Archive File - JUDGE, Dr. Cliff

From the Collection of Kew Historical Society Inc Level 1, Kew Court House 188 High Street Kew Victoria

Description: Archive file containing information on Dr Cliff Judge. The file contains a newspaper obituary from 2002 by Howard Cooper and Astrid Judge.
Size: A4 Vertical File
Object Registration: 2017.0498
Keywords: kew historical society - archives, kew - history, dr cliff judge, kew cottages - victoria, psychiatrists - victoria
Historical information: Since its foundation in 1958, members of the Kew Historical Society have been compiling and storing information about subjects relating to the history of Kew and its environs, of which this file is an example. Typically files will contain primary and secondary sources.
When Made: 2002
Last updated: 16 Dec 2018 at 10:51PM

Costume - Pink Knitted Dress / by Grace James, 1988

Kew Historical Society Inc, Kew

Knitted dress Long-sleeved pink, knitted wool dress with a high round neck created by the dressmaker Grace James for her daughter Ceri Spain in 1988. Acquired in 2006 Grace James Collection Fashion & Textiles, 2006.0048

Historical information

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.

Significance

While most of the items in the Fashion and Textiles Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.

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Costume - Patchwork Skirt, Synthetic Taffetas / by Grace James 1988

Kew Historical Society Inc, Kew

Long silk taffeta skirt made of patchwork silk pieces/panels with a matching silk scarf. The patchwork panels are in shades of pinks, purples and blues. The skirt is secured with clear plastic press-studs. A narrow internal border of lace is attached to the basque.

Historical information

Significance

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Costume - Patchwork Dressing Gown, Varied Materials / by Grace James 1987

Kew Historical Society Inc, Kew

Multicoloured patchwork waisted dress featuring a full skirt.

Historical information

Significance

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Costume - Apricot Chiffon Frock with Waterfall Front and Satin Shift / by Grace James 1981

Kew Historical Society Inc, Kew

Three-piece pink chiffon outfit, the outer sections of a different floral weave. The two outer sections are attached with buttons at the waist. The plain pink shift with a zip at the neck was created to wear underneath

Historical information

Significance

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Costume - Handwoven Jacket with Knitted Bands / by Grace James 1978

Kew Historical Society Inc, Kew

Multi coloured knitted long coat dress

Historical information

Significance

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Costume - Red Crepe Full Length Dress with Two Patterned Chiffon Overlap / by Grace James 1973

Kew Historical Society Inc, Kew

Long plain red sleeveless dress made of a crepe like fabric. The dress has narrow strapped shoulders. Red, pink and black floral chiffon overlap. Th chiffon overlap is a John Kaldor fabric.

Historical information

Significance

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Costume - Black Jersey Caftan with Turquoise Braiding and Matching Hood / by Grace James 1972

Kew Historical Society Inc, Kew

Black caftan decorated with aqua braid and matching cap

Historical information

Significance

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Costume - Brown Frock with Braids and Matching Jacket / by Grace James 1972

Kew Historical Society Inc, Kew

Three piece brown outfit comprising a long dress, a separate bodice and a belt of scarf. The outfit is made of a synthetic fabric. The long plain brown dress has been designed with a matching bodice that features a tan trim; the wide belt/scarf is striped. Brown silk purse with brass fittings

Historical information

Significance

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Costume - Year 12 Valedictory Dress / by Grace James 1971

Kew Historical Society Inc, Kew

Floral jersey with matching cape and small coin purse

Historical information

Significance

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Costume - Purple Evening Dress / by Grace James 1969

Kew Historical Society Inc, Kew

Long mauve dress of a heavy crepe like fabric incorporating floral embroidery.

Historical information

Significance

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Etching - View Across Princes Bridge / by John Shirlow, 1931

Kew Historical Society Inc, Kew

Framed black and white etching by John Shirlow of the view across Princes Bridge [Melbourne] looking north. The work is signed in pencil below the signed and dated etching.

Historical information

John Alexander Thomas Shirlow Australia, 1869-1936

Significance

Original signed artwork by John Shirlow

Inscriptions & Markings

Artist's signature lower right

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Textile - Lace Edging

Kew Historical Society Inc, Kew

Maltese lace edging. It shows the Wheat ears, characteristic of Maltese lace

Historical information

This form of bobbin lace is made in Malta. It is a guipure style of lace. Maltese lace is worked as a continuous width tape lace on a tall, thin, upright lace pillow called a "Trajbu" and the Bobbins are called "Combini" . Bigger pieces are made of two or more parts sewn together. Lace made in Malta was originally needle lace, from the 16th to the 19th century, when the economic depression in the islands nearly led to the extinction of lacemaking there. But in the mid 1800s, Lady Hamilton Chichester sent lacemakers from Genoa to Malta. They used the old needle lace patterns and turned them into bobbin lace, which was quicker. It was not long after its introduction that the Maltese lace developed its own style from Genoese lace. Maltese lace was shown at The Great Exhibition of 1851 and it became popular in Britain. The style was copied by lacemakers in the English Midlands, and it was one of the sources for Bedfordshire lace. Characteristics of Maltese lace Maltese lace usually has the following characteristics which are useful for identification: It is usually made from cream silk. There is often the 8 pointed Maltese cross as part of the pattern, worked in whole or cloth stitch. The pattern may also have closely worked leaves known as “wheat ears” or “oats”. These are plump and rounded in shape, rather than the long narrow leaves of other types of bobbin lace.

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Costume Accessory - Lace Pelerine Collar

Kew Historical Society Inc, Kew

Cream net machine embroidered collar with ruffle of chemical lace. Machine constructed post World War 1. Worn in the evening

Historical information

A pelerine is a small cape that covers the shoulders. It was most popular during the mid- to late nineteenth century.

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Costume Accessory - Lace Jabot

Kew Historical Society Inc, Kew

Machine embroidered broderie anglaise dress front with lace edging hanging from a shoulder to shoulder broderie anglaise panel

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Costume Accessory - Lace Collar

Kew Historical Society Inc, Kew

Cream organdy collar. Machine embroidered with flowers and leaves at the edge of the collar. Trifoils embroidered at the neck edge of the collar. The collar is divided into three panels by two embroidered lines which open into a diamond shape at the outer edge

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Costume Accessory - Sleeve Cuff

Kew Historical Society Inc, Kew

One of a pair of muslin cuffs as worn by maids. Hand sewn.

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Costume Accessory - Lace Collar

Kew Historical Society Inc, Kew

Cream collar. Panels of locked stitch lace onto netting are alternated with cut work. The neck edge is bound with fabric to attach the collar to a garment

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Religious Clothing - Monogrammed Confirmation Veil

Kew Historical Society Inc, Kew

A square silk veil, folded back on the monogrammed corner. And pinned to the head

Historical information

These were worn in High Anglican Churches by girls being confirmed until the 1960s. Some churches lent them to the girls, others owned their own veil. View the photograph of Judith Scurfiled wearing such a veil at her confirmation at St Hilary's John Street, Kew. This veil was donated by

Inscriptions & Markings

Embroidered with a W on one corner

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Costume Accessory - Lace Dicky

Kew Historical Society Inc, Kew

A fine cotton dicky with collar and front opening edged with tape lace and then edging lace

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Costume Accessory - Silk and Lace Scarf

Kew Historical Society Inc, Kew

Rectangular silk panel edged with lace at either end.

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Archive File - JUDGE, Dr. Cliff

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