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Federation University Historical Collection
Photograph - Black and White, Frank Wright, Coogee Beach, 1923, Easter 1923
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white seascape photograph of a beach curving around to a treed headland at end of the beach. The beach is dotted with people both in and out of the water. The location is Coogee, Sydney.Written in pen on back - The surf at Coogee, Sydney. Easter 1923, F.W. (au)frank wright, coogee beach -
Lara RSL Sub Branch
Photograph, Set 4 photographs. and others for Torquay Light Horse camp, 1940
These images capture for all time Light Horsemen travelling through Geelong on their way to camp at Torquay for the last Group meeting in Australia . information following - details obtained from .........https://torquayhistory.com/light-horse-brigade/ On Australia Day, 1997, Sir John Young unveiled this plaque on Point Danger, Torquay. Torquay history, Light Horse Training Camp, WW2 Plaque at Pt. Danger Note----- (See images to view plaque) The plaque identifies a significant event in Torquay’s history and the sentiments of ‘change’ for the Light Horse Brigade – from horses to machines. In 1940 the four Light Horse Regiments (4th, 8th, 13th and 20th), some 5000 Light Horse and 2000 horses camped and trained at Torquay. Three other regiments, formerly mounted on horses, were also at Torquay ‘mounted’ on privately owned trucks and cars. Division troops included Artillery, Engineers, Signals, Field Ambulance and other branches of the Army necessary to enable a Division to function. It wasn’t just the sheer numbers of men coming to this little town that made the event significant, it was also the fact that the men of the Light Horse were dramatic, almost glamorous figures and it is easy to see their exploits as some splendid adventure. Horses have played a special role in the story of Australia. They were the only means of transport across this huge country, so it was necessary for everyone to have the ability to ride a horse. When war broke out in 1899 between Britain and the Boers of South Africa (“Boer” was Dutch for “farmer”) Australia sent troops to fight. At first Britain was wary of using untried, unprofessional colonial cavalrymen but soon saw that the slouch-hatted Australian “bushmen” were a match for the fast-moving and unconventional mounted commandos of the Boers. The Australians proved themselves to be expert rough-riding horsemen and good shots. Bush life had hardened them to go for long periods with little food and water. They also showed remarkable ability to find their way in a strange country and use its features for cover, in both attack and defence. By 1914, when Australia joined the war against Germany, there were 23 Light Horse regiments of militia volunteers. Many men from these units joined the Light Horse regiments of the Australian Imperial Force (AIF). Men were given remounts (if not using their own horses) – army horses bought by Commonwealth purchasing officers from graziers and breeders. These were called “walers” because they were a New South Wales stockhorse type – strong, great-hearted animals with the strains of the thoroughbred and semi-draught to give them speed, strength and stamina. On 1st November, 1914, Australia’s First Infantry Division and the first four Light Horse regiments sailed for England in a fleet of transport ships. The first of the Light Horse arrived at Gallipoli in May without their horses. Back with their horses after Gallipoli, they were formidable combatants across the Sinai and Palestine. Some British commanders observed that the light horseman moved with a “lazy, slouching gait, like that of a sleepy tiger” but described how the promise of battle “changes that careless gait, into a live athletic swing that takes him over the ground much quicker than other troops”. They had Light Horse, Torquay, training campdeveloped a reputation as formidable infantrymen. The Turks called them “the White Ghurkas” – a reference to their deadly skill with the bayonet. The Arabs called them “The Kings of the Feathers”. The plume had originally been a battle honour of the Queensland Mounted Infantry for their work in the shearer’s strike of 1891. During WW1 it was adopted by almost all the Light Horse Regiments. It was the proud badge of the light horseman. The most famous of their battles was the attack on Beersheba- the charge of the 4th Light Horse Brigade. Mounted infantrymen and their superb walers had carried out one of the most successful cavalry charges in history – against what seemed impossible odds. They surprised the Turks by charging cavalry-style, when they would normally have ridden close to an objective then dismounted to fight. The fall of Beersheba swung the battle tide against the Turks in Palestine; and changed the history of the Middle East. While 19 men from the Surf Coast Shire served with the 4th Light Horse over the course of WW1, only four were involved in the charge of Beersheba- John GAYLARD, Philip QUINN.