The aircraft was built in 1957 by Cliff Brown. It is an EPB 1, a 26 foot tailless sailplane designed in United States by Al Backstrom, Phil Easley and Jack Powell in 1954 as a simple, cheap, compact craft.A small number of single seat gliders of this type were built in Australia in the 1950s. As far as is presently known, the only surviving substantially complete EPB 1s are Cliff Brown’s glider and another held by the RAAF Association at Bull Creek in Western Australia. Unfortunately, no trace exists of the Flying Plank built by Glidair Sailplanes in Sydney and test flown by Fred Hoinville at Moorabbin in 1957. In addition, a larger two seat derivative (known as the Twin Plank) designed and built by Glidair Sailplanes (completed 1958) is held at the Power House Museum, Castlehill, in Sydney. Single seat tailless glider with wing tip rudders. The glider is of wood / fabric construction and has been restored for static display by recovering with new fabric and painting. Noneaustralian gliding, glider, flying wing, flying plank, home-built, cliff brown, al backstrom, fred hoinville, glidair sailplanes

Presentation to WO2 Cliff Browning ((Air Services Comm)plaque, vietnam, general

Article in Nunawading Gazette. Mitcham Post Office won an award for excellence, judged on team work, health & safety provisions, community involvement and innovation. The award was devised by Australia Post to encourage better service to customers.postal services, mitcham post office, striving for excellence award, toliday, ross, sherwood, melanie, mansell, dean, kendall, robyn, brown, cliff

Dr George James Scantlebury practised as a doctor in Linton in the 1880s. He married Catherine Millington Baynes who was Postmistress at Linton. The family moved from Linton to Cheltenham in 1889. Vera Scantlebury was born in Linton in 1889 just before the family left for Cheltenham. The Scantlebury's other three children were all born in Cheltenham - George Clifford (Cliff) in 1890, Dorothy (Dot) in 1893, and Ethel Eileen (Eileen) in 1899. Vera Scantlebury (afterwards Vera Scantlebury Brown) also became a doctor. She was instrumental in the establishment of the Infant Welfare Division of the Victorian Health Department, and was first Director of Infant Welfare. Dorothy Scantlebury became Principal of Toorak College in 1942.Black and white copy of original photograph. Family portrait shows Dr George Scantlebury, his wife Catherine (nee Baynes) and their four children, Vera b. 1889, Cliff b. 1890, Dorothy b. 1893, and Eileen b. 1899. L-R: Eileen, George, Vera, Catherine, Dorothy, Cliff.dr george scantlebury, catherine scantlebury (née baynes), vera scantlebury-brown, cliff scantlebury, dorothy scantlebury, eileen scantlebury

Rural City of Wangaratta Collection, Wangaratta Art Prize - Grand Winner 1988.A landscape oil painting of a cliff face painted in browns, greys, blues, green, and yellows.Obverse: W MAGILTON/ (bottom left corner) WANGARATTA ART SHOW - 1988/ 150th CELEBRATION SPECIAL AWARD/ GRAND WINNER - OIL/ (plaque mounted on frame)wangaratta art gallery, walter magilton, landscape, painting, mount buffalo

