On Tuesday, the 8th of April 2003, Arthritis Victoria conducted an outreach visit to the town of St Arnaud, in the Wimmera region of central west Victoria. Around 40 people attended a talk on musculoskeletal health presented by naturopath and psychologist, Phillip Blackwood, and Arthritis Victoria's Community Speaker, Bill O'Connor. On the following morning, the Healthy Bones Bus (HBB) was set up in the main street of St Arnaud. This photo depicts people from the St Arnaud community listening to the presentations.Colour photo of an audience seated on rows of chairs in a large room. There is a large curtained window behind them, through which some trees and a large van outside are evident.arthritis foundation of victoria, afv, osteoporosis victoria, ov, arthritis victoria, av, rural and regional education, rare, outreach, community members, audience, st arnaud, wimmera, central west victoria, 2003

On Tuesday, the 8th of April 2003, Arthritis Victoria conducted an outreach visit to the town of St Arnaud, in the Wimmera region of central west Victoria. Around 40 people attended a talk on musculoskeletal health presented by naturopath and psychologist, Phillip Blackwood, and Arthritis Victoria's Community Speaker, Bill O'Connor. On the following morning, the Healthy Bones Bus (HBB) was set up in the main street of St Arnaud. This photo depicts Bill O'Connor making his presentation. Another photo from the event, depicting the seated attendees in the foreground and Bill standing in the background, appears on page 16 of the Vol 16 Issue 2, Winter 2003 edition of the Arthritis Foundation of Victoria's quarterly magazine, Update. The published photo is not captioned.Colour photo of a man making a presentation to a small group of people (partially obscured) indoors.[On a green sticky note, handwritten in blue ink] Bill O'Connor (AV vol) presenting @ St Arnaud April 2003arthritis foundation of victoria, afv, osteoporosis victoria, ov, arthritis victoria, av, rural and regional education, rare, outreach, bill o’connor, community speaker, st arnaud, wimmera, central west victoria, 2003

On Tuesday, the 8th of April 2003, Arthritis Victoria conducted an outreach visit to the town of St Arnaud, in the Wimmera region of central west Victoria. Around 40 people attended a talk on musculoskeletal health presented by naturopath and psychologist, Phillip Blackwood, and Arthritis Victoria's Community Speaker, Bill O'Connor. On the following morning, the Healthy Bones Bus (HBB) was set up in the main street of St Arnaud. This photo depicts two people stand in front of a table outside the Healthy Bones Bus while setting up in the main street of St Arnaud. On either side of the table, there are two A-framed sandwich boards with the text "NATIONAL ARTHRITIS WEEK" in red. Beside the table, there are two blue fabric deck chairs.Colour photo of two women standing in front of a large van. The side of the van has a bright blue awning, and a large door on the side, which is open. There are some sandwhich boards, a table, and two deck chairs on the paving in front of the van.arthritis foundation of victoria, afv, osteoporosis victoria, ov, arthritis victoria, av, rural and regional education, rare, outreach, healthy bones bus, hbb, education, information stall, posters, st arnaud, wimmera, central west victoria, 2003

On Tuesday, the 8th of April 2003, Arthritis Victoria conducted an outreach visit to the town of St Arnaud, in the Wimmera region of central west Victoria. Around 40 people attended a talk on musculoskeletal health presented by naturopath and psychologist, Phillip Blackwood, and Arthritis Victoria's Community Speaker, Bill O'Connor. On the following morning, the Healthy Bones Bus (HBB) was set up in the main street of St Arnaud. This photo depicts a front view of the HHB parked in the main street of the town. It has been set up with its wide side doors open in order to display the information exhibits. A set of retractable steps have been pulled down so that visitors are able to enter the display area. Another photo of the Healthy Bones Bus in the main street of St Arnaud during this visit appears on page 17 of the Vol 16 Issue 2, Winter 2003 edition of the Arthritis Foundation of Victoria's quarterly magazine, Update.Colour photo of a large van with "Healthy Bones Bus" painted on the front. It is parked in the main shopping strip, and has been set up as a mobile information exhibit.[On a green sticky note, handwritten in blue ink] HBB Main St St Arnaud April 2003 [On the same green sticky note, handwritten in black ink - archivist's note] Wimmera, near Grampiansarthritis foundation of victoria, afv, osteoporosis victoria, ov, arthritis victoria, av, rural and regional education, rare, outreach, healthy bones bus, hbb, education, information stall, posters, st arnaud, wimmera, central west victoria, 2003