(Winchelsea); Wallace FINDLAY (Anglesea); Harry TRIGG (Bambra). After the war, Light Horse units played a key role in the Australian Government’s compulsory military training programme. The Citizen Military Forces (C.M.F.) thrived on the glamour of the wartime Light Horse tradition, ignoring the possibility that motor vehicles would soon replace the horses. When training was no longer compulsory, the C.M.F. regiments declined and horses became more of a luxury during the 1930s depression years of poverty and unemployment. Some regiments were motorised. Then, in 1939, Australia joined Britain in another world war. Training was increased for the militia at both home bases and regional training camps. The camp at Torquay in 1940, commanded by Major General Rankin, was at Divisional strength. By the end of the camp some felt that the Division was ready for active service. Gradually, over the next four years, the Australian Light Horse units were mounted on wheels and tracks and the horses were retired. Six men enlisted at the Torquay camp and another 57 men and women enlisted at Torquay for service in WW2. Those who served in the Militia provided valuable Officers and NCOs and men for the armed services during the war. Each infantry division of the 2nd AIF had a Light Horse regiment attached to it. But the day of the Australian mounted soldier hadn’t quite passed. During World War II, Australia’s 6th Cavalry Regiment formed a mounted unit they called “The Kelly Gang” which did valuable scouting work. In New Guinea, a mounted Light Horse Troop did patrol duty and helped carry supplies. Some fully equipped walers were flown into Borneo for reconnaissance in rugged mountain country. But by the end of the war, in 1945, the horse had disappeared from the Australian Army. References: Australian Light Horse Association www.lighthorse.org.au National Australia Archives Australian War Memorial Surf Coast Shire WW1 memorials www.togethertheyserved.com The Light horse- a Cavalry under Canvas Light Horse, Training Camp, Torquay, WW2 Late in 1939 it was decided to set up a Lighthorse training camp in Torquay to train both men and horses for the battles of the Second World War. Horses, men and equipment came on special trains from all over Victoria and NSW, and as you would expect horseman came from areas such as Omeo and Sale, the Wimmera and the Western District. They arrived at the Geelong racecourse for watering in the Barwon River and then were ridden across the ford at the breakwater and began their 11 mile trek to Torquay. Light Horse, Training Camp, Torquay, WW2 Tent city By the end of January 1940 the camp at Torquay accommodated some 5000 men and 2500 horses of the Second Cavalry Division. The rows of horses, tents and huts near Blackgate Road were quite a sight. While the cavalrymen engaged in exercises on the land and on the beaches, many of the troops took over the Torquay School for special training of men and officers. Mr Bob Pettit local farmer and Councillor for the Barrabool Shire, wrote about the Light horse in the Surf Coast Community News in 1985 saying “They used to travel about the district riding four abreast in one long convoy. To my annoyance they went through my property and shut all the gates behind them. I had certain gates open to let stock in to the water holes and it would take me three -quarters of an hour to follow the horsemen up and put all the gates right again” he continued “the men from the Light Horse were here when the fire went through in March 1940. He recalled an incident when early one morning, as some one blew the bugle, a soldier putting a white sheet on the line frightened the horses. They panicked and ran off in all directions. Six went over the cliff near Bird Rock, five were never found, and the rest were gathered up after nearly a fortnight in the bush around Addiscott and Anglesea" Light Horse, Training Camp, Torquay, WW2, Geelong Parade Geelong parade The training camp culminated in a parade through the streets of Geelong on March 12th 1940. The salute was given at the Town Hall and the troops continued on a route to the You Yang’s for a training exercise. Note-----(see media section for photograph) The Camp was abandoned in mid 1940 as it was deemed unsuitable for training during winter and the cost of a permanent camp could not be justified if it could not be used all year. Historic.......Rare,,,Interpretive.Sepia photographs.set of four ....post card size ....Horses &LighthorsemenNo 1, Lighthorsemen Regiment Geelong 1940......No 2 Light Horse at Breakwater Geelong 1938 to 1940....No 3 Light Horse at Breakwater Geelong 1938 to 1940.....No 4 Light Horse crossing Breakwater camped at Geelong Showgrounds. These markings are on reverse of photographs.light horsemengeelong 1940., world war 2 -
Australian National Surfing Museum
Book, Early Surf Safaris, 1960s
... Australian National Surfing Museum 77 Beach Road Surf City ...Snowy McAlister's stories collected for newspaper articles he wrote?Brown Tudor 100 sheet duplicate book. top copy of each page has been removed, duplicate pages remainSnowy McAlister's handwritten stories - Surfing Safaris, Surfers and where you find 'em, Learners Pens, Back Loading, Surfing with Snow, Birth of Australian Surfing, Birth of Australian Surfing, A Pleasant snowy mcalister, surfing stories 1961, nsw surfing, sydney surfing -