A photo from a newsletter from September 1953. The photo shows the Malvern boys class, which had approximately 40 members Back row: Garry Burns, Merv Nelson, Ted Soutar, Peter Grenfell, Don McKneil, Frank Batty, Ross Moloney, Don McKean. 2nd row: John Kerlie, Ian Cameron, Dick Farnback, Norm Brown, John Farnbach, Ian Grainger, Graeme Pocknee, Frank Rutledge, Fred Strong, 3rd row: Graham Thorp, Norm Wright, Brian Scarlett, Ron Wilson, John Wright, George Brown, Alec Addison, George Thorpe, Harold Boyes. 4th row: Andrew Tonkin, Edward Pocknee, William L Brown, Max Hamilton, Ken Jacka, Don Walker, Cliff McAliece, John Brown, John Buckle. Front row: Geoff Strogeon, Richard Bowman, Dick Payne, David Trigg, Ken Dean, John Clarke, William J Brown. Other names mentioned in the article include new boys, Harold Boyes, Ken Dean, Frank Rutledge, Richard Bowman, Max Hamilton, David Trigg, Ian Brown, Cliff McAliece, Andrew Tonkin, John Buckle, Ian Newnham, Norm Wright, John Clark, Brian Payne, Don Walker. The newsletter mentions that the photos of the boys classes were donated to Legacy by Mr John Beckett of Sandringham. Individual photos being catalogued to record detail about each one.The newsletter outlining news of Junior Legatee activities with mentions of boys by name.Black and white photo of the Malvern boys class printed in a newsletter in September 1953.junior legatees, boys classes

Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp

Depiction of a beach with large boulders in the foreground. The boulders are covered in lichen and algae, and beach sweeps up towards centre right of image. The central third of painting shows the sea (continuing behind the boulders), depicted in blue with white highlights and dark blue shadows. It is edged in the background by a cliff face (painted in brown and grey). Sky is darker blue at top and lighter blue where it meets the horizon. Mounted in double matt (pale tan on faun) with decorative cut-out border, framed under glass in wooden frame.Front: Rankin '90 (lower right) (white paint) Back: 333 (upper left) (sticker) 1990- (upper left) (pencil). Low tide Cape Grant area September 1990 $350 Pastel Ian Rankin. 46 Hurd St Portland Vic 3305 Phone Portland 231465. Phone 055/231465.cape grant, seascape, beach

Table of Contents: Editorial, Rotary converter notes, Ambulance, Slime treatment for attraction of gold, Description of slime settler or dewaterer in use at the Brownhill Consols mine Kalgoorlie, Transvaal geology, Chlorine produced electrolytically, Scaling of copper plates, The eucalyptus, Sports meeting, Rowing, Past students, News and notes, Answers to correspondents, Editorial notices. Images.Magazine of 24 pages. Page 17 lists the whereabout of past Ballarat School of MInes students: J.R. Booth, W.t. Lakeland, Lewis Westcottm Leo M. Seward, Reginald Williamson, Stanley White, Clyde Allan, Charles Lamb, W.E. Eyres, Virgil Tucker, H. Hawkesworth, H.J. Saw, Fred G. Brisnden, C. Stevenson, Fred Treloar, J. Peart, E.M. Weston, Dick Galloway, H.B. Bennetts, G.R. Curry, H. Meadows, Eric Bieske, Cliff Garrard, Phil Brown, Lindsay D. Cameron, Phil Brown,, W.P. Avery, J. Foster, J. Bickett, F.H. Inglis, G. Devenport, t. lennon, h. wilkins, g.h. reid, c. hesselman, E. Fraser, Reginald Callister, F. Bicknell, Leslie Blick, W.T. Sayer, W.F. Hall, O.e. Jaeger, W. Gelard, P.C. Downes, G. Sides, F. Bruce, Frank Bruce.rotary converter, ambulance, slime treatment for attraction of gold, slime settler or dewaterer, brownhill consols mine kalgoorlie, transval geology, chlorine produced electrolytically, scaling of copper plates, eucalyptus, alumni, rollo e. huntley, j.r. booth, w. t. lakeland, lewis westcott, leo m. seward, reginald williamson, stanley white, clyde allan, charles laird, w. e. eyers, virgil tucker, h. hawkesworth, h. j. saw, fred g. brinsden, c. stevenson, fred treloar, j. peart, e. m. weston, dick galloway, h. b. bennetts, g. r. curry, h. meadows, will watson, don cameron, eric bieske, cliff garrard, lindsay d. cameron, phil brown, w. p avery, j. foster, james bickett, f. h. inglis, g. davenport, l. c. courbould, t. lennon, h. wilkins, g. h. reid, c. hesselmann, e. fraser, reginald callister, f. bicknell, leslie blick, w. t. sayer, h. f. hall, o. e. jaeger, w. geldard, p. c. downes, g. sides, f. bruce, e. c. hurdsfield, william baragwanath, r. i. moore, j. l. sampson, h. conran, w. gelard, frederick j. martell, h. cornell, g.c. klug, great fingall consolidated ltd, transvaal geology, eucalyptus gum tree, w.t. lakeland, lewis westcottm leo m. seward, charles lamb, w.e. eyres, h.j. saw, fred g. brisnden, e.m. weston, h.b. bennetts, g.r. curry, w.p. avery, j. bickett, f.h. inglis, g. devenport, g.h. reid, c. hesselman, w.t. sayer, w.f. hall, o.e. jaeger, p.c. downes, frank bruce., mt morgan, kalgoorlie, mt elliott copper mine, ballarat city baths, r.b. young