This artifact is a sample of small caliber lead shot recovered by Flagstaff Hill divers from the wreck of the Loch Ard in 1975. Included in her diverse and valuable cargo were 22 tons of lead shot, packed in cloth bags and wooden casks. Bulk quantities of lead shot, uniformly round balls of dull grey metal ranging from 2mm “birdshot” to 8mm “buckshot”, were routinely exported to the Australian colonies. Shot was used mostly as projectiles fired from smooth bored guns to bring down moving targets such as wild ducks and small game. It was also useful as ballast, when a dense, “pourable” weight was required to fill cavities or establish volume within a measuring container. The production of consistently round spheres of lead shot required the pouring of molten metal through a sieve and then a long drop through the atmosphere to a water filled basin for final cooling and collection. This “shot tower” process was first patented by William Watts of Bristol in 1782. His calculation of a 150 feet fall was not only to form evenly spherical droplets through surface tension, but also to provide partial cooling and solidification to each shot before they hit the water below. The value of his innovation was the minimising of indentation and shape distortion, avoiding the expense of re-smelting and re-moulding the lead. Lead shot was already being produced in Australia at the time the Loch Ard sinking in March 1878. James Moir had constructed a 157 feet circular stone shot tower near Hobart in 1870, with a peak annual production of 100 tons of lead shot sold in 28 pound linen bags. However colonial demand exceeded this source of local supply. The continued strength of the market for lead shot in the Colony of Victoria prompted substantial investment in additional productive capacity in Melbourne in the next decade. In 1882 Richard Hodgson erected the 160 feet round chimney-shaped Clifton Hill shot tower on Alexandra Parade (VHR H0709) and in 1889 Walter Coop built the 160 feet square tower-shaped Melbourne Central shot tower on La Trobe Street (VHR H0067). At its peak, the Coop Tower produced 6 tons of lead shot per week, or 312 tons per annum. History of the Loch Ard: The Loch Ard got its name from "Loch Ard" a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curle & Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen, and candles, as well as a heavier load of railway irons, cement, lead, and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy that had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost families in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce, and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artifacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artifacts from Loch Ard and its collection is significant for being one of the largest accumulation of artifacts from this notable Victorian shipwreck of which the subject items are a small part. The collection's objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.Lead shot; a group of mixed -sized lead shot. Small 2mm shot is embedded in a sea sediment clump of concretion. Also in the group are also 5 single 2mm shot and 4 single 4mm shot that are clean and free of sediment. The shot was recovered from the wreck of the Loch Ard.Nonewarrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime village, flagstaff hill maritime museum, shipwreck artefact, lead shot, loch ard, colonial industry, melbourne shot towers, victorian metallurgy, colonial imports

This map was produced for the State Regional Boundaries Committee Two colour map of Victoria showing the regions for planning and development. The regions are Central Highlands, Mallee, Wimmera, Glenelg, Corangamite, Barwon, Loddon, Goulburn, Upper Goulburn, Upper Murray, East Gippsland, West Gippsland, Port Phillip.central highlands, mallee, wimmera, glenelg, corangamite, barwon, loddon, goulburn, upper goulburn, upper murray, east gippsland, west gippsland, port phillip, victoria, m4486

Pink paper covered book by Stanley Hunter, Engineer in Charge of Boring Operations. Contents include tunnelling, deep sinking, the Chiltern Method, the Ballarat Method, Stawell, Ararat, Moyston, Raglan, Wimmera, Landsborough, Avoca, Ballarat West Leads, Berry-Moolort-Loddon Lead System, Clunes, Creswick, Bullarook Affluent, Corinella, Daylesford-Castlemaine Tributary, Majorca-Carisbrook tributary, Huntly, Coliban, Campaspe, Rutherglen., Smythesdale, Durham Lead, Tanjil, Evolution of Mining Machinery, size of claims, Definition of a Deep Lead, Discovery of Gold in Victoria, Geographical Position of Deep Leads, Water in Deep Leads, Methods of Deep Lead Mining, Cost of Deep Lead Mining, Stawell, Ararat, Moyston, Raglan, Wimmera, Landsborough, Avoca, Ballarat West, Berry, Springs Hill, Loddon Valley, Charlotte Plains, , Timor, Burn Creek, Huntly, Colinan, Goulburn, Ovens Valley, Chiltern, Indigo, Morrison's Lead, Plans include: geological Map of Stawell, ararat, Raglan and Landsborough; Kempson's Freehold Mine, Stawell; Geological Map of Beaufort, Avoca, Maryborough, Ballarat west, Berry-Moolort, Loddon, Creswick, Marong, &c; Cardigan Propriety Gold Mine; Working Miners United Gold Mine, Homebush; Hepburn Deep Lead Plan; Madame Berry West Mine; West Berry Consols Mine; Spring Hill and Central Leads; Berry Consols Extended Mine; Loddon Valley Goldfields; Chalk's No 3 Mine; Charlotte Plains Considated Mine; Duke United Mine; Geological Map of Bendigo, Huntley, Campaspe, Malmsbury, Kyneton, trentham, &c; Geological Map of Chiltern, Rutherglan, Eldorado, Beechworth, &c; Chiltern Valley Gold Mine; Wallace Chiltern Valley Consols Mine; great Southern and Chiltern Valley United Mine; great Northern extended Consols; Prentice and Southern deep Leads; Glenfine South Gold Mine; Geological map of Pitfield, Rokewood, Mt Mercer, Ballark, Meredith, &c.; McEvoy Mine; Dargo . . . . . . . . . . . . . . . . . . . . . . . mining, deep leads, squire, tools, gold panning, gold cradle, cradling, puddling, tubbing, mining shaft, shaft sinking, whip, horse whip, whim, horse whim, chalk's no. 1 mine, maryborough, mining cage, shaft, mining trucks, maryborough, washdirt, puddler, tunnelling, deep sinking, chiltern method of working, ballarat method of working, sampling washdirt. gravels, balmoral, mt william, stawell, moyston, great western, ararat, raglan, wimmera valley, landsborough, cardigan, haddon, beaufort, waterloo, avoca, lamplough, caralulup, ballarat west, ballarat, smythesdale, glenfine, illabarook, durham lead, morrison's lead, bullengarook, berry-moolort-loddon system, clunes, creswick, spring hill, bullarook, castlemaine - daylesford, majorca, carisbrook, timor, burnt creek tributary, tarnagulla, marong, rheola, inglewood, huntly, coliban, campaspe, goulburn lead system, ovens valley system, mitta mitta, kiewa valley, tarago, tanjil, moondarra, bogong, dargo high plains