Australian National Surfing Museum
Surfboard, 1979 (estimated); The Piping Hot Twin Fin was produced in 1979 - 1980
... Australian National Surfing Museum 77 Beach Road Surf City ...Twin fin surfboard manufactured at Piping Hot Boston Road Torquay. Manufactured from polyurethane foam core and laminated fibreglass with fixed fibreglass fins. Shaped by Mike Patterson. This board is has channels running almost full length on the bottom of the board, the wide point forward of centre, swallow tail with flyer. Custom graphics in red, yellow and green top and bottom; from 1979High performance twin fin designs were pioneered by 4 time Professional World Surfing Champion Mark Richards (Newcastle). In this period 1978 -1981 these surfboards represented the pinnacle of surfboard design progression and high performance. This surfboard also represents Piping Hot which was one of Australia's leading surf 'brands' at that time. Piping Hot was a Torquay based company that produced surfboards,wetsuits and surf clothing. Piping Hot Twin Fin surfboard. Manufactured from polyurethane foam core and laminated fibreglass with fixed fibreglass fins. Full plan shape with channels running almost full length on the bottom of the board, the wide point forward of centre, swallow tail with flyer. Legrope plug fitted. Custom graphics in red, yellow and green top and bottom.20cm x 16cm Black red yellow green Piping Hot logo on deck and bottom 60cm down from nose. Hand written makers mark "Shaped by Mike Patterson Custom" in pencil on blank beside stringer forward of the fins on the bottom. "1459" in pencil on bottom near tail. surfboard, fibreglass, twin fin, piping hot, mike patterson, torquay, channel bottom, fred pyke, rod brooks -
Australian National Surfing Museum
Photograph, Murray Purtell, Michael Peterson, 1977 Stubbies Surf Classic, Circa 1977
... Australian National Surfing Museum 77 Beach Road Surf City ...This black and white photograph shows Gold Coast surfer Michael Peterson with his surfboard at the Stubbies Surf Classic, Burleigh Heads, March, 1977. Peterson was at the peak of his surfing powers when this photograph was taken. He won the event shortly after this photograph was taken.Although he never won a world championship Michael Peterson was seen by many as the best surfer in the world in the period from 1973 - 1977.Black and white photograph of Michael Peterson wearing boardshorts and holding his surfboard at the Stubbies Surf Classic, Burleigh Heads, March, 1977Nonesurf, 1977 -
Australian National Surfing Museum
Programme, Australia 1970 Fifth World Surfboard Riding Championships, Bells Beach, Victoria, Circa 1970
... Australian National Surfing Museum 77 Beach Road Surf City ...The souvenir programme was produced for the Fifth World Surfboard Riding Championships at Bells Beach, Victoria. The championships were the first international surfing contest held at Bells Beach. The finals of this event were held at Johanna Beach, also a first. The programme features an introduction by the Premier Sir Henry Bolte, Daily Programme of activities, feature articles about Bells Beach and previous World Surfboard Riding Championships plus advertisements for Qantas, Fiat, Peter's Icecream, Jantzen Surf clothing, Schweppes and Bower Boy Surfwax.The Fifth World Surfboard Riding Championships were a first for Bells Beach and also significant for the role they played in the development of Bells Beach as an international surfing venue.24 page souvenir programme, colour cover, colour black, black and white pages inside. Cover features colour drawing of a surfer riding a wave.bells beach, 1970, surfing, world surfboard riding championships, melbourne surf shop, world surfing titles, australian surfriders association, rolf aurness, tony olsson -
Australian National Surfing Museum
Document, Human Impact on Australian Beaches (Results from SOS95 Beach Survey), 1/5/1996 (estimated)
... Australian National Surfing Museum 77 Beach Road Surf City ...Human Impacts on Australian Beaches was a landmark environmental study which provided a 'snapshot' of the health of 1612 beach areas around Australia. This nationwide study (which built on the success of the 1994 State of Our Surf Report) was put together by the Surfrider Foundation Australia with the support of more then 340 individuals and 70 organisations around Australia. The report was authored by surfer/environmentalist/artist Michael Legge-Wilkinson from Newcastle, New South Wales. Human Impacts was launched officially by Peter Garrett, leader of Australian rock band Midnight Oil at the Bondi Pavilion, Bondi Beach in May 1996.Human Impacts built on the success of the 1994 State Of Our Surf Report, released by the Surfrider Foundation Australia in 1994. Human Impacts was the first major report to specifically examine the environmental health of 1612 of Australia's beaches. A limited 500 copies of this report were produced, the majority of which went to education institutions, libraries, community groups and government departments. The report generated national and international media interest with the BBC London reporting on its findings in the week after its launch.Beach Environmental Report. 168 page report which examines the health of 1612 beach areas around Australia. Sepia cover featuring a photograph of endangered sanddunes at Stockton Bight, north of Newcastle. 168 pagesSepia cover, Surfrider Foundation logo on report coverbeach, surfrider foundation australia, human impacts on beaches, sos95, michael legge wilkinson, coastal development, beach pollution -