This certificate and others to the Sub - Committees of the Bendigo Sub Branch and to a number of individuals was internally generated by the Sub - Branch in recognition of the award. The award is a yearly one from the Victorian RSL Licensed Sub- Branch Association.Framed certificate, frame is timber brown colour, certificate has RSL logo at top LH corner with a maroon section to it’s right followed by “Bendigo District RSL Sub - Branch Inc - Certificate of appreciation awarded to Museum committee”. Below that are the details of the award and signed. At the bottom is the Sub - Branch Commercial Logo.Main points; “In gratitude for your hard work and dedication in the furtherance of the Bendigo District RSL Sub - Branch Inc” “Your professionalism and support are a valuable asset to the organization and played a pivotal role in the RSL being awarded the “2006 Licensed Sub Branch of the year” “Mr Cliff Richards. President. Mr Erik Wynveen General Manager” brsl, smirsl, certificate, licensed sub branch

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints." Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of a "watercolour, gouache, pencil on brown paper". Depicts "soldiers near huts and trenches surrounded by cliffs and a ravine” Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "HORACE MILLICHAMP MOORE-JONES (1868-1922) Anzac Headquarters Gallipoli, 1915." Enlisted with the New Zealand Expeditionary Force in 1914 and was sent to Gallipoli. framed accessories, prints, ww1, gallipoli, centenary

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. COPY OF AN ORIGINAL PAINTING - OIL PAINTING ON HARDBOARD. Depicts - an interpretation of the Gallipoli story of Private John 'Murphy' SIMPSON KIRKPATRICK and his donkey. Colours - vivid oranges with some white and brown. Visible in the painting - donkey, wounded soldier, rocky terrain, background figure of "Simpson" and cliff and gullies. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper."CLIFTON PUGH (1924 - 1990) Untitled IV (Simpson and His donkey) 1990". Clifton Pugh was appointed as the Australian War Memorial's official artist at the 75th Anniversary of the Gallipoli landing. He served in the Second World War in New Guinea and Japan.framed accessories, pprints, ww1, gallipoli, centenary

The postcards are addressed to the Mother of C.J.C. McQuie MM, all written in 1917. .2) Card talks about his leave plus sending a map home of the ground over where he was W.I.A. Card scene is Hele Beach Ifracombe. .3) "Combe Martin" .4) "The Torrs Walk Ifracombe. .5) "Ifracombe, Santern Hill & Hillsborough". .6) "The Dripping Well Barnstaple" .7) "Barnstaple High Street" Items in the collection relating to C.J.C. McQuie MM, refer cat No 9680P for his service details. All the postcards are in sepia tone. .1) Envelope light brown colour, has 4 green stamps, addressed in purple indelible pen. .2) Postcard, view across a valley, text on rear in black pen. .3) Postcard, view across a Valley, text on rear in black pen. .4) Postcard, view from Cliffs to Ocean, text on rear in black pen. .5) Postcard, view across Ocean to Hills. .6.) Postcard, view of a well in a garden. .7) Postcard, street view in a town..2) On rear, "14th Nov17, Royal Clarence Hotel Ifracombe" .3) On rear, "This is a view of Hillsborough" .4) On rear, "Walked around here yesterday & then to L...& Bull Pt Lighthouse" .5) On rear, "Royal Clarence Hotel Ifracombe 16/11/17 - Great views from the top of this hill - I am walking to Barnstable today, 12 miles from here"postcards, mcquie