Surveyed by Robert Allan under the direction of the Secretary of Mines.Rectangular plan showing placement of mines in 1889. Mines include Hick's and Gilpin's lease, Comstock, Melbourne Company, Victoria United, Speedwell Company, New Normanby, Pasha Surprise, Central Sulieman, West Llanberris, Britannia United, Victoria Unites, Clinton's, Orient Company, North Sulieman, Sulieman Extended, Pasha Surprise, Golden Fountain, Prince regent, Clark and Company, Tinworth, North Woah Hawp, Detering, R.A. Thompson, Dazelles and buchanan, Barnett, Braybrook, Ladt Cornwall, Hanthorne, Dalzelles and gay, Southern Cross, M. Acheson, Cricket Reserveballarat east, mines, mining, underground survey, robert allan, chinese, ah chong, ah young, bakery hill, black hill, black hill lead, bakery hill lead, cricket, pennyweight hill, gravel pitts lead, golden point lead, navy jack's lead, mopoke lead, eureka lead, association lead, warrenheip lead, cgt, plans

A design for a Trade and Art Workshop at the Ballarat School of Mines was prepared by Ewan Jones and Associates on the Albert Street boundary around 1984. The M.B. John Building (Building K), a three storey, face red brick, restrained Late Twentieth Century International styled building with an elongated, cuboid form (defined by the parapeted facades) that is offset by projecting exposed concrete framed, round‐arched entrance and stair wells on the east (Albert Street) elevation (the centrally located entrance breaking the brick façade with glazing). The facades are also characterised by banks of aluminium framed, horizontal ribbon windows, which wrap around the building corners. Metal shades project beyond the windows, while post‐supported bullnosed verandahs and hoods and projecting concrete stairs are other features. On the west elevation, the cuboid façade is punctuated by projecting curved concrete and glazed, elongated bays at first floor level. (David Rowe/Wendy Jacobs) The M.B. John Trade–Art building of SMB was officially opened by the Hon. John Cain, Premier of Victoria, in the presence of Morgan B. John. Programs include 3 Dimensional Art, Painting & Decorating, and Engineering Trades. (SMB Institutional Plan 1989)Black and white photograph of a sketch for the proposed Trade Workshops at the Ballarat School of Mines, from the Albert Street vantage point. This building is known as the M.B. John Building on the SMB Campus.ballarat school of mines, trade workshops, flecknoe, m.b. john, ewan jones and associates pty ltd, albert street, morgan b. john, ewan jones and associates

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

This series of SS0380 photos are part of the "Eastland Litigation" launched in 1962 by the Whitehorse Traders Co-operative Association (WTCA), against the Ringwood Council's Interim Development Order of 1960. WTCA sought "orders from the Supreme Court of Victoria that the planning scheme was invalid" - See "The Eastland Litigation" chapter in "From Horse Shoes to High Heels - Ringwood Shopping Centre and Eastland 1858-2008" by Richard Carter, Bounce Books 2009.Black and white photograph Written on back of photograph: "Photo of the footpath on West side of Adelaide St, showing how it is unmade and unkempt." Stamp on back of photograph, 'Edwin G. Adamson...May 63'.

Map of central and southern areas of Ringwood and part of Ringwood East and Heathmont compiled by Dept of Lands and Survey, July 1956, from aerial photographs and Cadastral Survey information. Subsequent hand-drawn addition of streets showing layout of "Township of Ballyduffy Estate 1858-60", an earlier proposed subdivision that did not eventuate. (See attached 5009b Ballyshanassy_ Melbourne’s lost suburb.pdf for Ballyduffy historical naming relevance). Ballyduffy Estate streets include City Road, West Prussia Road, Duffy Street, Ireland Street, Evans Street, Victoria Street, Regina Street, Short Road, Prussia Road, Duffy Street East, Ireland Street East, Evans Street East, Chapman Street. Misc Topo 93 Sheet 22, Ringwood A4B2. Scale: 4 chains to 1 inch. Contour interval 20 feet.

Advertisement for sale of 150 residential allotments with terms of sale, summary of local features and services, and map showing location and layout of subdivision within the boundary of Mitcham to the west of Ringwood, Victoria. Copy of newspaper advertisement (The Herald, Melbourne, Wednesday 3 March, 1920) refers to public auction date for Range View Estate Ringwood - Saturday, 27th March, 1920.Subdivision includes Deep Creek Road, Range View Grove, Warnes Road, Tarrangower Avenue, Prince Edward Avenue, James Avenue, and White Horse Road, Mitcham. Agents - Phillips & Nicholson, 281 Collins Street, Melbourne, Telephone Central 10907.

Photograph (3 copies- 2 large black and white, 1 sepia postcard) Typed below one of the photographs, "Maroondah Highway looking west. Shops to right now Eastland carpark. Shops in centre are opposite station entrance" Typed below other copy: "Main St. looking west. Adelaide St corner on right. c1924." Typed on sepia postcard copy: "Main Street, Ringwood, Victoria. Valentines Series. M4801."