Australian National Surfing Museum
Surfboard, 1/1/1996 (estimated)
... Australian National Surfing Museum 77 Beach Road Surf City ...Kelly Slater is contemporary surfing's dominant competitive presence and a truly inspirational surfer. By the end of 2009 Kelly had won a record 9 professional World Surfing Championships. This surfboard is one of Kelly's from 1996 shaped by world renowmed shaper Al Merick from Channel Island Surfboards, Santa Barbara, California. This board was ridden by Kelly in Indonesia in 1996 and featured on the cover of Surfer Magazine in November 1996 in a sequence shot at speed reef Grajagan.This surfboard was ridden by Kelly Slater throughout 1996 and most famously featured on the cover of Surfer Magazine. In 1996 Kelly Slater was at the peak of his surfing powers. During this year he won his 4th World Professional Surfing championship equalling the record held by Australian Mark Richards. This surfboard has international significance and represents a number of innovative design trends during this period.Kelly Slater surfboard shaped by Al Merrick (Channel Island Surfboards)in 1996. The surfboard is a three fin, 6' 6" rounded pin, colour yellow. The board, with Kelly riding it, featured on the cover of Surfer magazine in November 1996 in a sequence, shot in Indonesia at speed reef Grajagan.Deck - Quiksilver, Al Merrick logo Bottom - 'Glasscraft by Bob Haakenson Santa Barbara' behind last fin. Al Merrick logo 63921A Kelly on stringerkelly slater, al merrick, surfer magazine, grajagan, channel island surfboards, quiksilver -
Australian National Surfing Museum
Poster, Somewhere Near Tapachula, 1/1/2010 (estimated)
... Australian National Surfing Museum 77 Beach Road Surf City ...This poster was used to promote the Australian release of SOMEWHERE NEAR TAPACHULA February-April 2010. The film was shot on location in Tapachula, Mexico near the Guatemala border and tells the story of the orphanage Mision Mexico exstablished by two Australians Alan and Pamela Skuse. Surfing was introduced to the children at the orphanage in 2004 and surfing has now become an important part of the weekly program but has also played a key role in improving the lives of the children in the orphanage. SOMEWHERE NEAR TAPACHULA is a unique surfing documentary which explores the social impact of surfing on a community of children living in a Mexican orphanage run by two Australians. Through a series of interviews the film follows the lives of a number of the children as they struggle with issues of identity, family and the harsh economic reality of growing up in a poor Mexican coastal town. Surfing is their one physical and emotional 'escape' refuge.Full colour poster for the surf documentary film SOMEWHERE NEAR TAPACHULA. The poster features an image of a young girl with a surfboard at her feet standing on a beach staring at the ocean.Full colour poster featuring title, film sponsors and Australian tour dates (2010)surfing, somewhere near tapachula, surf film, mexico, jonno durrant, stefan hunt, mision mexico, alan skuse, pam skuse -
Australian National Surfing Museum
Surfboard, 1/1/1959 (estimated)
... Australian National Surfing Museum 77 Beach Road Surf City ...This Ockanui Hollow Plywood Surfboard was shaped by Peter Watson and his father at their family home in Murrumbeena in 1959 (Peter was aged 16 at the time). The surfboard was based on a series of full size plans purchased from the USA. The surfboard is made from marine ply, ureal/resorcinal glue, marine varnish, copper nails, the skeg (fin) is Huon Pine made from an old kitchen sink drain board.This surfboard is an excellent example of the type of hollow wooden surfboards being made in the USA and Australia in 1959. Hollow Wooden Plywood Surfboard. Hand made Ockanui, single fin. 9' 11" x 21 1/2" x 4 1/2" Nose 17 3/4" Tail 13" Fin 4 3/4" Base 1 3/4"No distinct inscriptions or markings. Skeg made from old kitchen sink (Huon Pine).ockanui, peter watson, hollow wooden surfboard, -
Australian National Surfing Museum
Poster, First Love, 01/03/2010