"Colours in Bendigo" Passchendaele Barracks, Mollison Street.Photographs - 2 copies of a " Colour Party" at Passchendale Barracks, Mollison Street. Bendigo, Vic Left - black and white C1960's. Right - colour C1980's. Two engraved brass plates above and below photographs. Printed names on white card below photographs. Frame - timber with decorative moulding, brown stain, pink colour mount glass front, Engraved brass plates - top - "Colours in Bendigo/Passchendaele, Mollison Street" Below - "Presented to Mr. Cliff Richards, President of the Bendigo & District RSL/ and its members by the Officers and Soldiers of Charlie Company 8/7 RVR." Black print on white card below photographs; Left "38 Battalion, Australian Imperial Force". Right "8th/7th Battalion, The Royal Victoria Regiment" with 6 names listed below.photography-photographs/frame accessories, passchendaele barracks trust

Dark blue softcover with photo of a large group of soldiers on the side of a cliff near a bridge.Written on first page "Donated by Bendigo YMCA"books, history

In World War 2 residents of Victoria were concerned about enemy attack so a series of Spotters Huts were established along the coast. In Lorne the Spotters Hut was at Queenspark in the old recreation building. Many locals volunteered their time. The plaque was made by the Lorne Historical Society to honour these people who volunteered to join the Air Observers Corp. A rectangular thin Metal sheet , with black printing. This plaque was made in 1997 as a project of the Lorne Historical Society to pay tribute to the Spotters who worked in the spotters cabin at Queens Park Lorne during the Second World War. It listed all the names of the know Spotters, Win Allen, Nita Armistead, George Armitage, Olga Armitage, Grace Brown, George Crabbe, Monty Craig’s, Margaret Cunningham, Marj Gaylord, Marj Grant, Annie Stirling, Margie Fairbairn, Sheila McIntyre, Wilhemena Morris, Murray Morton, Nick Murnane, Eva Norton, Miss Pethabridge, Eileen Quick, Chas Read, Rev Ken Robert’s, Jack Stirling, Fred Harlock, Nellie Harlock, Cleve Herbert, Joyce Herbert, Hubert Howell, Bert Hughes, Helen Hughes, Enid Jarrett, Alice Kendrick, Marion Kendrick, Rowley Valentine, Mrs G Schram, Don Stewart , Hector Stribling, Cyril Barcoe, Rev Wilson, Kevin Dare, Cliff Green, Shirley Heathcote, Murray Milne. The plaque was placed on the Spotters Hut in 1997 but removed when the hut was remodeledspotters, world war 2, queens park, second world war

White single card with a coloured seaside scene. 2 men in a boat near the rocky shore and some sheep grazinf on the cliff top. Some red in the foreground.HLD printed in brown on the green field. 'May peace ring out Old-Year for you: And Love and Joy chime in the New.' printed in grey at the bottom. Card has rounded corners.person, greeting cards, malone collection, malone collection, greeting cards