Sarah Shillinglaw was born at River Plenty on November 9, 1854. She married Charles Aldous on June 9, 1880 and died in Prahran, Victoria on August 3, 1925. Davies & Co (William Davies) operated from: 7 Bourke Street East 1867-1869 55 Bourke Street East 1874-1877 55 Bourke Street East as Central Photogrphic Studio (E. Sands Mgr) 1878-1884 73 Bourke Street East 1877 91 Bourke Street East 1864-1868 94 Bourke Street East 1864-1877 98 Bourke Street East 1860-1861 19 Collins Street East 1865-1868 5 Collins Street West 1866-1870 CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, 1867-1869, 1869, davies & co post office photographic studio 7 bourke st east melbourne, paletot jacket, post office photographic studio, sarah aldous (nee shillinglaw 1854-1925), shillinglaw family photo album 2, unknown

St Margaret’s Church of England was officially opened on December 12, 1861. It is the oldest intact church building in Eltham. At the time it was known as Christ Church until its consecration in 1871, when it was completely free of debt (£1,700 for the church and parsonage) despite the district’s poverty. This was largely due to the free labour and materials, including locally made bricks donated by local artisans and others. The church is historically significant because it is the oldest church in the former Shire of Eltham and has associations with the philanthropist and founder of Brighton, Henry Dendy (who donated the land on which the church is built), the architect Nathaniel Billing and the prominent local builder, George Stebbing. The church is architecturally and aesthetically significant because it is constructed in the Gothic Revival style with several stained-glass windows of various dates and is also a very early use of polychromatic brickwork in Victoria. Billing was one of the first Melbourne architects to employ polychromatic brickwork and an important early architect. The rear wall was intended to be temporary. A major feature of the design is the large buttresses with long, steeply graded upper faces. The overall design is well proportioned with the surface brick patterns relieving an otherwise austere design. The church is spiritually and socially significant because it has been an important place of worship for the people of Eltham for almost 150 years. The land on which the buildings stand was donated by Henry Dendy. Dendy arrived in Melbourne in 1841 after purchasing in England eight square miles at Brighton under the system of "special surveys". After this land passed out of his hands, Dendy moved about Victoria, visited England, then returned to settle in Eltham where he purchased a flour mill. Dendy chaired the meeting held in 1860 “for the purpose of devising such means as may be expedient for the establishment of a Church of England in the township of Eltham”. He became chairman and treasurer of the church committee. Unlike the establishment of many early churches in Victoria where a vicar was appointed to a parish and later a permanent church was constructed, the population at Eltham initiated action to build a church. The nearest church at that time was at Heidelberg and the Eltham settlement was part of the parish of St Johns Heidelberg. Isolation and the tedious, time consuming journey between Heidelberg and Eltham resulted in the Eltham community taking its own action. The original vicarage (Dendy House) at the rear of the church is also an important part of the cultural significance of this place because it is connected to the church and the development of the Eltham area. Together, the church and the vicarage are aesthetically significant because they form a significant streetscape feature. The mud-brick community hall designed by Robert Marshall was added in 1978. In 2014 the original temporary rear wall was removed as part of a modern extension designed by Architects Atelier Wagner and constructed by Conrad Construction and Management. Covered under Heritage Overlay, Nillumbik Planning Scheme. National Trust of Australia (Victoria) State significance Victorian Heritage Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p67 St Margaret’s Anglican Church in Pitt Street, Eltham, which officially opened on December 12, 1861, is the oldest intact church building in Eltham.1 With the nearby courthouse and police station, it was one of the first permanent community buildings in the district. The church and vicarage are on the Register of the Heritage Council of Victoria and the National Trust of Australia – Victoria. The church is important as an early example of polychrome brickwork by the notable architect Nathaniel Billings. It is also notable for its historic associations with the early settlement of the Shire of Eltham and its connection with Henry Dendy, Brighton’s founder.2 Henry Dendy, who lived in Eltham much longer than at Brighton, chaired the original meeting which planned the church, and he donated the half-acre (0.2ha) site. Dendy had arrived in Melbourne in 1841 after buying eight square miles (20.7sq km) at Brighton while in England. After this land passed out of his hands, he eventually settled in Eltham where he bought a flour mill, west from the corner of Main Road and Pitt Street (then called Brewery Lane). The vicarage was named Dendy House after him. The Eltham settlers were unusual in initiating the establishment of a church. Usually in Victoria a vicar was appointed to a parish and then a permanent church was constructed. But then, the nearest church was at Heidelberg, which was a tedious and time-consuming journey. St Margaret’s builder was a local, George Stebbing, who also constructed the former Methodist, later Uniting, Church at John Street and the Shillinglaw Cottage near Eltham’s Central Park. It is believed the first Anglican Bishop of Melbourne, Bishop Perry, dedicated the church. After the ceremony he joined in the festivities at the nearby pub and a bill was sent to the parish for teas taken there by the bishop with other participants. The first vicar was the Reverend Robert Mackie from 1864 to1866. St Margaret’s Church was originally called Christ Church until its consecration in 1871, when it was completely free of debt (£1700 pounds for the church and parsonage) despite the district’s poverty. This was largely due to the free labour and materials, including local bricks, donated by local artisans and others. St Margaret’s Church is in the Gothic Revival tradition with a buttressed nave, paired lancet windows, porch and bell-cote. It was the first polychromatic brick church in Australia, using softly contrasting coloured brickwork.3 Billing was one of the first architects to introduce polychrome brickwork into Melbourne. His original drawings for St Margaret’s survive in a folio of his architectural work. However the church’s brickwork is more subdued than in his drawings. About half the windows – those in clear glass with gold borders – are original. The stained glass windows were made much later, but the one behind the altar is thought to be the oldest in the Diamond Valley. It was to be temporary until the congregation could afford to extend the church. In the early 1960s the original cedar pews were replaced by blonde timber pews and the originals were sold to restaurants and to private individuals. Eminent local sculptor Matcham Skipper created a crucifix for the church. A major addition was made in 1978, when the weatherboard hall was replaced by a mud-brick hall. Made of local material, it was designed by local architect and a former shire president Robert Marshall. The mud-brick hall reflects the style of building in Eltham of the late 1970s and for which Eltham is well-known. Perhaps because its earthy tones blend with the surrounding environment, the hall sits well with the church building. St Margaret’s membership has included economist and ABC chairman, Richard Downing; political commentator, diplomat and academic, William Macmahon Ball; Eltham civic leader, Charles Wingrove; artist, Peter Glass; and Eltham’s first postmaster, Frederick Falkiner.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, st margaret's anglican church, st margaret's church, st margarets church hall, christ church