... Australian National Surfing Museum 77 Beach Road Surf City ...First Love is a feature film length surf film that tells the story of three young female surfers. The film follows the lives of Jess, Nikki and India as they follow their passion for surfing growing up together and competing against one another. Surfing brings the girls together but they are all different in their own way. The film culminates in a surf trip to Hawaii where they meet a number of professional female surfers. The film also features surfers Stephanie Gilmore (world champion), Alana Blanchard and Bethany Hamilton. First Love was produced by an all female creative team and officially launched at the Surf World Museum Torquay on 4th April 2010. The film had its festival debut at the DUNGOG FILM FESTIVAL in May 2010 and its international debut at the HAWAIIAN INTERNATIONAL FILM FESTIVAL in October 2010. First Love is the first surf feature film shot in Australia with an all female cast/crew. The film had a national theatrical release across Australia on February 14th, 2011.Full colour film poster for the surf film FIRST LOVE. The poster features a long shot of the main surfers in the film, Jess Laing, Nikki Van Dijk, and India Payne walking along a country road towards the camera carrying their surfboards and wetsuits.Film title, sponsors logos, film makers credits and touring dates for the Autumn 2010 tour of the film.phillip island, surf film, first love, jess laing, nikki van dijk, india payne, stephanie gilmore, bethany hamilton, liquid pictures production, fran derham, clare plueckhahn, claire gormon, rip curl pro -
Australian National Surfing Museum
Book, Surf Rage, 2000 (exact)
... Australian National Surfing Museum 77 Beach Road Surf City ...This book is a direct result of an incident on 16 March 2000 when Australian surfing champion Nat Young was physically assaulted at Angourie Beach after an altercation in the water. The book contains a series of eleven articles exploring the issue of aggression (rage) in the surfing community. The book features a forward by Drew Kampion and articles by a number of surfers including Nat Young, Derek Reilly, Nick Carroll, Fred Pawle and Torquay local, Gordon Stammers. This book is significant in that it was the first Australian publication to formally address the issue of surf rage on Australian beaches.SURF RAGE by Nat Young (a surfers guide to turning negatives into positives). Full colour, soft colour book with a photo of a tubing wave on the coverISBN 0-9585750-1-0surfing, nat young, surf rage, nick carroll, gordon stammers, tribal law, surfers, violence, anger -
Australian National Surfing Museum
VHS Movie, MAD WAX, 1986 (estimated)
... Australian National Surfing Museum 77 Beach Road Surf City ...A comedy surf film featuring Tom Carroll, Kong Elkerton, Bryce Ellis, Mark Sainsbury, and Ross Clarke-Jones as the Wiz. The Wiz stumbles on an old book about making your own wax and mixes a batch which magically transports him and his friends to some of the world's best surf spots. Music by popular Australian band GANGgajangMAD WAX had a national theatrical release in 1987. The film was shown at surf clubs, pubs and other surf film related venues during this period. The film is significant for the surfers who appear in the film (2 time World Champion Tom Carroll) and the 'loose' narrative thread which was common place in many surf films during the eighties. The film features Mark Sainsbury a popular professional surfer from New South Wales who suddenly died of a brain anueryism on 6th AUgust 1992. The poster and cover art for the VHS case were done by noted Quiksilver designer/artist Peter Webb. MAD WAX had its World Premier at the Enmore Theatre, Enmore, New South Wales on Saturday 28th February, 1987. The screening was accompanied by a live performance by GANGgajang whose music appears on the film soundtrack.VHS Surf film released by Quiksilver in February 1987. Colour cover art featuring a colour photograph of Gary Elkerton, one of the stars of the film.QUIKSILVER Presents. Cover art by Peter Webb (Quiksilver) Quiksilver logo.surf, quiksilver, wax, gangajang -
Australian National Surfing Museum
Photograph, Jack Eden, Kennett River, 1964
... Australian National Surfing Museum 77 Beach Road Surf City ...Black and white photograph taken by Jack Eden at Kennett River, Victoria, in 1964. Image is of a surfer standing next to a VW with surfboards on the roof. Another car and more boards on the ground also appear in the picture. In the background is a peeling wave with a surfer riding it. More surfers sit waiting. Jack Eden was a pioneer of Australian surfing and surf photography. His images capture something of arguably the halcyon days of Australian surfing. Rare image of surfing at remote Kennett Rover along the Great Ocean Road.Black and white photograph taken at Kennett River, Victoria, of a surfer standing next to a VW sedan with surfboards on the roof. Another car and more boards on the ground is to the right of the VW. In the background is a righthand, peeling wave with a surfer riding it.Titled: Australia Jack Eden, Kennett River, Victoriakennett river, surfboards, vw sedan, jack eden, great ocean road -
Australian National Surfing Museum
Wax, mid first decade of 2000's
... Australian National Surfing Museum 77 Beach Road Surf City ...Red Herring is a Tasmanian based surf store chain. This wax was produced by the company, presumably for promotional purposes. The wax is specifically labelled for Tassie Cool WaterRed Herring surfboard wax. Two blocks of Red Herring brand wax. Front of label: Red Herring Tassie Cool Water Wax Back of label: Stoked to be Surfin'red, surfboard, wax, tassie, herring -