This postcard folder is one of three in a set of postcards that were published in Victoria, Australia, and collected together. The Valentine Publishing Co. Pty. Ltd. produced this folder. Valentine and Sons was a printing and photography business based in Dundee, Scotland, and in Canada. In the early 1900s, at the height of the postcard craze, the firm published large numbers of postcards in the U.K., Canada, U.S., Australia and South Africa. From around 1900 or earlier, the firm bought many lithographic images for its postcards from local and national photographers who sold publishing rights to Valentines, and the business was famous for publishing photographs of popular sites worldwide. Postcard titles in this folder include many of those in the Rose postcard folders plus the following titles that are not duplicated. . Municipal Buildings and Post Office . Soldiers’ Memorial . Hopkins River . The Cliffs at Shelly Beach . The Road to Sandy Beach . The Breakwater and Pier This Valentine postcard folder was produced in Australia. It includes pictures from the early-to-mid 20th century. It is one of three in a set, with images of the same locations as other images in our collection but at different periods in time. Each postcard records a moment in history and is significant as a way to compare and show the changes in the local environment and community, building a story of the local history. The images record changes in the coastline, land, bay, buildings and other structures, roads, transportation and even the fashions of the times.Postcard folder, Valentine Publishing, cream cover. One of a set of three displaying images of Warrnambool and district around the mid-20th century. Print on the front and back covers is in brown ink. The front has an image of two laughing kookaburras on a branch, three address lines and an outline for a postage stamp. The back cover has the publisher’s details and a line for a return address. The cover opens like a book, and then the double-sided, Z-folded page of photographs drops downward. Titles are printed below each of the fifteen black and white photographs inside. The folder is secured on the back cover by placing a tab into a slot. The folder was produced by The Valentine Publishing Co. Pty. Ltd. Melbourne“WARRNAMBOOL / PHOTOGRAPHIC SOUVENIR” Symbol: [Two facing kookaburras standing on a branch with beaks open] “Published by The Valentine Publishing Co. Pty. Ltd. Melbourne” flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, warramble, postcard, postcard folder, warrnambool scenes, picturesque views of warrnambool, picturesque views of warramble, lady bay, port of warrnambool, breakwater, warrnambool breakwater, viaduct, merri river footbridge, merri river suspension bridge, suspension footbridge, merri river mouth, hopkins river mouth, proudfoot's, fanny nelson, nelson's boatsheds, nelson's boathouse, boathouse, hopkins river boathouses, flett's boathouse, flett, george rose, image of a rose, rose series, rose stereograph co, rose stereographic company, lighograph, armadale victoria, lady bay beach, beach scene, lower light, concrete footbridge, 1922 footbridge, viaduct road, rose postcard, new concrete bridge, 1945, 1890, 1922, small footbridge, 1872 footbridge, 1872, merri river estuary, stingray bay, postcards, concertina fold, z fold, shipwrecked coast, maritime museum, souvenir, warrnambool local scenes, photography, local history, tourism, photographs, visitors, travel, scenes, mid-20th century, 1940s, 1950s, z-fold, 1880s, collection, correspondence, valentine publishing co. pty. ltd melbourne, valentine publishing co. pty. ltd sydney, municipal buildings and post office, soldiers’ memorial, hopkins river, the cliffs at shelly beach, the road to sandy beach, the breakwater and pier

Black and White photo of class group in schoolgrounds.. Handwriiten names are on reverse, but in difficult to read handwriting. The names are difficult to read and not always clear which names match whilch children. (See attached image of reverse of photo)Handwritten on Reverse: R to L Backrow: Cliff Di...., Wil Madden, Harry Brown, ?, Alf Richards, Frank Krafft, Sam Brown, George Greenwood, -, Ernie Asper, Geoff Blood, - Middle: R. Pump, Violet Coffiir, Mollie Delanay, Dorrie Barber, Dorrie Dickson, Evlyn Parka, Lucy Pratt, Gladys Aird, Ella Pump, Dorrie Corrie, Nellie Allmaw, Mabel Curry, Florrie Davidson ------ Vida White, Rita Thomas, Violet Whiter, Thelma Whiter Front Row: R to L. Will Greenway, Eddie McLean, Les Dickson, Will Corrie, Ray Cooler, Cliff Wagner, Sam Brookes, ----, Willie Lee, Les Davidson Grade 5 & 6 1915.