William (Jock) Frater (1890-1974) was an an artist and stained-glass designer who had some associations with Eltham. Frater was born in 1890 in Linlithglow Scotland. In 1910 he arrived in Melbourne. With a passion for painting, he hadn’t been in Melbourne very long before he met Percy Leason and Richard McGann, who were both working as lithographers with Sands and McDougall who produced Melbourne Directories. Jock Frater asked them where, near Melbourne, he should go to paint, and they both replied ‘Eltham’. Frater and Percy Leason became firm friends; and with others they spent their weekends painting, at Eltham and other places. Many times, during those weekends Frater and Leason would camp the night near Bible and Pitt streets. Another favourite spot for their weekend sketching was along the Diamond Creek where Judge Book Memorial Village was later built. In 1916 Jock Frater married his wife Winifred Dow, a tailoress. They bought a house and small property on the corner of Arthur and Bible streets. They lived in Eltham for about a year, then moved to Alphington. Jock also became a stained-glass designer. The west window of Wesley Church, Lonsdale Street, Melbourne, he regarded as his most significant design. His contribution to art in Australia was, however, as a painter who introduced Post-Impressionist principles and challenged the notion that art was an imitation of nature. He visited Central Australia in 1950 and Port Douglas, North Queensland, in 1952. His later major exhibitions were at the Australian Galleries, Melbourne, in 1958, the Victorian Artists’ Society in 1963, and a retrospective at the National Gallery of Victoria in 1966. Frater was a revered president of the Victorian Artists’ Society from 1963 until 1972, exhibiting annually with the society during the last decade of his career and filling three galleries at his final exhibition in July 1973. In 1974 Frater was appointed O.B.E. for his services to art. His work is represented in galleries and private collections throughout Australia as well as the Glasgow Art Gallery. He died at his home at Alphington on 28 November 1974 and was buried in Arthurs Creek cemetery. He was survived by four sons and a daughter. Reproduced Page 113 of "Pioneers and Painters: 100 years of the Shire of Eltham by Alan Marshall, 1971. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image of colour print 12 x 9.5 cm. Also black and white printeltham local characters, sepp, shire of eltham pioneers photograph collection, "pioneers and painters", william frater, jock frater, artist, stained glass designer, immigrant, o.b.e.

Three newspaper articles from one page of the 'Bendigo Advertiser' article, 17th March , 1995, titled ' Survey reveals gold in hills'. 1. The Minister for Energy and Minerals, JIm Plowman, discussed the results of the $16.5 million survey conducted in north-west Victoria and eastern highlands. Mr. Plowman maintained that the '$11 million exploration drive launched by Bendigo Mining to find gold in the Bendigo goldfield would succeed'. He was visiting Bendigo to officially open the refurbished Central Deborah Gold Mine. 2 .'Country mining search sparks local confusion' : Jim Plowman refutes the claim by Ron Best (National Party MLC) that Bendigo will play a 'key role in the multi-million dollar search for gold in country Victoria. 3. 'Miners form alliance": discusses a meeting by miners to form a body which will represent their interests. Companies involved: Bendigo Mining NL, Heathcote Gold Joint Venture, International Mineral Resources NL, Alliance Gold Mining NL, Ranger Gold Pty Ltd., and Perseverance Mining Corporation.gold mining, bendigo, bendigo mining nl, heathcote gold joint venture, international mineral resources nl, alliance gold mining nl, ranger gold pty ltd., perseverance mining corporation

New Bendigo Gold Project The Bendigo goldfield is centred on the urban area of Bendigo (population approximately 60 000) in central Victoria, 130 km north west of Melbourne, Australia. Gold was discovered at Bendigo in 1851 and production continued through to 1954. The Bendigo goldfield is the second largest goldfield in total gold produced in Australia, after Kalgoorlie's Golden Mile with a total production of 22 million oz. The geology of the Bendigo Field consists of a series of tightly folded, interbedded sandstone and shale sediments. Within the sediments the gold mineralisation is hosted in quartz reefs or ribbons closely associated with anticline axes and reverse faulting. The gold within the quartz reefs is typically both coarse grained and erratically distributed.'Harmony puts up $50m for Bendigo start'. Newspaper article details the 'stunning coup' that Bendigo Mining has organised to secure a minimum $50m cash injection from South Africa's Harmony to 'return to production at its historic Bendigo goldfield after a 50 year lay-off'. Mr. Doug Buerger, managing Director of Bendigo Mining, stated that the New Bendigo project has 'the potential to become a very profitable, large-scale gold producer'. 'The Age' attributed at end of article. In pencil on top of article: 'West Australian 26/9/2004'bendigo mining n.l., bendigo, mining, gold, kangaroo flat, harmony, south africa, mining shares, doug buerger