Australian National Surfing Museum
Book, Andrew Crockett, Switch-foot (surfing art music), 2005
... Australian National Surfing Museum 77 Beach Road Surf City ...Switch-foot is a classic publication out of Australia 2005. This 210 page hardcover book has many of the immortal surfing images from the golden era in surfing from photographers such as Albe Falzon, George Greenough and Jack Eden. Stories from: George Greenough looking at his simple genius and his movie magic with ‘Dolphin Glide’ and ‘Behind the Scenes.’ The unmasking of the truth behind Peter Drouyn, 12 legends of the Lens (images from the golden era) The telling of Dick Van Straalen’s story and his current relationship with Dave Rastovich The art of Harry Daily Global surf travel with Colas Thomas Campbell drops by Rasta and friends music with the exploration into the mystery of the art of jamming Discussions about sustainable surfcraft production with Tom Wegener, the unveiling of new school talent within music and photography and also talking to important leaders in the field of classic surfing to gather information on surfboard design, single fin surfing and fin dynamics. Music from low pressure sound systems in the story titled ‘the art of jamming’ A significant publication that explores art, photography and music in surfing culture.Switch-foot (surfing art music) is a hard copybook of surfing photography with a black cover featuring 5 art panels and one panel with text. 'Switch-foot surfing art music'.ISBN 0-646-45057art, surfing, jack eden, switchfoot, music, surf photography, alby falzon, george greenough, peter drouyn, dolphin glide, dick van straaleen, jim banks, peter crawford, mark richards -
Australian National Surfing Museum
Sticker, SAVE BASTION POINT, Circa 2010
... Australian National Surfing Museum 77 Beach Road Surf City ...This colour sticker was produced and distributed Australia wide by the SAVE BASTION POINT CAMPAIGN to support their environmental campaign to stop a breakwall being built across the popular surf break - Bastion Point in Mallacoota, Victoria, Australia. The breakwall is supported by the local fishing community and local council. If built it would destroy one of the most popular surf breaks in East Gippsland.This sticker represents a local environmental campaign which has gained state and national attention. Full colour gloss car sticker featuring graphic artwork of Bastion Point and the website for the SAVE BASTION POINT campaign (based in Mallacoota, Victoria, Australia)Web address - www.savebastionpoint.orgsurf, bastion point, mallacoota, breakwall, surfrider foundation, east gippsland, save bastion point -
Australian National Surfing Museum
Magazine, Australian Surfers Journal, Volume One, Number Four, 1/9/1998 (estimated)
... Australian National Surfing Museum 77 Beach Road Surf City ...The Australian Surfers Journal was based on The Surfers Journal (USA) and ran for 2 years. This issue contains feature articles on world surfing champion Nat Young, iconic surf destination Tahiti, Kneeboarders and Victorian based surfing artist/musician Jeff Raglus.The Australian Surfers Journal is an iconic Australian surfing magazine which enjoyed a positive reponse from the Australian surfing community during the 1990's. It's feature articles, photographs and editorials were of a high literary standard by world standards.Australian Surfers Journal (Volume One, Number Four, Spring 1998), A4 full colour gloss magazine with cover headings about articles on Nat Young, Tahiti, Kneeboarders and Jeff Raglus. Close up of surfer (Patterson) on backlit aqua wave.Gold cover art featuring Colour photograph (Paul Paterson in Western Australia. Image by Jon Franknat young, australian surfers journal, tahiti, kneeboarders, jeff raglus, drew kampion, gerry lopez, makaha, albert falzon, steven valiere, jason foster -
Australian National Surfing Museum
Wetsuit, 2004 (estimated)
... Australian National Surfing Museum 77 Beach Road Surf City ...This wetsuit was worn by surfer and 2000 world champion, Sunny Garcia (Haw), It was cut off Sunny when he collapsed on the beach during his heat of the 2004 Rip Curl Pro event at Bells Beach. As the Age reported at the time: "One who left the water in unhappier circumstances was three-time Rip Curl Pro winner Sunny Garcia, who forfeited his heat with American Taylor Knox because of a migraine-like condition that saw him taken to Geelong Hospital for tests. Garcia, who was leading the heat, rode in with nine minutes remaining and appeared to collapse on the beach, holding his head in his hands." This wetsuit was worn during the prestigious Rip Curl Pro at Bells Beach. It is a rare artefect from a major medical emergency at a world professional surfing contest.Sunny Garcia's wetsuit. Torn Hotline wetsuit, full length 3/2 steamer. Wetsuit is cut and torn.Hotline Wetsuits, Santa Cruz, Calif, Superflex 3/2 modelrip curl pro, wetsuit, sunny garcia, hotline, torn, collapse -
Australian National Surfing Museum
