lid, sides, and under the base. Maker is John Brush, Son & Co. of Sydney. The owner’s initials “G.M” are embossed on the lid.Stamped on lid “G. M.” Label, oval, inside lid “JOHN BRUSH, SON & CO. / MANUFACTURERS & IMPORTERS / of / SADDLERY AND HARNESS / 403, GEORGE ST. / SYDNEY” Label, paper: “BAGGAGE, MELBOURNE TO LONDON’, part of word ‘CABIN’ and “P & O” Label, square, white background, black print, circular emblem: ‘PE - - - - - & ORIEN-’, ‘STEAM NAVIATION COMPY.’ BAGGAGE’ and a red printed “M” in centre of circle. Label, rectangular, white background, black print; narrow line border, text in rows and an ‘X’ overprinted, from corner to corner of the border: “BAGGAGE / P. & O. S. N. Co. / MELBOURNE / To / LONDON” Label, paper, rectangular, white background, black print, an “X” across the label: “CABIN / P & O / “ Label, paper, on base, “– aid” [Paid], “SYDNEY” flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, hat box, leather hat box, vintage hat box, top hat, homburg hat, derby hat, travel ware, luggage, leather goods, travel goods, clothing accessory, men’s clothing, john brush, son & co, saddler, sydney firm, peninsular & orient steam navigation company, p & o, g.m., melbourne to london, sydney port, melbourne port, hat case -
Warrnambool and District Historical Society Inc.
Book, Accounts 1898-1902, Early 19th century
This accounts book has been used by a Warrnambool butcher whose name is unknown. The entries date from 1913 to 1915 and the names of those with accounts are mostly well-known residents of Warrnambool at the time. The items bought include hams, shoulders, lard, sides, German sausage, pork sausages, bacon, hocks and bones. The book was found in the old Mackay Taylor law firm building and was obviously in storage with that firm. The owner of the accounts book would have been a client of the law firm. Mackay Taylor was formed in 1893 with the merger of the law firms of George Sutherland Mackay and James Fletcher, a business that was known originally as Fletcher and Mackay and then changed to Mackay and Taylor in the 1920s. The business was at 131 Kepler Street.This accounts book is of some interest as it contains the names of many prominent Warrnambool people and their meat-related purchases in the 1913-1915 time frame. These include the names Battarbee, Ward, Milvertion, Harrington, Murrell, Powell, Younger, Smith and Russell. The lists of items bought show the lifestyles and eating habits of the time with some bulk buying of large pieces of meat, some for hotels etc. This is a small maroon coloured bound book of 173 pages (double-sided). There are pages with alphabetical tabs at the start of the book. Inside the front and back covers are inserts of heavy quality paper with a blue and red design. The entries are written in black ink.On spine – ‘Ledger’warrnambool butcher, warrnambool