New Bendigo Gold Project The Bendigo goldfield is centred on the urban area of Bendigo (population approximately 60 000) in central Victoria, 130 km north west of Melbourne, Australia. Gold was discovered at Bendigo in 1851 and production continued through to 1954. The Bendigo goldfield is the second largest goldfield in total gold produced in Australia, after Kalgoorlie's Golden Mile with a total production of 22 million oz. The geology of the Bendigo Field consists of a series of tightly folded, interbedded sandstone and shale sediments. Within the sediments the gold mineralisation is hosted in quartz reefs or ribbons closely associated with anticline axes and reverse faulting. The gold within the quartz reefs is typically both coarse grained and erratically distributed.Bendigo Advertiser article attached to a photocopy of an underground rock formation. Photocopy date stamped 21.8.2000. Headline on newspaper article: 'Gold search continues'. Content describes exploration on the New Chum line of reef 'down to 1500 metres below the surface'. Doug Buerger is quoted discussing the 10 million ounce potential of the New Bendigo gold project. The Garden Gully line of reef is being tested for unmined ribbons on the reefline. bendigo mining n.l., bendigo, mining, gold, kangaroo flat, doug buerger, garden gully reef, new chum reef

New Bendigo Gold Project The Bendigo goldfield is centred on the urban area of Bendigo (population approximately 60 000) in central Victoria, 130 km north west of Melbourne, Australia. Gold was discovered at Bendigo in 1851 and production continued through to 1954. The Bendigo goldfield is the second largest goldfield in total gold produced in Australia, after Kalgoorlie's Golden Mile with a total production of 22 million oz. The geology of the Bendigo Field consists of a series of tightly folded, interbedded sandstone and shale sediments. Within the sediments the gold mineralisation is hosted in quartz reefs or ribbons closely associated with anticline axes and reverse faulting. The gold within the quartz reefs is typically both coarse grained and erratically distributed.Two page document produced by Bendigo Mining N.L. on the occasion of their 2002 Open Day. Front page 'Welcome to the New Bendigo Giold Project' outlines the procedure involved in signing in and safety issues whilst on site. A site plan is provided. Second page is an information sheet, and provides facts and figures on the project to date. bendigo mining n.l., bendigo, mining, gold, kangaroo flat, 2002, new bendigo gold project, open day

Dr Ralph Birrell (20/3/1927 - 7/6/2014) was a lecturer at the Bendigo School of mines and the author of numerous books about mining in Victoria, particularly Bendigo, and books on various elements of Bendigo history. New Bendigo Gold Project The Bendigo goldfield is centred on the urban area of Bendigo (population approximately 60 000) in central Victoria, 130 km north west of Melbourne, Australia. Gold was discovered at Bendigo in 1851 and production continued through to 1954. The Bendigo goldfield is the second largest goldfield in total gold produced in Australia, after Kalgoorlie's Golden Mile with a total production of 22 million oz. The geology of the Bendigo Field consists of a series of tightly folded, interbedded sandstone and shale sediments. Within the sediments the gold mineralisation is hosted in quartz reefs or ribbons closely associated with anticline axes and reverse faulting. The gold within the quartz reefs is typically both coarse grained and erratically distributed.Three letters from Bendigo Mining N.L. 14th May 1998, 3 November 1998, and 22nd. April 1999, to Mr. Ralph Birrell from Bendigo Mining N.L. regarding the next meeting of the old miners club to be held at Bendigo mining's site offices. Signed by Shelley Saunders, Community Affairs Co-ordinator. On bottom of page: Registered and Secretarial Office, 61-65 Bull Street, Bendigo Vic 3550. Carshalton Site Office, Coonooer Street, Kangaroo Flat, Vic 3555.bendigo mining n.l., bendigo, mining, gold, kangaroo flat, ralph birrell, old miners group