Magazine, Bob Evans, The Surfing World Monthly, November 1963, Volume 3, Number 3, 1/11/1963 (estimated)
... Australian National Surfing Museum 77 Beach Road Surf City ...Surfing World, or SW as it is know, first issue appeared Sept 1962. Edited by Bob Evans this monthly magazine was published "in the interests of promoting surfing in Australia and overseas". This issue (Volume 3, Number 3) is one of a series of early 1960's SW's donated as an incomplete collection. SURFING WORLD is still published today and is Australia's oldest surfing magazine.Surfing World was the first major national surfing publication in Australia established in 1962. Its stories and photographs captured the early years of growth of surfing in Australia during the 1960's. The magazine inspired a generation of people to start surfing and provides an important archive into Australian surf culture during the sixties.Surfing World (SW) magazine Volume 3 Number 3, Nov 1963. Surfing World banner in top left over a colour photograph of (possibly) Crescent Head beach with a tree in the foreground and a surfer riding a small wave in the background. -
Australian National Surfing Museum
Photograph, John Witzig, Bob McTavish photograph Bells Beach 1 1965, 18/04/1965
... Bells Beach Road, Torquay, Surf Coast, Victoria...Australian National Surfing Museum 77 Beach Road Surf City ...This photo, part 1 of a 2 photo sequence taken by John Witzig, is of of Bob McTavish riding a very large waves (15'+) at Bells Beach on Easter Sunday (April 18th) 1965. This wave is thought to be the same one described by McTavish in his book as one of the biggest, most powerful waves he had ridden, almost resulting in his drowning after being washed down past the next headland at winki pop. Bells, Easter, 1965 is considered one of the biggest days that this break has been surfed. The surfer in the photograph, Bob McTavish would go on to become one of the most influential surfer/shapers in Australian during the next decade.The extremely large waves experienced by surfers at Bells Beach on Easter Sunday 1965 is part of surfing folklore. The wave featured in this photograph is considered one of the largest ridden waves ever documented at Bells Beach.Large black and white (sepia toned) photo. Part 1 of a 2 photo sequence taken by John Witzig of Bob McTavish riding a very big wave at Bells Beach. Photo is titled 'Bob McTavish Big Bells 1 - 1965', and signed and numbered by John Witzig (11/100). Signed by John Witzig. Numbered 11 / 100bells beach, john witzig, bob mctavish, easter sunday 1965, bells beach surfing classic -
Australian National Surfing Museum
Magazine, Smorgasboarder, 01/11/2010
... Australian National Surfing Museum 77 Beach Road Surf City ...This is a free surf magazine for all that love surfing. Available 6 times a year. www.smorgasboarder.com.au This issue contains a reference to China Gilberts'memorial paddle out at Torquay and the SurfWorld Revolution exhibition (pg 17)Free full colour surf magazine: SMORGASBOARDER issue #2 Nov/Dec 2010. For all that love surfing. Available from Noosa to Warnambool. 6 times a year. www.smorgasboarder.com.au surfing, smorgasboarder -
Australian National Surfing Museum
Programme, 2000 Rip Curl Pro / Sunsmart Classic at Bells Beach official contest guide, 01/03/2000
... Australian National Surfing Museum 77 Beach Road Surf City ...This magazine is representative of event guides prepared for the Rip Curl Pro at Bells Beach each year. This particular event guide features unique artwork by Indigenous artist/surfer Glenn Romanis including an indigenous representation of the world famous Bells Beach 'bell' on the top left hand corner.The 2000 Rip Curl; Pro event guide featured unique artwork by Indigenous artist Glenn Romanis. During this period the event was one of the first major sporting events in Australia to embrace Aboriginal culture.Full colour 32 page magazine with information about the 2000 Rip Curl Pro / Sunsmart Classic at Bells Beach. The cover features artwork by Indigenous artists Glenn Romanis. The artwork features an indigenous theme relating to Bells Beach.The cover includes the official event title plus sponsors logos, Rip Curl, Sunsmart, Coca-Cola, Tracks surfing magazine, Surfing Victoria, Surf Coast Tourism, Association of Surfing Professionals and Offshore Music.cheyne horan, bells beach, layne beachley, kelly slater, rip curl pro, sunsmart classic, glenn romanis, offshore music festival, terry richardson, nicky wood, mark occhilupo, tom curren, shane dorian, surfers appreciating the natural environment -
Australian National Surfing Museum
Surf Contest Pass, 2000 Bells Beach Competition Pass, 01/03/2000
... Australian National Surfing Museum 77 Beach Road Surf City ...This event access pass was issued to staff, vendors and community volunteers at the 2000 Rip Curl Pro at Bells Beach.The access pass is typical of the pass issued each year to the staff and workers at the longest running surfing contest in the world. The pass features unique Indigenous artwork by Torquay artist/surfer Glenn Romanis2000 Rip Curl Pro Access Pass. Full colour laminated access pass (Outside Staff) for the 2000 Rip Curl Pro and Sunsmart Classic. The pass features cover art by Indigenous artist Glenn Romanis and event management logos. The pass also features a site map on the back and access information.Event management logos on the front. Indigenous Bell artwork by Torquay artist/surfer Glenn Romanis.bells beach, rip curl, glenn romanis, surfing victoria, 2000 rip curl pro -