Volleyball has been played in regional Victoria since the early-1960’s. During those early days, most competitions, like the founders of our great sport, were run by, or in conjunction with, the YMCA. Competitions were running at the Ballarat School of Mines and the YMCA’s of Bendigo, Geelong and Warrnambool. In August 1966, an invitation was extended by the Victorian Amateur Volleyball Association to play in the first State-wide event at Monash University. Geelong and Bendigo accepted the invitation with Melbourne represented by Sisu. For Bendigo players at least, this was the first exposure to ‘international rules’, which prevented upward scoops with open hands, introduced an action called a ‘dig’ and seemed to penalise most overhead actions using the fingers as ‘double hits’! Over the next few years, the sport expanded through the YMCA movement with weekly competitions starting up in Ararat, Warrnambool and Latrobe Valley. The Victorian Regional Council of YMCA’s proposed the first Victorian YMCA Championship in Warrnambool on 30th March 1968 with an entry fee of $4.00 per team. The sport continued to grow with additional regional associations affiliating with the Victorian Amateur Volleyball Association (now VVI) who provided the coaching and refereeing assistance needed to raise the standard of play. In 1970, the YMCA Championships started to give way to the Victorian Country Championships with the first ever event held in Bendigo. In 1973, a re-organisation of the VAVA saw the proposal to create separate Victorian Country and Metropolitan Volleyball Councils. The VCVC was established in 1974 and took over the organisation of the Victorian Country Championships. For the next 10-12 years, the Country Championships grew in stature with the inclusion of two divisions for open men and women and junior divisions for boys and girls. Representative teams successfully contested Australian Country Championships between Victoria, South Australia and New South Wales on several occasions. In October 1985, the VCVC voluntarily wound up the Council and handed the responsibility for the Country Championships back to Volleyball Victoria, who by that time had full-time State Executive and Coaching Directors. Since that time, the Long Weekend in June has continued to be the date of the major annual volleyball event for most regional associations, even though in 1986 the Junior Country Championships were wound up in favour of state and national schools events. A number of regional associations have ceased to exist, as have a number of regional tournaments. Regional leagues were created in both the Gippsland and Central, North-West regions, with Gippsland the only one to survive. Some associations have successfully competed in the State League competitions at various times. Following the experience gained by a number of regional administrators working on the Sydney Olympic Games, a proposal to revamp the Victorian Country Championship was put to VVI in early 2002. Later that year, the Volleyball Victoria Country Championships Commission was formed to implement the recommendations of the review and take control of the event into the future. These championships now provide regional players and officials an opportunity to participate in a consistently well-managed event, using many international protocols and a high standard of presentation. Without doubt, this event now ranks as one of the best volleyball events in Australia. Source: 2022 Country Championship regulations The management of the Country Championships by the Victorian Country Championship Commission certainly achieved the objective of raising the standard of presentation, and delivering a consistently high quality event. However, the demands on Host Associations began to take their toll, with several Associations declining the opportunity to host the event due to the high workload. Similarly, the workload of the volunteer Commissioners also took its toll, with the Commission unable to fill casual vacancies. In 2023, the Commission handed the organisation of the Championships back to VVI, who with paid staff, were better equipped to manage the event.This item contains an introduction to the VCVC, a coloured photo of the 50th Anniversary of the Country Championships at Bendigo, 2018. L-R John (Joe) Rosso (Geelong Women's Coach), Malcolm Qualtrough (Life Member Moe, Latrobe Valley, and Volleyball Victoria), Murray Mansfield (Life Member Bendigo, Volleyball Victoria and Volleyball Australia.); and an original Country Championship logo.victorian country volleyball council, vcvc, victorian amateur volleyball association, volleyball victoria

Volleyball has been played in regional Victoria since the early-1960’s. During those early days, most competitions, like the founders of our great sport, were run by, or in conjunction with, the YMCA. Competitions were running at the Ballarat School of Mines and the YMCA’s of Bendigo, Geelong and Warrnambool. In August 1966, an invitation was extended by the Victorian Amateur Volleyball Association to play in the first State-wide event at Monash University. Geelong and Bendigo accepted the invitation with Melbourne represented by Sisu. For Bendigo players at least, this was the first exposure to ‘international rules’, which prevented upward scoops with open hands, introduced an action called a ‘dig’ and seemed to penalise most overhead actions using the fingers as ‘double hits’! Over the next few years, the sport expanded through the YMCA movement with weekly competitions starting up in Ararat, Warrnambool and Latrobe Valley. The Victorian Regional Council of YMCA’s proposed the first Victorian YMCA Championship in Warrnambool on 30th March 1968 with an entry fee of $4.00 per team. The sport continued to grow with additional regional associations affiliating with the Victorian Amateur Volleyball Association (now VVI) who provided the coaching and refereeing assistance needed to raise the standard of play. In 1970, the YMCA Championships started to give way to the Victorian Country Championships with the first ever event held in Bendigo. In 1973, a re-organisation of the VAVA saw the proposal to create separate Victorian Country and Metropolitan Volleyball Councils. The VCVC was established in 1974 and took over the organisation of the Victorian Country Championships. For the next 10-12 years, the Country Championships grew in stature with the inclusion of two divisions for open men and women and junior divisions for boys and girls. Representative teams successfully contested Australian Country Championships between Victoria, South Australia and New South Wales on several occasions. In October 1985, the VCVC voluntarily wound up the Council and handed the responsibility for the Country Championships back to Volleyball Victoria, who by that time had full-time State Executive and Coaching Directors. Since that time, the Long Weekend in June has continued to be the date of the major annual volleyball event for most regional associations, even though in 1986 the Junior Country Championships were wound up in favour of state and national schools events. A number of regional associations have ceased to exist, as have a number of regional tournaments. Regional leagues were created in both the Gippsland and Central, North-West regions, with Gippsland the only one to survive. Some associations have successfully competed in the State League competitions at various times. Following the experience gained by a number of regional administrators working on the Sydney Olympic Games, a proposal to revamp the Victorian Country Championship was put to VVI in early 2002. Later that year, the Volleyball Victoria Country Championships Commission was formed to implement the recommendations of the review and take control of the event into the future. These championships now provide regional players and officials an opportunity to participate in a consistently well-managed event, using many international protocols and a high standard of presentation. Without doubt, this event now ranks as one of the best volleyball events in Australia. Source: 2022 Country Championship regulations The management of the Country Championships by the Victorian Country Championship Commission certainly achieved the objective of raising the standard of presentation, and delivering a consistently high quality event. However, the demands on Host Associations began to take their toll, with several Associations declining the opportunity to host the event due to the high workload. Similarly, the workload of the volunteer Commissioners also took its toll, with the Commission unable to fill casual vacancies. In 2023, the Commission handed the organisation of the Championships back to VVI, who with paid staff, were better equipped to manage the event.This item contains Minutes, Reports of the Council Meetings from 1974 to 1975; it includes the following documents: 11171.2p Colour photo of the 1974 Bendigo YMCA Volleyball Team at the Country Championships in the Latrobe Valley 11171.2a Minutes Inaugral Meeting Warrnambbool Aug 1974 11171.2b Minutes of Meeting Ballarat Sept 1974 11171.2c Minutes of Meeting Warrnambool Mar 1975 11171.2d Minutes of Meeting Ballarat Sept 1975 11171.2d1 Minutes of AGM Ballarat Sept 1975 11171.2e Minutes of AGM Morwell Dec1975 11171.2f Minutes of Meetings Warrnambbol March 1976 11171.2g Minutes of Meetings Warrnambool June 1976 11171.2h Minutes of Meetings Ballarat Sept 1976 11171.2i Minutes of Meetings Warrnambool March 1977 11171.2j Minutes of Meetings St Kilda April 1977 11171.2k Draft Constitution 11171.2l Minutes of Meeting Geelong June 1977 11171.2m Minutes of Meetings Geelong June 1978 11171.2n Minutes of Meetings St Kilda Nov 1978 11171.2o Minutes of Meeting Wangaratta April 1979victorian country volleyball council, vcvc, victorian amateur volleyball association, volleyball victoria

Volleyball has been played in regional Victoria since the early-1960’s. During those early days, most competitions, like the founders of our great sport, were run by, or in conjunction with, the YMCA. Competitions were running at the Ballarat School of Mines and the YMCA’s of Bendigo, Geelong and Warrnambool. In August 1966, an invitation was extended by the Victorian Amateur Volleyball Association to play in the first State-wide event at Monash University. Geelong and Bendigo accepted the invitation with Melbourne represented by Sisu. For Bendigo players at least, this was the first exposure to ‘international rules’, which prevented upward scoops with open hands, introduced an action called a ‘dig’ and seemed to penalise most overhead actions using the fingers as ‘double hits’! Over the next few years, the sport expanded through the YMCA movement with weekly competitions starting up in Ararat, Warrnambool and Latrobe Valley. The Victorian Regional Council of YMCA’s proposed the first Victorian YMCA Championship in Warrnambool on 30th March 1968 with an entry fee of $4.00 per team. The sport continued to grow with additional regional associations affiliating with the Victorian Amateur Volleyball Association (now VVI) who provided the coaching and refereeing assistance needed to raise the standard of play. In 1970, the YMCA Championships started to give way to the Victorian Country Championships with the first ever event held in Bendigo. In 1973, a re-organisation of the VAVA saw the proposal to create separate Victorian Country and Metropolitan Volleyball Councils. The VCVC was established in 1974 and took over the organisation of the Victorian Country Championships. For the next 10-12 years, the Country Championships grew in stature with the inclusion of two divisions for open men and women and junior divisions for boys and girls. Representative teams successfully contested Australian Country Championships between Victoria, South Australia and New South Wales on several occasions. In October 1985, the VCVC voluntarily wound up the Council and handed the responsibility for the Country Championships back to Volleyball Victoria, who by that time had full-time State Executive and Coaching Directors. Since that time, the Long Weekend in June has continued to be the date of the major annual volleyball event for most regional associations, even though in 1986 the Junior Country Championships were wound up in favour of state and national schools events. A number of regional associations have ceased to exist, as have a number of regional tournaments. Regional leagues were created in both the Gippsland and Central, North-West regions, with Gippsland the only one to survive. Some associations have successfully competed in the State League competitions at various times. Following the experience gained by a number of regional administrators working on the Sydney Olympic Games, a proposal to revamp the Victorian Country Championship was put to VVI in early 2002. Later that year, the Volleyball Victoria Country Championships Commission was formed to implement the recommendations of the review and take control of the event into the future. These championships now provide regional players and officials an opportunity to participate in a consistently well-managed event, using many international protocols and a high standard of presentation. Without doubt, this event now ranks as one of the best volleyball events in Australia. Source: 2022 Country Championship regulations The management of the Country Championships by the Victorian Country Championship Commission certainly achieved the objective of raising the standard of presentation, and delivering a consistently high quality event. However, the demands on Host Associations began to take their toll, with several Associations declining the opportunity to host the event due to the high workload. Similarly, the workload of the volunteer Commissioners also took its toll, with the Commission unable to fill casual vacancies. In 2023, the Commission handed the organisation of the Championships back to VVI, who with paid staff, were better equipped to manage the event.This item contains Correspondence of the Council in 1974; it include. the following documents: 11171.3n 1974 Bendigo YMCA Volleyball Team at the Country Championships in the Latrobe Valley. 11171.3a Notices of the Inaugural Meeting Warrnambool Aug 1974 11171.3b Reasons for the creation of the VCVC 11171.3c Letter from Ballarat YMCA Volleyball Association 11171.3d Letters to and from the Latrobe Valley Volleyball Association 11171.3e Letter from the Ararat Volleyball Association 11171.3f Letter to the Latrobe Valley Volleyball Association 11171.3g Agenda of Meeting in Ballarat Sept 1974 11171.3h Letter to the Geelong Amateur Volleyball Asscoiation 11171.3i Letter from the Victorian Amateur Volleyball Association to Warnambool Association 11171.3j Opening Balance of VCVC Account 11171.3k Letter from the Latrobe Valley Volleyball Association 11171.3l Letter from the Geelong Amateur Volleyball Association 11171.3m Guide for the running of the Victorian Country Championshipsvictorian country volleyball council, vcvc, victorian amateur volleyball association, volleyball victoria