Australian National Surfing Museum
Poster, 2006 Havaianas Beachley Classic, Circa 2006
... Australian National Surfing Museum 77 Beach Road Surf City ...This poster was produced to promote the richest women's surfing event in the world, the Havaianas Beachley Classic held at Manly Beach, Sydney in October 2006. The contest is unique in that it is organised by 7 times world surfing champion Layne Beachley from Sydney Australia.The 2006 Havaianas Beachley Classic was the only surfing event on the World Championship Tour organised by a professional surfer still competing. Layne Beachley was defeated in the final by young Australian female surfer Stephanie Gilmore. Stephanie Gilmore set a number of records winning this event including the amount of prizemoney she took home and the fact she is the only individual to win 2 ASP World tour events competing as a wild card entrant.Surf Contest, full colour, A2 poster promoting the 2006 Havaianas Beachley Classic at Manly Beach, Sydney, Australia from October 9-15th. The poster festures a red Havaianas thong floating in the water.Sponsors logos - Havaiana, Beachley Foundation, ASP, Sydneylayne beachley, stephanie gilmore, havaianas, manly beach, havaianas beachley classic -
Australian National Surfing Museum
pennant patch, Circa 1964 -1970
... Australian National Surfing Museum 77 Beach Road Surf City ...The Moffateers were a surfing club established by Ma and Pa Bendall at Moffats beach on the sunshine coast of Queensland. The 12 Plus badges were presented to members that were deemed to have surfed waves over 12 feet with confidence and control.Green felt pennant and Green felt patch with cream screen printed details Printed in cream "Moffateers 12 Plus"surfing, big surf, caloundra, ma bendall, pa bendall, surfing pennant, moffats beach -
Australian National Surfing Museum
Surfboard design blueprints, C.R. Downie, 16 foot Hollow Plywood Surfboard
... Australian National Surfing Museum 77 Beach Road Surf City ...These blue prints show the design for a classic 16 foot hollow plywood surfboard that would have been made between 1935-1955. The plans show how the board would be constructed from plywood and other timber materials. The Hampton area of Melbourne was home to many surfers at this time.Excellent example of the type of plans used by surfers to make surfboards during the middle part of the 20th century. Blue print for design of 16' foot surf boardDesigners name and address - C. R. Downie, 21 Hampton St, Hampton S.7. -
Australian National Surfing Museum
Sticker, God Went Surfing, Circa 2010
... Australian National Surfing Museum 77 Beach Road Surf City ...God Went Surfing With The Devil is the award winning documentary film by Alex Klein which charts the dangers and difficulties of surfers living in Gaza. The film was released in 2009 and has screened at film festivals around the world.Ground breaking documentary exploring surfing in one of the most dangerous regions of the world. Historic examination of efforts by surfers to create harmony between Israeli's and Palestinians in Gaza.Round black and white sticker with a surfboard in a middle of the iconic 'peace' symbol.website - www.godwentsurfing.comalex klein, gaza beach, middle east surf -
Australian National Surfing Museum
Photograph, Jack Eden, Final Wave - 'Midget' Farrelly, 17/05/1964
... Australian National Surfing Museum 77 Beach Road Surf City ...This stunning black and white photograph by Jack Eden shows Midget Farrelly doing a cutback on the final wave he rode during the 1964 World Titles at Manly Beach, Sydney, Australia. Rare photograph of the last wave Farrelly rode during the final of the first World Surfing Titles at Manly Beach. Farrelly was declared the winner and surfing's first World Surfing Champion after this photograph was taken.Black and white photograph of 'Midget' Farrelly surfing in 1964 World Titles at Manly Beach, Sydney.jack eden, manly beach, bernard midget farrelly, 1964 world surfing titles -
Australian National Surfing Museum
Photograph, Jack Eden, Sylvia Hoogeveen - Warrilla Championships, Circa 1965
... Australian National Surfing Museum 77 Beach Road Surf City ...Black and white photograph taken by Jack Eden of Sylvia Hoogeveen surfing at the 1965 Warrilla Championships. Hoogeveen is a goofy foot surfer riding an 8 foot plus longboard.Rare photograph of a female surfer competing at regional surfing contest in 1965. The photograph is part of a limited edition, collection of images created by noted Australia surf photographer Jack EdenBlack and white photograph by Jack Eden of Sylvia Hoogeveen riding a surfboard in 1965.Black and white framed photograph signed by Jack Eden (number 10) jack eden, sylvia hoogeveen, warrilla beach, 1965 warrilla championships